Their Chromatic Approach Will Blow Your Mind

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  • เผยแพร่เมื่อ 23 ธ.ค. 2024

ความคิดเห็น • 11

  • @alfbarroso
    @alfbarroso ปีที่แล้ว +1

    Soren , you’re an absolutely good teacher! Period.

  • @WBradJazz
    @WBradJazz 3 หลายเดือนก่อน +1

    Great video

  • @peer.schmidtke
    @peer.schmidtke ปีที่แล้ว +3

    Great lesson!

  • @RalphBrooker-gn9iv
    @RalphBrooker-gn9iv ปีที่แล้ว +3

    Lee Konitz was a densely chromatic player as opposed to his colleague Warne Marsh. Konitz & Marsh the best I’ve been privileged to see. Love Bird. But Coltrane and Brecker! A chorus at most.

    • @sorenballegaardmusic
      @sorenballegaardmusic  ปีที่แล้ว +1

      so true konitz and Marsh - but march did some wierd chromatics too no?
      Yeah Coltrane and Brecker can get a bit intense :)
      Love Bird absolutely. Love em all

    • @RalphBrooker-gn9iv
      @RalphBrooker-gn9iv ปีที่แล้ว

      @@sorenballegaardmusic I liked Coltrane with Eric Dolphy. Absolutely love ED and Trane played fewer choruses. But you’re right. Love them all. I even remember listening to Earl Bostic records as a kid because Trance started out with Bostic. That insane vibrato! I think of Bostic when I hear Cannonball.

  • @bobblues1158
    @bobblues1158 ปีที่แล้ว +2

    I think a lot of this has to do with the fact that Bird played alto and Trane is a tenor player. I think also that Michael studied Joe Hen. You give some very good information Søren!

    • @sorenballegaardmusic
      @sorenballegaardmusic  ปีที่แล้ว

      I think they were all trying new sounds and were very innovative. All three have different approaches to chromatics - really facinating how this can change your sound so much!
      thank you so much for your positive comment!