Very good execution of that aria. She carried the musical line very well with great precision and confidence. In Selva Opaca the Julia s fear was evident. She even crushed sound for better control. in Cherubino's aria She is perfect. Brava!
Особую прелесть этому исполнению придаёт выбранный Юлией темп. Несуетный, раскрывающий, и усиливающий нежную певучесть, и лирическую убедительность арии - с чётким, внятным проговариванием текста, и максимально насыщенный выразительными нюансами в интонациях... Браво!
The thing about Lezhneva is that one could turn the sound off and still love this (and every one of her) performances. Her affect is so genuine and engaging, that she immediately seduces one. So quite apart from her superb vocalism and musical artistry, one cannot but be smitten by her persona.
Julia is a beautiful and gifted Angel whose voice carries clear and pure across the heavens. Joyous and uplifting! Thank you for sharing. Mike Kelly, San Angelo, TX
Floats through the melody so beautifully with purpose and joy. I don't know what the words mean. I am getting this from the sound of her voice within the music and melody of the orchestra
Jean Amherd 28/11/2019 Cette cantatrice Julia Lezhneva, inconnue pour moi, a une voix, des intonations exceptionnelles, que je puis comparer aux divas renommées. Que de fraîcheur dans cette exécution des Noces de Figaro.
Where does it say that the orchestra is not allowed to blossom with dynamics along with the singer? Or support him, as he does? Want me to do it? I have with all the Lilliputians during MANY Joshua Bell performances!
I 💖 this Opera. It reminds me of my childhood... 😭😢 Listening to Mozart and daydreaming... "Voi che sapete che cosa e amor, Donne, vedete, s'io l'ho nel cor, Donne, vedete, s'io l'ho nel cor. Quello ch'io provo, vi ridiro, E per me nuovo capir nol so. Sento un affetto pien di desir, Ch'ora e diletto, ch'ora e martir. Gelo e poi sento l'alma avvampar, E in un momento torno a gelar. Ricerco un bene fuori di me, Non so chi il tiene, non so cos' e. Sospiro e gemo senza voler, Palpito e tremo senza saper, Non trovo pace notte ne di, Ma pur mi piace languir cosi. Voi, che sapete che cosa e amor Donne, vedete, s'io l'ho nel cor, Donne, vedete, s'io l'ho nel cor, Donne, vedete, s'io l'ho nel cor. English translation: You who know what love is, Women, see whether it's in my heart, Women, see whether it's in my heart. What I am experiencing I will tell you, It is new to me and I do not understand it. I have a feeling full of desire, That now, is both pleasure and suffering. At first frost, then I feel the soul burning, And in a moment I'm freezing again. Seek a blessing outside myself, I do not know how to hold it, I do not know what it is. I sigh and moan without meaning to, Throb and tremble without knowing, I find no peace both night or day, But even still, I like to languish. You who know what love is, Women, see whether it's in my heart, Women, see whether it's in my heart, Women, see whether it's in my heart"
Ella domina muy bien el fraseo, en un idioma que no es el de ella, para ser rusa, tuvo dominio excelente de los agudos, sin emitir cambio de tesitura y color en la emisión sonora.
She sings the most boring arias in a way that make me fall in love with them like I have never before.. besides the phenomenal clarity and accuracy of sound, the phrasing is Exquisite.. she delivers the melodies to a new maximum
Which boring arias are you referring to? I don't know of any boring arias by Mozart and i don't think Julia sings any boring arias by him or anyone else.
She does sing the occasional boring aria to give it life and charm, as you say: usually virtuoso pieces by minor baroque composers dealing in fiendishnesses without much regard for art. This, however, is hardly one of the boring ones…
How can a melody be rated as boring or not depending on the ability of the performer? It must be the lack-lustre singing not the music itself that makes a difference. This rendition of a popular, not boring, aria from Marriage of Figaro is one of the best.
Cor Cordis What you think about the marvelous Federica VON STADE ? I remember saw her in the Giorgio Strelher's wordlwide famous edition of NOZZE ; she left speechless the whole audience. By no means, my all-time favorite is still Teresa BERGANZA, in a nice edition by Daniel BAREMBOIM conducting English Chamber Orchs, with D.FISCHER-DIESKAU as Conte and Geraint EVANS as Figaro.
I want to finish my last life while listening to her soprano under cherry blossoms in full bloom and blowing in a storm of the falling cherry blossoms . 🍎 From effulgent Tokyo in profound Japan Which national are you watching this video ？
@@brookeggleston9314 Thank-you so much to your reply ！ How is your conditions and your country ？ In Japan , we feel the autumn atmosphere . The row of ginkgo trees looks like the yellow carpet , and the forest of the maple is covered with the red carpet by falling leaves . In the night , autumn insects are singing in a transient chirp in my garden under the shining moon . By the way , speaking of Massachusetts , I remember 「 Massachusetts 」of music . Take care of yourself Be on the alert for Coronavirus infection Good luck ！
@@shin-i-chikozima Yes, autumn is here as well! Some of our oaks are changing colour, and we must beware of falling acorns - they hurt when they hit you! Some of our maples are red, others are orange and yellow. Our birches are yellow as well. The temperature yoyos up and down. Today the high was 60°. In a few days, it will be 80°! That won't last, for the temperatures will soon be steadily dropping. I hope we get a great deal of snow this winter. Last winter we had little, and we are in a drought as a result. Things are so dry that if a fire started in the fields or forest, we could find ourselves in trouble. Not as bad as California, but trouble nonetheless! I have already had Covid19. Fortunately, it was a mild case, but difficult. It was like trying to cough up dried rubber cement! Sadly, I lost two friends and a number of acquaintances. Now, Massachusetts is in good shape, but we still wear masks and can only have small gatherings. Some states are worse now than New York was at it's worst. I hope we can get rid of this horrible excuse for a president we have now! People in Japan have a much better attitude! I can hardly wait until I can get out and have sushi again! I especially love mackerel! Thank you for responding to my message! I thought a year might be too long ago! Stay safe and healthy! Blessings . . .🌊✨👁️🙇♂️👁️✨🐬
@@brookeggleston9314 Thank-you so much to your wonderful and impressed reply ！ In Japan , 「Go to travel 」campaign starts . Take care of yourself Good luck ！ There are many Japanese autumn delicious foods in Tokyo . Someday please visit Japan . Someday I am looking forward to visit Massachusetts where is fascinating our Japanese . May glory , prosperity and wealth be brought to your Massachusetts where I deeply love and respect .
This is a Cherubino whom the Countess herself would be seduced by! No one has ever looked the part on stage better than Maria Ewing, but I should love to see what Julia would do with it.
Sean Gaffney Please, come on! This is not an opera production, it's a concert! Of course she's a soprano, but so many sopranos have sung this popular aria in concerts before, and she has no difficulty in singing the lowest parts of the aria at all. And she's pleasing the audience with a well-known aria as an encore. Let us not put so many boundaries to singers (and listeners), please. Just enjoy the beautiful music and singing!
Julia is considered a baroque soprano and a colouratura mezzo. I don't know how "they" came up with that, but it's been stuck on her and she's been singing that way!
Россини Сивильский цилюльник Я так безропатна простодушна вежлива очень очень паслушна и уступают всем во всем Но задевать себя я не позволю и настрою я на сваем не перед кем я не орабею и все будет так как я хочу Исполнение Мария Каллас
Mozart en toute ' simplicité ' pas d'effets gratuit que la musique avec les attaques de notes très soignées et délicates. C'est volontairement sans grandiloquence et très justifiable dans le style ( avec un orchestre plus méritant dans ce morceau )
Está muy bien para un Cherubino siberiano, pero para uno español lo veo un poco plano. Cantar es algo más que dar las justas y exactas notas de un pentagrama.
Pedro DG Esta chica tiene una voz muy expresiva ya de por sí... no necesita los manierismos y afectaciones que otros cantantes añaden a sus interpretaciones para aportar expresividad. En Lezhneva, como en otros grandes cantantes, los matices emocionales están en la propia voz. Si escuchas con atención, allí están, pese al tempo demasiado lento con que el aria fue ejecutada, que tampoco favorece demasiado en este sentido. Si escuchas otras arias interpretadas por ella, verás que la expresividad no es algo que le falte (por poner sólo un ejemplo también de Mozart, su "Exsultate, Jubilate"). Sinceramente, no creo que se limite a "dar las notas justas de un pentagrama".
Cor Cordis He visto de ella algunas interpretaciones, entre ellas el Exsultate de Mozart y en ese caso si que estoy de acuerdo con usted. Me parece perfectamente ejecutado. De todas formas no me acaba de convencer en esta interpretación, en un Cuerubino que debe ser, pienso yo, puro fuego juvenil. Yo sigo viendola inexpresiva.
Pedro DG Ese puro fuego juvenil de Cherubino queda plasmado sobre todo en su primer aria "Non so più", aparte de en los recitativos y la escena. "Voi che sapete" tiene matices diferentes. En ella, Cherubino le está confesando a la Condesa (su único amor platónico sin connotaciones sexuales) la confusión que siente y los cambios que está experimentando; le muestra incluso cierta fragilidad que inspira ternura. Creo que Lezhneva sí consigue plasmar bastante de esto en su interpretación. Por otro lado, como ya dije, el tempo es excesivamente lento y el aria pierde ímpetu en algunos momentos por este motivo, en mi opinión.
Simple se référait à son interprétation. C'est le premier air que je donne à travailler à un mezzo;alors,tendu...Ce n'est qu'un Fa.Un mezzo qui n'a pas le La peut changer de métier.
Rig SF Mozart isn't considered "Early Music" (Medieval, Renaissance and Baroque), it's pure Classical Music (from the Classical period) and doesn't have so much ornamentation as the Baroque (where singers where supposed to add their own unwritten ornaments to the A' parts of the A-B-A' arias). Mozart has much coloratura in many arias, but it's almost always written. "Voi che sapete" isn't supposed to have ornaments, and if you listen to other versions you'll see they don't add them either. As to the tempo, yes, I agree it's bit too slow, I prefer it a bit faster (not much, though... Cherubino already has a fast aria "Non so piú", and there needs to be a difference in the mood of both arias).
Cor Cordis Cor, I know Mozart isn't considered early music, what I meant by my remark is that Ms. Lezhneva sings early music, and I guess, up to Rossini. So she or her coach should know that yes, you do add ornamentation to Mozart. Both vocal and instrumental. In fact, I've even heard ornamentation added to early Verdi operas. I've heard Mozart at the San Francisco Opera, Vienna State Opera, NYCO among others and they ornament. You are right, it's a different and certainly not as elaborate ornamentation than you would hear in baroque or even earlier music but you do hear it. If you listen to some Mozart recordings, conducted by conductors such as Mackerras, Harnoncourt you will hear the way they ornament Mozart's music.
Cor Cordis Listen to the recorded versions of Figaro conducted by Mackerras, Harnoncourt, or if you really want an earful, listen to the version sung by Magdalena Kozena, conducted by Rattle (it's on TH-cam). As you probably know, most ornamentation was left up to the singers, not the composer of the piece. In this instance, however, the ornamentation is by one, Domenico Corri and believe me, it's WAY over the top. Even for me, who generally thinks music of this period should be ornamented, this version is too much. Have fun listening.
Rig SF Just been listening to the versions you suggested. Found Mackerras conducting the Scottish Chamber Orchestra (the name of the soloist isn’t mentioned) but, apart from a couple of “appoggiatura” I can’t hear any ornamentation (what I mean by ornamentation, anyway. I know in Mozart the “appoggiatura” is often used). Also found Harnoncourt conducting Wiener Philharmoniker (Christine Schäffer as Cherubino) and can’t hear any ornamentation either (not even the “appoggiatura”); it’s a very free performance of the aria tempo-wise, that's for sure (too free in my opinion for being Mozart… sounds more like a romantic aria, she even does some “rubato” at times). I did find Rattle’s one with Kozena as well and yes, for the first time in my life I heard what I call “ornamentation” in the “Voi che sapete” aria. Interesting as an experiment and as a singing exercise for the talented Kozena to show her skills, but I still think it’s not appropriate for Mozart… it even adds the ornamentation during the first verse (part A), not allowing the listener to understand what the basic melody is. Seems more like "variations on a theme" kind of composition by this D. Corri. I agree with you, it’s too much. On a funny note, even Bartoli (who is the "Queen of ornamentation") sings "Voi che sapete" without any ornamentation whatsoever, must be for a reason! :-) Anyway, I appreciate your suggestions, and thank you for them. I think we won’t agree about ornamentation in Mozart, but it’s ok to disagree when both parts have their own right reasons to have their own opinion. My favourite Cherubino is that by Tatiana Troyanos (Karl Böhm conducting Der Deutschen Oper Berlin). The aria is kept simple, but oh the emotion in that voice! Needs no ornamentation whatsoever. Mozart knew how to write wonderful melodies in their simplicity!
Она классная певица, спору нет. Но все же камерная, а не оперная. Потому что она совсем не чувствует образ Керубино, его характер. И почти все поет ровным тоном, с ее фирменной полуулыбкой,независимо от текста арии. Она более выигрышно смотрится в технически сложных вещах, потому что там отсутствие сценической игры не так заметно за быстрым темпом и сложными колоратурами, с которыми она справляется очень легко.
Позвольте не согласиться. Да, образ не раскрыт, вы правы. Но это же не спектакль, а концерт. На мой взгляд, именно такое сдержанное исполнение раскрывает во всей полноте КРАСОТУ музыки Моцарта. Да, где больше актерской игры и эмоций, там, наверное, интереснее, но это все же несколько в ущерб будет чисто музыкальному и вокальному совершенству... Моцарт все-таки не Чайковский, нельзя сказать, что у него глубоко в музыкальных средствах заложена тонкая психология персонажа. Это же классицизм все-таки, есть некая условность, форма. Поэтому не вижу ничего критичного в некоем отрыве от контекста.
@@ЛунныйСвет-и5р Вынужден вступиться за Моцарта. Он прекрасно умел музыкальными средствами выразить характер и психологию персонажа, показать те чувства, которые его охватывают именно в определенный момент сценического действия. Моцарт очень тщательно работал с либретто. И в этой замечательной арии персонаж-подросток искренне рассказывает о тех душевных порывах, которые он испытывает по отношению к женщинам. Тут целая гамма: и влечение, и небольшое смущение, и мечтательность.
@@akarnarr Юля исполнила арию очень похоже, почти один в один, с версией Адделины Патти. Если Юля не чувствует образа, то и Аделина Патти не чувствует. Что ж, в такой компании можно пережить критику любых демагогов и педантов от музыки.
![ROSSINI : La Cenerentola "Nacqui All'affanno" (Lezhneva) [HD]](http://i.ytimg.com/vi/2CW1w0wYDPs/mqdefault.jpg)
![ROSSINI : La Cenerentola "Nacqui All'affanno" (Lezhneva) [HD]](/img/tr.png)
Sensationell,Julia!Weltspitze!
Very good execution of that aria. She carried the musical line very well with great precision and confidence. In Selva Opaca the Julia s fear was evident. She even crushed sound for better control. in Cherubino's aria She is perfect. Brava!
Прекрасное исполнение арии Керубино, голос Юлии-чудо! Моцарт точно был бы счастлив!
Божественный голос. Чистейший глоток свежести, как утренняя прохлада, как прозрачная роса.. Восторг!
Stamattina ancora a letto ascolto la bellissima voce di Julia....che piacere buon anno 2024
Bravo!
Особую прелесть этому исполнению придаёт выбранный Юлией темп. Несуетный, раскрывающий, и усиливающий нежную певучесть, и лирическую убедительность арии - с чётким, внятным проговариванием текста, и максимально насыщенный выразительными нюансами в интонациях... Браво!
What a voice.
Moi ça me prends les tripes quand j'entends les chanteurs lyriques. merci Julia Lezhneva.
WONDERFUL.
Perfect beauty. Brawo Julia.
Очень красивый, чистый голос.
Необычайной красоты голос!
Großartig wie immer, diese Stimme!
Bravo, Julia!
th-cam.com/video/vxNimaIL-yo/w-d-xo.html
The thing about Lezhneva is that one could turn the sound off and still love this (and every one of her) performances. Her affect is so genuine and engaging, that she immediately seduces one. So quite apart from her superb vocalism and musical artistry, one cannot but be smitten by her persona.
Very well put indeed. I concur in all respects. An admirable lady in every way. Kind regards.
Beautiful voice and music! I like so much!
Phenomenal version and voice!
Exquisite. Perfect Legato and just enough Expression. Not over-acted. Classic Style.
i guess it is pretty off topic but do anyone know of a good website to stream newly released movies online ?
@King Eli Flixportal
@Archer Samson Thank you, signed up and it seems to work :) I appreciate it !
@King Eli You are welcome xD
Ein Engel singt 🙏
Voice of an angel............. Lovely
Julia is a beautiful and gifted Angel whose voice carries clear and pure across the heavens. Joyous and uplifting! Thank you for sharing. Mike Kelly, San Angelo, TX
Floats through the melody so beautifully with purpose and joy. I don't know what the words mean. I am getting this from the sound of her voice within the music and melody of the orchestra
Absolutely beautiful. She wasn't rushin' here.
i love her voice ,too.
What a beautiful voice! Full, round color. From now on one of my favorite contemporary singers. Thank you for posting!
Same. She has become my favourite now only stumbling upon her 2 weeks ago.
This is pretty much the biggest point of my comment left above.
Wonderful facial expression.
Here Julia has become a wide-eyed boy - but one with a voice of unsurpassed accuracy and beauty. A phenomenal talent of our time.
Bravissimo Julenika!!
She is sublime 💖
...her voice fills the ear in such an agreeable manner.
Love the tempo and arrangement of this. She nailed it.
Wonderful Mozart---Wonderful Julia Thanks a bunch.
Прекрасно, наслаждение слушать Юлю! Моцарт во всей своей божественной красоте
Adorable ! Quel talent ! et quelle Magnifique voix ! Merci, Julia !
I love that voice!
Julia! you are an angel! brava!
Fantastically beautiful - both the voice and the song. Miracles are created when beautiful music finds a beautiful voice to sing it.
And so little vibrato too - all really excellent..
very beautiful
Всегда радость послушать Юлию !!
Jean Amherd 28/11/2019 Cette cantatrice Julia Lezhneva, inconnue pour moi, a une voix, des intonations exceptionnelles, que je puis comparer aux divas renommées. Que de fraîcheur dans cette exécution des Noces de Figaro.
Quelle voix magnifique.Une future Diva endevenir
Bellisima inteerpretación!
A great song whenever you listen🍀
❤
Замечательно🎉
Stunning!!!!
Как хорошо поет,спасибо Юля
l like this voice.
Simply beautiful! ! I love her voice.
Beautiful. beautiful accompaniment too.
My Goodness!
🎉sensational
HERMOSO, BELLISIMO, SALUDOS DESDE TLAHUAC MEXICO¡¡¡
Where does it say that the orchestra is not allowed to blossom with dynamics along with the singer? Or support him, as he does? Want me to do it? I have with all the Lilliputians during MANY Joshua Bell performances!
Упоениеот прелести пения и проникновения в произведение, повторяю за многими - ангелочек наш......................
사랑합니다 너무 잘합니다
Юлия Михайловна, приезжайте в Россию, в Санкт-Петербург почаще, пожалуйста!
:(
Must enjoyable Händel music 🌹
❤️
Молодец
I 💖 this Opera. It reminds me of my childhood... 😭😢 Listening to Mozart and daydreaming...
"Voi che sapete che cosa e amor,
Donne, vedete, s'io l'ho nel cor,
Donne, vedete, s'io l'ho nel cor.
Quello ch'io provo, vi ridiro,
E per me nuovo capir nol so.
Sento un affetto pien di desir,
Ch'ora e diletto, ch'ora e martir.
Gelo e poi sento l'alma avvampar,
E in un momento torno a gelar.
Ricerco un bene fuori di me,
Non so chi il tiene, non so cos' e.
Sospiro e gemo senza voler,
Palpito e tremo senza saper,
Non trovo pace notte ne di,
Ma pur mi piace languir cosi.
Voi, che sapete che cosa e amor
Donne, vedete, s'io l'ho nel cor,
Donne, vedete, s'io l'ho nel cor,
Donne, vedete, s'io l'ho nel cor.
English translation:
You who know what love is,
Women, see whether it's in my heart,
Women, see whether it's in my heart.
What I am experiencing I will tell you,
It is new to me and I do not understand it.
I have a feeling full of desire,
That now, is both pleasure and suffering.
At first frost, then I feel the soul burning,
And in a moment I'm freezing again.
Seek a blessing outside myself,
I do not know how to hold it, I do not know what it is.
I sigh and moan without meaning to,
Throb and tremble without knowing,
I find no peace both night or day,
But even still, I like to languish.
You who know what love is,
Women, see whether it's in my heart,
Women, see whether it's in my heart,
Women, see whether it's in my heart"
thanks,Marlene
So kind of you, Marlene
the best i ve heard :)
Великолепно!!! Браво)
Тогда уж brava :)
El aria de Querubíno en voz de esta artista del bel canto es un himno al amor
Una farfalla che vola su un'aria difficilissima mettendo tutti gli accenti e il legato della parola italiana da Antologia!
Difficilissima???....
Ella domina muy bien el fraseo, en un idioma que no es el de ella, para ser rusa, tuvo dominio excelente de los agudos, sin emitir cambio de tesitura y color en la emisión sonora.
Bloody gorgeous!
Eine tolle Stimme !!
Stunning at this early age. She got all the gifts from all over the world, voice and statut.
Quelle voix !!!
Bella y talentosa dama escucharla acompañada de esta excelentes orquesta es una delicia saludos desde CDMX
Не могу поверить, что это поет русская певица!
Обалдеть!
Антон Небольсин почему?)
она из старой России
Как будто в России не было певцов и школы пения.....вы что с луны?
А Бержанскую слышали?
Se salió un angel del cielo y no se dieron cuenta !!!!!!
She sings the most boring arias in a way that make me fall in love with them like I have never before.. besides the phenomenal clarity and accuracy of sound, the phrasing is Exquisite.. she delivers the melodies to a new maximum
Which boring arias are you referring to? I don't know of any boring arias by Mozart and i don't think Julia sings any boring arias by him or anyone else.
Since when Mozart is boring? It seems to me we have a case of jaded listeners, not boring arias.....
She does sing the occasional boring aria to give it life and charm, as you say: usually virtuoso pieces by minor baroque composers dealing in fiendishnesses without much regard for art. This, however, is hardly one of the boring ones…
How can a melody be rated as boring or not depending on the ability of the performer? It must be the lack-lustre singing not the music itself that makes a difference. This rendition of a popular, not boring, aria from Marriage of Figaro is one of the best.
ΑΓΑΠΑΜΕ ΙΟΥΛΙΑ ! ❤❤
Mozart deve estar muito contente.
Goosebumps. 🤯💫💓
Cor Cordis: I get your point, and...I love this aria so much when sung by a mezzo, that I just reacted spontaneously...
Sean Gaffney I love mezzos singing it, too. My favourite interpreter of this aria is Tatiana Troyanos :)
Cor Cordis What you think about the marvelous Federica VON STADE ? I remember saw her in the Giorgio Strelher's wordlwide famous edition of NOZZE ; she left speechless the whole audience. By no means, my all-time favorite is still Teresa BERGANZA, in a nice edition by Daniel BAREMBOIM conducting English Chamber Orchs, with D.FISCHER-DIESKAU as Conte and Geraint EVANS as Figaro.
BRAVA !
I want to finish my last life while listening to her soprano under cherry blossoms in full bloom and blowing in a storm of the falling cherry blossoms . 🍎
From effulgent Tokyo in profound Japan
Which national are you watching this video ？
Massachusetts, USA!
@@brookeggleston9314
Thank-you so much to your reply ！
How is your conditions and your country ？
In Japan ,
we feel the autumn atmosphere .
The row of ginkgo trees looks like the yellow carpet , and the forest of the maple is covered with the red carpet by falling leaves .
In the night ,
autumn insects are singing in a transient chirp in my garden under the shining moon .
By the way ,
speaking of Massachusetts ,
I remember 「 Massachusetts 」of music .
Take care of yourself
Be on the alert for Coronavirus infection
Good luck ！
@@shin-i-chikozima Yes, autumn is here as well! Some of our oaks are changing colour, and we must beware of falling acorns - they hurt when they hit you! Some of our maples are red, others are orange and yellow. Our birches are yellow as well. The temperature yoyos up and down. Today the high was 60°. In a few days, it will be 80°! That won't last, for the temperatures will soon be steadily dropping. I hope we get a great deal of snow this winter. Last winter we had little, and we are in a drought as a result. Things are so dry that if a fire started in the fields or forest, we could find ourselves in trouble. Not as bad as California, but trouble nonetheless!
I have already had Covid19. Fortunately, it was a mild case, but difficult. It was like trying to cough up dried rubber cement! Sadly, I lost two friends and a number of acquaintances. Now, Massachusetts is in good shape, but we still wear masks and can only have small gatherings. Some states are worse now than New York was at it's worst. I hope we can get rid of this horrible excuse for a president we have now! People in Japan have a much better attitude! I can hardly wait until I can get out and have sushi again! I especially love mackerel!
Thank you for responding to my message! I thought a year might be too long ago! Stay safe and healthy!
Blessings . . .🌊✨👁️🙇♂️👁️✨🐬
@@brookeggleston9314
Thank-you so much to your wonderful and impressed reply ！
In Japan ,
「Go to travel 」campaign starts .
Take care of yourself
Good luck ！
There are many Japanese autumn delicious foods in Tokyo .
Someday please visit Japan .
Someday I am looking forward to visit Massachusetts where is fascinating our Japanese .
May glory , prosperity and wealth be brought to your Massachusetts where I deeply love and respect .
This is a Cherubino whom the Countess herself would be seduced by! No one has ever looked the part on stage better than Maria Ewing, but I should love to see what Julia would do with it.
Bewundernswerte Stimmführung mit einer Leichtigkeit vorgetragen.
Sie wird uns aufhorchen lassen.
More soprano than mezzo - and this aria needs a mezzo! Agnes Baltsa, Elena Garanca, Maria Ewing for example...and sure a nice voice...
Sean Gaffney Please, come on! This is not an opera production, it's a concert! Of course she's a soprano, but so many sopranos have sung this popular aria in concerts before, and she has no difficulty in singing the lowest parts of the aria at all. And she's pleasing the audience with a well-known aria as an encore. Let us not put so many boundaries to singers (and listeners), please. Just enjoy the beautiful music and singing!
Music is above labeling ....
Yes, she is soprano.
Julia is considered a baroque soprano and a colouratura mezzo. I don't know how "they" came up with that, but it's been stuck on her and she's been singing that way!
¡Al Colón, al Colón!
Simple;quasi enfantin:Va pour cet air!Mais cela ressemble un peu tout de même à un air de concours de fin d'année...
Знаю румынский,многое поняла
th-cam.com/video/vxNimaIL-yo/w-d-xo.html
Россини Сивильский цилюльник
Я так безропатна простодушна вежлива очень очень паслушна и уступают всем во всем Но задевать себя я не позволю и настрою я на сваем не перед кем я не орабею и все будет так как я хочу
Исполнение Мария Каллас
@@МихаилЛежнев-о2я как я сожелею бывает и хуже
Цирюльник,безропОтна,пОслушна,настою,нИ перед кем,орОбею! ПИШИТЕ ГРАМОТНО!
Темп написан на партитуре,
Ma voi che ne sapete !
Mozart en toute ' simplicité ' pas d'effets gratuit que la musique avec les attaques de notes très soignées et délicates. C'est volontairement sans grandiloquence et très justifiable dans le style ( avec un orchestre plus méritant dans ce morceau )
Está muy bien para un Cherubino siberiano, pero para uno español lo veo un poco plano. Cantar es algo más que dar las justas y exactas notas de un pentagrama.
*****
bien dicho
Pedro DG Esta chica tiene una voz muy expresiva ya de por sí... no necesita los manierismos y afectaciones que otros cantantes añaden a sus interpretaciones para aportar expresividad. En Lezhneva, como en otros grandes cantantes, los matices emocionales están en la propia voz. Si escuchas con atención, allí están, pese al tempo demasiado lento con que el aria fue ejecutada, que tampoco favorece demasiado en este sentido. Si escuchas otras arias interpretadas por ella, verás que la expresividad no es algo que le falte (por poner sólo un ejemplo también de Mozart, su "Exsultate, Jubilate"). Sinceramente, no creo que se limite a "dar las notas justas de un pentagrama".
Cor Cordis He visto de ella algunas interpretaciones, entre ellas el Exsultate de Mozart y en ese caso si que estoy de acuerdo con usted. Me parece perfectamente ejecutado. De todas formas no me acaba de convencer en esta interpretación, en un Cuerubino que debe ser, pienso yo, puro fuego juvenil. Yo sigo viendola inexpresiva.
Pedro DG Ese puro fuego juvenil de Cherubino queda plasmado sobre todo en su primer aria "Non so più", aparte de en los recitativos y la escena. "Voi che sapete" tiene matices diferentes. En ella, Cherubino le está confesando a la Condesa (su único amor platónico sin connotaciones sexuales) la confusión que siente y los cambios que está experimentando; le muestra incluso cierta fragilidad que inspira ternura. Creo que Lezhneva sí consigue plasmar bastante de esto en su interpretación. Por otro lado, como ya dije, el tempo es excesivamente lento y el aria pierde ímpetu en algunos momentos por este motivo, en mi opinión.
+Cor Cordis el amor de Cherubino es Barbarina
Simple se référait à son interprétation.
C'est le premier air que je donne à travailler à un mezzo;alors,tendu...Ce n'est qu'un Fa.Un mezzo qui n'a pas le La peut changer de métier.
Beautiful but I'm surprised that the tempo is that slow and that she uses no ornamentation. Isn't she an early music specialist?
Rig SF Mozart isn't considered "Early Music" (Medieval, Renaissance and Baroque), it's pure Classical Music (from the Classical period) and doesn't have so much ornamentation as the Baroque (where singers where supposed to add their own unwritten ornaments to the A' parts of the A-B-A' arias). Mozart has much coloratura in many arias, but it's almost always written. "Voi che sapete" isn't supposed to have ornaments, and if you listen to other versions you'll see they don't add them either. As to the tempo, yes, I agree it's bit too slow, I prefer it a bit faster (not much, though... Cherubino already has a fast aria "Non so piú", and there needs to be a difference in the mood of both arias).
Cor Cordis Cor, I know Mozart isn't considered early music, what I meant by my remark is that Ms. Lezhneva sings early music, and I guess, up to Rossini. So she or her coach should know that yes, you do add ornamentation to Mozart. Both vocal and instrumental. In fact, I've even heard ornamentation added to early Verdi operas. I've heard Mozart at the San Francisco Opera, Vienna State Opera, NYCO among others and they ornament. You are right, it's a different and certainly not as elaborate ornamentation than you would hear in baroque or even earlier music but you do hear it. If you listen to some Mozart recordings, conducted by conductors such as Mackerras, Harnoncourt you will hear the way they ornament Mozart's music.
Rig SF
Do you know of any version of "Voi che sapete" with ornamentation? If you do, please let me know... I'd be curious to listen to it.
Cor Cordis Listen to the recorded versions of Figaro conducted by Mackerras, Harnoncourt, or if you really want an earful, listen to the version sung by Magdalena Kozena, conducted by Rattle (it's on TH-cam). As you probably know, most ornamentation was left up to the singers, not the composer of the piece. In this instance, however, the ornamentation is by one, Domenico Corri and believe me, it's WAY over the top. Even for me, who generally thinks music of this period should be ornamented, this version is too much. Have fun listening.
Rig SF Just been listening to the versions you suggested. Found Mackerras conducting the Scottish Chamber Orchestra (the name of the soloist isn’t mentioned) but, apart from a couple of “appoggiatura” I can’t hear any ornamentation (what I mean by ornamentation, anyway. I know in Mozart the “appoggiatura” is often used). Also found Harnoncourt conducting Wiener Philharmoniker (Christine Schäffer as Cherubino) and can’t hear any ornamentation either (not even the “appoggiatura”); it’s a very free performance of the aria tempo-wise, that's for sure (too free in my opinion for being Mozart… sounds more like a romantic aria, she even does some “rubato” at times). I did find Rattle’s one with Kozena as well and yes, for the first time in my life I heard what I call “ornamentation” in the “Voi che sapete” aria. Interesting as an experiment and as a singing exercise for the talented Kozena to show her skills, but I still think it’s not appropriate for Mozart… it even adds the ornamentation during the first verse (part A), not allowing the listener to understand what the basic melody is. Seems more like "variations on a theme" kind of composition by this D. Corri. I agree with you, it’s too much. On a funny note, even Bartoli (who is the "Queen of ornamentation") sings "Voi che sapete" without any ornamentation whatsoever, must be for a reason! :-) Anyway, I appreciate your suggestions, and thank you for them. I think we won’t agree about ornamentation in Mozart, but it’s ok to disagree when both parts have their own right reasons to have their own opinion. My favourite Cherubino is that by Tatiana Troyanos (Karl Böhm conducting Der Deutschen Oper Berlin). The aria is kept simple, but oh the emotion in that voice! Needs no ornamentation whatsoever. Mozart knew how to write wonderful melodies in their simplicity!
Еще один Херувимчик!
Je ne sais si nous nous sommes compris...
tropo lento
Она классная певица, спору нет. Но все же камерная, а не оперная. Потому что она совсем не чувствует образ Керубино, его характер. И почти все поет ровным тоном, с ее фирменной полуулыбкой,независимо от текста арии. Она более выигрышно смотрится в технически сложных вещах, потому что там отсутствие сценической игры не так заметно за быстрым темпом и сложными колоратурами, с которыми она справляется очень легко.
Позвольте не согласиться. Да, образ не раскрыт, вы правы. Но это же не спектакль, а концерт. На мой взгляд, именно такое сдержанное исполнение раскрывает во всей полноте КРАСОТУ музыки Моцарта. Да, где больше актерской игры и эмоций, там, наверное, интереснее, но это все же несколько в ущерб будет чисто музыкальному и вокальному совершенству... Моцарт все-таки не Чайковский, нельзя сказать, что у него глубоко в музыкальных средствах заложена тонкая психология персонажа. Это же классицизм все-таки, есть некая условность, форма. Поэтому не вижу ничего критичного в некоем отрыве от контекста.
Ничего, научиться Юлия. Откроет образ, если не открыла.
Какая же она камерная? У нее ОЧЕНЬ громкий голос!
@@ЛунныйСвет-и5р Вынужден вступиться за Моцарта. Он прекрасно умел музыкальными средствами выразить характер и психологию персонажа, показать те чувства, которые его охватывают именно в определенный момент сценического действия. Моцарт очень тщательно работал с либретто. И в этой замечательной арии персонаж-подросток искренне рассказывает о тех душевных порывах, которые он испытывает по отношению к женщинам. Тут целая гамма: и влечение, и небольшое смущение, и мечтательность.
@@akarnarr Юля исполнила арию очень похоже, почти один в один, с версией Адделины Патти. Если Юля не чувствует образа, то и Аделина Патти не чувствует. Что ж, в такой компании можно пережить критику любых демагогов и педантов от музыки.
Красивый голос при безобразном исполнении- ни темпа, ни характера! Дирижёр никуда не годится! 👎👎👎👎👎
Легкий голос но ариа не для ее голосаи манера не та.Написана для другого голоса