Not only beautiful but also remarkable, Beautiful melody raaga Joyjoywanti scientific and too much practical explanation, Those who are students of music also those who like classical music they received precious jewels,will be satisfied. Congrats performer respected Vijoy koporkarjee also all' the respected members of the team.
Guruji take my Pranam.Your explaination is exceptional . I am as a student (instrument) highly benefited by attending your this classes......,Tanmoy from Guwahati(Assam).
sorry to be offtopic but does anybody know a method to log back into an Instagram account..? I somehow lost the login password. I appreciate any tricks you can offer me.
@Kyle Spencer I really appreciate your reply. I got to the site on google and Im trying it out now. Takes a while so I will get back to you later with my results.
At 12 26 we hear r to p then mgr. So like you mentioned the mandr puncham to re in Madhya saptak is true of jaijaiwanti. How is it then we can do p to re in the Alaap. As that you say it is chayanat ang. Very confusing. PLEASE explain. Or is it an acceptable aesthetic
Seema Gaur Row re pa magare is very much used in Rag Des which pandiji me tioned that Des and Bageshree ang is seen in jaijaiwanti depending on bandish as well...Chayanat will be sareregagamamapa-re
Please don't give symultineuosly knowlege about two types of raga ,because it is twisting our understanding.instead of it u please explain only one type a on a time.
Not only beautiful but also remarkable,
Beautiful melody raaga Joyjoywanti scientific and too much practical explanation,
Those who are students of music also those who like classical music they received precious jewels,will be satisfied.
Congrats performer respected Vijoy koporkarjee also all' the respected members of the team.
🕉️🙏🙏🙏🙏🙏💐💞💥koti koti pranam guruji bahut sundar
I have chosen Koparkar saheb's nice guidance specially for this Jayjayanti raga.👍Namashkar.🤗🙏
the way you teach is as if having direct lesson . thank you so much . waiting for many more .
I am repeatedly listening this .The more I here more new trick I learn. Thanks to sirs teaching
Too good.. Great learned mnn koparkar ji.. With voice a singing that has, a grt appeal
No one can explain like Pandit Vijay Koparkarji and Thanks to Sanskriti channel 🙏🙏🙏🙏
ভাল লাগিল ৰাগটি একদম মজা!!
Aapane bahut achcha Jay Jay bante rakh ka margdarshan Kiya
অসাধারণ।
Beautifully explained the raag vistar
The great sir ji
Tq guruji🙏🙏🙏🙏🙏🙏❤️
Excellent initiative very useful 👍👍
Very beautiful explaination
Excellent information about jaijaiwanti.very well explained.....
Superb
Am speechless
Thankyou so much sir 🙏🙏🙏 no words 🙏🙏
Indeed touched,learnt this raga and it was my privilege sir
खूप उत्तम मार्गदर्शन ! राग शंकराचे मार्गदर्शन आपल्याकडून घ्यायला आवडेल
Awesome explanation in simple form! Brilliant demonstration! Thanks a million!
Very good
Guruji take my Pranam.Your explaination is exceptional . I am as a student (instrument) highly benefited by attending your this classes......,Tanmoy from Guwahati(Assam).
Crystal clear
Simply awesome!
નમસ્કાર સર
Very useful lectures on raag jaijawanti. Thanks .
Very generous explantion and demonstration of raag...thank you very much panditji...
जैजैवती सूरसे अछ्छा समज आया धन्यवाद
🎉
Pandit ji pls mention more raga like Darbari kanada, Shuddh Kalyan , Shankara
Please share other raggas as well. So helpful
Very very excellent knowledge as well as ways of introduction. Actually I have no words to say. Thanks 🙏🙏
Khupach sundar samjavun sangitala ahe, bageshri v des angatil farak pan apratim! Thanku sir !
Panditji khupach chhan vistrut varnan . atishay upayogi ahe.dhanyavaad.
Admire your comments
Apratim rag shudh kalyan episode siracha upload kara plz
Jay Gurudev
Sir are there any more raagas you explain as well.
nice Lecturing 🙏
Very nice!🙏👍
I love it
Thank you so much Sir❤
Please explain the rags on instrumental like sitar also.It will helpful for those who learn instruments.
🙏🙏
Wah Ustaad Waah
🙏🏻
Rag ko raga kahna kya sahi hai? Kripya bhartiy sanskriti ka dhyan rakhte hue shuddh uchcharan Karen.
हे इंग्लिश मध्ये करण्यात काय हेतू आहे सर, हिंदीमध्ये केला तर जास्त लोकांना उपयोग होणार नाही का ...
Towards South,
aa sound gets added, it is common and accepted.
Amazing teaching..thanks a lot to both shirishji and vijayji
sorry to be offtopic but does anybody know a method to log back into an Instagram account..?
I somehow lost the login password. I appreciate any tricks you can offer me.
@Fox Ayaan instablaster =)
@Kyle Spencer I really appreciate your reply. I got to the site on google and Im trying it out now.
Takes a while so I will get back to you later with my results.
@Kyle Spencer It worked and I now got access to my account again. Im so happy!
Thank you so much you saved my ass !
@Fox Ayaan happy to help xD
Gurugi apka mo no digiye muze classical music sikhana hai
Thank you Sir...
Hindi me samjhane ki kripa Karen isme adhiktam logon ka bhala hoga.
Sahi bole bhai.
Demonstration
Pls sir ...plna gadh LA ...bda khayal with alap tan
Plese sir hindi me samjaye
सर हमे किसीभी राग का स्वर विस्तार करणे कि तकनिकपर जानकारी दिजिये प्लिज
Really great explanation and perfect way to learn
Aprtim
નમસ્કાર
At 12 26 we hear r to p then mgr. So like you mentioned the mandr puncham to re in Madhya saptak is true of jaijaiwanti. How is it then we can do p to re in the Alaap. As that you say it is chayanat ang.
Very confusing. PLEASE explain.
Or is it an acceptable aesthetic
Seema Gaur Row re pa magare is very much used in Rag Des which pandiji me tioned that Des and Bageshree ang is seen in jaijaiwanti depending on bandish as well...Chayanat will be sareregagamamapa-re
@seema nji.. I think he sd while cmg down pa re like chgayanat not allowed... pa re ... (ascendjng) in chhayanat " pa re" madhya saptak ..
@@seetahariharan4089 correct he has explained in the first part
Exquisite! 🙏❤️
Tumhi ha jo anmol theva pudhil generation la thevala aahe tyala mol nahi.khup sunder samjaun sangitale aahe.
Pa varjit ? Hahahahahah panditji
Plese sir aapse request he ki hindi m samjaye
हींदी मे सझाये इंग्लिश समजती नही
Please don't give symultineuosly knowlege about two types of raga ,because it is twisting our understanding.instead of it u please explain only one type a on a time.
🙏🙏🙏