I remember the day Miles Davis came to Munich with his band and I didn't go. Instead I was in a jazz club for a jam of local musicians. Later that evening a dude came in with his sax and joined the band. After a while everybody stopped playing, only he went on and whenever I thought now he has to stop, he found a way to make it even wilder, faster, louder ... I never had heard anything like it before ... and I had no idea who was playing. Only later I learned that Kenny Garrett wanted to play some more after the concert with Miles and found the Unterfahrt. I was glad I was in the jam session and not in the concert.
i dont mean to be so off topic but does any of you know of a method to get back into an instagram account..? I somehow lost my account password. I love any tricks you can give me
@Max Kase I really appreciate your reply. I found the site thru google and I'm waiting for the hacking stuff now. Takes a while so I will reply here later when my account password hopefully is recovered.
Riveting solo and a great band - and perhaps THE defining take of Human Nature as a jazz/funk piece. Must be heard in full - this is just the last third of the take.
A great solo on so many levels. It developed a story, used all 12 tones musically, showed how all minor scales could be used, used motivic development, and most importantly showcased an individual voice on the sax.
Who's the dude on trumpet holding the trumpet stand?? Do he have a solo out featuring him ? What's the jazz jam he's on .he looked jazz serious 're tone attention to specialized Mic stand tone quality
I watched this Paris concert on my parent's VCR maybe a 1000 times. It's not shown in this video but Kenny's solo starts earlier and for some reason his mic screws up, so he's kind of frustrated and he has to cut it short. Techs remove the mic and when Miles realize it, he walks to Kenny and hand him his trumpet so Kenny can continue his solo thru Mile's own mic... Kind of a symbol, right? And the rest is history to me: This solo builds up to the moon and the technical constrains seems to motivate Kenny to push even further.
@@filipposantini5305 It's long gone :-) But internet is a wonderful place... so far. Ask and you shall receive: th-cam.com/video/dxng4xlDB0k/w-d-xo.html
Whew!!! I come back to this clip all the time. Even thinking about it is inspiring. Kenny makes so much use of the modal thing and creates beautiful musical tension. The look on Miles' face when he finishes is priceless!! "Yeah, that's right Kenny, you a bad Mother!""
True, it may looks like Miles has a nonchalant look on his face but his actions express what he thought of Kenny's solo, the embrace and holding Kenny's name above his own head illistrates how he felt. We haven't yet caught up to Miles musically, he was a true musical genius, a master of the negative space in music.
He was a survivor, he adapted to the times, he was and will be a genius. Kenny is a machine for making music and now he played hard rock, which is what was stretched at that time. big
Oh yes, a magnificently realized piece - and it's improvised (they never did this one the same way twice, although the general curve with some sort of crescendo and a sax solo was fairly well established by 1988--89). This is a track of sculptural beauty and, in my eyes, THE defining version of Human Nature as a jazz/funk piece. I've watched and listened to it on the dvd scores of times.
L homme qui m a fait aimer le jazz !!!! Juste incroyable !!!! Le concert au Japon, son do brazil !!!! Je suis tombé amoureux de cette exceptionnelle pianiste !!!! Le son feutré de kenny.... ça c est un coup de foudre... merci
Garrett's Solo's are pure unadulterated 🔥 fire his tone and pocket and notes I can't explain I'm unfortunately am not a musician But the first time I heard him i. First with Miles at Montreal Jazz with Quincy Jones on TV then on Miles around the World Disc blown away
Impressionante como Miles Davis consegue extrair o que seus músicos tem de melhor em todas as fases,Coltrane,Bob Berg,Kenny Garret já em suas carreiras solo a pegada deles não timbra como com o grupo de Miles Davis então a Magia e o Misticismo Espiritual da Música estava sempre no controle do Mestre Sir Miles Dewey Davis III Embaixador. Universal do Jazz All The Times..
Kenny Garrett no es solo mi saxofonista favorito, sino que este es el mejor solo que le he oido !!! Gracias !!! Este video es para mí como un diamante. Kenny Garrett is not only my favourite sax player, this is also the best solo I've seen through youtube!!! This video is like a diamond for me. Thanks !!!!!
Garret has a vibrant tone on this. I think it fits perfectly against the electronics and his shifts in and out of tonality are a study in playing "outside".
Yes, beautiful layered keyboards too - and wonderful, dramatic drumming by Ricky Wellman that guides the rising tension on the track. The band is rock solid on this 1989 Paris show - like so many of Miles' bands.
This solo by Kenny Garret is out of this world! Miles seems to be pretty pleased with it as his gesture of offering his own mike shows! Thank you for posting!
This is nothing more than the passing of the torch, if u please, the transfering of power from one king to another. To crown him the WIZARD OF JAZZ. ALL HAIL KING KENNY!!!!!!!!!!!
Yes, absolutely. he is amazing throughout this show (Miles in Paris, Nov 1989), and he and the rhythm section really shape the dynamics and pacing to frame Miles' and Kenny's solos. This is beautifully paced, as his drumming grows heavier, louder, faster and more determined.
Kenny what can you say just killing it from beginning to end you can tell that Miles even enjoyed the solo pure Altos is what you're hearing no filler all meat pure saxophone Kenny doing a great job
Part of what makes this solo great is the rhythm section, solid and building up the way it did. It was an inspiration for Kenny. And Miles just being there, holding the mike, chewing gum. Fantastic.
Yes, at first the drummer holds back carefully (this is just the last third of the entire track) and then he helps build up the volume and punch. Notice how he begins to use the crash cymbal with sharp, loud strikes to punctuate the funky beat, more and more frequent as the tension rises...
4:09-4:15 always gets me by its sheer emotional intensity. A very short passage, but filled with complexity and expressivity. Garrett's ability to take the solo through a fantastic journey of emotions is uncanny.
I don't know which tone of the scale he uses, but one of the cool things I've heard in many Garrett solos is that when he goes to "step out" of the chord progression he'll pick a note, half step up, and then stick in that key. I learned that is a cool way to step out, just play a half step up chord, but it is cool how he transitions by just hanging on that initial note.
The breakout at 2:20-2:41 is a key moment of the entire track for me; when the key, tempo and rhythm change like that, it beautifully captures the sense of liberation: go, GO! The whole piece (this is just the second half) has a sculptural beauty that's quite riveting.
@@louise_rose very well said. Exactly, the "GO" moment is like a liberation. First time I heard this passage it was like going for a magical journey. Yes, the entire version is even more dramatic because of the microphone issue. Garrett almost gave up soloing after the first couple of mic failures, but Miles saying "it's your night". And indeed it was Garrett's night. Btw, I think you mean 3:20 as the liberation moment.
@@andradas9688 I didn't even notice the mike issue until it was pointed out (after I had watched the dvd a dozen times) but I think there's also a symbolic aspect to the way they are standing. Miles' trumpet (with the mic) is pointed straight at Kenny's belly, and he is standing still but in command while Kenny is pouring out this longing solo, a somewhat feminine solo. There is a discrete phallic/sexual symbolism to their postures and the trumpet (Miles was certainly aware of how his instrument could be seen as a symbol of masculinity). At the climax of the track, Kenny is bucking and his sax moaning like a woman cumming hard... 😸
@@andradas9688 No, I did mean the passage beginning around 2:20 (key and tempo change at 2:35) - but there are several "liberation moments" in this superb take, 3:20 is another one. Miles mentions Wagner in one of the interview bits on the dvd, and this entire solo has a kinship with Wagner's erotically pulsating music for Tristan and Isolde - the long love duet of the second act, especially.
I listened to his "The Wall" CD the other night on a plane and it was the best thing I've heard in 10 years. So I decided to listen to this video, one of the first I have ever watched on TH-cam. It backed up what I thought--he is a master.
Amazing! I love Garrett and Miles. Miles has influenced so many styles of jazz and even pop-music - and everything he did was right in terms of taste and style. Thanks for posting Kennys solo!
He was a survivor, he adapted to the times, he was and will be a genius. Kenny is a machine for making music and now he played hard rock, which is what was stretched at that time. big
Once in a life time Solo with the great Miles Davis who played along with tbe Master of Bebop & Jazz , Charlie Parker.Must have been a Honor for Kenny.Kenny Garret this Best Sax ever!
I think there's also some erotic symbolism to it.Kenny's solo has a definite feminine tone and vibe, and Miles is standing with his trumpet pointed like a *** straight at Kenny's lower torso, looking intently at him... :) The ending of the track has, it always seemed to me, a double symbolism that ties in with this: climax or release, but also the birth of a child, with growing pressure from the bass and organ, a final cathartic push - and then finally the "first scream" at the very end, where Miles and Kenny join together. Which locks it back to the title: "Human nature"...
@@romeoperrin7524 Hélas non, je reste avec les audiences! :) - mais dans bien des genres différents. J'ai toujours aimé bien des bandes rock, aussi la musique classique et l'opéra. Quand on est depuis longtemps un fan de diverse bands du "rock progressif" des années 70 (Genesis, Yes, Camel, Pink Floyd, etc ) et aussi des gens tels que Herbie Hancock et Chick Corea, il devient presqu'impossible de ne pas découvrir Miles Davis et Keith Jarrett, qui étaient si centrales pour ce type des bands (Phil Collins, dans les années 70, était un grand fan de Miles Davis et de Weather Report). C'est par cette route que j'ai vraiment decouvert le jazz environ l'an 2000, et depuis ce point je me suis fouillé en maintes directions, vers les années 30-50 et vers le jazz contemporain. :)
4:49 the look on miles davis face was like damn he played his ass off. and i cant top that right now, let me end this with a couple of squeaks and call it a night.
This is the solo part of a song Michael Jackson used to sing called Human Nature -in fact it is the 1st track from "Miles in Paris", recorded during the 10th Paris Jazz Festival, 3rd November 1989 in Zenith. One of my favourite (ever) sax solos!!!
He's supposed to have said just that about Mike Stern when he called some friend on the phone, around 1980, and Mike was jamming with his guitar in the same room as the guy. in the background. "Who's that on guitar? I want to hear more of him!". Mike ended up in the comeback band.
Love this! Slow and gradual building of rhythm and tension.... .... hints at first and then a full blow crescendo of BLISS! Great medicine here!!! The best I've felt in weeks after listening to this.. Clean and beautiful. Thanks for sharing this
I remember the day Miles Davis came to Munich with his band and I didn't go. Instead I was in a jazz club for a jam of local musicians. Later that evening a dude came in with his sax and joined the band. After a while everybody stopped playing, only he went on and whenever I thought now he has to stop, he found a way to make it even wilder, faster, louder ... I never had heard anything like it before ... and I had no idea who was playing. Only later I learned that Kenny Garrett wanted to play some more after the concert with Miles and found the Unterfahrt. I was glad I was in the jam session and not in the concert.
Been there 💥
@@jazz234 Wow ... das ist ja eine Ueberraschung ...
i dont mean to be so off topic but does any of you know of a method to get back into an instagram account..?
I somehow lost my account password. I love any tricks you can give me
@Kristopher Zachariah Instablaster ;)
@Max Kase I really appreciate your reply. I found the site thru google and I'm waiting for the hacking stuff now.
Takes a while so I will reply here later when my account password hopefully is recovered.
This is definitely one of the best funk solos, if not THE best funk solo, I've ever heard...
Riveting solo and a great band - and perhaps THE defining take of Human Nature as a jazz/funk piece. Must be heard in full - this is just the last third of the take.
Check out Michael brecker in Barcelona skunk funk, absolutely filthy solo
Anyone who enjoys some good funky music should enjoy this! And what a great microphone stand Kenny Garret has.......
haha
ahahahah
Yes........indeed
hahahahahah
Lol, he can say Miles Davis used his mic ,, what PRESSURE,, BUT ,,That’s what’s cool about jazz,
A great solo on so many levels. It developed a story, used all 12 tones musically, showed how all minor scales could be used, used motivic development, and most importantly showcased an individual voice on the sax.
But you’ve told me that you didn’t like Kenny :)
Awesome vibe Mic.stand bell to bell quality synchronized tone quality Kenny. JazzTCB
Who's the dude on trumpet holding the trumpet stand?? Do he have a solo out featuring him ? What's the jazz jam he's on .he looked jazz serious 're tone attention to specialized Mic stand tone quality
Rythm >>>>>>>>> harmony
Heavily indebted to Maceo and Woody Shaw!
Miles shows a lot of respect for a young master!
I watched this Paris concert on my parent's VCR maybe a 1000 times.
It's not shown in this video but Kenny's solo starts earlier and for some reason his mic screws up, so he's kind of frustrated and he has to cut it short. Techs remove the mic and when Miles realize it, he walks to Kenny and hand him his trumpet so Kenny can continue his solo thru Mile's own mic... Kind of a symbol, right?
And the rest is history to me: This solo builds up to the moon and the technical constrains seems to motivate Kenny to push even further.
Any chances of getting a copy of it? Or the name of the vhs...
Please
@@filipposantini5305 It's long gone :-) But internet is a wonderful place... so far. Ask and you shall receive: th-cam.com/video/dxng4xlDB0k/w-d-xo.html
Thanks...
That's beautiful..
What an amazing performance 👏
Whew!!! I come back to this clip all the time. Even thinking about it is inspiring. Kenny makes so much use of the modal thing and creates beautiful musical tension. The look on Miles' face when he finishes is priceless!! "Yeah, that's right Kenny, you a bad Mother!""
even when Miles is just standing he’s the coolest dude in the room
True, it may looks like Miles has a nonchalant look on his face but his actions express what he thought of Kenny's solo, the embrace and holding Kenny's name above his own head illistrates how he felt. We haven't yet caught up to Miles musically, he was a true musical genius, a master of the negative space in music.
Now this is the Kenny G I like
No comparison.
vu7
agreed
He was a survivor, he adapted to the times, he was and will be a genius. Kenny is a machine for making music and now he played hard rock, which is what was stretched at that time. big
Yeah, I don't care that much about the OTHER Kenny G! :)
Without a doubt one of the finest solos of all time.
Got to see the whole thing though, this entire ensemble is on it that nite.
Killer!!!!!
Apart from sax solo (masterpiece)...the background crescendo and final explosion are just amazing!
Oh yes, a magnificently realized piece - and it's improvised (they never did this one the same way twice, although the general curve with some sort of crescendo and a sax solo was fairly well established by 1988--89). This is a track of sculptural beauty and, in my eyes, THE defining version of Human Nature as a jazz/funk piece. I've watched and listened to it on the dvd scores of times.
2:41 this lick is amazing
Yeah!!!! I like this one too 0:21
@@mr.estebansax I totally agree
L homme qui m a fait aimer le jazz !!!! Juste incroyable !!!! Le concert au Japon, son do brazil !!!! Je suis tombé amoureux de cette exceptionnelle pianiste !!!! Le son feutré de kenny.... ça c est un coup de foudre... merci
Garrett's Solo's are pure unadulterated 🔥 fire his tone and pocket and notes I can't explain I'm unfortunately am not a musician
But the first time I heard him i. First with Miles at Montreal Jazz with Quincy Jones on TV then on Miles around the World Disc blown away
One day you're changing the road of jazz, another one you're an stand...
a stand*
An stand is actually correct
@@aidandoylepolitics How is it correct? Unless you categorize "s" as a vowel...
A vs. An Rules Use A if the next word starts with the sound of a consonant.
What looked to be a frustrating moment at the worse time ended up being one of the greatest sax solos ever in a Miles Davis Band.
Impressionante como Miles Davis consegue extrair o que seus músicos tem de melhor em todas as fases,Coltrane,Bob Berg,Kenny Garret já em suas carreiras solo a pegada deles não timbra como com o grupo de Miles Davis então a Magia e o Misticismo Espiritual da Música estava sempre no controle do Mestre Sir Miles Dewey Davis III Embaixador.
Universal do Jazz All The Times..
Kenny Garrett no es solo mi saxofonista favorito, sino que este es el mejor solo que le he oido !!! Gracias !!! Este video es para mí como un diamante.
Kenny Garrett is not only my favourite sax player, this is also the best solo I've seen through youtube!!! This video is like a diamond for me. Thanks !!!!!
Es muy bueno
MONSTRUOSO! 🔥
El mejor Solo de saxofón alto de la vida!! 👏🏼
Garret has a vibrant tone on this. I think it fits perfectly against the electronics and his shifts in and out of tonality are a study in playing "outside".
Yes, beautiful layered keyboards too - and wonderful, dramatic drumming by Ricky Wellman that guides the rising tension on the track. The band is rock solid on this 1989 Paris show - like so many of Miles' bands.
This solo by Kenny Garret is out of this world! Miles seems to be pretty pleased with it as his gesture of offering his own mike shows! Thank you for posting!
Toca muuuuuuuuuuuuuuuuuuuuuuito!!! Kenny Garret, esse é o cara!!!
This is nothing more than the passing of the torch, if u please, the transfering of power from one king to another. To crown him the WIZARD OF JAZZ. ALL HAIL KING KENNY!!!!!!!!!!!
Rick Welmam Destroyer Drums Amazing the Best Performance.
Yes, absolutely. he is amazing throughout this show (Miles in Paris, Nov 1989), and he and the rhythm section really shape the dynamics and pacing to frame Miles' and Kenny's solos. This is beautifully paced, as his drumming grows heavier, louder, faster and more determined.
this video is addicted, i saw this maybe 20 times and i´m not tired yet. if you know any sax solo cooler than this please tell me!
Kenny what can you say just killing it from beginning to end you can tell that Miles even enjoyed the solo pure Altos is what you're hearing no filler all meat pure saxophone Kenny doing a great job
Part of what makes this solo great is the rhythm section, solid and building up the way it did. It was an inspiration for Kenny. And Miles just being there, holding the mike, chewing gum. Fantastic.
Yes, at first the drummer holds back carefully (this is just the last third of the entire track) and then he helps build up the volume and punch. Notice how he begins to use the crash cymbal with sharp, loud strikes to punctuate the funky beat, more and more frequent as the tension rises...
4:09-4:15 always gets me by its sheer emotional intensity. A very short passage, but filled with complexity and expressivity. Garrett's ability to take the solo through a fantastic journey of emotions is uncanny.
I don't know which tone of the scale he uses, but one of the cool things I've heard in many Garrett solos is that when he goes to "step out" of the chord progression he'll pick a note, half step up, and then stick in that key. I learned that is a cool way to step out, just play a half step up chord, but it is cool how he transitions by just hanging on that initial note.
The breakout at 2:20-2:41 is a key moment of the entire track for me; when the key, tempo and rhythm change like that, it beautifully captures the sense of liberation: go, GO! The whole piece (this is just the second half) has a sculptural beauty that's quite riveting.
@@louise_rose very well said. Exactly, the "GO" moment is like a liberation. First time I heard this passage it was like going for a magical journey. Yes, the entire version is even more dramatic because of the microphone issue. Garrett almost gave up soloing after the first couple of mic failures, but Miles saying "it's your night". And indeed it was Garrett's night. Btw, I think you mean 3:20 as the liberation moment.
@@andradas9688 I didn't even notice the mike issue until it was pointed out (after I had watched the dvd a dozen times) but I think there's also a symbolic aspect to the way they are standing.
Miles' trumpet (with the mic) is pointed straight at Kenny's belly, and he is standing still but in command while Kenny is pouring out this longing solo, a somewhat feminine solo. There is a discrete phallic/sexual symbolism to their postures and the trumpet (Miles was certainly aware of how his instrument could be seen as a symbol of masculinity). At the climax of the track, Kenny is bucking and his sax moaning like a woman cumming hard... 😸
@@andradas9688 No, I did mean the passage beginning around 2:20 (key and tempo change at 2:35) - but there are several "liberation moments" in this superb take, 3:20 is another one. Miles mentions Wagner in one of the interview bits on the dvd, and this entire solo has a kinship with Wagner's erotically pulsating music for Tristan and Isolde - the long love duet of the second act, especially.
The master, the archetype, the natural progression of hard bop alto playing...The REAL KENNY G
This is beautiful on so many levels
I listened to his "The Wall" CD the other night on a plane and it was the best thing I've heard in 10 years. So I decided to listen to this video, one of the first I have ever watched on TH-cam. It backed up what I thought--he is a master.
Kenny is a great soul, Miles was such a great musician and master....
This is smooooooooth! I can listen to this all day long. I hope I can play like him. Serious sax player!
Awesome saxophone solo! Very melodic and technical! Especially, I like these places with one sound, but diferent tone! Magnificent!
That is one of the most funkiest solos I have heard!! Nice One!
Never before, and never since. Miles and Kenny.
Amazing! I love Garrett and Miles. Miles has influenced so many styles of jazz and even pop-music - and everything he did was right in terms of taste and style. Thanks for posting Kennys solo!
He was a survivor, he adapted to the times, he was and will be a genius. Kenny is a machine for making music and now he played hard rock, which is what was stretched at that time. big
Um excelente saxofonista. Sou fã !
This Dynamic is so amazing! And hes Growls and overtunes are almost as breckers! Gosh love this piece !
Once in a life time Solo with the great Miles Davis who played along with tbe Master of Bebop & Jazz , Charlie Parker.Must have been a Honor for Kenny.Kenny Garret this Best Sax ever!
One of the Best Funky's Alto Sax solo of the world for sure!!!! Yeahhhhhh
Kenny speaks volumes. Digs into ones soul and captivates. I place in my top five my alto sax players.
My favorite Kenny Garrett solo!
My family.....!!!!! Grandmother's sister's son. You've always been a beast cuz.
Mine too! My stepmoms brother!
@@mindfulculturecreators Oh really? Who? What city are u in?
super video!!
jéspère savoir en faire autant un jour !!!
merci pour la video!!
5 minutes of pure heaven
muy bueno, no sé nada de saxo peo me encanta el sonido y lo q expresa ese instrumento, y mas tocado por una persona tan talentosa
I love this guy's outnotes-truly Jazz
I feel so good when i hear saxophone and specially Kenny Garett pure class
amo este video!!
no me canso de verlo!! y escucharlo!!!
Meilleur solo de saxophone de l’histoire du jazz moderne.
Miles performance as a microphone stand is phenomenal.
I think there's also some erotic symbolism to it.Kenny's solo has a definite feminine tone and vibe, and Miles is standing with his trumpet pointed like a *** straight at Kenny's lower torso, looking intently at him... :)
The ending of the track has, it always seemed to me, a double symbolism that ties in with this: climax or release, but also the birth of a child, with growing pressure from the bass and organ, a final cathartic push - and then finally the "first scream" at the very end, where Miles and Kenny join together. Which locks it back to the title: "Human nature"...
@@louise_rose sacrée analyse!!
@@romeoperrin7524 Merci! J'aime tant ce concert entier, et cette version magistrale de la tube!
@@louise_rose vous avez bien raison, le jazz c'est formidable surtout avec Miles, est-ce que vous en jouez aussi?
@@romeoperrin7524 Hélas non, je reste avec les audiences! :) - mais dans bien des genres différents. J'ai toujours aimé bien des bandes rock, aussi la musique classique et l'opéra. Quand on est depuis longtemps un fan de diverse bands du "rock progressif" des années 70 (Genesis, Yes, Camel, Pink Floyd, etc ) et aussi des gens tels que Herbie Hancock et Chick Corea, il devient presqu'impossible de ne pas découvrir Miles Davis et Keith Jarrett, qui étaient si centrales pour ce type des bands (Phil Collins, dans les années 70, était un grand fan de Miles Davis et de Weather Report). C'est par cette route que j'ai vraiment decouvert le jazz environ l'an 2000, et depuis ce point je me suis fouillé en maintes directions, vers les années 30-50 et vers le jazz contemporain. :)
kenny garret is the best in the saxophone!!!!!!!
i like the music of the kenny garret
In 4 words: OH MY FUCKING GOD. Kenny Garret is amazing that energy.
Always loved Kenny's taste in dresses!!
Omg i love Kenny Garrett.The best Sax solo ever!:XSuper cool!!!
4:49 the look on miles davis face was like damn he played his ass off. and i cant top that right now, let me end this with a couple of squeaks and call it a night.
amzing. i play saxophone for now 6 years. its really great what he plays here. =)
Where can u buy this type of mic-stands?:)
You mean the jazz pimp holding the " nobody can have a mic but me" -stand?
Mattia Facchini that hasn’t been cool since Lincoln
You got to earn it.
@@anderslind6833 back off
Quel son et style magnifique , une pureté
This is the solo part of a song Michael Jackson used to sing called Human Nature -in fact it is the 1st track from "Miles in Paris", recorded during the 10th Paris Jazz Festival, 3rd November 1989 in Zenith. One of my favourite (ever) sax solos!!!
just saw this yesterday on a miles davis vhs...
he´s GREAT ;-) don´t know much about jazz but his style sounds so fresh and smooth....
Encontro dos Magos !! Miles Davis e Kenny Garrett em magistral solo de Garrett
Miles Davis: "Damn that boy can play, but what's his name?"
🤣🤣🤣
He's supposed to have said just that about Mike Stern when he called some friend on the phone, around 1980, and Mike was jamming with his guitar in the same room as the guy. in the background. "Who's that on guitar? I want to hear more of him!". Mike ended up in the comeback band.
O melhor!
Very Very Nice!!!
Love this! Slow and gradual building of rhythm and tension.... .... hints at first and then a full blow crescendo of BLISS! Great medicine here!!! The best I've felt in weeks after listening to this.. Clean and beautiful. Thanks for sharing this
had a good reed this day
I sometimes have those days were my reed feels awesome!! I go in when I feel like this
absolutely outstanding!
What a great SOLO!
Miles Davis changed my life. Thank you Miles !!!!!!!!!!!!!!!!!!!!!!!!!!!!
Saw Kenny at the North Sea Jazz festival. Show stopping.
The most talented mic stand ever!
Big Sound man, this is really dificult, and perfect articulation, lots of ghost notes, he is one of the greats.
Gracias,me encanta, me trasporta a otra dimensión en la que te encuentras con el sentido de la vida.
Besitos
the sax is the best instrument in the world . your sound don`t compare with other instruments. the sensations are diferent. it`s special
What an amazing 👏performance 👏
Wow!! Pretty awesome!!!
This is simply stunning. I love the tone, love the phrasing, wikkid.
What is this concert? Is it available on DVD? I want it!
That was a incredible Solo😱👍🏻
Best ever solo ❤
Paris 1989 at the Zenith. Kenny carving his name into the history of Jazz while Miles holds the microphone and the inspiration to wail
Ohhh yes.
A week before the Berlin Wall came down - the link feels very appropriate to me, becuse this solo is, among other things, about a sense of LIBERATION!
Awesome cut! This 'Miles in Davis' is one of my favorites also.
Kenny Garret my favourite saxophonist
I love the look on Miles face after Kenny finishes his solo.
Increíble sax player!
kikoo!! merci bcp j'adore le saxo et cette zik est superbe...
KENNY C'est la grande classe ......
kenny is the best saxophonist ever :)
and miles davis? omg ! he's god ;D
wow!! this guy is just great!
me encanta!!!esto es musica!!!! no lo que hay ahora.Sin ofender a nadie
de acuerdo espectacular música en la sangre.
En la variedad está el gusto
Una autentica pasadaaaaaa.
Sin duda
Amazing
It's all about feeling.And Ohhhhhh how Kenny Garrett is feeling the IT here.
You know you've made it when Miles puts his arm around you at 5:10
j'adore ce solo merci pour cette vidéo
wow creo que es el mejor que he visto!! espectacular!!
this sounds so good...just makes me feel happy!!
LAWD have mercy, Kenny!!! Incredible!!!
Феноменально,браво.!!!.