This episode proves that even though you might be on the home stretch, it ain't over until it's over. Support: / rosastringworks Website: www.rosastring...
I don't see a problem here. If the guitar plays and sounds the way you think it will that's what matters the most. Sometimes you just live with what fate deals you. Even the Mona Lisa had a couple of flaws. I pray for your health to return.
As a wood worker and carver, may I suggest that on your NEXT build, you finish the body and neck separately with the fillers and lacquers and then rout the edges and place the edgings. and then a final lacquer and neck set.
Eight years ago, I had a luthier make me an archtop. After numerous hours carving the top, he uncovered a mark in the wood. He paused. Was he going to throw away the whole thing? He then concluded that his client was an adult, who would surely understand that wood is not plastic. Yes, there can be blemishes here and there. He finished the guitar. Now, eight years later, those blemishes only remind me that I have a custom-built hand-made quality instrument: not an industrial piece of plastic-filled garbage. Jerry, if the guitar sounds as great as a custom-made instrument can, the client will be delighted.
Jerry that guitar looks Amazing.A little colour in our lives is a good thing.Having said that I've got a ukulele where an artist has painted tiny flowers all along the binding before it was laquered and it's fab.All your instruments are one offs and beautiful . You're a legend.⭐John
Appreciate the self sacrifice to give a few teaching moments to instrument building . I will certainly remember what happens if to use a light wood binding. Again it is a gorgeous guitar. Thanks for sharing.
you know..it is what it is. Real wood binding and padauk wood, that's the nature of the beast. I have every confidence that this guitar will sound so good when it's complete, the binding issue won't matter. I can't wait to hear how this guitar sounds! Cheers Jerry, you've done excellent work!
Hello ! I didn'y know about padauk and was just searching on wikipedia. They say: "Most Pterocarpus woods contain either water- or alcohol-soluble substances and can be used as dyes". This explains that ... So sorry for all this trouble...
Thanks for another great video. With your help, I was able to successfully remove and reglue the bridge on a 67 Gibson LGO, that was my son's first guitar. And I now know the wonderful smell of Renaissance wax, because of your recommendation.
The good thing about red is it fades very quickly under UV light. So maybe in a few years of playing, it will be gone or the lacquer turned yellow and you won’t even see it. Beautiful guitar non the less!
I spend a lot of time watching you build on youtube, Jerry, your are a proud, detailed, craftsman, always learning from your mistakes. I have learned from you ,fixing my own guitars. I enjoy watching & learning from you and you endless pursuit of always building, better, smarter, learning from your mistakes. Rosa String Works is Top Quality!
Your craftsmanship is outstanding & I really enjoy all of your videos. I can't imagine your disappointment with the bleeding. I am not a woodworker but, how about - on a test piece of the binding - try staining the binding ever so lightly to match the contaminated areas and have a binding with a slight red-ish tint? Best of luck Jerry - it's gonna be a fantastic guitar no matter what!
Jerry, if you double tape some registration blocks into your laser cutter bed you'll be able to remove the work to check the cut and replace accurately if you need to adjust the depth. It just might make it a little easier being you!
From left field...and the aircraft industry. I have never seen any stain that cannot be removed from any material by VERY careful application of MEK. And when I say careful, I mean meticulously so. Air mask, ventilation...the works. Then use a q-tip to whisk it on then immediately wipe it clean. It will instantly dry the wood so you have to moisten it again quickly. But I tried it on an old guitar and it was like magic. If you opt to try it...try it on and old piece that has a similar stain. LMK if you try it and if it works. Keep building!!!
Hate to see that happen to you after all the hard work you put into it. And it's nice to see your customer is not disappointed. It happens to us all sometimes, just when we figure we've got it licked, things turn around and bite us in the backside.
Jerry your just like me you want it to be perfect and its not you or me we just enjoy the customers response and I understand its your guitar but man its beautiful ,im really hoping on having my own Rosa Dreadnought soon ,contract pending ,Im a guitar tech not a Luthier like you ,dont sweat the tiny imperfections think of them as charactor marks or luthier marks ,this guy wants your workmanship from you not Martins mess or Gibsons ,that why people want a true craftsman who takes things into detail just dont overthink it ,its awesome man !!!!
I enjoy watching a master at his craft and possibly learn something about your craft that I can use in my craft. I build furniture and have used padauk occasionally. It is a oily wood an will react with a finish. Before glue up I wipe with denatured alcohol or acetone to remove as much oil as possible. This works for me. Great videos thanks 🇺🇸
Jerry, Try using some blue painters tape on your design with the laser. Stick the tape down, burn through both the tape and into the wood. Then peel the tape off.
I actually did do that. But it doesn't work for me at all. The reason being the parts are absolutely microscopically tiny especially the little thin limbs. Once you try to peel the tape off it just breaks the wood or you can't get the tape off at all it's just a pain. Not worth the hassle.
It's beautiful, plain and simple. Those are the things that show that it is hand built and from woods that can be problematic. the care and love you put in to your work, shines through things like that and the sound of this beautiful instrument will prove out. Awesome job Jerry.
Lovely work...Im sure the customer will understand.The guitar looks GREAT..Your honesty always amazes me...Cant wait to see the finished product and to hear the instrument...Thanks for sharing
Jerry, I watched several videos of people bleaching various woods. Perhaps you've already researched it...but I thought I'd try to help. Either way, as it stands right now ... I can tell it's going to be a gorgeous looking guitar.
Hi Doug & Jerry, I think it looks cool and just another great unique part of the guitars unique character! It's a one of a kind labor of love and work of art guys and it's going to come through loud and clear when you play it! I have a 1st release of the fantastic 74' 375S Yammi, one of the best guitars Yamaha ever made and there are war dents on the back of the neck that I could have fixed, but didn't because they add character and part of it's life just like me. Pius strangely enough they even aid my playing because without even looking I know exactly where I am on the board, kind of. like braille. LOL :) No, this is an exciting time! The master has rounded the 4th corner and bring it home and you're a fortunate member of a select few, Doug.
Nah...she'll be right mate...no worries! 👍 I'm sure you've mentioned number of times how the padauk wood seems to be full of resins...not sure how you can change that but it's something to consider if that's what you want your guitar made from...thanks Jerry...chin up, its still a beautiful instrument anyone would be proud to own.
Hi Jerry; When things like those red stains happen to me, I call it battle scars. They do give the instrument character. What the customers reaction will be, is up to him or her, but battle scars don't bother me. I think that guitar is beautiful. Just chalk it up to living and learning. I hope you guys both get better soon.
Jerry, the true mark of handmade is all the human touches that make up the final product, be them good or bad. That's what makes your products unique. No two are alike. There's only one that I think is perfect, and it isn't us. Everyday is a learning experience and I'm in my late 60's and still learn something. My woodworking has gotten better thru the years, but far from being a craftsman. You my friend, are a craftsman.
Jerry you are such a real person you are incredible I love to watch you work I love every comments you make as you work even the ones where your picking at it or bellyaching I loved every bit of it. You are just real.
Hey brother I use a k40 laser engraver for my leather work. You need a air assist for your laser head. That’ll keep your material from catching on fire. Love your work.
I've heard that from a number of people. And I'm looking into it I probably will do that. But it still sounds counterintuitive to me. For instance when you're Building A Fire how do you get it to catch fire more is by blowing on it. Doesnt make sense that air is going to stop it from Catching Fire. Seems like it would create a bigger problem.
Have to say Jerry the level of care you put there to separate the light pieces from the red mess... I build one guitar last year (single one so fare) and end up with pretty same issue, have a indian rose wood that blend all red. It was a pain. I use a french polish on my guitar and take me 3 months to end up with a decent finish. Fill the grain with pumice stone powder technique.
do this as a test . take some scrap paduk and some scrap spruce sand some Paduk onto the spruce .. let it set for say 20 minutes take 20% nail polish remover to 60% rubbing alcohol and dampen a rag and in on motion only wipe and see if it cleans the paduk off the spruce using minimum to no pressure . ive lucked out with this method cleaning horn knife handles using wood spacers .. and it does a really great job and Deer horn and elk is porus as you know
Jerry give it a shot and let me know you may want to get balsey and try it at 30 or even 50/50 its wood that its not gonna get hot enough and should evaporate . its not like using laquer thinner or xylene and xylene would burn the wood .
I'm sure all of your viewers know this guitar will come out just fantastic. One of the most enjoyable things on your videos is when there is a problem you come up with a great recovery. Thanks again for the pleasure and privilege of seeing your work.
Dear Friend, I can relate your frustration and disappointment to myself when some of my projects do not turn out as I expected. We probably are perfectionnists and we demand too much of ourselves. For a final touch of réconfort I'll glady trade off my old 1963 Gibson J50 guitar for the masterpiece you have created so far anytime you want.
Classical/flamenco luthiers seal just the bindings first - a couple of coats to stop the bleeding. Somehow, they manage to then seal the rest of the body, without going over the bindings. That way, the stain that is coming out of the wood, stays within its boundaries. Some of them are using epoxy as a filler now - very thin coat because of this problem, but they still use shellac as a sealer the way I described. As you said, it because you choose to use the best, instead of plastic, that you struggle to get out of the hole you dug. Another idea is to stain all of the binding, so it looks different (than you intended). I was so disappointed with my own work on one job, but the client was over the moon. It is possible for you to make stain from paduk sawdust to match it all around. That is beautiful inlay work and binding/rosette work.
Here are the reference videos - th-cam.com/video/Uf4z14Vjkxk/w-d-xo.html Video for Grain filling There are 9 videos in total for a complete guide to French Polishing. But the tutorials really cover putting any finish on guitars - because you can follow this guide for preparing for any other finish. Almost every finish will go on top of shellac - which is the basic for French Polishing. This video shows how to make the best shellac and how to apply it the best way - covering the bindings first - which he almost didn't do. But we can learn from him, because he uses the right tools and right method - so that he avoids problems later. th-cam.com/video/Cee7BzN3o7k/w-d-xo.html
I'm finally viewing this entire series, after waiting for the right time. That time is now. I appreciate the fact that you show us your thinking process, and your small errors and mistakes. How you correct those errors is very important to me, as make a slew of them! Thanks. Instrument looks magnificent. Really remarkable. It wasn't easy, was it? But well worth the effort.
Awesome video thanks for sharing. I love the 3 peace back. I have had 2 D35s in my life. I currently have a Martin D35.it's a great sounding guitar and it cords like a dream. I will never sell it. I can't wait to see how this guitar turns out.
I LOVE the colour of Padauk, but I can imagine what a pain it is to not contaminate everything else. (The pickguard looks AWESOME! The bleeding Padauk is VERY disappointing.)
Yap. one of the thing i come as solution after everything turn red. I sand all back and soak the white bindings and purflings first with shellac few times... changing the cloth every pass.
I have done some paint work on guitars before...this is just a suggestion...not sure if you want to go to this extreme but you could tape it off with a fine line tape and spray the binding with an off white that will cover the stains up...then continue with the clear laquer
I love that red color. I'm sure I have read somewhere that if God sends you lemons you make lemonade... Why not do a mix of the dark wood and the sealer you used and kinda blend the same stain to all the binding to kind of camouflage it? . I've seen you work magic and I'm sure you can pull it off. But that's just me thinking out loud. I wold test it on another scrap of wood first. Of course the customer needs to approve. Don't shoot me for my comment.
Jose Anglada this is what I asked Jerry but he has already lacquered many coats so I guess I’m gonna get it with the Bleed over the Red is unique and beautiful . I can’t wait to get the guitar !
If it's one thing your videos teach me, it's patience. Mistakes will happen and I've learned from you that you just have to take your time and deal with them. Thanks so much for sharing your builds with us!👍😎🎸🎶
Hi You need to change the nozzel end on your laser to include air assist, this is necessary to prevent wood flaming up. and it helps a lot with cutting,
Jerry you seam to belong to the same club as me. The Murphy’s Club. I always thought I was the president but you might have that honor. Press on, you can get through it. Love your videos.
I really appreciate that you show your setbacks and how your work through them. It makes it a thousand times more interesting than watching someone do it perfect every time.
Perfectionism is a hard taskmaster. I am reminded of myself when I see your project. I recently made a 3 legged pole lamp for a friend. When "done", I could pick out the multiple (but tiny) places where it was not as perfect as I wanted it to be. Could I have chosen a different piece of wood for one spot, with slightly better grain? Well, yes. Could I have made a different design choice, that after the fact, would have worked better? Well, yes. Are there a couple of tiny finishing flaws? Well, yes. Was I happy with the finish I used? Well, no, as it turns out. Fixing the things I saw as flaws would have taken many more hours, possibly redoing much work as I had done already. And I had a finite amount of time to finish the task. My friend however, saw only the beautiful lamp she now had, and was ecstatic with the result. Your guitar is indeed a thing of beauty, a work to be proud of.
Hey Jerry! When you make everything from scratch, your going to have imperfections. Just the way it is. I call them "perfect imperfections". The guitar looks like a killer and end the end, its the playability and sound is the most important thing. Im pretty sure your customer will agree.
The best part of your always very enlightening videos is that you get to show everybody your eventual fails. That's brave, that's being true. Thanks a lot from a south brazilian fan, Jerry. And excuse my poor self taught english. Keep up the great work.
I have to ask my "better half" when my bike battery is charged, 'cause I can't see the difference between the red and green light on the charger. That's a beautiful guitar Jerry. Thank you sir.
@BreatheScotland It's one of those where both LEDs are behind the same lens. Weirdly, if I take a picture of it with my mobile, I can tell the difference on the picture. Ta
Every guitar player I know would trade one of their kids for this STUNNINGLY BEAUTIFUL guitar. The staining is minor Jerry, it's minor! The guitar is spectacular!
Gosh, who could foretell that the padauk wood and the "sealer" varnish would react like that? How tremendously irksome and frustrating, I really feel for you Jerry, it really looks to be doing the opposite of sealing the wood! It is still a wonderful unique instrument made with top class skill and artistry and from the comments below I can see Mr Santaniello is still very thrilled and can't wait to take ownership of his beautiful guitar. All of your fans and admirers are, like me also, really eager to see the guitar finished and being played in all it's glory and uniqueness. I predict that it will sound amazing and a small bit of binding discolouration will just add to it's character and special beauty! Also I sincerely hope that both you and Mr Santaniello have gotten over the illnesses mentioned in your comments. Thank you for posting this captivating series of brilliant howtos of bespoke instrument making.
Yes sir, I've watched your expert repair skills at work but this is next level to me. I wonder if and which company you build these magnificent guitars for.its as fine as any Martin or Gibson etc..... Very inspiring. You bless me and edify me in the Lord. When I play my inexpensive Martin for the worship of the Father,I'll dream and pray for a tool of this high quality. I'm believing for one of these super anointed guitars. Keep up the goooood work.you are blessing the Lord with your excellence in all that you do. Bless you brother.✝️🔥
Jerry you have done an amazing job on this guitar, i am sure the customer will love it, it truly is a one off handmade bespoke instrument, you are beyond fussy regarding your work and anyone who watches you work knows your attention to detail is legendary, you always go the extra mile in search of quality, this guitar is no different, when you mix wood species you will always get some kind of interaction that is part of using all natural wood and no made made plastics, don't be so hard on yourself, anyone would love this guitar it is a truly unique one off, made with skill and massive attention to detail. Peace and Love from Bonny Scotland.
Hey Jerry! Oh! the heartache! Unfortunately, even the glue will make the colour come out! Like you said binding must be plastic! SO...I guess you're going to be scraping! However, I watched a Master violin Luthier telling one of his students to stop trying to repair a blemish in the finish! Said, later on, it becomes part of the charm of the instrument, it is an inherent quality of the true handmade instrument. So do what you can, but know when to stop! Good Luck.
I know all about feeling cursed. But the end result should make the blood, sweat and tears all worth it. The lacquer really turned the back and sides a beautiful color. The laborious details sets your instruments above the others 👍✌
I think the color of the Padauk really pops with the red color! I see a lot of high end guitar makers not even fill the grain on the back and sides, so I'm not sure I'd lose any sleep about having a perfectly smooth finish. Looks really nice!
On your behalf, I went out to the backyard, jumped up and down, swore like a sailor, and shook my fist at the sky. I hope you feel better! :) Despite your frustrations, I still enjoy your videos.
Jerry thats a beautiful guitar im guessing your yellow leather dye wont work on the binding but dont worry we all know your gonna sort it out you always seem to manage great video and good luck 👍
You can only do what you can do Jerry. It's still a fantastic looking guitar. If only I could afford one, I'd place my order today. The work you do is outstanding.
The human finger is capable of detecting a difference of 10/1000 of an inch. It must be really difficult fine finishing an instrument when you can't see the result in what you are doing. Maple is notorious for getting tainted with other woods. Ebony is not its' friend either. Loving that laser cutter. It would be cool to do a back piece for a mandolin, a bit fancier than normal, as a one off. BTW there is a technique called sand shading. you put wood into hot sand, and it gives shading to the parts. Would look cool on your rose petals.
Wow, the finish on this guitar is stunning! It is amazing how much work goes into making an instrument like this. Thank you for sharing, I am glad I came across you today and am looking forward to your next project!
"Beautiful, with its flaws..." Yes, indeed, she is...like each of us. I've read the comments from your customer, Monsieur Doug Santaniello, so I know he is willing/eager to love her, despite (or maybe even "because" of) her "beauty marks"...she has a unique character, that's all. I can't wait to see and hear her when she is completed, Jerry. Take your time...and cut yourself some slack, brother. The greatest masters were/are always capable of finding ways to improve their creations...you are in vast and grand company. I only wish I could take her for a test spin in a few weeks...she'll be a thrilling ride, I'm sure.
I think you may have to mask off the red wood to allow using a high gloss white paint on the binding. Otherwise your idea of routing off the binding and re-binding with new wood will be the only professional Master Grade way to fix it. (sigh) I have seen your other videos where you have fixed binding that was so old it was crystallized by replacing it and you did a beautiful job. Trust yourself.
I hope I Don’t die before I get to play this Beauty 🤪😍🤩
hope you get better soon. I have been very sick myself over the last week and a half. I've been to the doctor but it's not helping much.
Rosa String Works you better get well soon for the trip !
Please, both of you get better soon!
Sell it to me if the stain is not to your liking.
johnnyd63 you know that ain’t gonna happen 😂 I just might have it buried with me !!! 😳
I don't see a problem here. If the guitar plays and sounds the way you think it will that's what matters the most. Sometimes you just live with what fate deals you. Even the Mona Lisa had a couple of flaws. I pray for your health to return.
As a wood worker and carver, may I suggest that on your NEXT build, you finish the body and neck separately with the fillers and lacquers and then rout the edges and place the edgings. and then a final lacquer and neck set.
I think I kind of said that a couple of times on screen
Eight years ago, I had a luthier make me an archtop. After numerous hours carving the top, he uncovered a mark in the wood. He paused. Was he going to throw away the whole thing? He then concluded that his client was an adult, who would surely understand that wood is not plastic. Yes, there can be blemishes here and there. He finished the guitar.
Now, eight years later, those blemishes only remind me that I have a custom-built hand-made quality instrument: not an industrial piece of plastic-filled garbage.
Jerry, if the guitar sounds as great as a custom-made instrument can, the client will be delighted.
The pick guard alone is stunning
Jerry that guitar looks Amazing.A little colour in our lives is a good thing.Having said that I've got a ukulele where an artist has painted tiny flowers all along the binding before it was laquered and it's fab.All your instruments are one offs and beautiful . You're a legend.⭐John
You’re so hard on yourself...relax bro...it’s gorgeous!
Appreciate the self sacrifice to give a few teaching moments to instrument building . I will certainly remember what happens if to use a light wood binding. Again it is a gorgeous guitar. Thanks for sharing.
That guitar is Perfect! that red stain only adds to the beauty. A work of art.
you know..it is what it is. Real wood binding and padauk wood, that's the nature of the beast. I have every confidence that this guitar will sound so good when it's complete, the binding issue won't matter. I can't wait to hear how this guitar sounds! Cheers Jerry, you've done excellent work!
Hello ! I didn'y know about padauk and was just searching on wikipedia. They say: "Most Pterocarpus woods contain either water- or alcohol-soluble substances and can be used as dyes". This explains that ...
So sorry for all this trouble...
Thanks for another great video. With your help, I was able to successfully remove and reglue the bridge on a 67 Gibson LGO, that was my son's first guitar. And I now know the wonderful smell of Renaissance wax, because of your recommendation.
The good thing about red is it fades very quickly under UV light. So maybe in a few years of playing, it will be gone or the lacquer turned yellow and you won’t even see it. Beautiful guitar non the less!
I spend a lot of time watching you build on youtube, Jerry, your are a proud, detailed, craftsman, always learning from your mistakes. I have learned from you ,fixing my own guitars. I enjoy watching & learning from you and you endless pursuit of always building, better, smarter, learning from your mistakes. Rosa String Works is Top Quality!
Your craftsmanship is outstanding & I really enjoy all of your videos. I can't imagine your disappointment with the bleeding. I am not a woodworker but, how about - on a test piece of the binding - try staining the binding ever so lightly to match the contaminated areas and have a binding with a slight red-ish tint? Best of luck Jerry - it's gonna be a fantastic guitar no matter what!
Chin up little buckeroo. It's still a beautiful instrument and what do they say, "Ya live n learn" !
jerry ......my dangelico had a FEW little things in it also!! NO SWEAT!! the guitar still played and sounded beauyiful---- sleep warm and peaceful...
Hi Jerry
I am a long way from there in Durham UK, but I can't even see the stain! May the force be with you.
Jerry as an unbiased observer that pick guard inlay is totally incredible!
Jerry, if you double tape some registration blocks into your laser cutter bed you'll be able to remove the work to check the cut and replace accurately if you need to adjust the depth.
It just might make it a little easier being you!
From left field...and the aircraft industry. I have never seen any stain that cannot be removed from any material by VERY careful application of MEK. And when I say careful, I mean meticulously so. Air mask, ventilation...the works. Then use a q-tip to whisk it on then immediately wipe it clean. It will instantly dry the wood so you have to moisten it again quickly. But I tried it on an old guitar and it was like magic. If you opt to try it...try it on and old piece that has a similar stain. LMK if you try it and if it works. Keep building!!!
Believe it or not I actually tried MEK with a cotton swab. It didn't seem to want any part of it. Couldn't tell it did one thing.
Sometimes its just impossible to overcome the forces of nature. Its still an outstanding guitar! Keep your head up, Jerry.
Hate to see that happen to you after all the hard work you put into it. And it's nice to see your customer is not disappointed. It happens to us all sometimes, just when we figure we've got it licked, things turn around and bite us in the backside.
Jerry your just like me you want it to be perfect and its not you or me we just enjoy the customers response and I understand its your guitar but man its beautiful ,im really hoping on having my own Rosa Dreadnought soon ,contract pending ,Im a guitar tech not a Luthier like you ,dont sweat the tiny imperfections think of them as charactor marks or luthier marks ,this guy wants your workmanship from you not Martins mess or Gibsons ,that why people want a true craftsman who takes things into detail just dont overthink it ,its awesome man !!!!
That is the most beautiful guitar I have ever seen. I love the darker red.
I enjoy watching a master at his craft and possibly learn something about your craft that I can use in my craft. I build furniture and have used padauk occasionally. It is a oily wood an will react with a finish. Before glue up I wipe with denatured alcohol or acetone to remove as much oil as possible. This works for me. Great videos thanks 🇺🇸
Jerry, Try using some blue painters tape on your design with the laser. Stick the tape down, burn through both the tape and into the wood. Then peel the tape off.
I actually did do that. But it doesn't work for me at all. The reason being the parts are absolutely microscopically tiny especially the little thin limbs. Once you try to peel the tape off it just breaks the wood or you can't get the tape off at all it's just a pain. Not worth the hassle.
You are going to get it ! You always succeed 👍👏👏🤠Looking great 👍
I like the pink grain in the binding looks super bespoke!
Padauk makes rosewood and Tasmanian Blackwood look really good.
It's beautiful, plain and simple. Those are the things that show that it is hand built and from woods that can be problematic. the care and love you put in to your work, shines through things like that and the sound of this beautiful instrument will prove out. Awesome job Jerry.
Get well soon Jerry, Mr Santantello seems happy with that beautiful guitar Jerry 🙂
That laser is just awesome.
Lovely work...Im sure the customer will understand.The guitar looks GREAT..Your honesty always amazes me...Cant wait to see the finished product and to hear the instrument...Thanks for sharing
Jerry, I watched several videos of people bleaching various woods. Perhaps you've already researched it...but I thought I'd try to help. Either way, as it stands right now ... I can tell it's going to be a gorgeous looking guitar.
Hi Doug & Jerry, I think it looks cool and just another great unique part of the guitars unique character! It's a one of a kind labor of love and work of art guys and it's going to come through loud and clear when you play it! I have a 1st release of the fantastic 74' 375S Yammi, one of the best guitars Yamaha ever made and there are war dents on the back of the neck that I could have fixed, but didn't because they add character and part of it's life just like me. Pius strangely enough they even aid my playing because without even looking I know exactly where I am on the board, kind of. like braille. LOL :) No, this is an exciting time! The master has rounded the 4th corner and bring it home and you're a fortunate member of a select few, Doug.
A really amazing job there Sir, you are a true craftsman, and sometimes you make me laugh,what a gorgeous guitar, thanks for sharing ....
I really enjoyed your video Jerry. Don't beat yourself up, you tried the best that you could.
Nah...she'll be right mate...no worries! 👍 I'm sure you've mentioned number of times how the padauk wood seems to be full of resins...not sure how you can change that but it's something to consider if that's what you want your guitar made from...thanks Jerry...chin up, its still a beautiful instrument anyone would be proud to own.
The difference between the sanding sealers is probably the solvent used in them.
It makes it look HAND MADE
Awe man, I can hear it just looking at it, respect.
Hi Jerry;
When things like those red stains happen to me, I call it battle scars. They do give the instrument character. What the customers reaction will be, is up to him or her, but battle scars don't bother me. I think that guitar is beautiful. Just chalk it up to living and learning. I hope you guys both get better soon.
Dream looking guitar. Perfect.
Jerry, the true mark of handmade is all the human touches that make up the final product, be them good or bad. That's what makes your products unique. No two are alike. There's only one that I think is perfect, and it isn't us. Everyday is a learning experience and I'm in my late 60's and still learn something. My woodworking has gotten better thru the years, but far from being a craftsman. You my friend, are a craftsman.
Those 'beauty marks' wouldn't bother me Jerry - that's a great instrument anyhow!
Jerry you are such a real person you are incredible I love to watch you work I love every comments you make as you work even the ones where your picking at it or bellyaching I loved every bit of it. You are just real.
Hey brother I use a k40 laser engraver for my leather work. You need a air assist for your laser head. That’ll keep your material from catching on fire. Love your work.
I've heard that from a number of people. And I'm looking into it I probably will do that. But it still sounds counterintuitive to me. For instance when you're Building A Fire how do you get it to catch fire more is by blowing on it. Doesnt make sense that air is going to stop it from Catching Fire. Seems like it would create a bigger problem.
Not flawed; just stained with the blood, sweat and tears of its creator.
I love it! Love the roses too. Can't wait to hear you play it.
Have to say Jerry the level of care you put there to separate the light pieces from the red mess... I build one guitar last year (single one so fare) and end up with pretty same issue, have a indian rose wood that blend all red. It was a pain. I use a french polish on my guitar and take me 3 months to end up with a decent finish. Fill the grain with pumice stone powder technique.
do this as a test . take some scrap paduk and some scrap spruce sand some Paduk onto the spruce .. let it set for say 20 minutes take 20% nail polish remover to 60% rubbing alcohol and dampen a rag and in on motion only wipe and see if it cleans the paduk off the spruce using minimum to no pressure . ive lucked out with this method cleaning horn knife handles using wood spacers .. and it does a really great job and Deer horn and elk is porus as you know
Jerry give it a shot and let me know you may want to get balsey and try it at 30 or even 50/50 its wood that its not gonna get hot enough and should evaporate . its not like using laquer thinner or xylene and xylene would burn the wood .
I'm sure all of your viewers know this guitar will come out just fantastic. One of the most enjoyable things on your videos is when there is a problem you come up with a great recovery. Thanks again for the pleasure and privilege of seeing your work.
wow she looks amazing..cant wait to see the final ..beauti marks are good.. no big deal...
Dear Friend, I can relate your frustration and disappointment to myself when some of my projects do not turn out as I expected. We probably are perfectionnists and we demand too much of ourselves. For a final touch of réconfort I'll glady trade off my old 1963 Gibson J50 guitar for the masterpiece you have created so far anytime you want.
It’s just not easy been you...the guitar is beautiful by the way...
Classical/flamenco luthiers seal just the bindings first - a couple of coats to stop the bleeding. Somehow, they manage to then seal the rest of the body, without going over the bindings. That way, the stain that is coming out of the wood, stays within its boundaries. Some of them are using epoxy as a filler now - very thin coat because of this problem, but they still use shellac as a sealer the way I described. As you said, it because you choose to use the best, instead of plastic, that you struggle to get out of the hole you dug. Another idea is to stain all of the binding, so it looks different (than you intended). I was so disappointed with my own work on one job, but the client was over the moon. It is possible for you to make stain from paduk sawdust to match it all around. That is beautiful inlay work and binding/rosette work.
Here are the reference videos - th-cam.com/video/Uf4z14Vjkxk/w-d-xo.html Video for Grain filling
There are 9 videos in total for a complete guide to French Polishing. But the tutorials really cover putting any finish on guitars - because you can follow this guide for preparing for any other finish. Almost every finish will go on top of shellac - which is the basic for French Polishing.
This video shows how to make the best shellac and how to apply it the best way - covering the bindings first - which he almost didn't do. But we can learn from him, because he uses the right tools and right method - so that he avoids problems later.
th-cam.com/video/Cee7BzN3o7k/w-d-xo.html
I'm finally viewing this entire series, after waiting for the right time. That time is now.
I appreciate the fact that you show us your thinking process, and your small errors and mistakes.
How you correct those errors is very important to me, as make a slew of them! Thanks.
Instrument looks magnificent. Really remarkable. It wasn't easy, was it? But well worth the effort.
I have had a real problem getting the Finish to look right on this guitar. I think I just put the final coat on it this evening. At least I hope so.
@@RosaStringWorks Remarkable workmanship -- gorgeous.
God bless, and stay safe and healthy.
Awesome video thanks for sharing. I love the 3 peace back. I have had 2 D35s in my life. I currently have a Martin D35.it's a great sounding guitar and it cords like a dream. I will never sell it. I can't wait to see how this guitar turns out.
I LOVE the colour of Padauk, but I can imagine what a pain it is to not contaminate everything else.
(The pickguard looks AWESOME! The bleeding Padauk is VERY disappointing.)
Yap. one of the thing i come as solution after everything turn red. I sand all back and soak the white bindings and purflings first with shellac few times... changing the cloth every pass.
Love the red color!!
It looks great. The "flaws" ad character:0)
That padouk is beautiful and incredibly toned!
It looks beautiful Jerry
Gotta swing at a lot of bad pitches to hit home runs. Nothing to be ashamed of. This baby is hit deep, deep, deep to center. Home run!
Jerry,your an artist
I have done some paint work on guitars before...this is just a suggestion...not sure if you want to go to this extreme but you could tape it off with a fine line tape and spray the binding with an off white that will cover the stains up...then continue with the clear laquer
I've tried taping off before and it is never worked. Stain is not like paint it seeps into the pores of the wood and we'll go right behind the tape.
I love that red color. I'm sure I have read somewhere that if God sends you lemons you make lemonade... Why not do a mix of the dark wood and the sealer you used and kinda blend the same stain to all the binding to kind of camouflage it? . I've seen you work magic and I'm sure you can pull it off. But that's just me thinking out loud. I wold test it on another scrap of wood first. Of course the customer needs to approve. Don't shoot me for my comment.
Jose Anglada this is what I asked Jerry but he has already lacquered many coats so I guess I’m gonna get it with the Bleed over the Red is unique and beautiful . I can’t wait to get the guitar !
If it's one thing your videos teach me, it's patience. Mistakes will happen and I've learned from you that you just have to take your time and deal with them. Thanks so much for sharing your builds with us!👍😎🎸🎶
Hi You need to change the nozzel end on your laser to include air assist, this is necessary to prevent wood flaming up. and it helps a lot with cutting,
Jerry you seam to belong to the same club as me. The Murphy’s Club. I always thought I was the president but you might have that honor. Press on, you can get through it. Love your videos.
I really appreciate that you show your setbacks and how your work through them. It makes it a thousand times more interesting than watching someone do it perfect every time.
Perfectionism is a hard taskmaster. I am reminded of myself when I see your project. I recently made a 3 legged pole lamp for a friend. When "done", I could pick out the multiple (but tiny) places where it was not as perfect as I wanted it to be. Could I have chosen a different piece of wood for one spot, with slightly better grain? Well, yes. Could I have made a different design choice, that after the fact, would have worked better? Well, yes. Are there a couple of tiny finishing flaws? Well, yes. Was I happy with the finish I used? Well, no, as it turns out.
Fixing the things I saw as flaws would have taken many more hours, possibly redoing much work as I had done already. And I had a finite amount of time to finish the task. My friend however, saw only the beautiful lamp she now had, and was ecstatic with the result.
Your guitar is indeed a thing of beauty, a work to be proud of.
Hey Jerry! When you make everything from scratch, your going to have imperfections. Just the way it is. I call them "perfect imperfections". The guitar looks like a killer and end the end, its the playability and sound is the most important thing. Im pretty sure your customer will agree.
The best part of your always very enlightening videos is that you get to show everybody your eventual fails. That's brave, that's being true. Thanks a lot from a south brazilian fan, Jerry. And excuse my poor self taught english. Keep up the great work.
Your English is far better than my Spanish. Thank you for watching my videos.
@@RosaStringWorks My spanish sucks, too. We've been speaking portuguese in Brazil, since 1500. 😉
I have to ask my "better half" when my bike battery is charged, 'cause I can't see the difference between the red and green light on the charger.
That's a beautiful guitar Jerry.
Thank you sir.
I know your pain.
@BreatheScotland It's one of those where both LEDs are behind the same lens. Weirdly, if I take a picture of it with my mobile, I can tell the difference on the picture.
Ta
Every guitar player I know would trade one of their kids for this STUNNINGLY BEAUTIFUL guitar. The staining is minor Jerry, it's minor! The guitar is spectacular!
No one can achieve perfect even robots in manufacturing have a degree of tolerance so dont beat yourself up about it. Looks stunning Jerry.
Gosh, who could foretell that the padauk wood and the "sealer" varnish would react like that?
How tremendously irksome and frustrating, I really feel for you Jerry, it really looks to be doing the opposite of sealing the wood!
It is still a wonderful unique instrument made with top class skill and artistry and from the comments below I can see Mr Santaniello is still very thrilled and can't wait to take ownership of his beautiful guitar.
All of your fans and admirers are, like me also, really eager to see the guitar finished and being played in all it's glory and uniqueness.
I predict that it will sound amazing and a small bit of binding discolouration will just add to it's character and special beauty!
Also I sincerely hope that both you and Mr Santaniello have gotten over the illnesses mentioned in your comments.
Thank you for posting this captivating series of brilliant howtos of bespoke instrument making.
Yes sir, I've watched your expert repair skills at work but this is next level to me. I wonder if and which company you build these magnificent guitars for.its as fine as any Martin or Gibson etc..... Very inspiring. You bless me and edify me in the Lord. When I play my inexpensive Martin for the worship of the Father,I'll dream and pray for a tool of this high quality. I'm believing for one of these super anointed guitars. Keep up the goooood work.you are blessing the Lord with your excellence in all that you do. Bless you brother.✝️🔥
The guitar is beautiful!
Jerry you have done an amazing job on this guitar, i am sure the customer will love it, it truly is a one off handmade bespoke instrument, you are beyond fussy regarding your work and anyone who watches you work knows your attention to detail is legendary, you always go the extra mile in search of quality, this guitar is no different, when you mix wood species you will always get some kind of interaction that is part of using all natural wood and no made made plastics, don't be so hard on yourself, anyone would love this guitar it is a truly unique one off, made with skill and massive attention to detail. Peace and Love from Bonny Scotland.
Hey Jerry! Oh! the heartache! Unfortunately, even the glue will make the colour come out! Like you said binding must be plastic! SO...I guess you're going to be scraping! However, I watched a Master violin Luthier telling one of his students to stop trying to repair a blemish in the finish! Said, later on, it becomes part of the charm of the instrument, it is an inherent quality of the true handmade instrument. So do what you can, but know when to stop! Good Luck.
I know all about feeling cursed. But the end result should make the blood, sweat and tears all worth it. The lacquer really turned the back and sides a beautiful color. The laborious details sets your instruments above the others 👍✌
The red is beautiful i think
Well, if you look on the bright side, it is sort of a Rose color and goes with the guitar !
I think the color of the Padauk really pops with the red color! I see a lot of high end guitar makers not even fill the grain on the back and sides, so I'm not sure I'd lose any sleep about having a perfectly smooth finish. Looks really nice!
Seen this build 3 times now Jerry absolutely beautiful bud nicest guitar iv seen 👌
It's in the pours. It's set color now.
👍👍👍👍👍👍👍 Satisfaction for Jerry👍👍👍👍
On your behalf, I went out to the backyard, jumped up and down, swore like a sailor, and shook my fist at the sky. I hope you feel better! :) Despite your frustrations, I still enjoy your videos.
Jerry thats a beautiful guitar im guessing your yellow leather dye wont work on the binding but dont worry we all know your gonna sort it out you always seem to manage great video and good luck 👍
As much pain and suffering that the guitar has caused you, it's still going to be a beautiful, killer guitar!
You can only do what you can do Jerry. It's still a fantastic looking guitar. If only I could afford one, I'd place my order today. The work you do is outstanding.
The human finger is capable of detecting a difference of 10/1000 of an inch. It must be really difficult fine finishing an instrument when you can't see the result in what you are doing. Maple is notorious for getting tainted with other woods. Ebony is not its' friend either. Loving that laser cutter. It would be cool to do a back piece for a mandolin, a bit fancier than normal, as a one off. BTW there is a technique called sand shading. you put wood into hot sand, and it gives shading to the parts. Would look cool on your rose petals.
I've seen sand shading.
Wow, the finish on this guitar is stunning! It is amazing how much work goes into making an instrument like this. Thank you for sharing, I am glad I came across you today and am looking forward to your next project!
"Beautiful, with its flaws..." Yes, indeed, she is...like each of us. I've read the comments from your customer, Monsieur Doug Santaniello, so I know he is willing/eager to love her, despite (or maybe even "because" of) her "beauty marks"...she has a unique character, that's all. I can't wait to see and hear her when she is completed, Jerry. Take your time...and cut yourself some slack, brother. The greatest masters were/are always capable of finding ways to improve their creations...you are in vast and grand company. I only wish I could take her for a test spin in a few weeks...she'll be a thrilling ride, I'm sure.
It's still a masterpiece even with a Rose colored stain...love the pick guard the rose turned out awesome Jerry!
I think you may have to mask off the red wood to allow using a high gloss white paint on the binding. Otherwise your idea of routing off the binding and re-binding with new wood will be the only professional Master Grade way to fix it. (sigh) I have seen your other videos where you have fixed binding that was so old it was crystallized by replacing it and you did a beautiful job. Trust yourself.