J.B. Lully - Marche pour la Cérémonie turque
ฝัง
- เผยแพร่เมื่อ 27 ก.ค. 2016
- J.B. Lully - Marche pour la Cérémonie turque
Julitta Sleńdzińska Vth International Festival of Early Music
Festival Art.Dir. Anna Urszula Kucharska
Saturday 24 August 6pm Aula Magna of Branicki Palace, ul. Kilińskiego 1
The opening concert “Diplomats, warriors and dancers”
Julitta Sleńdzińska Vth International Festival of Early Music
Festival Artistic Director: Anna Urszula Kucharska
Jean-Baptiste Lully (1632-1687)
Marche pour la Cérémonie turque
L'Entrée des Scaramouches
(Le Bourgeois Gentilhomme LWV 43, Paris1670)
Performers:
Romana Agnel, Dariusz Brojek, Krzysztof Antkowiak - dance,
Jan Ziemowit Hutek, Patrycja Leśniak - baroque oboe
Violetta Szopa-Tomczyk, Joanna Gręziak - baroque violin
Marcin Stefaniuk, Małgorzata Feldgebel - baroque viola
Anna Wiktoria Swoboda - theorbo
Tomasz Frycz - baroque cello, Daniel Zorzano - violone
Jarosław Kopeć - percussion instruments
Anna Urszula Kucharska - harpsichord, scenario
Romana Agnel - choreography and stage management - บันเทิง
I think that most of the audience had come expecting to play Bingo
The comfort of Lully‘s music is unrivaled
The wonderfulness of this dance is outclassing
Merci au cérémonieux J.B.Lully pour cette musique merveilleuse et éternelle qui nous rend immortels !
😆
Wow
Grazie del video
Huge fun - and I found the audience especially hilarious. Great music, energetic performance and humourless, anally-retentive spectators. What more could we ask?
Haha my exact reaction too😂
I was directed back to this video by a strange reply to my previous comment. On watching the video again, I still can't believe how uninterested the audience appears to be. Hardly a smile throughout the performance. Were they actually expecting Andre Rieu?
an ottoman diplomat called 28 Mehmet Çelebi, visited france early 18th century. in his memory, this march conposed.
Ce public n'a ni entendu ni vu cette merveilleuse représentation musicale et chorégraphique. Peut être est ce dû à un excès de vodka !
Una scenografia magica per una musica magica. Grazie!!
Sencillamente , una puesta en escena impecable. Elaborada escenografía para una obra de ésta categoría.
Wspaniali Turcy. Pozdrowienia z Łomży :)
Lovely playing. Tough crowd 😁
Magnifique interprétation d'une musique raffinée et intemporelle ❤
What a so great performance, so great choreography...!!! Moreover, I see at the ending the Turkish flee from the Polish warrior and it reminds me Jan Sobieski, the great King of Poland.
Awful public, doesn't deserve this beautiful effort
I think so too. They look so bored, so indifferent.
it's because it's in the "Podlasie" voivodeship/region, being the subject of many jokes about how behind they are and in general, known as the worst region of Poland (ofc it's a stereotype, but there's a true part two ;)
Jk btw
Whilst the music is fantastic, this dance performance is pathetic... how lacklustre could a dance possibly be?
They looked like they were at the funeral of a distant acquaintance.
It's quite a good approximation of 17th century French comic ballet and I don't find it lacklustre at all.
La genialidad de lully no tenia limites.
Love this music
This performance brings magic to the music! Thank you,
I'm afraid I have to disagree. For me, the initial dancers brought a sense of buffoonery to this beautiful Lully composition.
@@stewall101 It is meant to be, Lully composed this to mock the turks due to their behavior when they came to France
You've missed the point. This is a sequence from the final act of Molière and Lully's musical comedy 'Le bourgeois gentilhomme" which consists mostly of flamboyant buffoonery set to pompous music. This is because the principal character, Monsieur Jourdain, is a pretentious, social-climbing buffoon who really belongs in the Conservative Party. His daughter's (disappointingly middle class) love interest is trying to make Jourdain think that he is an Ottoman prince who is seeking his daughter's hand.
I guess you really have to know the play.
cet ensemble musical merite beaucoup mieux comme public...Ce public a l air de s en...... profondement .
Peut etre c'est parce que c'est dans la region de "Podlasie", etant sujet de plusieurs blagues et consideree comme en peu le "fin-fond" de la Pologne. Bien sur (la plus part du temps) c'est un stereotype, mais il y a en peu de vrai dans tout ca ;)
Ps: desole pour les accents etc... j'utilise qwerty.
🔥🔥🔥
Extraordinary!
Fort beau!!!
very lovely
Bravo!
Super
SUPER.
Wunderbar.
Bravo voor de dansers
Great music supplemented by musical theatre. The lack of enthusiasm displayed by the audience is curious.
Eran todos viejos amargados, puff
a souless europe
Intéressant
Very cery cool
Joli !
Beautiful perforando. The lack of interest of the audience is very sad
Yes, what's with those stony-faced people?
@@alcosnow5046 jajaja todos viejitos aburridos
Awesom! But you could change the thumb picture i think!! ;)
Could the audience possibly look more bored?
Lol
Корона вирусов не было ещё ,красота?!!!
Anlatılmak istenen başka bir şey, sergilenen başka bir şey, gerçek bambaşka bir şey, seyircinin beklentisi başka bir şey. Büyük ihtimal geniş vakitte sergilenen kısa bir gösteri.
Excellent mockery of Turkish culture
It must be said that turkish culture rises.Iran is the combined state arab roman civilizations .A ballet that mocks this culture will not bring it down .After all,the TURKS gave the world dozens of marshals and artist .You were content whit what you heard from your flowery palaces
if you have a palace 😊
Giovanni Battista Lulli
Si !! Qui devint Jean-Baptiste Lully par décret royal !! Le temps où mon pays n'avait pas peur de l'immigration... Triste période que nous vivons, surtout pour les cœurs purs comme le mien !
@@williamthelast1 Cfr. i cognomi italiani Plàtini, Zòla, Belmóndo, etc.
Were the audience captured somewhere? They all look bored to sobs, as for the lassie at the back playing with her phone!! Good grief I feel sorry for the performers 😮
inpaindaily
Aklınca biz Türklerle dalga geçiyorsunuz.Yeniçeri askerlerini görünce annecim Türkler geldi diye bağırıp kaçıyordunuz😉🤣
İşin ilginç tarafı o dönemin en usta bestecilerinden Lully’nin en iyi eseri olarak görülerin “Marche pour la cérémonie des Turcs”, Osmanlı ile Fransa’nın Ruslara karşı imzaladığı antlaşma sonrası Kanuni’yi törenle karşılama olarak yaptığı özel olması... Bu bestenin asıl manasıma bir de burada kullanılan manasına bakın ne kadar yazık.
@@Celal3406 Lütfen bunları İngilizce olarak da yazar mısınız? Bunu yapan densizler de anlasınlar.
@@rfatvedatyldrm223 Haklısınız bence de iyi olur. Video'nun altına yazdıklarımı ingilizce olarak atayım. Teşekkürler tavsiyeniz için.
@@Celal3406 Ben teşekkür ederim.
@@Celal3406 merhaba maalesef verdiğiniz bilgiler doğru değil. Lully 1632'de doğmuş 1687'de ölmüştür. Yani nereden baksanız Kanuni'nin ölüm tarihi ile Lully'nin doğum tarihi arasında 60 yıl kadar var. Lully bu parçayı Moliere'in Kibarlık Budalası adlı oyunu için bestelemiştir. Bu oyun da Türklerle dalga geçen bir oyundur. Bu eser ilk yazılıp, oynandığı sırada Fransa'da, özellikle Paris'te, Osmanlı Devleti ile ilgili her şey sosyal ilgiyi çekmekte idi. Bu oyun bundan ortaya çıkan "Türkeri (Turquerie)" modasını, özellikle 4. ve 5. perdelerinde, yansıtmaktadır. Bu moda 1669'da Fransa Paris'e elçi olarak gönderilmiş olan ve Fransa Kralı "XIV. Louis"'in huzuruna çıkmış olan "Müteferrika Süleyman Ağa" dolayısıyla ortaya çıkmıştı. Bu elçi Fransız Kralı'nın huzurunda, Osmanlı Sultanı'nın sarayının, kendine "Güneş Kral" ismini uygun gören, Fransız Kralı XIV. Louis'in sarayından kat kat güzel olduğunu söyleyerek Fransızlar arasında bir skandal yaratmıştı.
Ablamlar çok sıkılmış. 😂 "Yüzlerinden düşen bin parça" 😂
L'interprétation manque d'allant!
cette choregraphie est supperflue, ca frise le ridicule...
Vous n'avez pas compris. C'est une reconstitution fidèle du ballet comique du 17e siècle, et cette musique de Lully fait partie intégrante de la pièce humoristique "Le bourgeois gentilhomme", de Molière. Il est écrit dans les notes de programme : "L'entrée des scaramouches".
Публика советская.
Coreografia ridicola !
KY ? ESTT?
JEAN - BAPTÎSTE !! lully §§!!!!!!?!!
à ? quievrechain §§!!!!!!?!!!!!!?!?
C'ESTT' koy ün PROFESSÔR !!!!!?!!?
@@yvelinec3557 , ignorante, analphabète et fière de l'être apparemment.......
Wer sich für libanesische clans anstatt für reichsbürger interessiert .für den ist dieses stück gerade richtig .
this audience is FKN passive. no emotional reactions at all. what s that ?????? IT S LULLY FOOLISH AUDIENCE.....IT S J.B LULLY !!!!
Should we make a ridicilous coreography about French culture and call it ART?!
You have missed the point. It's a historically informed approximation of 17th century comic ballet, and the music is incidental to Molière's satirical play "Le bourgeois gentilhomme", which incorporated grandiose music and dance. This was the nature of comic theatre in France at the time. The programme notes read : "L'entrée des scaramouches": the entry of the zanies or clowns.
터키인으로 분장한 배우들의 우스꽝스러운 연기와 몸짓을 보면서도 전혀 웃지 않는 관객들! ㅋㅋ
Bu ne sirki böyle,,,,,Osmanlının ayak sesleri