Wow, thats strange.. Classic rock station MUST play this or Arnold Layne. Its first singles of one od the most influental bands ever. Plus these are masterpieces. Cheers my friend
I belonged to a radio club in college and used to play mostly late 60s psychedelia, obscure stuff, that probably hadn't been played on the radio in 50 years if ever. See Emily Play happened to be a song I did play. Lots of old people liked my show lol. Gave lots of backstory about album recordings and such as well, I miss it. Hope to get into radio more seriously one day.
You'd have an FM rock station that would deign to play Emily or Arnold during a Psychedelic Supper evening show. Maybe Seven and Seven Is by Love if you were lucky. The aftermath of FM rock in the 80's.
Sad that in a short year after this the wheels fell off the wagon.The album Saucerfull of Secrets, released in mid 1968, was the only album that all 5 members played on. RIP Syd. Thanks for setting the Pink Floyd Stage.
Holy shit!! How can anyone say Syd wasn't performing well here?! 1:52 - 2:13 is proof of pure genius! I mean what was that even?!!? It was so spontaneous and just fucking perfect! Really bizarre and strange sounding too! Thank you Syd for your great contributions
+CosmicDayz Please see my recent entry on the subject above. I agree, he was playing well DESPITE the challenges imposed playing live in that period. He's a bit out of tune at 0:42 with the D chord on the Fender Esquire that he played, unless it was the Danelectro. In any case, as you might agree, it's good because it's close enough for R'n'R... as well as tripping hippies of that period! Peace.
This sure is a rare treat! Nice "Glissando" by Syd!, on his Fender Telecaster, at 2:03 of the track and nice Farfisa Organ solo by my all-time favorite Rock Organist Rick Wright! It's been said, in biographies of The Pink Floyd, that Syd Barrett taught David Gilmour this most inventive technique of "Glissando", sliding a cigarette lighter down the guitar strings with the use of the Binson Echorec Echo Pedal, to give Cosmic Psychedelic sounds, but Gilmour has stated that he taught Syd this technique. Well, Syd Barrett first used "Glissando" during the introduction and during the solo to their biggest U.K. hit "See Emily Play."Syd also eployed the effect on Astronomy Domine, Lucifer Sam, Interstellar Overdrive and Remember A Day. You Pink Floyd fans can debate this topic but I personally believe Syd taught David Gilmour. In past interviews David Gilmour has described Syd Barrett's Guitar playing as very inventive. Could he have been referring to the "Glissando" technique?
Syd was heavily influenced by Keith Rowe from the band AMM, it's been mentioned that he took a few tricks from him and filtered it through his own lenses.
Yes I think this is on the massive Pink Floyd Anthology that was released with the liner notes indicating that one of the channels was not recording properly and that's why there's no vocals.
listen sit down and cool it.....Syd named band was guiding force 65-68...madcap genius who went in and out of depression for years..but while in that state was great writer musician artist designer poet..don't you know.it.cause the wind. blowed it
This absolutely sounds like Syd’s Floyd. June-August period found a general erosion in his playing, but with moments of his greatness shining through. Syd flubs the first break, but catches the mail solo fine. Very hard to imitate Syd’s slide technique. It’s him. Bass is typical Waters. Very insistent, dominant and a bit in front of the beat. Sonically sounds like a crap one or two mic capture. I’d be very surprised if this isn’t the genuine article.
this is amazing, considering that they refuses to play this song in the early gigs (and post) this was said by Rick Wright (R.I.P.) during an interwiew.
Agreed. It's not as clean as something that would come from a portable 4-track Scully and cassette recorders are absolute shit for recording anything over 60db, so you're probably close or right on the mark.
+Andy Thomas My old man had a Phillips cassette player/recorder in 1965 and I've still got his tapes he recorded.. But yeah, this is more likely reel to reel - but who knows.
+Jams O'Donnell Cassette tape records did not exist in '65 I'm afraid. Phillips first cassette didn't appear till much later. Trust me, I was there. At the time I had a Ferrograph reel to reel machine!
+Andy Thomas I'm not sure what a cassette tape record is, but cassette tapes certainly existed in 1965. Trust me, I was there. I'm not sure that your possession of a Ferrograph reel to reel machine has to do with it though, nice though that must be, and I do trust that you had one. I have a two-track Revox reel to reel. So, using your logic, cassettes, 8 track cartridges, DAT, CD's, and whatever else there is nowadays, don't exist. Trust me, I was there.
Is there any more of this concert? Wow. Of course, the recording and playing are far from optimal, but it is still wonderful to hear this. What date is this concert?
Relics wasn't a 'best of' album, beside singles 'Arnold Layne' and 'See Emily Play' it had some cool Richard Wright songs 'Remember A Day' and 'Paintbox' and nice non-album tracks like 'Julia Dream' 'Careful With That Axe Eugene' (studio version) and 'Biding My Time' plus a couple of tracks off 'Piper' and 'More', all in all a rare and suitable outfit '-.-',
My question is who was the pinhead at Harvest who decided not to include "Point Me At The Sky" on *Relics*??!! I mean the 'B' side ("Careful With That Axe, Eugene") makes it on the album, but not the 'A' side??!!
flipper barrett Or "Bike" as it appears on "Piper" already and is not an 'A' or 'B' side of a single (Not one that I'm aware of, anyway). But, I am glad for your agreement that "Point Me At The Sky" should have been included...
bardo owl i found a copy of it on cd at everyday music, the only album that contains see emily play;and arnold layne,which appeared on the uk version of piper at the gates of dawn only.
Wrong, Rick left the band during the Wall and was not a part of The Final Cut. Nick Mason their drummer has been there through it all including every album.
Even with the bad recording, you can hear that Syd's beloved little mirrors festooned electric Esquire is probably out of tune a bit at 0:42 and since he was maybe having early issues with a precondition of the notorious "traveling to the dark side of the moon" in this period of the band while playing live, as well as antics offstage, plus throw in the usual R'n'R hectic touring insanity of that time, with the Star-Maker machinery smoking up this popular song like a banana peel and -->whoa!, no wonder Roger Waters sang later about "the American tour" and "....that you may find hard to get off!" [of the tour, itself, -->and NOT "getting off" from smoking banana peels! To all you stoners reading this!] Then again, they didn't have electronic portable guitar tuners in those days, either! Like we do now-- Oh well. Peace.
+shawntoh Note that Syd compensates nicely playing the slide parts in tune, though. That is the nice thing about playing slide. Jimi Hendrix didn't need no slide[sic], with his huge hands, he just bent the darn strings in tune! But he was J. Hendrix and we ain't and that's why they is great[sic]!
+shawntoh I note specifically it's the D chord that he's playing at 0:42 that's kind of iffy on the intonation, but it's close enough for R'n'R and especially tripping hippies! Peace and Love to you all! :)
+Andy Thomas Finally, someone who knows technically what was going on with the "sound issues" that made life hell for touring R'n'R bands. Many thanks to you! People today really don't realize how "primitive" it all was back in those days, do they? Peace.
"We've had problems with our equipment and we can't get the P.A. to work because we play extremely loudly. It's a pity because Syd (singer Syd Barrett) writes great lyrics and nobody ever hears them. Maybe it's our fault because we are trying too hard. After all the human voice can't compete with Fender Telecasters and double drum kits. We're a very young group, not in age, but in experience. We're trying to solve problems that haven't existed before. Perhaps we should stop trying to do our singles on stage." -Roger Waters, 1967
Great! I was hoping that you would stop by my channel and check out my original music. I think you might dig it. I just released a video for my new song 'Say A Prayer'. Look forward to your feedback! Thanks. -John Altyn
They were terrible on live performances.. We have to wait 1980 (The Wall Tour) and the others (A Momentary Lapse Of Reason & The Division Bell) to hear a wonderful live product from Pink Floyd.
+Chico Mememes Yes.. They were just four and they weren't able to create the perfect sound they were able to do on studio. By the way, that's not all: Genesis and Queen were great on live performances for example, even if they were just 5 or 4 people. As I told, if we want to hear and see very nice live from Pink Floyd, we probably have to wait 1980's.
They never played this live. They never wanted to play this live. The original Syd Barrett PF never have played this live. If you don't believe me you can watch interviews with the band members on TH-cam. This isn't Syd Barrett, nor Pink Floyd.
This is a well known well documented pink floyd show. They played it. The fact that band members have said "Syd didn't want to play hits, Syd didn't want to be a pop star blah blah" means nothing. Those same band members said their main goal was to be a successful pop group.
flipper barrett well of course every babd wants to become successful. What I heard in interviews was that they were open to play any song, except for See Emily Play. And i believe Syd did want to become famous, Richard Wright recalls him enjoying being well known in London and having fans. Syd probably thought that his first two hits Arnold Lane and See Emily Play were a little boring and too pop-y. But that's just an assumption of mine, I of course can't really know the 100% truth. But do you have any evidence of this "well documented" live show. Was it really Pink Floyd?
You make good points. They did play See Emily on Top Of The Pops (actually pretended to play it ) so i guess they were open to performing it a couple times. As far as evidence of this show - this should be of interest. Enjoy! www.sydbarrettpinkfloyd.com/2010/12/pink-floyd-copenhagen-1967-recording.html
What? They recorded their 1967 album in stereo! The beatles released all their albums from 66 on in stereo th-cam.com/video/jv0My5XSEvE/w-d-xo.html Here is this exact recording on the official Pink Floyd channel
To me, and anyone with a cursory knowledge of PF, this is not PF. Listen to the TOTP version and then listen to this. This is amateurish at best. Sounds like some high school band doing a very bad imitation. The guy who posted this may believe this is PF but this is definitely not PF. I don't know what you people are thinking. Let the hating begin.
+HIDEOUSLYOURS No hate - this is part of a legitimate radio broadcast well known in PF circles for years. Part of the reason this sounds amateurish compared to TOTP is because TOTP was mimed for the most part plus its well documented that they had good days and bad days during that short lived phase of the band.
+doctor deLucia I believe I have the whole show up on the channel somewhere. As far as the vocals go - they don't improve much but there are knowledgeable people who have commented in detail just how primitive recording equipment was 50 years ago.
+HIDEOUSLYOURS Knobhead. How do you know it's definitely not Pink Floyd? Did you see Pink Floyd playing live in 1967? If I played you the live tapes I made of Pink Floyd live in 1974 and 1975 you'd probably say they weren't Pink Floyd either and say they were some amateur band imitating them. Did you ever see any live gigs of major bands in the 70's? Have you heard live non-professionally made recordings from bands in the 60's or 70's? If so, you'll know they don't sound like the records, or when they were on TOTP. Knobhead. I don't know what you are thinking.
8 ปีที่แล้ว +3
Actually it's bad recording. Anyway post and pre Syd Pink Floyd are really different,but trying to love both of them is the best way. Also I adore both of them. but if we talk about originality this's the original Pink Floyd as well. Syd named and created the band. it evolved into different,amazing band and both of them are great. Shine on you))
A great posting,Syd's playing was bold and imaginitive as ever.
A shame that nearly all of the classic rock stations in this country (USA) not only do not play this lovely piece, they don't know it even exist.
Wow, thats strange.. Classic rock station MUST play this or Arnold Layne. Its first singles of one od the most influental bands ever. Plus these are masterpieces. Cheers my friend
@@jimikguitar WAXQ 104.3 FM in NYC plays the usual stuff from Pink Floyd dating late 70's til mid 90's. They have NEVER played the songs from 1967.
I belonged to a radio club in college and used to play mostly late 60s psychedelia, obscure stuff, that probably hadn't been played on the radio in 50 years if ever. See Emily Play happened to be a song I did play. Lots of old people liked my show lol. Gave lots of backstory about album recordings and such as well, I miss it. Hope to get into radio more seriously one day.
@@Valientlink What a shame the established classic rock radio stations of today don't take a lesson from the past.
You'd have an FM rock station that would deign to play Emily or Arnold during a Psychedelic Supper evening show. Maybe Seven and Seven Is by Love if you were lucky. The aftermath of FM rock in the 80's.
Sad that in a short year after this the wheels fell off the wagon.The album Saucerfull of Secrets, released in mid 1968, was the only album that all 5 members played on. RIP Syd. Thanks for setting the Pink Floyd Stage.
Holy shit!! How can anyone say Syd wasn't performing well here?! 1:52 - 2:13 is proof of pure genius! I mean what was that even?!!? It was so spontaneous and just fucking perfect! Really bizarre and strange sounding too!
Thank you Syd for your great contributions
To right, bet he was using his cigarette lighter on his guitar 1:52 2:13
+Quicki Landweg Wow, a *triple* negative!
+CosmicDayz Please see my recent entry on the subject above. I agree, he was playing well DESPITE the challenges imposed playing live in that period. He's a bit out of tune at 0:42 with the D chord on the Fender Esquire that he played, unless it was the Danelectro. In any case, as you might agree, it's good because it's close enough for R'n'R... as well as tripping hippies of that period! Peace.
I mean....I love Syd, but running a slide or a lighter along a fret board of an electric guitar is not an example of 'pure genius'
This sure is a rare treat! Nice "Glissando" by Syd!, on his Fender Telecaster, at 2:03 of the track and nice Farfisa Organ solo by my all-time favorite Rock Organist Rick Wright! It's been said, in biographies of The Pink Floyd, that Syd Barrett taught David Gilmour this most inventive technique of "Glissando", sliding a cigarette lighter down the guitar strings with the use of the Binson Echorec Echo Pedal, to give Cosmic Psychedelic sounds, but Gilmour has stated that he taught Syd this technique. Well, Syd Barrett first used "Glissando" during the introduction and during the solo to their biggest U.K. hit "See Emily Play."Syd also eployed the effect on Astronomy Domine, Lucifer Sam, Interstellar Overdrive and Remember A Day. You Pink Floyd fans can debate this topic but I personally believe Syd taught David Gilmour. In past interviews David Gilmour has described Syd Barrett's Guitar playing as very inventive. Could he have been referring to the "Glissando" technique?
Syd was heavily influenced by Keith Rowe from the band AMM, it's been mentioned that he took a few tricks from him and filtered it through his own lenses.
It sounds like we are listening through a keyhole! But a rare historical artefact - thanks FB.
Mark Porter You are!
Must be rare...I thought they never played that song live. Syd put in a lot more performances than he did standing doing nothing a few times
That's the only recorded live version of this song
The myths are punctured every day.
@@patricksommer3971 no its not there is a better version on TH-cam
th-cam.com/video/aIiwd2FtMo0/w-d-xo.html
Der Sound ist gigantisch. Ich war damals 13 Jahre alt
YES I MY EARS JUST CAME
Yes I think this is on the massive Pink Floyd Anthology that was released with the liner notes indicating that one of the channels was not recording properly and that's why there's no vocals.
listen sit down and cool it.....Syd named band was guiding force 65-68...madcap genius who went in and out of depression for years..but while in that state was great writer musician artist designer poet..don't you know.it.cause the wind. blowed it
Great stuff!
Amazing 😍
No audio output for Rick's piano :(
In stereo?!?!??! With this quailty?!?!?!? NO WAY!!! Not in 1967... impossible!
I know a few led zeppelin live bootlegs from 68 which are nearly as good as an official release
@@patricksommer3971 Well... I'm not convinced. I know a lot of Pink Floyd. You've got to bring me real proofs.
@@stevelalancette6988 this recording is on the official Early Years box set. At least Floyd should be able to tell if it's Floyd recording!
@@patricksommer3971 I have this box set... I'll look into it.
@@stevelalancette6988 th-cam.com/video/jv0My5XSEvE/w-d-xo.html
Here it is, official Pink Floyd channel
This is unbelievable.
No wonder many people thought Pink Floyd was virtually finished without Syd. To me they didn't reach this level at least until Meddle
You couldn’t hear the lyrics tf u on about
Wow, fantastic stuff!
This absolutely sounds like Syd’s Floyd. June-August period found a general erosion in his playing, but with moments of his greatness shining through. Syd flubs the first break, but catches the mail solo fine. Very hard to imitate Syd’s slide technique. It’s him. Bass is typical Waters. Very insistent, dominant and a bit in front of the beat. Sonically sounds like a crap one or two mic capture. I’d be very surprised if this isn’t the genuine article.
Holy crap!! Where has then been. I cant believe i just found this.
Fantastic rarity!! Thanks
Great find!
When you're playing the show but the mic is turned off
Simply. There is no other way
Bravo !!!😊😊
Syd is play so good here i can not understand some one say he was gone in september 1967 i think it was fake he was ill.
this is amazing, considering that they refuses to play this song in the early gigs (and post) this was said by Rick Wright (R.I.P.) during an interwiew.
but why they refused to play it??
Thank.
Not a bad job, especially considering the limitations of live technology back then.
And definitely historical...but, we already know that.
Glenn Quagmire This must have been a Uher reel to reel machine. We're talking Pre-Cassettes even here!
Agreed. It's not as clean as something that would come from a portable 4-track Scully and cassette recorders are absolute shit for recording anything over 60db, so you're probably close or right on the mark.
+Andy Thomas My old man had a Phillips cassette player/recorder in 1965 and I've still got his tapes he recorded.. But yeah, this is more likely reel to reel - but who knows.
+Jams O'Donnell Cassette tape records did not exist in '65 I'm afraid. Phillips first cassette didn't appear till much later. Trust me, I was there. At the time I had a Ferrograph reel to reel machine!
+Andy Thomas I'm not sure what a cassette tape record is, but cassette tapes certainly existed in 1965. Trust me, I was there.
I'm not sure that your possession of a Ferrograph reel to reel machine has to do with it though, nice though that must be, and I do trust that you had one. I have a two-track Revox reel to reel. So, using your logic, cassettes, 8 track cartridges, DAT, CD's, and whatever else there is nowadays, don't exist. Trust me, I was there.
Brilliant :-)
The vocals are always almost inaudible in recordings of Pink Floyd gigs from this era
Is there any more of this concert? Wow. Of course, the recording and playing are far from optimal, but it is still wonderful to hear this. What date is this concert?
Anzevuil there is more ~ I believe I have most of the rest of it up on my channel as well.
nothing imho floyd did after syd departed equals up to the piper lp or syd's solo lp's.
Relics wasn't a 'best of' album, beside singles 'Arnold Layne' and 'See Emily Play' it had some cool Richard Wright songs 'Remember A Day' and 'Paintbox' and nice non-album tracks like 'Julia Dream' 'Careful With That Axe Eugene' (studio version) and 'Biding My Time' plus a couple of tracks off 'Piper' and 'More', all in all a rare and suitable outfit '-.-',
My question is who was the pinhead at Harvest who decided not to include "Point Me At The Sky" on *Relics*??!! I mean the 'B' side ("Careful With That Axe, Eugene") makes it on the album, but not the 'A' side??!!
Adrian Lackey Nice topic ~ "Alternate Relics"
I think if you substituted Nile Song with "Point Me" - that would have made for a better flowing album.
flipper barrett Or "Bike" as it appears on "Piper" already and is not an 'A' or 'B' side of a single (Not one that I'm aware of, anyway). But, I am glad for your agreement that "Point Me At The Sky" should have been included...
bardo owl i found a copy of it on cd at everyday music, the only album that contains see emily play;and arnold layne,which appeared on the uk version of piper at the gates of dawn only.
❤️❤️
Exactly, genius.
there's Wright the keyboardist who stayed with them thru it all.
Wrong, Rick left the band during the Wall and was not a part of The Final Cut. Nick Mason their drummer has been there through it all including every album.
Wright passed away some time ago. he was a good man.
Nice profile picture.
Was he playing or was it one of those gigs he just stared into space cause all I can hear is the other band members trying to sing the song
live recordings and performance could be horrid for any artist in that time
gigantischer sound, ich war damals 13 Jahre alt
Now I am sweet
Was this the Star Club or The Circle?
Circle
Even with the bad recording, you can hear that Syd's beloved little mirrors festooned electric Esquire is probably out of tune a bit at 0:42 and since he was maybe having early issues with a precondition of the notorious "traveling to the dark side of the moon" in this period of the band while playing live, as well as antics offstage, plus throw in the usual R'n'R hectic touring insanity of that time, with the Star-Maker machinery smoking up this popular song like a banana peel and -->whoa!, no wonder Roger Waters sang later about "the American tour" and "....that you may find hard to get off!" [of the tour, itself, -->and NOT "getting off" from smoking banana peels! To all you stoners reading this!] Then again, they didn't have electronic portable guitar tuners in those days, either! Like we do now-- Oh well. Peace.
+shawntoh Note that Syd compensates nicely playing the slide parts in tune, though. That is the nice thing about playing slide. Jimi Hendrix didn't need no slide[sic], with his huge hands, he just bent the darn strings in tune! But he was J. Hendrix and we ain't and that's why they is great[sic]!
+shawntoh I note specifically it's the D chord that he's playing at 0:42 that's kind of iffy on the intonation, but it's close enough for R'n'R and especially tripping hippies! Peace and Love to you all! :)
Don't think it's out of tune, he plays a D7 there, which has a tritone in it. A 7 chord always sounds a bit weird with an overdriven guitar
Apparently Syd hated singing this live?
CapAnson12345 why?
he felt the music business was focusing on that song;and he was tired of being told to play it.
110% seems like the actual speed
bella pero me paresse un sonido demasiado bueno para esa época
Pink Floyd on stage?? This?? Come on
Nobody sings why ?
was Syd Barrett habitually undermic'd or what? every live video of him, you can barely hear him due to the shitty mic job. it's a shame.
From what I understand, p.a. systems in those days were not the greatest. It's also possible that perhaps Syd was shying away from the mic.
Yeah I think that's something that's plagued him over the years.. seriously, EVERY live recording is undermiced even the early ones
Jeremy Vincent You have no idea how basis PA's were back then. The Floyd were using Watkins gear at the time! Dreadfull old tosh!
+Andy Thomas Finally, someone who knows technically what was going on with the "sound issues" that made life hell for touring R'n'R bands. Many thanks to you! People today really don't realize how "primitive" it all was back in those days, do they? Peace.
"We've had problems with our equipment and we can't get the P.A. to work because we play extremely loudly. It's a pity because Syd (singer Syd Barrett) writes great lyrics and nobody ever hears them.
Maybe it's our fault because we are trying too hard. After all the human voice can't compete with Fender Telecasters and double drum kits. We're a very young group, not in age, but in experience. We're trying to solve problems that haven't existed before. Perhaps we should stop trying to do our singles on stage."
-Roger Waters, 1967
It's not them.
I don't know who was the sound engineer. But the quality of this recording is terrible! We can scarcely hear the voices of the musicians.
The Quality is perfect! The PA was broken, so you simply couldn't hear the microphones
No son ellos!!
It's them. It's a well known show.
I'm telling you, it's not them.
how's that working out for ya?
It's on the official early years box set, it's them
This quality? No way.. it's a nice cover but not Floyd in '67! Shame on you to fool the people
It is Pink Floyd from a gig on 10 September 1967 in Stockholm. It's on their 2016 box set.
Great! I was hoping that you would stop by my channel and check out my original music. I think you might dig it. I just released a video for my new song 'Say A Prayer'. Look forward to your feedback! Thanks. -John Altyn
They were terrible on live performances.. We have to wait 1980 (The Wall Tour) and the others (A Momentary Lapse Of Reason & The Division Bell) to hear a wonderful live product from Pink Floyd.
What about Pompeii?
+Chico Mememes Yes.. They were just four and they weren't able to create the perfect sound they were able to do on studio. By the way, that's not all: Genesis and Queen were great on live performances for example, even if they were just 5 or 4 people. As I told, if we want to hear and see very nice live from Pink Floyd, we probably have to wait 1980's.
the man and the journey shows and the atom heart mother years were a nice piece of live music
Please listen to 1977 in Oakland. It's probably their best recording. Or Montreux 1970.
Also, Dark Side of the Moon live was great!
Also 71 floyd live recordings are prob the best psychedelic rock ever recorded
Knobhead. You crazy foreigners. Funny.
They never played this live. They never wanted to play this live. The original Syd Barrett PF never have played this live. If you don't believe me you can watch interviews with the band members on TH-cam. This isn't Syd Barrett, nor Pink Floyd.
This is a well known well documented pink floyd show. They played it. The fact that band members have said "Syd didn't want to play hits, Syd didn't want to be a pop star blah blah" means nothing. Those same band members said their main goal was to be a successful pop group.
flipper barrett well of course every babd wants to become successful. What I heard in interviews was that they were open to play any song, except for See Emily Play. And i believe Syd did want to become famous, Richard Wright recalls him enjoying being well known in London and having fans. Syd probably thought that his first two hits Arnold Lane and See Emily Play were a little boring and too pop-y. But that's just an assumption of mine, I of course can't really know the 100% truth. But do you have any evidence of this "well documented" live show. Was it really Pink Floyd?
You make good points. They did play See Emily on Top Of The Pops (actually pretended to play it ) so i guess they were open to performing it a couple times. As far as evidence of this show - this should be of interest. Enjoy! www.sydbarrettpinkfloyd.com/2010/12/pink-floyd-copenhagen-1967-recording.html
actually some of the reviews in the article are hazy and they tend to confuse copehagen and stockholm shows but after all it was the sixties.
flipper barrett Thanks for replying. It seems that they did play Emily but rarely. Thank you I've learned something new today!
Of course this in not Syd Barrett. All you can do in 1967 is Mono Recording.
What? They recorded their 1967 album in stereo! The beatles released all their albums from 66 on in stereo
th-cam.com/video/jv0My5XSEvE/w-d-xo.html
Here is this exact recording on the official Pink Floyd channel
auto tune and garbage now wasn't happening
To me, and anyone with a cursory knowledge of PF, this is not PF. Listen to the TOTP version and then listen to this. This is amateurish at best. Sounds like some high school band doing a very bad imitation. The guy who posted this may believe this is PF but this is definitely not PF. I don't know what you people are thinking. Let the hating begin.
+HIDEOUSLYOURS No hate - this is part of a legitimate radio broadcast well known in PF circles for years. Part of the reason this sounds amateurish compared to TOTP is because TOTP was mimed for the most part plus its well documented that they had good days and bad days during that short lived phase of the band.
+doctor deLucia I believe I have the whole show up on the channel somewhere. As far as the vocals go - they don't improve much but there are knowledgeable people who have commented in detail just how primitive recording equipment was 50 years ago.
+HIDEOUSLYOURS you can tell that's wright on the solo ive yet to hear anyone play like him so u can tell its the floyd
+HIDEOUSLYOURS Knobhead. How do you know it's definitely not Pink Floyd? Did you see Pink Floyd playing live in 1967?
If I played you the live tapes I made of Pink Floyd live in 1974 and 1975 you'd probably say they weren't Pink Floyd either and say they were some amateur band imitating them. Did you ever see any live gigs of major bands in the 70's? Have you heard live non-professionally made recordings from bands in the 60's or 70's? If so, you'll know they don't sound like the records, or when they were on TOTP. Knobhead. I don't know what you are thinking.
Actually it's bad recording. Anyway post and pre Syd Pink Floyd are really different,but trying to love both of them is the best way. Also I adore both of them. but if we talk about originality this's the original Pink Floyd as well. Syd named and created the band. it evolved into different,amazing band and both of them are great. Shine on you))
Yeah I don’t buy this
Fake
Why should it be fake? This recording is on the official Early Years Box set! It's Pink Floyd
You could tell here that syd was not performing well, and pink Floyd was probably considering dropping him.
His guitar playing wasn't bad, because of the broken PA we cant hear the vocals, so how can you tell he's playing bad?
Well that's a load of rubbish as this is a great performance with ace slide at the right point.
Fake. Awful cover band.