I must admit that the conducting in this video isn't perfect (and still isn't).. this piece is really tricky though.. especially the accelerando at the end of the overture :) but still I'm kinda proud of the result since there are no professional musicians on or in front of the stage :)
The whole reason they refer to 12/8 and 6/ 8 as compound time signatures is the beat is divisible by three rather than two, which you find in common time.
fabulous conducting
Thank you! :) I really appreciate your comment!
@@xXx3llusXx is this Broadway?
@@verawilliams1208 haha sadly no... It was a youth production during the opera festival "Gut Immling" near munic :)
Great job, well done. Not an easy one by any means, your musical intentions are clear- brilliant x
BRAVO maestro, simply amazing!!!!!!!!!!!!
I freaked when I saw the cat XDXDXD
Where in the video did you see a cat?
3:40
not me trying to figure out which character that is.
Why not conduct in 6/8 ??
It makes more sense to conduct in 4/4 when the time signature is 12/8.
I must admit that the conducting in this video isn't perfect (and still isn't).. this piece is really tricky though.. especially the accelerando at the end of the overture :) but still I'm kinda proud of the result since there are no professional musicians on or in front of the stage :)
Monet Blackwell what does it matter? All of Andrew Lloyd Webber’s stuff is the same beat no matter the time signature
The whole reason they refer to 12/8 and 6/ 8 as compound time signatures is the beat is divisible by three rather than two, which you find in common time.
OMG!