Hello, Mr. Steiner! When you are practicing flexibility, how do you think the air: air forward, low register upward and high register downward, etc. or do you just think about singing? Thank you very much in advance! ☺ Thank you very much for your incredible videos! 😘
Hi there, thank you for your message and kind words 🙏🏻 I think mostly about singing. Usually when I noticed an issue in my air when playing the instrument I go to singing - that resolves most problems for me. When thinking about air I always try to focus on a steady & gentle stream from note to note, trying not to create too many tensions. Hope that helps 😀 Best, Peter
Danke, Herr Steiner, für das interessante und lehrreiche Video. Finde es sehr nützlich daß man ihren Ansatz ( embouchure ) sehen kann. ( 0:57 try to keep your corners and your embouchure firm, don't move around too much)
Thank you for this amazing video! One question though, would you say it is beneficial to add the A flat before the high B flat in flexibility exercises? How come you skip the A flat and just do F to high B flat? Thanks, I'm a huge fan please keep up the awesome videos!
Thank you very much for watching and for your great question. I skip that partial on the trombone, because I never really need it in pieces. Many more times in music I need the F to Bb slur... also, the Ab I NEVER play in 1st position and the only 2 other notes I use on that partial are G and F#. Hope that helps 😀
That depends where your “break” is. We all have to shift at a different note... for me: I don’t have to shift in the range of these exercises , therefore I try to keep my embouchure as stabile as possible.
Good question. As firm as you need to keep them in order to still be at your maximum flexibility. The lower I go, the less I hold them. Hope this helps!
Buongiorno 😃 grazie per il tuo messaggio! È veramente difficile fissare gli angoli e non perdere la agilità. Il lavoro sui angoli inizia dal primo minuto con il trombone ogni giorno. Consiglio lavorare sui esercizi in un tempo calmo e pensando ad un suono aperto, gli angoli fissi (mento piatto) e l’ aria che connette ogni nota. Se lavoro solo sui angoli e il mento suono scale veramente lente.
Io pensi di si, perché se il mio labbro va in avanti io perdo tutta la flessibilità se l’intervallo è grande. E a quel momento gli angoli non sono fermi e faccio fatica trovare le note giuste.
Hi Peter, Thank you for uploading this video! Could you please let me know what is your ‘vowel sound’ concept when changing register (e.g.)-U for mid register, -AW for low register and -EE for high register) ?
I go with whatever is most natural - I sing it first and then imitate on the trombone what vowels I used when singing. Trying not to over complicate playing an instrument 😀
Thank you for your guidance. The tongue, when ascending natural slurs, does the tongue raise in the back and the tip placed behind the bottom teeth?, like when doing trills.
Hallo Mr.Steiner. Wenn ich in der hohen Lage spiele schiebe ich meine untere Lippe immer etwas zurück .Ist das normal oder mache ich da etwas falsch ? Ps:Danke für das tolle Video😀!
Hallo 😀 Vielen Dank für deine Nachricht. Prinzipiell kann das ein natürlicher Reflex ohne Folgen sein. Um mehr sagen zu können, müssten wir gemeinsam Arbeiten. Sorry, dass ich nicht mehr sagen kann. Lg Peter
Thank you so much! I will be working on these for the next few weeks.
Thanks for tuning in 😀
Nobody:
Peter on every recording: 😊☺😊
O som desse instrumento é simplesmente fantástico! 👏👏
Hello, Mr. Steiner! When you are practicing flexibility, how do you think the air: air forward, low register upward and high register downward, etc. or do you just think about singing? Thank you very much in advance! ☺ Thank you very much for your incredible videos! 😘
Hi there, thank you for your message and kind words 🙏🏻
I think mostly about singing. Usually when I noticed an issue in my air when playing the instrument I go to singing - that resolves most problems for me.
When thinking about air I always try to focus on a steady & gentle stream from note to note, trying not to create too many tensions.
Hope that helps 😀 Best, Peter
Thanks, Peter!
Ooooh, you must have practiced a lot, great, well done!
Every day 😀🤩
Pretty sure he means, he practiced everyday since last Sunday
@@Godooable how did you get to that opinion? What he plays stands for itselfs and to me it's proof: he practiced a lot, a good man he is.
Danke, Herr Steiner, für das interessante und lehrreiche Video.
Finde es sehr nützlich daß man ihren Ansatz ( embouchure ) sehen kann. ( 0:57 try to keep your corners and your embouchure firm, don't move around too much)
Das freut mich 😀 vielen Dank!
Grazie mille! Tutto chiaro, pratico e utilissimo. Buon lavoro Peter, complimenti dalla Repubblica Checa!!!
Grazie mille, un piacere 🙏🏻
Bravooo👏 Thanks!
Thank you for this amazing video! One question though, would you say it is beneficial to add the A flat before the high B flat in flexibility exercises? How come you skip the A flat and just do F to high B flat? Thanks, I'm a huge fan please keep up the awesome videos!
Thank you very much for watching and for your great question. I skip that partial on the trombone, because I never really need it in pieces. Many more times in music I need the F to Bb slur... also, the Ab I NEVER play in 1st position and the only 2 other notes I use on that partial are G and F#. Hope that helps 😀
OMG! Even if I only play at 160, I enjoy it! At least, I could play with You at 14:27! Great exercises, Thank You Peter!
Thanks for joining! Keep working on it and now you have a goal - to play it with me some day 😀
Gracias profesor excelente
Thanks for watching!!😀
Really great exercises, I play em every morning now. Here is the question - what mouthpiece do you use in your practice?
Glad you enjoy them 😀 It’s my signature mouthpiece by willie’s custom brass in Japan!
What happens to the middle of the embouchure when you start to move into low register (don’t mean extreme low register )?
That depends where your “break” is. We all have to shift at a different note... for me: I don’t have to shift in the range of these exercises , therefore I try to keep my embouchure as stabile as possible.
When we say firm corners how firm is firm. My corners are relaxed in the middle register down to low Bb [2nd line of staff]?
Good question. As firm as you need to keep them in order to still be at your maximum flexibility. The lower I go, the less I hold them. Hope this helps!
Merci beaucoup 👍
😀
Buongiorno ,quando dici di tenere fermi gli angoli ,cosa consigli per farlo e per non irrigidire le labbra?grazie e complimenti
Buongiorno 😃 grazie per il tuo messaggio! È veramente difficile fissare gli angoli e non perdere la agilità. Il lavoro sui angoli inizia dal primo minuto con il trombone ogni giorno. Consiglio lavorare sui esercizi in un tempo calmo e pensando ad un suono aperto, gli angoli fissi (mento piatto) e l’ aria che connette ogni nota.
Se lavoro solo sui angoli e il mento suono scale veramente lente.
Se si pensa alle labbra in avanti secondo te è sbagliato, cioè se si mette piu labbro dentro il bocchino?
Io pensi di si, perché se il mio labbro va in avanti io perdo tutta la flessibilità se l’intervallo è grande. E a quel momento gli angoli non sono fermi e faccio fatica trovare le note giuste.
@@PeterSteinerOfficial Grazie, non riesco a capire cosa intendi per tenere gli angoli e il mento piatto
Esse Peter Steiner é um ☝fórmula 1 velocidade 240 batidas por minuto excepcional
🏎️
Hi Peter,
Thank you for uploading this video!
Could you please let me know what is your ‘vowel sound’ concept when changing register (e.g.)-U for mid register, -AW for low register and -EE for high register) ?
I go with whatever is most natural - I sing it first and then imitate on the trombone what vowels I used when singing. Trying not to over complicate playing an instrument 😀
@@PeterSteinerOfficialThank you so much for your reply.
I’ll try that!
Muy bueno. ¿Qué tipo de metronomo con sonido de celos utilizas?
I created the backing track with metronome and drone sound myself. I recommend TE Tuner
@@PeterSteinerOfficial Muchas gracias por su contenido y de Constance. 👍🏻
After watching this video, I'm not sure he's talking about learning how to do the splits kind of flexibility
What do you mean by „splits“ kind of flexibility?
@@PeterSteinerOfficial splitting your legs apart like jean claud van damme
Thank you 😉😉😉
Thank you 🙏🏻
What microphone are you using, for these videos? thanks
Just my IPhone 😀
Есть у тебя весь комплекс ежедневных упражнений?
My daily routine: petersteiner.gumroad.com/l/HOBeI
Is the tongue utilized on faster passages?
No, I try to do everything with natural slurs!
Thank you for your guidance. The tongue, when ascending natural slurs, does the tongue raise in the back and the tip placed behind the bottom teeth?, like when doing trills.
Alus pisan aa na ganteng Kya afif
👏🏻👏🏻
Hallo Mr.Steiner. Wenn ich in der hohen Lage spiele schiebe ich meine untere Lippe immer etwas zurück .Ist das normal oder mache ich da etwas falsch ?
Ps:Danke für das tolle Video😀!
Hallo 😀 Vielen Dank für deine Nachricht. Prinzipiell kann das ein natürlicher Reflex ohne Folgen sein. Um mehr sagen zu können, müssten wir gemeinsam Arbeiten. Sorry, dass ich nicht mehr sagen kann. Lg Peter
@@PeterSteinerOfficial Ok vielen Dank Peter 👍