The original stereo was released on the first release of Hot Rocks . I am fortunate to own the cd containing the mix . This new mix is clear but it wasn’t necessary because of what I said previously .
@@RobHollanderMusic it's block chords, just kind of 'intermittently sprinkled' throughout, but the first iteration sounds like it's at the 0:10 mark... like somebody fiddling around to find the chords and the rhythm. It feels 'incidental' at first, but it's behind that first verse too.
it starts to stand out between :50-55 kind of thru the right channel? It's unmistakeable around 1:15, right? now you've got me wondering if i'm hallucinating...?
@@kenrutherford1109 I think there was originally a guy who said he didn't hear what i was talking about, but it looks like he's deleted his comments... so now it looks like a long string of me talking to myself in a youtube comment thread :) Which i've probably done on other youtube videos, but ironically, this isn't one of those :)
According to Dave Hassinger, (the engineer who recorded the Stones) and Ron Malo (who also was the recording engineer during the early 60's) the song was recorded in Stereo. Basically, everything after the Stones left Regent Sound Studios in early 1964 was recorded in True Stereo. This is the reason why about half of Rolling Stones Now (1964) is in Stereo and half is not. Everything recorded in Chess Studios from 1964 and 1965 was in True Stereo. After that, the Stones left Chess in 1965 to record in RCA Studios in Hollywood 1966-1969. All of these recording were also recorded in Stereo. Every song contained a Mono Mixdown for radio airplay. Remember, singles were not release in Stereo at that time. Most radio stations were still transmitting in Mono. Lots of AM stations around at that time. For years ABKCO released albums in Mono. It is only since 2003 that ABKCO started to release songs in True Stereo. If you wanted to hear the hits Like Satisfaction , Get Off My Cloud, or Play With Fire to name a few you had to buy the Japanese or West German release of Hot Rocks. ABKCO is a very picky record company and only releases material that they personally like. To this day, I still can't figure out why they just don't put together a Stereo Stones collection. Basically, I would contain every song that was recorded in Stereo that is currently missing from the catalogue.
It's for the same reason the early Beatles albums were released in MONO first on the CD format - MILKING US FOR MORE MONEY. They knew they'd release them later in stereo, so we'd pay twice. Same goes for 'Greatest Hits' compilations on the original label, which either has a MONO mix of one of the tracks or a hit is missing. That is why I agree with people copying CDs. Record companies rip US off on a regular basis.
Is there an explanation for why the mono version of "Paint It Black" is on the CD edition of "Aftermath" (U.S. version)? Every other song on the CD is in stereo. That really infuriates me.
Sounds very good..If I may say...reduce volume on rhythm guitar and upgrade volume on piano....will sound less harsh and provide more infill...I think that is what the piano was originally included for....mory stones sounding.
THis is the "quasi-stereo" mix. The original stereo mix has the original backing track hard left, MIck in the middle and the overdubbed piano and acoustic hard right. Not only that, the acoustic I mam hearing is not the same on the original mix. This has been tampered with. Here is the link to the original stereo mix 1st state th-cam.com/video/U9GfLsvuTBM/w-d-xo.html
Are you sure you don't mean the other way around? The Mono version has been heard by *'Hundreds of Millions'* of people! (no nausea complaints) This version here has been heard by (what) a hundred thousand? Listen to each version 'verse-by-verse'. Hope this helps. - Dave B.
I always hated the fact that people in Europe and the UK seemed to get the "real" STEREO versions from British artists , while we Americans got the crappy "fake stereo" ( " electronically re-processed to simulate stereo " ) LP versions . It wasn't until the late 1960's that we finally got real STEREO LP's ... from THE ROLLING STONES .
The "BRITISH INVASION " that started in 1964 with THE BEATLES appearing on "THE ED SULLIVAN SHOW ' in February 1964 brought a lot of songs from British groups that were never recorded in STEREO ! MONO recordings or " fake stereo " was prominent on LP's with the early ROLLING STONES records , as well as HERMAN'S HERMITS , THE ANIMALS , THE KINKS , THE YARDBIRDS and some others .
Thanks for sharing! If you have a second, we tried our hand at an Eddie Van Halen tribute video. As fellow music fans, we'd love if you would check it out. It's on our channel. Don't go too hard on us :)
There was a German compilation that had a stereo version of this. Probably cost you a bit if you can find it. From about 1964-about 1966, a lot of Stones, Yardbirds and Kinks tunes were only available in mono or fake stereo. It's possible they didn't like the stereo mix.
AM radio was the predominant music medium in the 1960's, so mono was given priority. A lot of people didn't buy stereo phonographs until the late 60's, when rock began to be played on FM stereo radio.
Also, stereo records couldn't be played on a mono phonograph, as the right and left channels would acoustically cancel each other out, resulting in a loss of some of the audio. In 1965, most phonographs were mono, so mono records were most compatible with all audio systems.
Brian Jones considered Satisfaction "garbage". It really angered him that the R&B/Blues band he put together would become most famous for a song he hated.
I'm from Detroit (blow the reveille)! *The MONO version is better!* This sounds like a 'late-model' digital remix. Better than the original _'faux'_ stereo mix? Perhaps. *Note:* Most R&R songs at this time were re-mixed for stereo _'after-the-fact'_ by a 3rd party. Typically, they just _'delayed'_ the same Mono signal from 1-side to the other by a few milliseconds. ( more like _'reverb'._ ) But, try listening to this 'verse-for-verse' alongside the Mono version. You'll see. This is _'compressed'._ The Mono 'jumps-out' of the speaker(s). I would agree the acoustic is more noticeable here. Unfortunately, the vocal/main (lead) riff/bass/& drums are _'less'._ They only used '2-track' recording back then. So, when the original (say) _vocal/bass/drum_ were on one track; Any _'modern'_ technology to separate them has to _'compromise'_ something else. Just listen (back & forth) to Mono. You'll see. Peace. Stay Healthy! - Dave B.
For a guy who used to always hear this song in MONO , it is fantastic to hear it in STEREO !!!
I love this stereo version because you can hear Brian's rhythm guitar chugging along. I haven't come across this remix very often. Thank you.
No Brian on this record.
@@СтоянКечевThat sounds like Brian on acoustic. Where’s your proof?
I've heard this version on some radio stations. This version is rare.
The original stereo was released on the first release of Hot Rocks . I am fortunate to own the cd containing the mix . This new mix is clear but it wasn’t necessary because of what I said previously .
Perhaps not 'necessary.' But that's seldom the point to music. This was new and fresh to my ears, so however it came about i'm glad. :)
I've heard this version on Q105 and W-101 in Tampa, the latter being a defunct station
@@kenrutherford1109 some radio stations were playing the rare stereo version, and Get Off Of My Cloud.
The late Ian Stewart's keyboard work is finally bright and clear on this stereo mix.
'Bout time!
Another awesome job--the clarity of the acoustic guitar and piano are fantastic! thank you!!!!
@@RobHollanderMusic it's block chords, just kind of 'intermittently sprinkled' throughout, but the first iteration sounds like it's at the 0:10 mark... like somebody fiddling around to find the chords and the rhythm. It feels 'incidental' at first, but it's behind that first verse too.
it starts to stand out between :50-55 kind of thru the right channel? It's unmistakeable around 1:15, right?
now you've got me wondering if i'm hallucinating...?
I agree!
@@kenrutherford1109 I think there was originally a guy who said he didn't hear what i was talking about, but it looks like he's deleted his comments... so now it looks like a long string of me talking to myself in a youtube comment thread :)
Which i've probably done on other youtube videos, but ironically, this isn't one of those :)
All these decades I had no idea that this track has piano! Now I know!
NICE. IT'S LIKE THE 45 MONO BUT IN STEREO.
I love this version better than the mono version
Sounds Very, VERY Good....! : ) : ) : )
Agreed.
This is the original two track with the left channel (guitar, bass & drums) centered
In the mono version, the sounds are mixed together and come out of both speakers
Brian Jones's acoustic guitar is much clearer on this version!
Brian is absent on this record.
The piano... font forget the piano
I have been looking for this for a while. Thank you!
As have I. This version is very rare and hard to come across
It's supposedly on an 80s stereo cd-edition of "Hot Rocks", i just didn't find it yet
@@nosferatu8530 OnlyJapan and Germany the first 1985 releases you will find them .
According to Dave Hassinger, (the engineer who recorded the Stones) and Ron Malo (who also was the recording engineer during the early 60's) the song was recorded in Stereo. Basically, everything after the Stones left Regent Sound Studios in early 1964 was recorded in True Stereo. This is the reason why about half of Rolling Stones Now (1964) is in Stereo and half is not. Everything recorded in Chess Studios from 1964 and 1965 was in True Stereo. After that, the Stones left Chess in 1965 to record in RCA Studios in Hollywood 1966-1969. All of these recording were also recorded in Stereo. Every song contained a Mono Mixdown for radio airplay. Remember, singles were not release in Stereo at that time. Most radio stations were still transmitting in Mono. Lots of AM stations around at that time. For years ABKCO released albums in Mono. It is only since 2003 that ABKCO started to release songs in True Stereo. If you wanted to hear the hits Like Satisfaction , Get Off My Cloud, or Play With Fire to name a few you had to buy the Japanese or West German release of Hot Rocks. ABKCO is a very picky record company and only releases material that they personally like. To this day, I still can't figure out why they just don't put together a Stereo Stones collection. Basically, I would contain every song that was recorded in Stereo that is currently missing from the catalogue.
It's for the same reason the early Beatles albums were released in MONO first on the CD format - MILKING US FOR MORE MONEY.
They knew they'd release them later in stereo, so we'd pay twice.
Same goes for 'Greatest Hits' compilations on the original label, which either has a MONO mix of one of the tracks or a hit is missing.
That is why I agree with people copying CDs.
Record companies rip US off on a regular basis.
Is there an explanation for why the mono version of "Paint It Black" is on the CD edition of "Aftermath" (U.S. version)? Every other song on the CD is in stereo. That really infuriates me.
Sounds very good..If I may say...reduce volume on rhythm guitar and upgrade volume on piano....will sound less harsh and provide more infill...I think that is what the piano was originally included for....mory stones sounding.
I had no idea this song had acoustic
La unica version q se escucha clarito la guitarra acustica y el piano...
This is much better than the actual stereo mix that was made at the time and is very rare (but once again not very good).
Not bad but you are missing the Piano part after Hey Hey Hey ' ' '
saw mick and keith on aarp tour
Pero ese álbum es el 12por 5 y ese tema no está alli
THis is the "quasi-stereo" mix. The original stereo mix has the original backing track hard left, MIck in the middle and the overdubbed piano and acoustic hard right. Not only that, the acoustic I mam hearing is not the same on the original mix. This has been tampered with. Here is the link to the original stereo mix 1st state th-cam.com/video/U9GfLsvuTBM/w-d-xo.html
Love the stereo Version
Other previous releases of this album leave out the guitar and the piano sounds an d when its done in stereo its the best as it can get all the time.
Its odd hearing it in stereophonic sound after all these years in mono .
I have been looking for this version, too. Thanks for posting.
This was first recorded at Chess Studio, Chicago, Illinois and then rerecorded two days later at RCA in Hollywood.
Sounds like the original recording- probably 2-track - then transferred to 4-track and extra instruments added, then mixed down to 2-track stereo.
AWESOME
絶対ステレオの方がいい！MONOは、音がこもってて、気分が悪くなる。
Are you sure you don't mean the other way around?
The Mono version has been heard by *'Hundreds of Millions'* of people!
(no nausea complaints)
This version here has been heard by (what)
a hundred thousand?
Listen to each version 'verse-by-verse'.
Hope this helps.
- Dave B.
On which cd is this amazing stereo version available?
The Hot Rocks CDs pressed in (West) Germany or Japan... both long out of print. I have the Japanese pressing and bought it in 1985.
I always hated the fact that people in Europe and the UK seemed to get the "real" STEREO versions from British artists , while we Americans got the crappy "fake stereo" ( " electronically re-processed to simulate stereo " ) LP versions . It wasn't until the late 1960's that we finally got real STEREO LP's ... from THE ROLLING STONES .
The "BRITISH INVASION " that started in 1964 with THE BEATLES appearing on "THE ED SULLIVAN SHOW ' in February 1964 brought a lot of songs from British groups that were never recorded in STEREO ! MONO recordings or " fake stereo " was prominent on LP's with the early ROLLING STONES records , as well as HERMAN'S HERMITS , THE ANIMALS , THE KINKS , THE YARDBIRDS and some others .
Thanks for sharing! If you have a second, we tried our hand at an Eddie Van Halen tribute video. As fellow music fans, we'd love if you would check it out. It's on our channel. Don't go too hard on us :)
finally,a version that they cant strike you on
2:29 the piano 🥰
Quit possibly the greatest Rock song ever recorded…period
Always liked the true stereo better. The piano is buried in the original mono.
The piano sound only comes out of one speaker
Wasnt the master a 4 track recording! For overdubing
where №1 Dilan's «Like a Rolling Stone»?
Thank god for Keith Richard's Dream 🙏 ❤️
Love that acoustic guitar...thanks Keith! Whole different sound...
Brian Jones is playing the acoustic rhythm guitar part.
Who's here after MO Salah Pepsi ad
Playing it LOUD
Yahoo i made it 400 likes lol
Starman
very cool
It's better in stereo
I agree with you
Why is the left channel panned centre
This an other mix than the original
Released in 1965.
I thought it was released in the late 60s to mid 70s
why was it never released in stereo?
I never understood that
There was a German compilation that had a stereo version of this. Probably cost you a bit if you can find it. From about 1964-about 1966, a lot of Stones, Yardbirds and Kinks tunes were only available in mono or fake stereo. It's possible they didn't like the stereo mix.
AM radio was the predominant music medium in the 1960's, so mono was given priority. A lot of people didn't buy stereo phonographs until the late 60's, when rock began to be played on FM stereo radio.
Also, stereo records couldn't be played on a mono phonograph, as the right and left channels would acoustically cancel each other out, resulting in a loss of some of the audio. In 1965, most phonographs were mono, so mono records were most compatible with all audio systems.
@@cochrane626 What you say doesn't explain why this stereo version is not used on todays reissues
@@cochrane626 .. wrong ! The Beatles and other were Stereo. Besides Stereo came up in 1959 and every artists in the US were Stereo.
Brian Jones considered Satisfaction "garbage". It really angered him that the R&B/Blues band he put together would become most famous for a song he hated.
He NEVER said any such thing. Stop lying. LOL
@@yesterdayproductions1019 Perhaps "garbage" isn't the exact word he used but he told people who asked him about the song that he hated it.
@@falcon5467 Prove it.
@@yesterdayproductions1019 Google “Did Brian Jones hate the song “Satisfaction”?
@@yesterdayproductions1019 Conversely, Brian LOVED “I Can’t Be Satisfied”, much more to his style of music (not Top 40 radio pop songs)
I'm from Detroit (blow the reveille)!
*The MONO version is better!*
This sounds like a 'late-model' digital remix.
Better than the original _'faux'_ stereo mix? Perhaps.
*Note:*
Most R&R songs at this time were re-mixed
for stereo _'after-the-fact'_ by a 3rd party.
Typically, they just _'delayed'_ the same Mono signal from 1-side to the other by a few milliseconds. ( more like _'reverb'._ )
But, try listening to this 'verse-for-verse' alongside the Mono version. You'll see.
This is _'compressed'._
The Mono 'jumps-out' of the speaker(s).
I would agree the acoustic is more noticeable here. Unfortunately, the vocal/main (lead) riff/bass/& drums are _'less'._
They only used '2-track' recording back then. So, when the original (say) _vocal/bass/drum_ were on one track; Any _'modern'_ technology to separate them has to _'compromise'_ something else.
Just listen (back & forth) to Mono.
You'll see.
Peace. Stay Healthy!
- Dave B.
I believe this was recorded on 4-track, as it was recorded at RCA Studios in Hollywood, California, which was a 4-track stereo studio.
Apocalypse Now brought me here