This is a Baroque gem! The Largo and Adagio are so modern-sounding; they really show that music in Telemann's time was moving in a new direction. And that horn-like Vivace, what a surprise!
This is sublime. There are moments in the Largo where Telemann anticipates contemporary composers like Schnittke--or rather, Schnittke appears to emulate Telemann. Measures 19, 20, and 21 sound for all the world like Barber lifted them right into his famous adagio. Fantastic stuff!
This is a Baroque gem! The Largo and Adagio are so modern-sounding; they really show that music in Telemann's time was moving in a new direction. And that horn-like Vivace, what a surprise!
Such a surprise!! I fell out of my chair! Ouch!
Yes, I agree. Rameau also had very inventive and clever harmonic ideas. Zelenka, too.
I've never heard this before. Thanks for spoiling it; I guess I won't bother. :-P
@@ghst374 yes, sounds like horns ! and like alto's
Most underrated composer in the world.............
This is sublime. There are moments in the Largo where Telemann anticipates contemporary composers like Schnittke--or rather, Schnittke appears to emulate Telemann. Measures 19, 20, and 21 sound for all the world like Barber lifted them right into his famous adagio. Fantastic stuff!
It is probably just a "coincidence" :-)
@@violinhunter2 I don’t think so.
I want this played at my funeral.
Vivace jest najlepsze ♡❀
My son is doing this at music camp. Helped a lot! Love this song.
unglaublich !
oh, this is the very best performance, no doubt
💜👏👏👏
Violins or viola's ? I saw on a score not the violin clef (sleutel) but de viola sleutel . How is this ? It sounds here as viola's !
I see, there is a 40.201 for violins and a 40.202 fpr viola's
What do you mean?
gmj7 you are rigth