Karl Böhm deserves greater recognition for his interpretations of the music of Brahms! I have listened to his readings of all 4 Brahms symphonies today - and I have to say that the flow, impact and orchestral balances he produces are stunning. He is also working with a fine orchestra, which also results in precise (but not mechanical) adherence to his wishes. There is a sensitivity here that blends perfectly with the power embedded in this music. After hearing these monumental performances, no other conductor will ever suffice for me!
He just does what he usually does and a very lively and interesting performance results. He seems to have been an affecting presence for orchestras and something terrific results even in his last public concerts.
I think a conductor adds legitimacy to an abstraction and musicians become empowered by that energy. Watch Lennie and see how he made a connection and how the members looked sometimes shocked even electrocuted. He put fear into his own daughter so how do you think the lead violinist felt. Bohm had calm experience and respect and needed none of it. Just Brahms is all that's needed.
Ailopip Shostakofiev I basically agree with all of those, and would also consider both Walter and Klemperer. (With Walter, I would choose the first, NY Phil. performance.)
This guy Johannes sat down and wrote music he heard in his brain and set it before singular groups of an orchestra of 50 to 150 each section shown notes, intonation, tempo and vibrato (or not). complex beyond most human endeavor. This is a form of art rarely seen. It is so close to making man god. Could God have inspired it. Do we need to be gods to appreciate it ?
A simply miraculous performance...I love the coda of the fourth movement more than almost any other performance of Brahms' 1st I've ever heard. Can anyone tell me which performance this is? Is it 17 March or 22 March?
Compare this to the Vienna Phil performances on TH-cam with Jansons and Orozco-Estrada - Böhm is in a different class - the distinction between a good conductor and a great one
A thought on the decline of listeners to the great works. Money, as simple as that. Less of it and fewer of those trained ears once owned by the living. Get out and promote this with free Wednesdays and two for one and free hot dogs...whatever. Before it's really too late. This greatness lies in a hidden place ready to attack the senses. Attack.
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学校の先輩の影響でクラシック音楽を聞き始め、親が買ってくれたチケットでこの演奏会に行きました。おかげでクラシックにどはまやり、今日に至っております。親に感謝であります！
The complete maestro,
Karl Böhm. Love to experience the genius of this man, he totally lives the music!
The Best ever Brahms's 1st Symphomy performance.
+David Rojas Absolutely agree.
ベーム、ウィーンフィル1975年来日公演の伝説的名演のブラームス第1番。17日、22日両日共に名演ですが、この17日の第1番は特に優れた演奏だと思います。(NHKのアーカイブは17日の演奏) セッション録音とはテンションが別人のようです。やはりマエストロはライヴの人ですね。今は亡きヘッツェル氏、若き日のキュッヒル氏。何れも貴重な映像です。
Karl Böhm deserves greater recognition for his interpretations of the music of Brahms! I have listened to his readings of all 4 Brahms symphonies today - and I have to say that the flow, impact and orchestral balances he produces are stunning. He is also working with a fine orchestra, which also results in precise (but not mechanical) adherence to his wishes. There is a sensitivity here that blends perfectly with the power embedded in this music. After hearing these monumental performances, no other conductor will ever suffice for me!
Indeed. Nobody even comes close.
The performance itself has become a living thing.
The ultimate standing up.
AN AMAZING CONDUCTOR!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
このDVDと同年のスタジオ録音盤も買ってしまいまいました。やはりヘッツェルさんのソロを超えるものはありませんね。
コンマスのヘッツェルのソロが凄すぎる。こんなに美しいソロは聞いたことない。
ベームが残した伝説の公演の一つ。改めてこの演奏の凄さに感動。この演奏を超えるブラームスの１番は出てこないだろう。ここ数年、ウイーンフィルがここまで全神経を傾倒して真剣に演奏することもない。久しぶりに映像で見てウイーンフィルの団員の面々の緊張感に溢れた表情には笑ってしまった。時代が変わり、オケと指揮者の力関係も変り仕方ないが。最晩年のベームは出来不出来が極端だったけど、このブラ１やアリアドネのような最高の名演立ち会えたことは神に感謝するしかない。
私もそう思う。演奏したウィーンフィルも、これが自分たちが残しうる稀に見る演奏だということはわかってたと思う。
特に第１楽章の素晴らしさに私は圧倒されます。『運命』のモチーフがこれほど格調高く奏でられた演奏はカラヤンの素晴らしい演奏を含めても他に記憶がありません。
Exactly.
やっぱりベーム／ウィーン・フィルだなぁー。
完璧過ぎて言葉が出てこない
Timeless music performed by a great orchestra, conducted by a master of his art. Superb.
Really wonderful music! I can't contrast with any other version. Such a perfect music!
這是我聽到的最好的交響演繹……勃拉姆斯第一交
He just does what he usually does and a very lively and interesting performance results. He seems to have been an affecting presence for orchestras and something terrific results even in his last public concerts.
貝姆像家常小菜，百吃不膩！
Great conductor, great rendition !
Thanks
It speaks to the heart of the music. Maestro Bohm’s interpretation resides in the central most part of the work.
I think a conductor adds legitimacy to an abstraction and musicians become empowered by that energy. Watch Lennie and see how he made a connection and how the members looked sometimes shocked even electrocuted. He put fear into his own daughter so how do you think the lead violinist felt. Bohm had calm experience and respect and needed none of it. Just Brahms is all that's needed.
Beautiful symphonies !
The best version!!!!!!!! :D
the best version ever!
最高です
おお、伝説が．．いつまでも残してほしい。
Great music great conductor!!!!!!! The rest is silence.
My top brahms 1 list:
1. this version
2. Giulini 1979/BRSO
3. Bohm 1969/BRSO
4. Giulini DGG/LA Phil
5. Karajan 1988 London/BPO
6. Giulini 1988/BPO
Ailopip Shostakofiev I basically agree with all of those, and would also consider both Walter and Klemperer. (With Walter, I would choose the first, NY Phil. performance.)
Personally I would place Karajan 1963/BPO somewhere within the top 3. Otherwise I also agree with all of those.
Among the best.
安心してください。ブラームスの１番がこれだけ完璧に鳴った演奏は、後にも先にも他にありません。
これもまた、有無を言わせない演奏。他の凡庸な舞台が霞んでしまう。
ウィーンフィルのベームを擁しての特別な指揮系統下の気構え雰囲気、曲げても決して折れない柳の枝の様な弦の柔軟性とほぼAllウィーンmadeの旧式管打楽器セクションの気合いのシナジー効果がはまっている。1981年のカラヤン/ベルリンフィルハーモニーの東京文化会館での来日公演の模様と同様。これぞ、ホンモノ。
Sublime!!!!
Magnifica!! Magnifico Brahms!
This guy Johannes sat down and wrote music he heard in his brain and set it before singular groups of an orchestra of 50 to 150 each section shown notes, intonation, tempo and vibrato (or not). complex beyond most human endeavor. This is a form of art rarely seen. It is so close to making man god. Could God have inspired it. Do we need to be gods to appreciate it ?
I like to think the paucity of wedding bans means dedication to music made another relationship impossible.
Absolutely GENIAL !
Great rendition. Fantastic Master Karl Boehm and VPO. In Japan? Great Brahms.
A simply miraculous performance...I love the coda of the fourth movement more than almost any other performance of Brahms' 1st I've ever heard. Can anyone tell me which performance this is? Is it 17 March or 22 March?
It is 17 March
22 March -> th-cam.com/video/HunzIRpEcO4/w-d-xo.html
@@akise3 I actually own both now. Thank you for responding to my question of 5 years ago. I LOVE this performance!
موسيقى رائعة جدا ومبهجة
Compare this to the Vienna Phil performances on TH-cam with Jansons and Orozco-Estrada - Böhm is in a different class - the distinction between a good conductor and a great one
So, by comparing three different renditions of one piece with the same orchestra you just found out that Mariss Jansons was not a great conductor?...
I agree
Listen to Van Cliburn and Brahms piano 2
A thought on the decline of listeners to the great works. Money, as simple as that. Less of it and fewer of those trained ears once owned by the living. Get out and promote this with free Wednesdays and two for one and free hot dogs...whatever. Before it's really too late. This greatness lies in a hidden place ready to attack the senses. Attack.
marian and yoshiyo punishment
no this month of music or art
please they are liars.
i'm very sad.
charismatique ne rime pas avec Karl Böhm.....
Vous non plus d'ailleurs