I always appreciate your thoughts on whether or not a device may be suitable for various use cases! Great review of the Tascam and so good to see you back in action.
I've had this as my main podcast station for about 5 months now and absolutely LOVE it. My only complaint thus far would be the lack of voice mod/effects such as raising or lowering your voice pitch on the fly with a phaser would have been cool! Thankfully they are always adding updates to the firmware so it's possible features like that could easily be in the works. Fun Fact! I've always used it connected via USB to my 8-USB 3.0 hub and I've thankfully never had a connection issue!
Happy to be back. Not full up and running again. My entire living room is still full of the majority o the studio stuff, but for the time being I can film and record. Thank you for sticking around Paul!
After coveting the Rode for months I ended up investing in this TASCAM mixer for production when I caught it on sale (Probably in anticipation for the Rode II). I’m grateful for the walk through and agree with your review.
Hey you skipped over the exciter at 8:16. Simply tap the right arrow on the bottom right of the "tone manual setting" and you have the exciter. Not the most intuitive, I know.
Since you love the LA2-A, you might be interested in some numbers for its release time. The time is heavily dependent on the depth of limiting. More limiting = faster release, less = slower. I don’t think it ever approaches 110mS. Probably more like 250mS for deep limiting and 1000-1500mS or even longer for shallow. I hope these help.
Thank you so much Peter. I looked it up while editing because 110 didn't seem right to me. I found that it's a multistage release and it's typically around 50% release by 60ms. I'll give 250ms a shot next time to try and get a more accurate to the LA2A.
I really love how intuitive it seems to use this device and the feature set of it. I agree that this is overkill if you are a solo podcaster or streamer. I would like some recommendations of an interface that is similar to this but more catered to an individual. I know they exist but… not sure where to look. Specifically I would like the ability to have a compressor, soundboard, and phone or bluetooth connectivity like this interface. The other features are great but not essential for me. Thanks in advance to any replies!
@@ThatLazyyGuy The Elgato Wave XLR might be another option but it isn't as fully featured as the GoXLR yet, IMO. This product space seems to be largely unexplored. You could also check out the new Mackie M-Caster Live.
I thought this thing was great and was going to make it my primary audio interface, but there’s a problem. It’s hardware is fixed at one sample rate 48k. I did some research and it seems that all of these things Rode, Zoom, Tascam, even the Boss is single sample rate only. The ASIO driver for the Tascam seems to do some real time conversion but not automatically switch the clock.
That's strange that it would allow you to change the sample rate and record at a sample rate that the hardware is not able to convert at. I can imagine that would cause some artificating or latency issues for you. What kind of issues are you encountering with this?
@@Podcastage In Sound Forge when working on a 44.1 file stop and restart playback takes longer and the sample rate when stopped shows 44.1 but when playing it shows 48k but in italics. So Sound Forge is using italics to show its not the native rate of the file. Other than that it works OK but the sound is not as clear and punchy as when using my Focusrite 6i6 where the hardware clock automatically switches to 44.1 when working in software at that rate.
Hi, really appreciate the nice impartial & fair review for us consumers :) Quick point to add though. On both the EQ and Noise Gate page there is an arrow on the lower right side of the screen that gives you a 2nd page of options. Were you aware of this during the review & forgot to add it ? I was hoping to see what (if any) adjustments you had made. Thanks
hey... glad you're back man there is something i need from your channel bro... i love to see the LEWITT LCT 540 SUBZERO & LCT 640 TS in your channel they are some perfect mics but unfortunately doesn't have good review videos in you_tube and i need your thoughts on them i only trust you please bandrew🥺❤
Just picked up this unit for $100. Downloaded all the updates and manuals from their website and going to try it out this coming weekend. Hope was a good deal. Video looks promising!
Hey! You switched to Gator mic quick releases! when did that happen? Can't believe i didnt notice before. Probably because im swimming in these things on my end. Welcome to the club! If you ever use Maker Pipe 3/4" conduit connectors to build with, these Gators fit perfectly in their connectors, too.
Hello. Do you mean an actual mic stand or the Gator Frameworks GFW-MIC-QRTOP Quick-release Mic Attachment. Does this work with desktop mic stands? Thank you.
@@DrGDaniels yes. That is the Gator part number. The quick release attachment. It does indeed work on any stand with a 5/8” attachment point possibility. It adds about 3” in length, though. There maybe scenarios where that’s too much. It can be interesting inside something like an IsoVox .
Thanks for the review. Really appreciate your content and all the time you put into it! As a solo live streamer, live podcaster, etc. you said you wouldn't recommend this device so curious what you would recommend. What about something like the GoXLR or an Apollo Twin? I'd like to have live vocal processing (compressor, EQ, de-esser, etc), good preamps, and broad app compatibility.
As always, appreciate your videos! I just bought one. I'm solo live streamer whos been very well served by a MOTU M2 for a couple of years EXCEPT I can get very animated with large volume fluctuation and have wanted a compressor to tame it - So I bought the Tascam. I agree it sounds great. I run an MKH 416 into it and all is good - Except I get a ton of feedback out of my speakers (I wont use Headphones) which I do not get from the MOTU. USB Mix Minus didnt address it and Feedback Prevention cuts the output from the line out - so unfortunately the Mixcast is going back. Do you think a DBX into my MOTU would be a good solution?
Great presentation. One question; the Rodecaster has the function of shutting off monitors when the mic is turned up. Does this unit do the same thing?
Hey, I was wondering if you could review the Universal Audio SD-1 "clones" :) I am interested by the t-bone bc 500, which could be a great 90€ broadcast dynamic if it sounds close to the SD1. Glad to see you're back. :)
It's funny how gigantic the steps of the gain knobs are, the noise test showed it pretty well. What manufacturers do with digital devices like that these days is they have hard stepped analog DCAs as gain stages, and in between the steps they just digitally boost the signal. But right know the only step I could hear (macbook speakers tho) is around 31dB which means bellow that the gain is at +0dB analog with digital trim, and after that +31dB analog with digital trim reset, hence why the noise suddenly disappears, if you have a mic that needs somewhere around 30dB you're way better off going for 31 than 29 or 30.
I pulled out the Mixcast 4, updated the firmware, and tried to come up with a solution. Unless I'm missing something very obvious I could not identify one. I tried the feedback prevention setting to see if it muted only mics, but if any mics are open, it mutes all playback through monitors so you get no sounds at all. The second test was I thought you would be able to solo the tracks you wanted to playback through the speakers (so solo the effects/usb/phone/etc, while leaving the mics un-soloed), but the monitor output does not mirror the headphone mix; it is post fader mix and there's no way to adjust that. That something that Tascam needs to fix in a firmware update, they need to have the ability to create a dedicated mix for the monitor output.
@@Podcastage wow Bandrew thank you for even taking the time to read my comment and actually trying it out I did all the same and came up with the same solution that tascam needs to fix that or they might just release a mixcast 2 with all that fixed who knows
Podcastage, really would appreciate your insight here ... I'm considering this thing (the deal that is Tascam Mixcast (you understand) .. ok seriously though, would you recommend it and feel kinda good doing so over the Rode deal ? I'm looking at spending 299 (got a good deal for a new one waiting for me) ? thanks in advance. ... mainly i'm looking for this thing hopefully with latest firmware updates, that they have improved the software quite a bit .. for example the noise gate, compressor, etc. - to help dial in what you want a little better and sound overall better and more natural vs the rodecaster that appears to honestly have this thing beat by miles. ? thanks again in advance.
In this video I discussed the Mixcast 4 vs. Rodecaster Pro. I think the features are pretty comparable, but I prefer the sound of this over the RCP. If you're talking about the rode caster pro 2 then that is the obvious winner though.
Rode caster pro 2 was what i was referring to. Yes, I absolutely agree w/you in that the updated 2 wins hands down over the Tascam Mixcast ... but the pricetag ? $699 vs $299 ? that's a pretty big difference. I think for the MOST part, if you know what you're doing and can dial in manually the de-esser, compression, mix-minus setup for phone calls, skype, etc., is there REALLY a big improvement with the sound quality overall ? oh by the way, that new EV mic sounds pretty good! condenser and EV I think just makes for the most part, really solid gear. Last thing with the Tascam name.. after all is said and done this IS Tascam. They've been around forever with all things audio console / recording going back to the reel to reel days.. so thats something in itself over the Rode, no ? - perhaps why you actually like the sound at the end of the day coming from the Tascam model over the Rode. I know Rode is catching up fast, but still Tascam is, well Tascam :) @@Podcastage
This is nice. But I wish there is a compact device which i could just connect to any headset and mute background sounds whenever i don't speak with just 1 or 2 knobs.
While I'm really happy with my Audient Evo 4 (especially for the price point), I am glad to get a good deep look at this next level up can do. Thank you, Bandrew.
I've been looking into getting an audio mixer to possibly replace my interface because I like the thought of not needing so many digital filters, and the main thing that's holding me up is whether each input will show up on my computer as individual inputs. I record through OBS Studio for doing Let's Play videos. I'm currently using a Behringer UMC404HD because I wanted the option to add more mics if I ever got into more group oriented recording. For the longest time I was only able to record two stereo channels until I found that I needed an ASIO plugin. Now I can record with up to 4 mics each on a mono channel so I can edit each track separately. If I were to get this mixer, do you think/know if I'll have any issue with recording 4 individual mics? I also kinda like the flexibility of being able to record without a computer. My buddy and I have been planning to branch out from Let's Plays to do a podcast and it would be nice to just set up wherever. Thanks in advance for your input if you see this and have time to reply.
Would you suggest this to be a good piece of equipment to live stream from my iPhone or iPad and use it for mic purposes? Also; to connect the MPC Live 2 for a source of incoming music to add to the Live broadcast? I want it for a side task (podcast), but I truly want to use my MPC Live 2 for all my live streaming and podcast.
Good job 👏 My Bluetooth is not working properly so l am going to send it back. It does connect and disconnect . Calls does not go through the console. Help with advice
Hi Bandrew. Would you please tell me, how about audio quality wise compared with RCP2? I have both RCP1 & RCP2. But they perform far from my expectations.
did you notice any noise floor with the headphones? when i plug mines i hear a bit if.. idk what kind of noice to call it, perhaps hiss, white noise, etc idk
Hello..I am one of your fan as you always have interesting unboxing and reviewing so i would like to request you to kindly make a review on the (The RØDECaster Pro II) as its new at the market and it doesn't have that much reviews.Thank you and i wish you all the best.
Hello, so for a solo streaming, would you recommend the go xlr over this? Or would there be a different device that you can recommend that have voice processing like de essing, eq, and voice changer.
Great video! I have been looking at the Tascam. ATM im using a Allen & Heath ZEDi-10FX for streaming and it works great. However It likes to lose USB connection. If I could plug in my guitar on the tascam it would be a done deal. I Wonder why they did not just give use one good plug for guitar... as folks like to play guitar on a stream.
Can you recommend a preamp or interface that would work well with a vintage C414 B-ULS? Because that's already a dark mic it can't darken the sound and has to be a noticeable improvement over the Focusrite Scarlett and Behringer UMC interfaces.
What would you suggest for a solo streamer using a Neat King Bee II mic? Mostly video streaming, potentially a podcast with two mics, but this Tascam is probably overkill.
This probably would be overkill for that. The Focusrite Vocaster is pretty good. The Rodecaster Duo seems like it might fit the bill. There's the Rode Streaming device that just came out that may fit the bill for a solo streamer though. There are a lot of options and it's going to rely on what your specific needs and features needed are.
I have had the Tascam for a few months now with no issue. A friend joined me and he has a loud booming voice. His mic keeps cutting out when he gets excited about what we are dicusssing. We have tried multiple mics , no sound suppression , no peaking gain is properly set for his mics. No one’s else’s mic is cutting out. Is there a limiter or a setting I’m missing
That sounds incredibly strange. When you say you have tried different mics, are they different models of mics, or just different copies of the same mic? If they're all the Rode NT1, I have heard of this happening when you overload the capsule it goes silent for a little bit. So it's possible there's a plosive hitting the diaphragm, it overloads the mic, and it goes silent. But I would with the mic manufacturer first because that's where I've heard about this happening before, the mic may just get overloaded. Sorry I don't have an exact answer, but I hope that helps.
@@DrWurzeli I haven’t tried the native instruments but I’d suggest checking out Julian Krause video on it. The xm8500 would absolutely be the mic I’d pick with a full budget of $100.
Wow. Mixcast 4 on sale (new) for $299.00 at B&H as one of "Today's Deals" (Aug 8, 2022. Lowest price I've seen. I wonder if Tascam is going to move the unit to approximately this lower pricing tier to be super competitive. There's about 9 hours remaining for the sale. Also, this may also (I'm not 100% on this) qualify for the free accessories bundle from Tascam with proof of purchase (16GB SD card; TM-70 mic; and TH-02 headphones).
I'm just trying to get the mic from the mixcaster (which it is reading) to connect to the software on my PC. The connection aint happening. Any help here?
I use the Mixcast with 3x Zoom ZDM-1 Mics, but there is an absoule white noise in the Background always! The Mics are hissing like Carzy. Any Idea what can I do against it?
Is the white noise on each individual track or is it on the stereo mix. First thing I would do is make sure that all unused channels are muted or turned down. That will ensure that any preamp hiss from unused channels are not adding excessive his. If there is simply hiss on each of the channels, that is likely due to the preamp noise on this device. There would not be much you can do about this on each channel other than adding a gate (But the hiss will still be there once you start talking again). You could also make sure that while a mic is not being used it is attenuated so you aren't adding a constant hiss to the full mix because that underlying preamp noise on each track will compound.
Just checked out this video...I do have a few question only because I do a lot of environment editing. I've just got a boat load of questions. Anyway to reach out?
If it's in depth technical questions, I'm guessing Tascam would be better suited to answer them. It sounds like you're going to want some serious technical stuff and doing specialized stuff. I'm just a dope who does podcasting so I don't know anything about envrionmental editing.
Love your humor and practical presentations. Unfortunately, you are referencing the Rodecaster Pro 1 when the Rodecaster Pro 2 is already out and should have been compared to be up-to-date and help buyers appreciate the competing offerings. One is left to assume since you make the statement that this device is comparable to the Pro 1, then the Pro 2 is likely better for the things it does.
You say it took 50 hours to make this, but it only took me a little over 27 minutes to watch it. Dang, I'm efficient!
I've been looking at this as an upgrade to my Scarlett 2i2, I'm glad you did such a deep dive on it.
Great to have you back!!
I always appreciate your thoughts on whether or not a device may be suitable for various use cases! Great review of the Tascam and so good to see you back in action.
Agreed!
I've had this as my main podcast station for about 5 months now and absolutely LOVE it. My only complaint thus far would be the lack of voice mod/effects such as raising or lowering your voice pitch on the fly with a phaser would have been cool! Thankfully they are always adding updates to the firmware so it's possible features like that could easily be in the works.
Fun Fact! I've always used it connected via USB to my 8-USB 3.0 hub and I've thankfully never had a connection issue!
Is it possible to stream directly from mixcast to iPhone? Using audio affect like echo? I am playing guitar so is it work ? Or need computer?
Its nice to see you back. Legends always comeback. I am your fan at this point.
Great to have you back, fully up and running.
Happy to be back. Not full up and running again. My entire living room is still full of the majority o the studio stuff, but for the time being I can film and record. Thank you for sticking around Paul!
Guess who's back, back again
Bandrew's back, tell a friend
Hot dang the NT-1 always sounds fantastic. Excellent review 🙌
That was a really informative video. You're very knowledgeable, yet able to deliver the message to a broad audience. Thanks so much.
Thank you for the time you take to do these reviews!
Thank you for watching John, very much appreciated.
Hey Bandrew, would love to see a review of the new RODECaster PRO II.
After coveting the Rode for months I ended up investing in this TASCAM mixer for production when I caught it on sale (Probably in anticipation for the Rode II). I’m grateful for the walk through and agree with your review.
Hey you skipped over the exciter at 8:16. Simply tap the right arrow on the bottom right of the "tone manual setting" and you have the exciter. Not the most intuitive, I know.
Since you love the LA2-A, you might be interested in some numbers for its release time. The time is heavily dependent on the depth of limiting. More limiting = faster release, less = slower. I don’t think it ever approaches 110mS. Probably more like 250mS for deep limiting and 1000-1500mS or even longer for shallow. I hope these help.
Thank you so much Peter. I looked it up while editing because 110 didn't seem right to me. I found that it's a multistage release and it's typically around 50% release by 60ms. I'll give 250ms a shot next time to try and get a more accurate to the LA2A.
I really love how intuitive it seems to use this device and the feature set of it. I agree that this is overkill if you are a solo podcaster or streamer. I would like some recommendations of an interface that is similar to this but more catered to an individual. I know they exist but… not sure where to look.
Specifically I would like the ability to have a compressor, soundboard, and phone or bluetooth connectivity like this interface. The other features are great but not essential for me.
Thanks in advance to any replies!
There's still not a solution like that other than the GoXLR. The new Focusrite one is the closest to that, but it lacks the soundboard.
@@Podcastage ah okay. I’ve heard of the GoXLR but didn’t want to just blindly follow the trend. If that’s the only option then so be it
@@ThatLazyyGuy The Elgato Wave XLR might be another option but it isn't as fully featured as the GoXLR yet, IMO. This product space seems to be largely unexplored. You could also check out the new Mackie M-Caster Live.
@@adventuresinbytes will check them out thanks!
I thought this thing was great and was going to make it my primary audio interface, but there’s a problem. It’s hardware is fixed at one sample rate 48k. I did some research and it seems that all of these things Rode, Zoom, Tascam, even the Boss is single sample rate only. The ASIO driver for the Tascam seems to do some real time conversion but not automatically switch the clock.
That's strange that it would allow you to change the sample rate and record at a sample rate that the hardware is not able to convert at. I can imagine that would cause some artificating or latency issues for you. What kind of issues are you encountering with this?
@@Podcastage In Sound Forge when working on a 44.1 file stop and restart playback takes longer and the sample rate when stopped shows 44.1 but when playing it shows 48k but in italics. So Sound Forge is using italics to show its not the native rate of the file. Other than that it works OK but the sound is not as clear and punchy as when using my Focusrite 6i6 where the hardware clock automatically switches to 44.1 when working in software at that rate.
Hi, really appreciate the nice impartial & fair review for us consumers :) Quick point to add though. On both the EQ and Noise Gate page there is an arrow on the lower right side of the screen that gives you a 2nd page of options. Were you aware of this during the review & forgot to add it ? I was hoping to see what (if any) adjustments you had made.
Thanks
Andrew When you Said “a very short usb c to usb c cable” and I saw the cable, I burst into laughter… it is short 🤣🤣🤣
hey... glad you're back man
there is something i need from your channel bro...
i love to see the LEWITT LCT 540 SUBZERO & LCT 640 TS in your channel
they are some perfect mics but unfortunately doesn't have good review videos in you_tube and i need your thoughts on them
i only trust you
please bandrew🥺❤
This review disturbingly lacks stickers…
I did exactly this at 22:21 of this video, and i was ready to take it back. At least i know what the problem is.
Ahhh I'm sitting on this to review soon. Can't wait to dive in!
Once again - GREAT REVIEW! Looks like you have the New RODECaster Pro II. Look forward to your review on it soon! 😎
He has returned…🙏🏽
Just picked up this unit for $100. Downloaded all the updates and manuals from their website and going to try it out this coming weekend. Hope was a good deal. Video looks promising!
For $100, if everything functions, that seems like a great pick up.
Epic review. Thank you for every detail without embellishments.
Ill be returning these after this 3 day show 😆
Thank you very much for the kind words and for watching. Happy recording.
Danke!
Such a great n thorough walkthrough! Much appreciation my friend🤟
Thank you for watching and for the kind words.
17:10 saved my life I was going crazy trying to fix this issue
Happy to help.
Hey! You switched to Gator mic quick releases! when did that happen? Can't believe i didnt notice before. Probably because im swimming in these things on my end. Welcome to the club!
If you ever use Maker Pipe 3/4" conduit connectors to build with, these Gators fit perfectly in their connectors, too.
Hello. Do you mean an actual mic stand or the Gator Frameworks GFW-MIC-QRTOP Quick-release Mic Attachment. Does this work with desktop mic stands? Thank you.
@@DrGDaniels yes. That is the Gator part number. The quick release attachment. It does indeed work on any stand with a 5/8” attachment point possibility. It adds about 3” in length, though. There maybe scenarios where that’s too much. It can be interesting inside something like an IsoVox .
@@danasdas6683 Dan, thank you for the reply. The added height information is helpful.
Thanks for the review. Really appreciate your content and all the time you put into it! As a solo live streamer, live podcaster, etc. you said you wouldn't recommend this device so curious what you would recommend. What about something like the GoXLR or an Apollo Twin? I'd like to have live vocal processing (compressor, EQ, de-esser, etc), good preamps, and broad app compatibility.
As always, appreciate your videos! I just bought one. I'm solo live streamer whos been very well served by a MOTU M2 for a couple of years EXCEPT I can get very animated with large volume fluctuation and have wanted a compressor to tame it - So I bought the Tascam. I agree it sounds great. I run an MKH 416 into it and all is good - Except I get a ton of feedback out of my speakers (I wont use Headphones) which I do not get from the MOTU. USB Mix Minus didnt address it and Feedback Prevention cuts the output from the line out - so unfortunately the Mixcast is going back. Do you think a DBX into my MOTU would be a good solution?
Great presentation. One question; the Rodecaster has the function of shutting off monitors when the mic is turned up. Does this unit do the same thing?
Great video bro! Thanks! Does this have a voice changer that allows me to change my voice in real time while recording?
Ick, the multi file. I do not miss that
Great review! Thanks so much!!!!!! That ending was hilarious 😂😂😂😂😂😂
So how does it rate against Rodecaster 2?
Thank you! I’ll probably end up buying this one🔥👌💯
Hey,
I was wondering if you could review the Universal Audio SD-1 "clones" :)
I am interested by the t-bone bc 500, which could be a great 90€ broadcast dynamic if it sounds close to the SD1.
Glad to see you're back. :)
My question at the start was whether the pads can play custom sounds or only the built-in ones?
You can add your own sounds to the sound banks.
Hello Bandrew. Nice review ! By the way do you know that the all galaxy population is waiting for your review of the new Rodecaster Pro II ?
I have it set up and have begun my in depth testing.
@@Podcastage Yahooooooo ! "May the Sound Be With You"
Go back to work! we love your reviews! Time to review rodecaster 2!
Excellent review, very detailed! Thank you!
It's funny how gigantic the steps of the gain knobs are, the noise test showed it pretty well. What manufacturers do with digital devices like that these days is they have hard stepped analog DCAs as gain stages, and in between the steps they just digitally boost the signal. But right know the only step I could hear (macbook speakers tho) is around 31dB which means bellow that the gain is at +0dB analog with digital trim, and after that +31dB analog with digital trim reset, hence why the noise suddenly disappears, if you have a mic that needs somewhere around 30dB you're way better off going for 31 than 29 or 30.
While it has mic combo jacks (XLR/ balanced 1/4")... it does not have a Line Level input setting for the mic inputs. The new Rodecaster II does.
So let’s say I hook up a speaker and how do I turn off the mic monitoring? I just wanna hear the sound effects not the mic
I pulled out the Mixcast 4, updated the firmware, and tried to come up with a solution. Unless I'm missing something very obvious I could not identify one. I tried the feedback prevention setting to see if it muted only mics, but if any mics are open, it mutes all playback through monitors so you get no sounds at all.
The second test was I thought you would be able to solo the tracks you wanted to playback through the speakers (so solo the effects/usb/phone/etc, while leaving the mics un-soloed), but the monitor output does not mirror the headphone mix; it is post fader mix and there's no way to adjust that. That something that Tascam needs to fix in a firmware update, they need to have the ability to create a dedicated mix for the monitor output.
@@Podcastage wow Bandrew thank you for even taking the time to read my comment and actually trying it out I did all the same and came up with the same solution that tascam needs to fix that or they might just release a mixcast 2 with all that fixed who knows
Welcome back!
Excellent video. I am happy to know that Tascam cast have no use in music recording.
Podcastage, really would appreciate your insight here ... I'm considering this thing (the deal that is Tascam Mixcast (you understand) .. ok seriously though, would you recommend it and feel kinda good doing so over the Rode deal ? I'm looking at spending 299 (got a good deal for a new one waiting for me) ? thanks in advance. ... mainly i'm looking for this thing hopefully with latest firmware updates, that they have improved the software quite a bit .. for example the noise gate, compressor, etc. - to help dial in what you want a little better and sound overall better and more natural vs the rodecaster that appears to honestly have this thing beat by miles. ? thanks again in advance.
In this video I discussed the Mixcast 4 vs. Rodecaster Pro. I think the features are pretty comparable, but I prefer the sound of this over the RCP. If you're talking about the rode caster pro 2 then that is the obvious winner though.
Rode caster pro 2 was what i was referring to. Yes, I absolutely agree w/you in that the updated 2 wins hands down over the Tascam Mixcast ... but the pricetag ? $699 vs $299 ? that's a pretty big difference. I think for the MOST part, if you know what you're doing and can dial in manually the de-esser, compression, mix-minus setup for phone calls, skype, etc., is there REALLY a big improvement with the sound quality overall ? oh by the way, that new EV mic sounds pretty good! condenser and EV I think just makes for the most part, really solid gear. Last thing with the Tascam name.. after all is said and done this IS Tascam. They've been around forever with all things audio console / recording going back to the reel to reel days.. so thats something in itself over the Rode, no ? - perhaps why you actually like the sound at the end of the day coming from the Tascam model over the Rode. I know Rode is catching up fast, but still Tascam is, well Tascam :) @@Podcastage
Brilliant review, thanks! Well worth the 50 hours!!!
This is nice. But I wish there is a compact device which i could just connect to any headset and mute background sounds whenever i don't speak with just 1 or 2 knobs.
I'm using the Mixxx DJ software can you do a video please on how to use them both
While I'm really happy with my Audient Evo 4 (especially for the price point), I am glad to get a good deep look at this next level up can do. Thank you, Bandrew.
I've been looking into getting an audio mixer to possibly replace my interface because I like the thought of not needing so many digital filters, and the main thing that's holding me up is whether each input will show up on my computer as individual inputs.
I record through OBS Studio for doing Let's Play videos. I'm currently using a Behringer UMC404HD because I wanted the option to add more mics if I ever got into more group oriented recording. For the longest time I was only able to record two stereo channels until I found that I needed an ASIO plugin. Now I can record with up to 4 mics each on a mono channel so I can edit each track separately.
If I were to get this mixer, do you think/know if I'll have any issue with recording 4 individual mics?
I also kinda like the flexibility of being able to record without a computer. My buddy and I have been planning to branch out from Let's Plays to do a podcast and it would be nice to just set up wherever.
Thanks in advance for your input if you see this and have time to reply.
PEAVY PV 14 AT is best audio mixer.
Would you suggest this to be a good piece of equipment to live stream from my iPhone or iPad and use it for mic purposes? Also; to connect the MPC Live 2 for a source of incoming music to add to the Live broadcast? I want it for a side task (podcast), but I truly want to use my MPC Live 2 for all my live streaming and podcast.
Fifty hours? YOU ARE UNDERPAID. However, it it is any compensation, your reviews are awesome.
Good job 👏
My Bluetooth is not working properly so l am going to send it back. It does connect and disconnect . Calls does not go through the console. Help with advice
Hi Bandrew. Would you please tell me, how about audio quality wise compared with RCP2? I have both RCP1 & RCP2. But they perform far from my expectations.
did you notice any noise floor with the headphones? when i plug mines i hear a bit if.. idk what kind of noice to call it, perhaps hiss, white noise, etc idk
Extra loud headphone amps for longer headphone cable runs with extensions?
Hello..I am one of your fan as you always have interesting unboxing and reviewing so i would like to request you to kindly make a review on the (The RØDECaster Pro II) as its new at the market and it doesn't have that much reviews.Thank you and i wish you all the best.
I'm working on a review.
@@Podcastage perfect 👍 looking forward for it 😎👏
I would really love if you could start using a bass in music tests, I’m a bass player and looking for a new mic
Hello, so for a solo streaming, would you recommend the go xlr over this? Or would there be a different device that you can recommend that have voice processing like de essing, eq, and voice changer.
I only have one doubt, can you record on separate tracks on pro tools with this mixer or with the rodecaster pro?
Great video! I have been looking at the Tascam. ATM im using a Allen & Heath ZEDi-10FX for streaming and it works great. However It likes to lose USB connection. If I could plug in my guitar on the tascam it would be a done deal. I Wonder why they did not just give use one good plug for guitar... as folks like to play guitar on a stream.
Very helpful, thank you
You're welcome. Glad to know it was helpful. Hope you have a fantastic Saturday.
Escellent review ! U think the zoom livetrRak its a better option or this tascam its better ?
depens on your purpose , and power mobility.
Thanks for the review .
Got this used from bnh for 232 best buy ever
Can you recommend a preamp or interface that would work well with a vintage C414 B-ULS? Because that's already a dark mic it can't darken the sound and has to be a noticeable improvement over the Focusrite Scarlett and Behringer UMC interfaces.
So can stream directly and play guitar? Singing? Or i need i rig 2 ?
Now that the Rodecaster II is out… what do you think?
Flawless review about this thing. I just bought one.
amd where do we have Zoom P8 how good are that one next to this one ?
Great review!
Rode RODECaster Pro II?
Are you also planning on reviewing the zoom podtrak p8?
What would you suggest for a solo streamer using a Neat King Bee II mic? Mostly video streaming, potentially a podcast with two mics, but this Tascam is probably overkill.
This probably would be overkill for that. The Focusrite Vocaster is pretty good. The Rodecaster Duo seems like it might fit the bill. There's the Rode Streaming device that just came out that may fit the bill for a solo streamer though. There are a lot of options and it's going to rely on what your specific needs and features needed are.
I have had the Tascam for a few months now with no issue. A friend joined me and he has a loud booming voice. His mic keeps cutting out when he gets excited about what we are dicusssing. We have tried multiple mics , no sound suppression , no peaking gain is properly set for his mics. No one’s else’s mic is cutting out. Is there a limiter or a setting I’m missing
That sounds incredibly strange. When you say you have tried different mics, are they different models of mics, or just different copies of the same mic? If they're all the Rode NT1, I have heard of this happening when you overload the capsule it goes silent for a little bit. So it's possible there's a plosive hitting the diaphragm, it overloads the mic, and it goes silent. But I would with the mic manufacturer first because that's where I've heard about this happening before, the mic may just get overloaded. Sorry I don't have an exact answer, but I hope that helps.
Question: can this disguise someone's voice on (phone call) during a live cast?
Save the money and get a Rodecaster Pro 2 you'll be much happier
Good stuff!
How can I connect my Atem mini pro video interface to my tascam mixcast4?
Is it possible to stream directly from mixcast to iPhone? Using audio affect like echo? I am playing guitar so is it work ? Or need computer??
Hey, I have a question. I have a budget of around 100 GBP, do you know which Dynamic Mic + Interface I should get? Please answer if you can
xm8500 and native instrumentskomplete audio1, then upgrade to sth like a se-v7 later on.
@@DrWurzeli I haven’t tried the native instruments but I’d suggest checking out Julian Krause video on it. The xm8500 would absolutely be the mic I’d pick with a full budget of $100.
Welcome back :)
1:09 I thought the video switched to black and white for a moment :)
so is the procaster 2 better?
Wow. Mixcast 4 on sale (new) for $299.00 at B&H as one of "Today's Deals" (Aug 8, 2022. Lowest price I've seen. I wonder if Tascam is going to move the unit to approximately this lower pricing tier to be super competitive. There's about 9 hours remaining for the sale. Also, this may also (I'm not 100% on this) qualify for the free accessories bundle from Tascam with proof of purchase (16GB SD card; TM-70 mic; and TH-02 headphones).
Ty
I'm just trying to get the mic from the mixcaster (which it is reading) to connect to the software on my PC. The connection aint happening. Any help here?
I hit record on Podcast Editor... and nothing happens. Nothing. 2 years with this piece of junk and it is STILL not working.
My auto power off does NOT work. Anyone else having this problem? I woke up this morning and it was still on, with the auto power off being turned on.
I use the Mixcast with 3x Zoom ZDM-1 Mics, but there is an absoule white noise in the Background always! The Mics are hissing like Carzy. Any Idea what can I do against it?
Is the white noise on each individual track or is it on the stereo mix. First thing I would do is make sure that all unused channels are muted or turned down. That will ensure that any preamp hiss from unused channels are not adding excessive his. If there is simply hiss on each of the channels, that is likely due to the preamp noise on this device. There would not be much you can do about this on each channel other than adding a gate (But the hiss will still be there once you start talking again). You could also make sure that while a mic is not being used it is attenuated so you aren't adding a constant hiss to the full mix because that underlying preamp noise on each track will compound.
Would this work as a regular live music mixer?
What USB-C cable do recommend
Do all four mike inputs have the same facilities as channel One? ( compressor and tonal adjustments etc.)?
yes , but a different is "docking"
Just checked out this video...I do have a few question only because I do a lot of environment editing. I've just got a boat load of questions. Anyway to reach out?
If it's in depth technical questions, I'm guessing Tascam would be better suited to answer them. It sounds like you're going to want some serious technical stuff and doing specialized stuff. I'm just a dope who does podcasting so I don't know anything about envrionmental editing.
Love your humor and practical presentations. Unfortunately, you are referencing the Rodecaster Pro 1 when the Rodecaster Pro 2 is already out and should have been compared to be up-to-date and help buyers appreciate the competing offerings. One is left to assume since you make the statement that this device is comparable to the Pro 1, then the Pro 2 is likely better for the things it does.
Thanks!