Ustad Vilayat Khan Sitar Conversation 5
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- เผยแพร่เมื่อ 29 ก.ย. 2024
- These Audio recordings of Ustad Vilayat Khan in conversation are VERY RARE & are from Ust vilayat khan own archives, these tapes were hidden & kept away from people & many such tapes were either removed or erased from social media & sharing Platforms
These Tapes documented by the Legend himself by talking & recording about various Topics like Sitar - Riyaj -Parents -Lineage -Roots -Origin-Birth & his life indian classical music scenario and so on
These are edited to small sessions and will be uploaded in different parts,for the various Fans,Students and followers of Ustaad ji where the legend Speaks himself
Always in the service of music and its heritages
Thank you
Thank you, thank you !!
Such people of conviction, diecipline, devotion towards art !!! Priceless stories of inspiration, life's lessons...
Aaahhh ! Vilayat and his baritone voice thanks for the share
Please if possible can someone upload the subtitle to these talks
Great share🙏
Abel I’d be happy to provide a summarised translation if you like
Ustadji is right that the Baz of Enayat Khan Saab is difficult to copy becoz of many factor. But if one gets talim, it becomes easy. Most of my ancestors learnt from him for years. I have many of his bandishes with todas.
Aysihi Vdos ziyada she ziyada upload kiyakijiye plz.
8180877908
Nanded.Maharastra
So a self taught (for about 3 years) Inayat Khan, not the Ustad that he eventually became, learnt so we'll that he mesmerised senior musicians with a 3 hour recital in a single raga. Truly, all of them were geniuses.
I do not think it would be appropriate to consider him truly self-taught. I mean, he came from a long line of musicians. He was raised in the home of a musician. He must have had some education, even if his father would have forced it on him. And then, his own personal gift must have been tremendous itself. He would not have had to start from scratch in the three years he spent practicing.
@@JamilAkhtarPhotography Exactly, they have taken "self-taught" too liberally that it defeats the meaning. If my father is a mathematician and I never went for tuition, and excel, that does not mean I am self-taught, I will be dad-tought.
Lajawaab sureela GHARANA
I have to say I am seriously disappointed that he did not play the gat in Gaur Sarang. Does it mean he did not want to share it with the world and therefore he changed to playing Khammaj? Very frustrating. Or was it simply that even if he played the gat, he would not be able to play the tantkari ang taan toras that went with the old style? I am of the opinion that on this occasion, given his mixed audience, he probably did not want to share the bandish in Gaur Sarang with others outside the family. I don't blame him if that were the case, as we know how easily bandishes are stolen by people outside of the family and performed without regard for permission from him or his family. But the fact also remains that Inayat Khan died when he was very young, and Vilayat Khan grew up learning from various musicians from within the extended family, and as he admits, even from musicians outside the family circle, such as Fayyaz Khan and Abdul Karim Khan. This may have been a blessing in disguise for the world, as his father's early death meant he imbibed influences from various sources and synthesized it all to make a unique style of baj for himself. We sitar hobbyist owe a great deal to Vilayat Khan Sahib for the great sitar he played for all the world to enjoy, copy and emulate, but sometimes his stories smacked too much of self praise. But this is not to take away from the fact that he was a genius par excellence, and never mind his stories, he played sitar that will inspire musicians for generations to come.
Here he is praising Ustad Inayat Khan to the point of being self deprecating.
Too much of self praise and he was famous for it
also for all jutha stories about his father family & also few others all sab self made funny incidents
but yes it use to sound nice by his way of narration
@@SanjayDas-je3kc What are the jhutha stories about his father's family? Ustad Eenayat Khan saheb's records are there for everybody to hear & note that he was a sterling sitarist. It is also obvious that his style was quite different from Ustad Vilayat Khan. This is understandable as Ustad Eenayat Khan died when Ustad Vilayat Khan was 10 year old. I think his mother send him to learn from his fufa Ustad Mohamad Khan. However, as his sister says that he never was a disciple of Ustad Mohamad Khan even though he lived few years with them. The rest of the history everybody knows.
Self praise? Are we listening to the same narration? He is saying he was unable to play like Ustad Inayat Khan's style therefore he had to come up with something else. Let's not forget that he was 10 years old when Ustad Inayat Khan died. We all were 10 year old at one time, and know how much one can assimilate by 10. Regarding Gaud Sarang, I haven't heard Ustad Vilayat Khan record Gaud Sarang. One reason could be that he wasn't comfortable playing the Raga in public.
Beenkaron ke bina koi bhi gharana mokamal nahi hai hahahhhh
Proof karoiye ye baat
sirp baat karna se nahi hota
Educate us if you are right please
@@SanjayDas-je3kc If you do the research you will find that Ustad Imdad Khan trained under Ustad Bande Ali Khan beenkar. However, he evolved his own style on Sitar & Surbahar. Pandit Ravi Shankar learned from Ustad Allauddin Khan who learned from Ustad Wazir Khan beenkar, Ustad Mushtaq Hussain Khan was a great sitar player but was a beenkar himself. Ustad Mohammad Khan father of Ustad Rais Khan came from Gharana of beenkars. Also, all the names that Ustad Vilayat Khan took Ustad Latif Khan, Ustad Majid Khan - all from Ustad Wahid Khan beenkar. Did I miss anybody of note?
Indor main miya sahib se sab ne gande bandh waye hai hhhhhh
Ye miya sahib kon hai?
Sanjay Das Ji,
Is there an episode after 13th
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