Recording your OWN Vocals like a PRO! 2023
ฝัง
- เผยแพร่เมื่อ 17 มิ.ย. 2024
- Grammy Nominated Producer ill Factor shows you how to record your own vocals like a pro.
►► Skip YEARS of Frustration & Achieve Your Music Goals with this FREE Video Series: www.beatacademy.com/join
Chapters
00:00 Intro
01:11 Room Treatment
03:27 Microphone Type
05:07 Proximity Effect
06:47 Recording Levels and Direct Monitoring
08:47 Vocal Comping
11:15 Vocal Tuning and Vocal Timing
13:38 Gamer Changer
16:00 Free Gift
ill Factor is a Grammy-Nominated Producer and has been a professional music producer for over 21 years, working on projects with: Justin Timberlake, Sia, Kygo, Jason Derulo, Skylar Grey, Ginuwine, Kelly Rowland, Kevin Rudolf, Cher, Jessie J, Groove Armada, Calvin Harris and many others.
ill Factor is also the founder of Beat Academy - an online community that provides step-by-step tutorials on music production and an exciting community of artists and producers to collaborate with and give you feedback on your songs.
Are you looking for professional guidance with your Music Production? then
Visit
👇👇👇👇
www.beatacademy.com
@waves @Ableton
#musicproduction #tutorial - เพลง
LITERALLY woke up this morning with the thought, "time to focus on vocals for the next few weeks". good shit ill
Thanks so much. and Thanks for watching!
Great video as always! I remember you did sth like this ~1-2 yrs ago and that literally changed the game for me back then. Grateful for this one too! Thank you!
BTW I can't seem to get that new Dua Lipa track produced by Kevin Parker of Tame Impala out of my head! THe intro even sounds like thriller lol.. would love to see you remake that song !
man, that's a very useful video ❤👏
Exactly what I was looking for! Thank you so much!
Thank you so much for this helpful tutorial
You're very welcome!
great information
Thank you for this! Gems!
You're so welcome!
that is great, I would like you to make a video about why some mixing end very closed to a pro level, and some other dont, even if you use the same things you used in that good mix and even in the same music style..
I used my vocals in one of my most sold beats, and was almost not gonna do it but i couldnt find the right type of vocal 4 the track, being able 2 sing will take ur productions 2 a whole new level
Thanks mate - Super helpful - Love how you made this super clear and easy to follow. Time to redecorate my loungeroom lol
Glad it helped!
Thank you!!!!!!!! I dont have a guide me or someone that helps me to learn Ableton. So after a lot questions on 11 tutorials finding no answer, I find you. From Argentina. Thanks I am so happy. I cant beliebe it. I have no words. Ana
Happy to help!
From Argentina. Thanks!!!!!!!!
This was an awesome video. It’s like you know me
Step 6 will be the most challenging yet, when mastered, will have the greatest benefits.
You changed my life, thank you for everything, the grand master of masters
My pleasure thanks for watching
I remember you uploading a TH-cam short for this song. I've played the game, but only today did I find out that you were the one singing. Amazed am I.
Thanks!
Cool vid & subbed, question, What mic would you
Recommend for doing podcasts? Just for voice
Overs / talking My current £70
Mic sounds shit, even after I do some
Processing in Ableton
Switching to a (cheap) dynamic mic has significantly improved my quality of life when it comes to recording vocals in my apartment! Much less hassle than with a condenser mic.
what one did you go with?
@@frankbmusic3525 The Behringer xm8500. This ain't an endorsement, though. I just went with the cheapest one that sounded fine in reviews, and I wasn't disappointed.
THANK YOU! Will be super helpful as I start recording my own vocals for samples 🙌🏾
My pleasure!
Yup
❤
💎💎💎
Great video! Could you remake Dua lipa Houdini !!
hello sir! i've a question, please try to answer
question: when we start the journey of music production, apart from having love for it we also have this vision that maybe 10-15 years down the line, we'll be working with great artists and will be able to achieve a certain level of fame but for example in your case, you're in this music prod scene for 21 years(as u said) so does that brings some feeling of bitterness that you're in this business for this long but still haven't literally "broke through" (although you're grammy nominated but still) so how do u cope with that feeling?
in short, when we're putting so much effort but still not getting expected results how do we keep on going??
This is a great question. one that I will probaly answer in more detail in an upcoming video talking about my journey working along side major recording artist. I have no bitterness just expereince new seasons of the road of producing music for a living times change and we need ot be able to adapt to them as well. I enjoy the ability to mentor others and created Beat Academy fort hat reason. in this stage of my life for me personally I find so much Joy in Helping artist level up thier music production skill set and build the music career they are excited to achieve
the joy comes in the building of each track. for every track I have made, I experienced the joy, of at least what it was worth. if it's worth FAME then someday it will be fame. Beat Academy has a HUGE level of fame, and they have achieved it through sharing musical knowledge, which delivers intense amounts more joy than just playing music, alone - and fame is secondary to it all and usually ends up in despair one way or another. You are playing music for the joy, recording it for the joy to spread. BA has built THOUSANDS of tracks, and each one creates joy with or without recognition. i hate to sound eh but IT'S THE CLIMB. much love guys!
@@BeatAcademy can't wait for that video!
I am new to this and I have noticed that everytime I record several takes so I can comp the best part of all my takes they sound a bit different I terms of tonality (not pitch but brighter or darker) giving me a somewhat different vibe. Is this normal?
Would anyone know why my vocals cut in and out during playback & export...it's been happening at random sections 😭
Made me laugh
I disagree with the mic placement. I think you should start out by getting the back (non-sensitive side) of the mic as close as possible to the wall that's furthest from any reflecting surface. This way, you'll both minimize the amplitude of any reflections that hit the front of the mic and maximize the distance of those reflections, which will mitigate smearing.
Of course, that's all theoretical, and the best thing is to just try out different setups and stick with what works for you (sound quality may not be the top priority for a performer).
Do you recommend recording vocals with a dbx 160 on for more signal?
❤