Switching to a (cheap) dynamic mic has significantly improved my quality of life when it comes to recording vocals in my apartment! Much less hassle than with a condenser mic.
@@frankbmusic3525 The Behringer xm8500. This ain't an endorsement, though. I just went with the cheapest one that sounded fine in reviews, and I wasn't disappointed.
I said it before and I'll say it again. YOU ARE THE BEST tutor on TH-cam. It seems lesson planned and is truly engaging. I learn more from you in 1 video that I do trwling the internet. Il Factor, You are KING!
Thank you for the video! a small detail might be helpful for someone: Being just in the center of the room might be improper (I assume, because all the echoes could be returning to you at the same time and interfere) so consider being slightly off the center, if the room size allows so
I used my vocals in one of my most sold beats, and was almost not gonna do it but i couldnt find the right type of vocal 4 the track, being able 2 sing will take ur productions 2 a whole new level
hello sir! i've a question, please try to answer question: when we start the journey of music production, apart from having love for it we also have this vision that maybe 10-15 years down the line, we'll be working with great artists and will be able to achieve a certain level of fame but for example in your case, you're in this music prod scene for 21 years(as u said) so does that brings some feeling of bitterness that you're in this business for this long but still haven't literally "broke through" (although you're grammy nominated but still) so how do u cope with that feeling? in short, when we're putting so much effort but still not getting expected results how do we keep on going??
This is a great question. one that I will probaly answer in more detail in an upcoming video talking about my journey working along side major recording artist. I have no bitterness just expereince new seasons of the road of producing music for a living times change and we need ot be able to adapt to them as well. I enjoy the ability to mentor others and created Beat Academy fort hat reason. in this stage of my life for me personally I find so much Joy in Helping artist level up thier music production skill set and build the music career they are excited to achieve
the joy comes in the building of each track. for every track I have made, I experienced the joy, of at least what it was worth. if it's worth FAME then someday it will be fame. Beat Academy has a HUGE level of fame, and they have achieved it through sharing musical knowledge, which delivers intense amounts more joy than just playing music, alone - and fame is secondary to it all and usually ends up in despair one way or another. You are playing music for the joy, recording it for the joy to spread. BA has built THOUSANDS of tracks, and each one creates joy with or without recognition. i hate to sound eh but IT'S THE CLIMB. much love guys!
Great video as always! I remember you did sth like this ~1-2 yrs ago and that literally changed the game for me back then. Grateful for this one too! Thank you!
BTW I can't seem to get that new Dua Lipa track produced by Kevin Parker of Tame Impala out of my head! THe intro even sounds like thriller lol.. would love to see you remake that song !
Thank you!!!!!!!! I dont have a guide me or someone that helps me to learn Ableton. So after a lot questions on 11 tutorials finding no answer, I find you. From Argentina. Thanks I am so happy. I cant beliebe it. I have no words. Ana
Cool vid & subbed, question, What mic would you Recommend for doing podcasts? Just for voice Overs / talking My current £70 Mic sounds shit, even after I do some Processing in Ableton
I disagree with the mic placement. I think you should start out by getting the back (non-sensitive side) of the mic as close as possible to the wall that's furthest from any reflecting surface. This way, you'll both minimize the amplitude of any reflections that hit the front of the mic and maximize the distance of those reflections, which will mitigate smearing. Of course, that's all theoretical, and the best thing is to just try out different setups and stick with what works for you (sound quality may not be the top priority for a performer).
I am new to this and I have noticed that everytime I record several takes so I can comp the best part of all my takes they sound a bit different I terms of tonality (not pitch but brighter or darker) giving me a somewhat different vibe. Is this normal?
that is great, I would like you to make a video about why some mixing end very closed to a pro level, and some other dont, even if you use the same things you used in that good mix and even in the same music style..
you guys just posting the same shit over the years , there’s lot more topics to teach like color , feel , transients and many more from the universe of recoding , producing and mixing.
![[#2024MAMA] ROSÉ (로제), Bruno Mars - APT. | Mnet 241122 방송](http://i.ytimg.com/vi/dgGqD28J6aQ/mqdefault.jpg)
LITERALLY woke up this morning with the thought, "time to focus on vocals for the next few weeks". good shit ill
Thanks so much. and Thanks for watching!
Switching to a (cheap) dynamic mic has significantly improved my quality of life when it comes to recording vocals in my apartment! Much less hassle than with a condenser mic.
what one did you go with?
@@frankbmusic3525 The Behringer xm8500. This ain't an endorsement, though. I just went with the cheapest one that sounded fine in reviews, and I wasn't disappointed.
I said it before and I'll say it again. YOU ARE THE BEST tutor on TH-cam. It seems lesson planned and is truly engaging. I learn more from you in 1 video that I do trwling the internet. Il Factor, You are KING!
Step 6 will be the most challenging yet, when mastered, will have the greatest benefits.
Thank you for the video! a small detail might be helpful for someone:
Being just in the center of the room might be improper (I assume, because all the echoes could be returning to you at the same time and interfere) so consider being slightly off the center, if the room size allows so
I used my vocals in one of my most sold beats, and was almost not gonna do it but i couldnt find the right type of vocal 4 the track, being able 2 sing will take ur productions 2 a whole new level
hello sir! i've a question, please try to answer
question: when we start the journey of music production, apart from having love for it we also have this vision that maybe 10-15 years down the line, we'll be working with great artists and will be able to achieve a certain level of fame but for example in your case, you're in this music prod scene for 21 years(as u said) so does that brings some feeling of bitterness that you're in this business for this long but still haven't literally "broke through" (although you're grammy nominated but still) so how do u cope with that feeling?
in short, when we're putting so much effort but still not getting expected results how do we keep on going??
This is a great question. one that I will probaly answer in more detail in an upcoming video talking about my journey working along side major recording artist. I have no bitterness just expereince new seasons of the road of producing music for a living times change and we need ot be able to adapt to them as well. I enjoy the ability to mentor others and created Beat Academy fort hat reason. in this stage of my life for me personally I find so much Joy in Helping artist level up thier music production skill set and build the music career they are excited to achieve
the joy comes in the building of each track. for every track I have made, I experienced the joy, of at least what it was worth. if it's worth FAME then someday it will be fame. Beat Academy has a HUGE level of fame, and they have achieved it through sharing musical knowledge, which delivers intense amounts more joy than just playing music, alone - and fame is secondary to it all and usually ends up in despair one way or another. You are playing music for the joy, recording it for the joy to spread. BA has built THOUSANDS of tracks, and each one creates joy with or without recognition. i hate to sound eh but IT'S THE CLIMB. much love guys!
@@BeatAcademy can't wait for that video!
Thank you so much for this helpful tutorial
You're very welcome!
I remember you uploading a TH-cam short for this song. I've played the game, but only today did I find out that you were the one singing. Amazed am I.
Thanks!
Great video as always! I remember you did sth like this ~1-2 yrs ago and that literally changed the game for me back then. Grateful for this one too! Thank you!
BTW I can't seem to get that new Dua Lipa track produced by Kevin Parker of Tame Impala out of my head! THe intro even sounds like thriller lol.. would love to see you remake that song !
Thank you!!!!!!!! I dont have a guide me or someone that helps me to learn Ableton. So after a lot questions on 11 tutorials finding no answer, I find you. From Argentina. Thanks I am so happy. I cant beliebe it. I have no words. Ana
Happy to help!
man, that's a very useful video ❤👏
Thanks mate - Super helpful - Love how you made this super clear and easy to follow. Time to redecorate my loungeroom lol
Glad it helped!
Cool vid & subbed, question, What mic would you
Recommend for doing podcasts? Just for voice
Overs / talking My current £70
Mic sounds shit, even after I do some
Processing in Ableton
Exactly what I was looking for! Thank you so much!
You changed my life, thank you for everything, the grand master of masters
My pleasure thanks for watching
Some great information
This was an awesome video. It’s like you know me
thank you! subscribed!🔥
From Argentina. Thanks!!!!!!!!
great information
Thank you for this! Gems!
You're so welcome!
Yup
I disagree with the mic placement. I think you should start out by getting the back (non-sensitive side) of the mic as close as possible to the wall that's furthest from any reflecting surface. This way, you'll both minimize the amplitude of any reflections that hit the front of the mic and maximize the distance of those reflections, which will mitigate smearing.
Of course, that's all theoretical, and the best thing is to just try out different setups and stick with what works for you (sound quality may not be the top priority for a performer).
I am new to this and I have noticed that everytime I record several takes so I can comp the best part of all my takes they sound a bit different I terms of tonality (not pitch but brighter or darker) giving me a somewhat different vibe. Is this normal?
that is great, I would like you to make a video about why some mixing end very closed to a pro level, and some other dont, even if you use the same things you used in that good mix and even in the same music style..
Great video! Could you remake Dua lipa Houdini !!
THANK YOU! Will be super helpful as I start recording my own vocals for samples 🙌🏾
My pleasure!
How i sound laughing at 11:22
💎💎💎
Would anyone know why my vocals cut in and out during playback & export...it's been happening at random sections 😭
There's so many reasons why. First thing that comes to mind is PC power.
First thing i thjnk is Demo mode plugins
❤
So, are you telling me a 500$ dollars daw like ableton doesn't have an integrated vocal tuner? wow..great daw..
Made me laugh
Step 1: Melodyne
Step 2: A shit load of processing
Step 3: Don't sing live
you guys just posting the same shit over the years , there’s lot more topics to teach like color , feel , transients and many more from the universe of recoding , producing and mixing.
TALK TO MUCH
❤