Sean, thank you for your excellent video. I'm a retired Professional Photographer. I'm 82 yrs old that still got the photography bug, apparently there's no cure for it. I enjoy listening and watching the younger generation of photographers. I accidentally came across your video as I was researching the Godox Pocket Flash AD200. Like you I went through many decisions what to carry to on location photography (mainly industrial photography), heavy cases, Studio Electronic Flashes etc..etc..etc... eventually all this heavy lugging caught up with me, that one of my shoulder's rotator cuff froze up. I enjoyed your demonstration as to how you managed to come up with a very streamlined lighting system that is also quite light to carry . I suppose It is progress, how electronic Speedlight got so miniaturized and the newest batteries emerged these last few years. Thank you for sharing your knowledge.
I don't understand why there are people who would spend their hatred on Sean. He's just so down to earth and loveable. He's strict but in an admirable way.
Yep, no CAPS LOCK titles, no acting. Just concise insight as a result of experience, saving people money and trial & error. Many others hide behind (over)acting and vague, entry-level tips while actually selling you their presets and, intentionally or not, keeping you at ground level. With Sean's videos, you could emulate his entire setup and alongside his notes on photography, it's the next best thing to being around on the set with him. People are tripping by hating on this high quality, open-source type of knowledge sharing.
Thanks for this. I LOVE your advice of “don’t buy my kit, but listen to why it works for me”. Absolutely spot on. Please keep making more videos like this...we need them.
Very comprehensive review. I have been using the AD200 for a year for all my beach family portraits and weddings. It has the power to overpower the sun 15 minutes before sunset. Plus, the battery has all day capability. I have never run out of battery power in a full day's shooting.
I love the photos of your mentors hanging on the wall. You and your videos are always a breathe of fresh air in contrast to the majority of photography videos on youtube.
Been using the AD200 since they came out. At the time, I was on a budget and these were a stop gap for me. To my surprise, they are not only outstanding lights at their power level, they are very compact and versatile. And the biggest surprise to me, has been how rugged they are (since they are just plastic I didn't have any expectations for ruggedness). I have had them up on a softbox with the bowens adapter and my light holder (aka my wife), got side tracked and left them unattended. Wind came by and knocked them right on their end (visualize a pile driver). A piece of the plastic flew off, but I snapped it back together, turned it on and it was as if nothing happened (except for the scratches). This has happened twice since that time (I have since fired my wife for that job, LOL, replaced her with sand bags that do not get distracted). I have 2 of these wonderful lights and when I need more power, I just combine them together with the dual head kit.
LOL about your wife! Been using two Godox V860s; just got me an AD200 this week. Can't wait to try it out... Incidentally, i've had several spills with my V860s which has resulted in scratches and dents, but they just keep on shooting...
Wow the lighting on the portraits behind you are amazing. The shadow work is so dramatic. Finally someone who isn’t just spreading light everywhere, but is actually controlling the light. Also, excellent vid.
Thank you Sean once again. Your videos are no-nonsense...to the point...informative...interesting. I really enjoy them. I have the Godox AD200 system and love it, I'm REALLY looking forward to your future videos on using them. Don't make us wait long.
Wow. This channel is amazing and refreshing. There are a lot of "TH-camr" photography channels that basically just pump out adverts disguised as vlogs. Sean is the real deal. Unbiased, intellegent and a great communicator. I'm learning a lot and can't wait to dig into all his other videos.
I'd love to see a video of you using this equipment outdoors, shooting some portraits, different light configurations, etc.! Thank you for this video as well! I love the flexibility that you get out of such easily packable pieces of equipment.
Sean you are a true inspiration my friend, in your quest for truth on your Journey you are bringing people with you one photo at a time, one philosophy at a time and one mindset at a time and for this I’m truly proud of you. You are constantly positive and inspirational you are not trying to sell anyone anything and with the goodwill and respect you have earned your place, one subscriber at a time. Keep up the good work Sean Tucker, you are a giant among men first an extraordinary photographer second, but most importantly you are a true humanitarian and a beacon of hope for us all.
Hey Sean, Want to thank you for what you are doing on here. I gave up doing photography in any professional sense after a bad experience with a wedding when I was first starting out. Recently you, along with a few others, have given me the courage to try again. (A little wiser and not planning on any weddings anytime soon) Very excited to go pursue this again with a fresh perspective. Please keep doing what you're doing because it does make an impact! ~ NJSP
As a long time photographer, but fairly new to shooting on-location portraits, I also have selected Godox AD200 pro as my light source(s). I also have a pair of them and have found the AD-B2 is a very worthy purchase for shooting the AD200 in pairs. The extra power really helps in outdoor ambient light when shooting through any diffuser. Another tool I found useful is the PolarPro VND 2-5 stop filter ~ no color shifting/casting nor cross polarization ~but it is expensive. I got the 82mm size for my largest lens diameter and just use step-up rings for my non-82mm lens. (a 67mm and 77mm). **[edit to note: since you shoot with a Sony you can buy a ND filter that actually snaps in place on your sensor negating the use of a VND and step-up rings. Since I don't shoot Sony I don't have that option at the moment so I didn't catch the name of the filter nor the amount of stops it has]**. I really try to avoid shooting in HSS especially as I approach 1/8000s because the power of the flash really diminishes. I am new subscriber and really love your work.
Agreed! Like you I have over the years become more portable with lighter kits. I love the AD200 for run and gun with wedding shots and corp profile shots. I mount to a small portable stand and grab and go when on location.
Hi Sean, an interesting approach. I went down a similar route, albeit I'm an amateur portrait shooter. I have 3 x AD200s. Also bought round heads for each and 3 dedicated round head modifiers. These are all only ever used as secondary fills ( IMO too little power to be a key, with round head). I later bought an AD100. It's round head is matched to round mod kits and seems to effectively match round head power output on an AD200. So nowadays I don't much use the add on AD200 round heads. Agree where AD200 scores is with bare bulb head. Godox do a few compact, pretty cheap modifiers that suit this bare bulb head and make for a very compact setup. For bigger soft boxes (typically Bowen mount) I found the non powered Bowen bracket useful. It also attached to a stand quickly. When fitted with a new style PixaPro PakFlat Bowens mount soft box or strip box (ultra fast to deploy) it's seriously capable. In theory the AD-B2 should be a terrific 'big brother' to the Bowens bracket, offering potentially double the power, but I just sold mine, having only ever used it once. Why? Well it's OK, but I seldom need 400 Ws, unless in a more serious studio setup. For that use I bought a couple of AD400s - much easier to use. The AD-B2 is also quite bulky, heavy, slow to rig etc all running counter to the ethos of AD200s. I lost money selling it, but for me knew it was the right decision. Will it work for you? Would be interested to see how you feel after having for 6 months. I sold mine, effectively unused, after 1 year.
This video has inspired me to finally do something about my lighting kit... in terms of storage. All these pouches filled with various equipment that in fact belongs together... in a big cardboard box.. I finally got rid of them by buying a sturdy storage/transport case. Reviewing various sites I decided to stick with Sean's choice and so I opted for the Calumet brand. After comparing all different specs I decided to go for the WT2175 in order to store 2 AD200 pro's, 2 V-860iii's, an X2T and a Sekonic L308X light meter, as well as the AD-B2 bracket shown in the video. Some gels and chargers/power cables make it quite a thoroughly filled up case. As my reflectors and some grids found no room here, I'll probably need to buy yet anoher case :(. But that can wait... So Sean, thanks for inspiring me with this video ! As always, it's worth wile to browse through your channel as you provide very various content, your choices are always well motivated wihout pressuring us to take your word for granted, and, well, to put it bluntly, you do not sell loads of BS. Thanks and please keep these movies coming! Regards from Flanders, Frank.
Definitely would love to see the full lighting setup you use (mainly modifiers). I love the AD200, but I try to make it as compact as possible. It tends to make carrying the glass bulb a challenge. But I also prefer circular modifiers. Cheetah stand has some nice-ish ones, but I've noticed the B&H/Adorama house brands have "rounder" umbrellas now, too, but no soft cover/grid options.
I now have 3 of the AD200s. They are a godsend. I use them for Headshots in my softboxes. I recently shot 126 headshots and the batteries were still almost fully charged at the end of the day. An amazing tool to have. I love it. If you like using gels, you may want to consider the Magmod system. They fit perfectly on the AD200 and are a dream to use in terms of ease and speed. Great video again. Thank you for sharing.
Hello from Kyiv Ukraine. I shoot fashion models and portraits and I also a Sony shooter. I use 2 Godox AD200 and 2 TT685s with the same trigger. They are excellent and versatile. I also have the AD B2 head and you can easily balance ambient with flash in the mid day sun. I use a 120cm parabolic soft box and as you will know if a sudden gustting of wind comes this can blow down your light set up. My friend has had this happen and it can smash the LCD screen on the AD200s. I found a work around for this. I use 2 C clamps with spigots and attach them near the base of the light stand. Fit the AD200s to the spigots. I purchased 2 Godox EC200 which are extensions for the AD200s. One end fits the AD200 in place of the lighting head and the other end fits into the AD B2. Now if ever my light stand was to fall my units will be ok but I usually have assistants but sometimes we all need to work on our own and this is a great way tp prevent damage to your kit. It is the best lighting solution I have found when you are on the move from location to location. I also use the Rotolight Aeos and 2 Neo 2s. They will not over power the sun but give enough light to shoot in the day. They are excellent at night because the modelling light is so soft and you can see the shadows and fall off before you take the shot. Also there will be no problem focusing at night. I shoot with them on continuously. They are they only LED lights in the world with HSS and you can change the colour of the flash from 3150 to 6300. I use the Godox triggers and PC sync cables to operate these. You must approach Rotolight and ask to try. They are a UK company. Honestly will take your lowlight and night photography to a new level and with ease because you will not need much gear. Rotolights are not cheap by the way but very good. Godox offer low prices for pro gear. I love both companies because the offer me so many ways to control light. Great video. I just subscribed :0) Regards Peter
De dome is pretty nice to use in a softbox or umbrella. My experiments showed that the spread is just as good as the bare bulb. The round head has a higher output and that compensates for the light loss of the dome.
absolutely fantastic Sean. I bought the Godox tt350o speedlite for my M43 Panasonic system and I love it. I'm new to studio/artificial lighting and I want to grow. I built a small studio in my basement with a floor and walls that I can shoot against. So far all I can do is bounce the light and get portraits that way and it's super fun to take pictures of my three year old but I now feel I need to get the light off my camera and start using an umbrella. I have been lusting the AD200 lights since they work with my speedlite too but I will wait to see your future videos on these simple setups and then more advanced. Thank you for this I look forward to this series. I would eventually love to see how you do a corporate headshot with your new setup. Great work, love your instruction and listening to you speak.
Thank you for always uploading quality content, and never skimping on information. You've inspired myself, along with so many other people. Keep doing what you're doing, Sean. All the best.
Great video Sean and I totally agree. I was in exactly the same situation, dragging around Bowens flashes for years ( they really are tough and reliable) in multiple bags breaking my back in the CBD where parking was always rubbish. I got it down initially to an ad360ii bit no modelling light was a pain. Enter the ad200 and the adb2 and after using these Godox flashes my back is loving it and the benefits of the remote power options and hss are excellent, especially given the cost. The batteries last ages and the whole godox system works very well together. I use the ad600bm, ad360-II and four of these ad200 and a couple of 585s (from memory) but I've found that I'm just using the ad200s lately, especially with the AD-B2 adapter as you can easily double your power if you need it and also get a better modelling light. In fact the only downer to the ad600 and the ad200s in the AD-B2 is the modelling light doesn't come close to the halogens on the Gemini 400/500R/750Pro that I used to drag around. In a lot of situations especially with the AF on my camera, it doesn't seem to make too much difference but I have found that when the clients want me to shoot with a bright background but I am using the ad200 flash (with the adb2) to power indoors (with a bright background) the back lighting is a real pita as the modelling light just isn't strong enough to balance the scene for the AF to not struggle so much. Like I said though, for all other situations where you have some good ambient light on the subject to at least give some light for the camera to focus easily; they are awesome. I have found a workaround to help a little (by increasing the DRO on the camera it seems to allow a bit more for the back lighting and struggle less). I haven't yet got the magnetic attachments for the round head but it's tempting to get them after seeing them in use. I got the ones in the kits that came with the fresnel but haven't used them much so I can probably hold off on those for now :) Thanks for the video, awesome as usual.
I bought the AD200 for headshots after seeing the Mentors video and am very pleased. Very flexible and affordable system. It is a good fit for my work. I will probably buy a second one this summer.
You are so great at explaining not only lighting, but also the benefits of lighting options. Thank you and I have learned a ton watching just two of your videos.
Sean, this is a very big thank you for your work on this channel. I just did my first portrait shoot using setups learned here. I have to say your approach to manual lighting is so intuitive and it makes so much sense to me, and it works! I'm using the Godox AD200's and (i went with the larger controller) controller - it's so simple and I learned that here. Thank you so much for the inspiration. Eric Joyce
I use the V1 speedli8ghts. The magnetic snap-on difuser works very well for head and shoulders portraits, And it helps give even light when using the V1 in a soft box or umbrella.
In a word - Brilliant! Thank you for every video you've done. They have given me a 'reset' in my life long love, and career. Blessings on your future. . .
I have 2 of these as well. Love the size and weight. You're putting out one of the best photography channels out there, I really appreciate your straightforward approach, and the fantastic behind the scenes glimpses.
I have this lencarta beauty dish as well and LOVE it. Awesome product.. going with Godox AD600pro here and i can put the flash inside the folded dish and both inside the bag which comes with the dish. Absolutely phantastic!
I use a V1 or my Nikon SB5000 on or off camera with a frosted dome pointed at a ceiling at a 45 degree angle to evenly light a whole room, providing the room isn't more than 15-20 feet long. The amount of ambient light matters, too. But it works well.
Really pleased you will be doing a series of set-ups with the AD200. I've got one and a little 350f that I've used as a hair light. Look forward to seeing what you create. On another note, I never noticed that you didn't post affiliate links in the description till you mentioned it. Thank-you for your position around this and the logic you explained behind it. Greatly appreciate the integrity of your motive. It makes a huge difference to me.
Thanks, but for the record I don't think there is anything wrong with TH-camrs posting affiliate links. It costs people nothing to use them and helps them keep making videos for people to enjoy for free.
I really enjoyed this video. I am a landscape and nature photographer and admit to having a minimalistic, ok, lack of knowledge on lighting for portraits or other creative uses. I use Sony equipment and do own an HVL-F60RM. I've used it twice and learned on the fly. I do wish I had the type of knowledge that could improve my value as a photographer outside of my current comfort zone. I would love to see you make those videos you mentioned. You are an amazing teacher and I'm sure I would gain some very useful knowledge. Cheers.
Great video. Have shopped the S-Bracket, umbrella and background. Can not wait until they get home so I can give it a try. I really like the light-pack approach. Great pics by the way!
I worked in a camera shop for 27 years and sold lots of different cases like the one you use for your lights. One thing though, the Calumet camera stores bit the dust years ago, another victim of the Internet/digital age. However cases like those can be bought still, brands like Pelican to cheap Apache cases at Harbor Freight are available. The big plus to the foam style cases such as you have, is they are cheaper than cases that have adjustable dividers. It is a bit of a pain plucking out foam squares or taking a knife to solid pieces of foam. You MUST plan in advance how everything is going to be placed in the case or you'll be buying more foam kits. Some negatives about foam, the pores in the foam captures dust, sand and liquids/humidity, and hard to remove it. The sand can make its way into your gear damaging it. The humidity captured inside a sealed case can grow mold, which can get into your lens and ruin it. Personally I prefer cases with adjustable dividers. Much more expensive but you can usually fit more gear in the case, with foam you should leave between 1"-2" of foam between pieces depending on how heavy they are. Adjustable dividers are, adjustable. Add a new piece of gear and you can rearrange things to include it. Dust and sand will fall to the bottom of the case and is easy to vacuum out. You still can have problems with humidity making it easy to grow mold inside a sealed case so pick up some large packets of silica gel and keep them inside the case. Several of these hard cases, like the Pelican, have pressure release valves. You keep the valve closed while traveling. Say you fly from Denver to LA. Denver is a mile high and has lower air pressure than at sea level where LA is. If you didn't have that pressure valve it would make opening that case much harder, if not impossible, because when you sealed it in Denver the air pressure was low and now that you're in LA the higher air pressure around you is pushing on the case making it hard to open. Sometimes you can actually see the case bowed in a little from the air pressure pushing on it. You'll certainly see it pop once you open the valve. If you travel internationally be sure to buy TSA approved locks, if the case didn't already come with them. Larger cases sometimes have more than one locking point.
Superb Video... I had been looking at extra videos on the AD200 after playing with some last week at a "Societies" conference last week in London....I note that the type of firing controller trigger you have is one whereby it is possible to piggy back another trigger of a different brand on its back and thus control the groups on all the light systems. For instance, when my AD200's arrive, I will be able to attache my Elinchrom trigger on top of the Godox one and control anything that has an internal Elinchrom receiver such as my Rotolight Kit or by use of an external Elinchrom receiver such as my old school monoblooc for a Studo Background light. There is also a slightly bigger trigger dedicated for the Godox available that has bigger dials top mounted but this means there is no possibility to piggy back a different trigger on top.
I use the AD200. It's great. i also use the Godox V1 with the accessory pack, often in conjunction with the AD200. I Thanks for the info on the hard case. I i like the bare bulb head in soft boxes, etc. But there's no modeling light as there is with the fanel head (spelling?) I can work around that. I can use the light dome with the V1 to bounce off the ceiling to evenly light a room unless it's a very large room. And, it works well on the AD200 or V1 for one light portraits because there's fill light bouncing in from the ceiling and side walls. Works for me.
Since I'm a bit of a newbie at portraits, I'm just finding good natural light interiors close to windows as a beginner. My best portraits so far have been that way. But I do appreciate these lights give that setting a sort of portability and better control.
I'm looking forward to your videos on lighting. Especially when it comes to portraits, I always wonder how the lighting is done. I'm at the very start of my photography journey so instructional videos that explain things like lighting are a big help.
Sean, Thank you so much for your videos. I’m just starting with photography and videography. Your videos are my favorites on all of TH-cam, because you tell us that “this is how I do it, I’m not saying to copy what I do...” So many others have such an underlying arrogance, that it makes me not want to listen to them. So, Thank You.
I've been using the AD200 in conjunction with the V1 speed lights. They work great in combination. And with the V1 as an on camera fill light, it also acts as the controller for the AD200 off camera lights.
I'm so happy I found your channel. In addition to terrific content, your videos are luscious. I've got a beginner portable studio set up: two V860 II speedlights, the X1T trigger, and shoot thru umbrellas. I'm looking to expand my kit, and your set up looks amazing. Thank you for the information and inspiration!
Always love your presentations. I was happily using Interfit Honey Badgers Unleashed with Canon TTL trigger for all my location shoot HSS requirements (I'm cheap lol). Then I got a Pentax 645Z and guess what, the only system that catered for the Pentax for high speed sync location shoots was Godox. So got the Xpro-P Trigger and a couple of AD200Pro 200w heads and all is right with the world....Yay. Loving them. Cheers Sean. A life saver again....lol
Hello, sir. I've watched a few of your videos & really like your clean, no-nonsense, yet approachable style. Your videos are always informative & enjoyable. Keep up the good work! Subscribed.
Thank You for sharing your work and knowledge with us, I have been using Godox AD 200 and other Godox product for a few years. In the beginning, I wasn't very sure how the AD200 will help me to get a better light, but after been using in a few of my travels I became more confident that it was the best investment I have ever made. The result were more than amazing and my travel became more light and easy with such a small kit. Again thank you for making this great video.
Sean - as always your videos are both thoughtful and thought provoking. Just wanted to suggest adding the Godox EC200 extension to your lighting kit. It allows you to separate the light source (bare bulb, round or speed light) from the body of the flash. Keeping the weight of the flash near the bottom of the light stand while putting a very small and light weight light source at the top. I've used the Godox (Flashpoint) system for over 1 year with great results.
Thank you for your direct and unbiased opinion!! Very awesome, Please do the Speedlight. I purchased an old junk camera (5D mkII that's in great shape) and a Godox's Speedlight and I'm itching for something better for if I'm shooting portrait, corporate and modeling headshots etc but the range in costs is really disheartening. Seeing videos like this is quite encouraging. Thank you
I use the EXACT same kit. As soon as the V1 arrives it will replace the flash. It is wonderful having this much light, in so small a space at these prices.
Have a look at the X2Ts controller or the XPro controller. The EC200 extension head is also worth looking at. With a super clamp you can reduce the weight up top and the damage possible if the light stand falls over. Lastly the AD-S7 modifier is also very versatile. Good luck.
It's funny to stumble across this video. I just bought a couple Godox speedlights. I'm excited to shoot with them. I'm going to look into some of these other items.
Really helpful video Sean. Look forward to more videos of you using this kit. TH-cam is crying out for tutorials of your quality and diligence on simple lighting setups.
You really are a fantastic teacher and inspiration. Thank you for taking something that has been very overwhelming to me over the years and making it both understandable and something I really want to tackle now.
Owwww Man! I am so grateful for this video!! I was just about to buy Atlas TTL PRO 600 but! I've been waiting for your last video with my decision and I am really happy that I did it. Thank you very much for sharing with us your experience! Cheers!
Sean I enjoy your videos. I just moved up to GodoxAD200 with a small Godox softbox that fits on the bulb head. I want to add a Godox speedlight to replace my damaged Yongnuo. I like the idea of having one trigger do it all. So many of my local amateur shooter friends have also moved to Godox - either the AD200 or AD600. I'm sort of behind the curve. Keep the very good videos coming.
Add the ADB2 Adapter into your kit and combine the 2 x AD200s together, you will have more light power than an AD600 Pro, trick is you will need a softbox otherwise because the ADB2 bracket lines the bare bulbs up close, it throws off a strange shadow without a soft box. I'm going that direction after getting the AD300pro last month.
You know you remind me of another guy on youtube "30x40 Designs". Your videos play in 100% like his except for photography. he's architecture. It's what drove me to him as I am to you. You have some fantastic videos and your work is simply awesome!
Thanks Sean. Flash photography is intimidating. Looking forward to your follow on vids. They'll no doubt be as helpful at distilling as your video color grade was - which I still reference and love! Thanks as always for doing what you do.
@Paul K Don't let it intimidate you. Find a couple good tutorials and practice. Once you learn the basics & principles, it is easy. I had the same thoughts before I learned studio lighting. Give it a go.
Great video Sean. I for one do appreciate your gear videos. It helps those of us who are making some of these decisions and considering these options. Thanks for posting this.
I have very much the same system, but instead of the round head I carry an AD-S7 mini softbox along. The advantage of bringing a TT685 TTL along--especially when traveling--is that it creates redundancy in case the trigger has a problem. You can have the TT658 on your camera trigger your AD200.
Great overview. Had been considering a more powerful Godox head, but given the versatility of the smaller AD200's, will definitely look a bit further at this arrangement. That plate combining a pair of them seems particularly useful
Been on the fence about the AD200 but now I want them badly! Great information. Thanks for sharing your experience. Loved your headshots video too. Subscribed!
you mentioned it at the end if the video but i would like to add that i would love to see a video on how you go about making your lighting decisions depending on environment and mood.thanks again for the fantastic content .
It is an integral approach, to give assets that solves the wondering of all the people that likes his work :) Philosophical, technical, artistic, human. :)
I recently swapped all my Nikon speedlites for Godox and could not be happier. no more AA batterys for me! I now use one AD200 and two 860ii's triggered by their xpro. don't have much time with this system yet but so far I love it! great video btw.
Thank you for your calm, clear manner and your very clearly structured videos with all those great film sequences and photos in between. I am just a beginner in photography but I will learn more every day. Your videos helped me a lot.
Enjoyed this video, and really enjoyed your comments at the end about telling your audience that you aren't trying to sell them anything. Can definitely tell your decision process and thoughts were genuine and non biased.
I too have the AD200 and I will either get another (to work with the AD-B2) or I may jump to the AD400. I love the portability offered by the AD200s. I look forward to your videos on portraits using this setup. Cheers!
Thanks for putting this together. I'm a Godox fan myself and have a subset of this kit I use indoors and out. What I would be really interested in is a discussion of the modifiers you like to take with you. I've tried some different things and have a few go-to modifiers depending on circumstances. I saw your video about one light portraits where you used that umbrella with diffusion panel built in and I have that on my Amazon list for an upcoming purchase. But I expect you have some other modifiers you carry along as well.
Very late to this video, but then I've only started down the path of lighting and portraits. Nice history of your kit in general. The only surprising thing you left out of this is that when you use the Godox ADB2 head duel modeling lamps (of course you hadn't used it yet). I don't own one, but I do own the AD200 light and found myself wishing when using the bare bulb, I had a modeling lamp option. Hope since that time, your travels have taken you far and wide. Of course, most of that would have been during the pandemic.
Nice setup - but if you like to travel light, I suggest you try a triple Godox V1 setup. You will be surprised how strong these are despite of their size and the round head provides a very nice light distribution by default. Works with the standard Godox remote control and a wide range of accessories.
Sean, thank you for your excellent video. I'm a retired Professional Photographer. I'm 82 yrs old that still got the photography bug, apparently there's no cure for it. I enjoy listening and watching the younger generation of photographers. I accidentally came across your video as I was researching the Godox Pocket Flash AD200. Like you I went through many decisions what to carry to on location photography (mainly industrial photography), heavy cases, Studio Electronic Flashes etc..etc..etc... eventually all this heavy lugging caught up with me, that one of my shoulder's rotator cuff froze up. I enjoyed your demonstration as to how you managed to come up with a very streamlined lighting system that is also quite light to carry . I suppose It is progress, how electronic Speedlight got so miniaturized and the newest batteries emerged these last few years. Thank you for sharing your knowledge.
Good luck on your journey Charles! You're an inspiration to us too!!
I also had a frozen shoulder for one year, very painful and not fun!
Your comment makes me smile. 😊 Thank you and I hope you have much more great moments for photography. All the best to you!
I don't understand why there are people who would spend their hatred on Sean.
He's just so down to earth and loveable.
He's strict but in an admirable way.
Yep, no CAPS LOCK titles, no acting. Just concise insight as a result of experience, saving people money and trial & error. Many others hide behind (over)acting and vague, entry-level tips while actually selling you their presets and, intentionally or not, keeping you at ground level. With Sean's videos, you could emulate his entire setup and alongside his notes on photography, it's the next best thing to being around on the set with him. People are tripping by hating on this high quality, open-source type of knowledge sharing.
omni rhythm Now why did I instantly know who you're talking about with over-acting and selling presets? 🤣
thank you
Dong Cap Because they are losers and spend time tearing people down. Sean is awesome, practical and very honest. Thank you Sean Tucker 😎
What hatred? You mean dislikes? His like to dislike ratio is outstanding, very few dislikes relative to views.
Thanks for this. I LOVE your advice of “don’t buy my kit, but listen to why it works for me”. Absolutely spot on. Please keep making more videos like this...we need them.
Very comprehensive review. I have been using the AD200 for a year for all my beach family portraits and weddings. It has the power to overpower the sun 15 minutes before sunset. Plus, the battery has all day capability. I have never run out of battery power in a full day's shooting.
I love the photos of your mentors hanging on the wall. You and your videos are always a breathe of fresh air in contrast to the majority of photography videos on youtube.
Here is a prime example of a genuinely talented guy not obsessing about the most expensive flashy gear. Always been a fan of the channel Sean.
Been using the AD200 since they came out. At the time, I was on a budget and these were a stop gap for me. To my surprise, they are not only outstanding lights at their power level, they are very compact and versatile. And the biggest surprise to me, has been how rugged they are (since they are just plastic I didn't have any expectations for ruggedness). I have had them up on a softbox with the bowens adapter and my light holder (aka my wife), got side tracked and left them unattended. Wind came by and knocked them right on their end (visualize a pile driver). A piece of the plastic flew off, but I snapped it back together, turned it on and it was as if nothing happened (except for the scratches). This has happened twice since that time (I have since fired my wife for that job, LOL, replaced her with sand bags that do not get distracted). I have 2 of these wonderful lights and when I need more power, I just combine them together with the dual head kit.
LOL about your wife! Been using two Godox V860s; just got me an AD200 this week. Can't wait to try it out... Incidentally, i've had several spills with my V860s which has resulted in scratches and dents, but they just keep on shooting...
Wow the lighting on the portraits behind you are amazing. The shadow work is so dramatic. Finally someone who isn’t just spreading light everywhere, but is actually controlling the light. Also, excellent vid.
Thank you Sean once again. Your videos are no-nonsense...to the point...informative...interesting. I really enjoy them. I have the Godox AD200 system and love it, I'm REALLY looking forward to your future videos on using them. Don't make us wait long.
Wow. This channel is amazing and refreshing. There are a lot of "TH-camr" photography channels that basically just pump out adverts disguised as vlogs. Sean is the real deal. Unbiased, intellegent and a great communicator. I'm learning a lot and can't wait to dig into all his other videos.
I'd love to see a video of you using this equipment outdoors, shooting some portraits, different light configurations, etc.! Thank you for this video as well! I love the flexibility that you get out of such easily packable pieces of equipment.
Same 👍
just look it up. Many photogs already have done demo vids.
@@DonFather and gear videos, and tutorials, etc. But you know Sean just brings something more to the table :)
Same
Same! Please Sean?
Sean you are a true inspiration my friend, in your quest for truth on your Journey you are bringing people with you one photo at a time, one philosophy at a time and one mindset at a time and for this I’m truly proud of you. You are constantly positive and inspirational you are not trying to sell anyone anything and with the goodwill and respect you have earned your place, one subscriber at a time. Keep up the good work Sean Tucker, you are a giant among men first an extraordinary photographer second, but most importantly you are a true humanitarian and a beacon of hope for us all.
That’s very kind mate:)
I love your genuine approach, sincerity, and honesty in this video Sean. Thank you!
Hey Sean, Want to thank you for what you are doing on here. I gave up doing photography in any professional sense after a bad experience with a wedding when I was first starting out. Recently you, along with a few others, have given me the courage to try again. (A little wiser and not planning on any weddings anytime soon) Very excited to go pursue this again with a fresh perspective. Please keep doing what you're doing because it does make an impact! ~ NJSP
As a long time photographer, but fairly new to shooting on-location portraits, I also have selected Godox AD200 pro as my light source(s). I also have a pair of them and have found the AD-B2 is a very worthy purchase for shooting the AD200 in pairs. The extra power really helps in outdoor ambient light when shooting through any diffuser. Another tool I found useful is the PolarPro VND 2-5 stop filter ~ no color shifting/casting nor cross polarization ~but it is expensive. I got the 82mm size for my largest lens diameter and just use step-up rings for my non-82mm lens. (a 67mm and 77mm). **[edit to note: since you shoot with a Sony you can buy a ND filter that actually snaps in place on your sensor negating the use of a VND and step-up rings. Since I don't shoot Sony I don't have that option at the moment so I didn't catch the name of the filter nor the amount of stops it has]**. I really try to avoid shooting in HSS especially as I approach 1/8000s because the power of the flash really diminishes. I am new subscriber and really love your work.
Agreed! Like you I have over the years become more portable with lighter kits. I love the AD200 for run and gun with wedding shots and corp profile shots. I mount to a small portable stand and grab and go when on location.
Thank you for sharing your knowledge and expertise with us all. May you always have a good light. 📸
Hi Sean, an interesting approach. I went down a similar route, albeit I'm an amateur portrait shooter.
I have 3 x AD200s. Also bought round heads for each and 3 dedicated round head modifiers. These are all only ever used as secondary fills ( IMO too little power to be a key, with round head). I later bought an AD100. It's round head is matched to round mod kits and seems to effectively match round head power output on an AD200. So nowadays I don't much use the add on AD200 round heads.
Agree where AD200 scores is with bare bulb head. Godox do a few compact, pretty cheap modifiers that suit this bare bulb head and make for a very compact setup.
For bigger soft boxes (typically Bowen mount) I found the non powered Bowen bracket useful. It also attached to a stand quickly. When fitted with a new style PixaPro PakFlat Bowens mount soft box or strip box (ultra fast to deploy) it's seriously capable.
In theory the AD-B2 should be a terrific 'big brother' to the Bowens bracket, offering potentially double the power, but I just sold mine, having only ever used it once. Why? Well it's OK, but I seldom need 400 Ws, unless in a more serious studio setup. For that use I bought a couple of AD400s - much easier to use. The AD-B2 is also quite bulky, heavy, slow to rig etc all running counter to the ethos of AD200s. I lost money selling it, but for me knew it was the right decision. Will it work for you? Would be interested to see how you feel after having for 6 months. I sold mine, effectively unused, after 1 year.
This video has inspired me to finally do something about my lighting kit... in terms of storage. All these pouches filled with various equipment that in fact belongs together... in a big cardboard box..
I finally got rid of them by buying a sturdy storage/transport case. Reviewing various sites I decided to stick with Sean's choice and so I opted for the Calumet brand. After comparing all different specs I decided to go for the WT2175 in order to store 2 AD200 pro's, 2 V-860iii's, an X2T and a Sekonic L308X light meter, as well as the AD-B2 bracket shown in the video. Some gels and chargers/power cables make it quite a thoroughly filled up case. As my reflectors and some grids found no room here, I'll probably need to buy yet anoher case :(. But that can wait...
So Sean, thanks for inspiring me with this video ! As always, it's worth wile to browse through your channel as you provide very various content, your choices are always well motivated wihout pressuring us to take your word for granted, and, well, to put it bluntly, you do not sell loads of BS.
Thanks and please keep these movies coming!
Regards from Flanders, Frank.
A "big lights" bag and a "small lights" bag. Great way to travel. Saves your energy and setup time.
Definitely would love to see the full lighting setup you use (mainly modifiers). I love the AD200, but I try to make it as compact as possible. It tends to make carrying the glass bulb a challenge. But I also prefer circular modifiers. Cheetah stand has some nice-ish ones, but I've noticed the B&H/Adorama house brands have "rounder" umbrellas now, too, but no soft cover/grid options.
I now have 3 of the AD200s. They are a godsend. I use them for Headshots in my softboxes. I recently shot 126 headshots and the batteries were still almost fully charged at the end of the day. An amazing tool to have. I love it. If you like using gels, you may want to consider the Magmod system. They fit perfectly on the AD200 and are a dream to use in terms of ease and speed. Great video again. Thank you for sharing.
Hello from Kyiv Ukraine. I shoot fashion models and portraits and I also a Sony shooter. I use 2 Godox AD200 and 2 TT685s with the same trigger. They are excellent and versatile. I also have the AD B2 head and you can easily balance ambient with flash in the mid day sun. I use a 120cm parabolic soft box and as you will know if a sudden gustting of wind comes this can blow down your light set up. My friend has had this happen and it can smash the LCD screen on the AD200s. I found a work around for this. I use 2 C clamps with spigots and attach them near the base of the light stand. Fit the AD200s to the spigots. I purchased 2 Godox EC200 which are extensions for the AD200s. One end fits the AD200 in place of the lighting head and the other end fits into the AD B2. Now if ever my light stand was to fall my units will be ok but I usually have assistants but sometimes we all need to work on our own and this is a great way tp prevent damage to your kit. It is the best lighting solution I have found when you are on the move from location to location. I also use the Rotolight Aeos and 2 Neo 2s. They will not over power the sun but give enough light to shoot in the day. They are excellent at night because the modelling light is so soft and you can see the shadows and fall off before you take the shot. Also there will be no problem focusing at night. I shoot with them on continuously. They are they only LED lights in the world with HSS and you can change the colour of the flash from 3150 to 6300. I use the Godox triggers and PC sync cables to operate these. You must approach Rotolight and ask to try. They are a UK company. Honestly will take your lowlight and night photography to a new level and with ease because you will not need much gear. Rotolights are not cheap by the way but very good. Godox offer low prices for pro gear. I love both companies because the offer me so many ways to control light. Great video. I just subscribed :0)
Regards Peter
De dome is pretty nice to use in a softbox or umbrella. My experiments showed that the spread is just as good as the bare bulb. The round head has a higher output and that compensates for the light loss of the dome.
absolutely fantastic Sean. I bought the Godox tt350o speedlite for my M43 Panasonic system and I love it. I'm new to studio/artificial lighting and I want to grow. I built a small studio in my basement with a floor and walls that I can shoot against. So far all I can do is bounce the light and get portraits that way and it's super fun to take pictures of my three year old but I now feel I need to get the light off my camera and start using an umbrella. I have been lusting the AD200 lights since they work with my speedlite too but I will wait to see your future videos on these simple setups and then more advanced. Thank you for this I look forward to this series. I would eventually love to see how you do a corporate headshot with your new setup. Great work, love your instruction and listening to you speak.
Thank you for always uploading quality content, and never skimping on information. You've inspired myself, along with so many other people. Keep doing what you're doing, Sean. All the best.
Great video Sean and I totally agree. I was in exactly the same situation, dragging around Bowens flashes for years ( they really are tough and reliable) in multiple bags breaking my back in the CBD where parking was always rubbish. I got it down initially to an ad360ii bit no modelling light was a pain. Enter the ad200 and the adb2 and after using these Godox flashes my back is loving it and the benefits of the remote power options and hss are excellent, especially given the cost. The batteries last ages and the whole godox system works very well together. I use the ad600bm, ad360-II and four of these ad200 and a couple of 585s (from memory) but I've found that I'm just using the ad200s lately, especially with the AD-B2 adapter as you can easily double your power if you need it and also get a better modelling light.
In fact the only downer to the ad600 and the ad200s in the AD-B2 is the modelling light doesn't come close to the halogens on the Gemini 400/500R/750Pro that I used to drag around. In a lot of situations especially with the AF on my camera, it doesn't seem to make too much difference but I have found that when the clients want me to shoot with a bright background but I am using the ad200 flash (with the adb2) to power indoors (with a bright background) the back lighting is a real pita as the modelling light just isn't strong enough to balance the scene for the AF to not struggle so much.
Like I said though, for all other situations where you have some good ambient light on the subject to at least give some light for the camera to focus easily; they are awesome. I have found a workaround to help a little (by increasing the DRO on the camera it seems to allow a bit more for the back lighting and struggle less).
I haven't yet got the magnetic attachments for the round head but it's tempting to get them after seeing them in use. I got the ones in the kits that came with the fresnel but haven't used them much so I can probably hold off on those for now :)
Thanks for the video, awesome as usual.
I bought the AD200 for headshots after seeing the Mentors video and am very pleased. Very flexible and affordable system. It is a good fit for my work. I will probably buy a second one this summer.
You are so great at explaining not only lighting, but also the benefits of lighting options. Thank you and I have learned a ton watching just two of your videos.
Sean, this is a very big thank you for your work on this channel. I just did my first portrait shoot using setups learned here. I have to say your approach to manual lighting is so intuitive and it makes so much sense to me, and it works! I'm using the Godox AD200's and (i went with the larger controller) controller - it's so simple and I learned that here. Thank you so much for the inspiration.
Eric Joyce
Very insightful and educational. Crystal clear as always! Thank you for what you for all of these anonymous viewers like me!
I use the V1 speedli8ghts. The magnetic snap-on difuser works very well for head and shoulders portraits, And it helps give even light when using the V1 in a soft box or umbrella.
In a word - Brilliant! Thank you for every video you've done. They have given me a 'reset' in my life long love, and career. Blessings on your future. . .
I have 2 of these as well. Love the size and weight. You're putting out one of the best photography channels out there, I really appreciate your straightforward approach, and the fantastic behind the scenes glimpses.
The diffusion domes are great if you need to take a wide shot of an interior. I have them for my Godox V1 and Nikon SB5000, and I use them a lot.
I have this lencarta beauty dish as well and LOVE it. Awesome product.. going with Godox AD600pro here and i can put the flash inside the folded dish and both inside the bag which comes with the dish. Absolutely phantastic!
I use a V1 or my Nikon SB5000 on or off camera with a frosted dome pointed at a ceiling at a 45 degree angle to evenly light a whole room, providing the room isn't more than 15-20 feet long. The amount of ambient light matters, too. But it works well.
Really pleased you will be doing a series of set-ups with the AD200. I've got one and a little 350f that I've used as a hair light. Look forward to seeing what you create.
On another note, I never noticed that you didn't post affiliate links in the description till you mentioned it. Thank-you for your position around this and the logic you explained behind it. Greatly appreciate the integrity of your motive. It makes a huge difference to me.
Thanks, but for the record I don't think there is anything wrong with TH-camrs posting affiliate links. It costs people nothing to use them and helps them keep making videos for people to enjoy for free.
I really enjoyed this video. I am a landscape and nature photographer and admit to having a minimalistic, ok, lack of knowledge on lighting for portraits or other creative uses. I use Sony equipment and do own an HVL-F60RM. I've used it twice and learned on the fly. I do wish I had the type of knowledge that could improve my value as a photographer outside of my current comfort zone. I would love to see you make those videos you mentioned. You are an amazing teacher and I'm sure I would gain some very useful knowledge. Cheers.
You are a fantastic communicator sir.
I know right! I hold Sean Tucker in the same vein as Hugh Brownstone.
Great video. Have shopped the S-Bracket, umbrella and background. Can not wait until they get home so I can give it a try. I really like the light-pack approach. Great pics by the way!
Sean nice to see you disown the sponsorship part quite effortlessly. The AD200 certainly seems very portable and flexible.
This video is right on time. I'm narrowing down my first off camera lighting purchase so this helps tremendously.
Somehow gravitated back to this old post that I've probably seen more than a couple of times. Still relevant, informative and oddly reassuring.
I use 2 godox ad200 pros outdoor for weddings. These things work great even in midday sun.
I worked in a camera shop for 27 years and sold lots of different cases like the one you use for your lights. One thing though, the Calumet camera stores bit the dust years ago, another victim of the Internet/digital age. However cases like those can be bought still, brands like Pelican to cheap Apache cases at Harbor Freight are available.
The big plus to the foam style cases such as you have, is they are cheaper than cases that have adjustable dividers. It is a bit of a pain plucking out foam squares or taking a knife to solid pieces of foam. You MUST plan in advance how everything is going to be placed in the case or you'll be buying more foam kits.
Some negatives about foam, the pores in the foam captures dust, sand and liquids/humidity, and hard to remove it. The sand can make its way into your gear damaging it. The humidity captured inside a sealed case can grow mold, which can get into your lens and ruin it.
Personally I prefer cases with adjustable dividers. Much more expensive but you can usually fit more gear in the case, with foam you should leave between 1"-2" of foam between pieces depending on how heavy they are. Adjustable dividers are, adjustable. Add a new piece of gear and you can rearrange things to include it. Dust and sand will fall to the bottom of the case and is easy to vacuum out. You still can have problems with humidity making it easy to grow mold inside a sealed case so pick up some large packets of silica gel and keep them inside the case.
Several of these hard cases, like the Pelican, have pressure release valves. You keep the valve closed while traveling. Say you fly from Denver to LA. Denver is a mile high and has lower air pressure than at sea level where LA is. If you didn't have that pressure valve it would make opening that case much harder, if not impossible, because when you sealed it in Denver the air pressure was low and now that you're in LA the higher air pressure around you is pushing on the case making it hard to open. Sometimes you can actually see the case bowed in a little from the air pressure pushing on it. You'll certainly see it pop once you open the valve.
If you travel internationally be sure to buy TSA approved locks, if the case didn't already come with them. Larger cases sometimes have more than one locking point.
Superb Video... I had been looking at extra videos on the AD200 after playing with some last week at a "Societies" conference last week in London....I note that the type of firing controller trigger you have is one whereby it is possible to piggy back another trigger of a different brand on its back and thus control the groups on all the light systems. For instance, when my AD200's arrive, I will be able to attache my Elinchrom trigger on top of the Godox one and control anything that has an internal Elinchrom receiver such as my Rotolight Kit or by use of an external Elinchrom receiver such as my old school monoblooc for a Studo Background light. There is also a slightly bigger trigger dedicated for the Godox available that has bigger dials top mounted but this means there is no possibility to piggy back a different trigger on top.
I use the AD200. It's great. i also use the Godox V1 with the accessory pack, often in conjunction with the AD200. I Thanks for the info on the hard case. I i like the bare bulb head in soft boxes, etc. But there's no modeling light as there is with the fanel head (spelling?) I can work around that. I can use the light dome with the V1 to bounce off the ceiling to evenly light a room unless it's a very large room. And, it works well on the AD200 or V1 for one light portraits because there's fill light bouncing in from the ceiling and side walls. Works for me.
Since I'm a bit of a newbie at portraits, I'm just finding good natural light interiors close to windows as a beginner. My best portraits so far have been that way. But I do appreciate these lights give that setting a sort of portability and better control.
Love Godox,saving for AD200 ,use a couple of 685O with XPro trigger instead of X1T
I'm looking forward to your videos on lighting. Especially when it comes to portraits, I always wonder how the lighting is done. I'm at the very start of my photography journey so instructional videos that explain things like lighting are a big help.
Sean,
Thank you so much for your videos. I’m just starting with photography and videography. Your videos are my favorites on all of TH-cam, because you tell us that “this is how I do it, I’m not saying to copy what I do...” So many others have such an underlying arrogance, that it makes me not want to listen to them. So, Thank You.
I've been using the AD200 in conjunction with the V1 speed lights. They work great in combination. And with the V1 as an on camera fill light, it also acts as the controller for the AD200 off camera lights.
These videos are greatly appreciated! As someone who has been intimidated by flash, I look forward to your simple flash setup video.
This, my second time watching this video, with a little more experience, I can appreciate it so much more.
My X1t n TT600s ROCK!
For control,lots of.
I'm so happy I found your channel. In addition to terrific content, your videos are luscious. I've got a beginner portable studio set up: two V860 II speedlights, the X1T trigger, and shoot thru umbrellas. I'm looking to expand my kit, and your set up looks amazing. Thank you for the information and inspiration!
Always love your presentations. I was happily using Interfit Honey Badgers Unleashed with Canon TTL trigger for all my location shoot HSS requirements (I'm cheap lol). Then I got a Pentax 645Z and guess what, the only system that catered for the Pentax for high speed sync location shoots was Godox. So got the Xpro-P Trigger and a couple of AD200Pro 200w heads and all is right with the world....Yay. Loving them. Cheers Sean. A life saver again....lol
Be interested to know what stands and umbrellas you carry with you.
I keep coming back to this video and really appreciate your insight on portable / mobile lighting solutions. Thank you!
Hello, sir. I've watched a few of your videos & really like your clean, no-nonsense, yet approachable style. Your videos are always informative & enjoyable. Keep up the good work! Subscribed.
Thanks Sean, This has helped narrow down my choice of light upgrade, the AD200 seem to be a very popular solution.
Thank You for sharing your work and knowledge with us, I have been using Godox AD 200 and other Godox product for a few years. In the beginning, I wasn't very sure how the AD200 will help me to get a better light, but after been using in a few of my travels I became more confident that it was the best investment I have ever made. The result were more than amazing and my travel became more light and easy with such a small kit. Again thank you for making this great video.
Sean - as always your videos are both thoughtful and thought provoking. Just wanted to suggest adding the Godox EC200 extension to your lighting kit. It allows you to separate the light source (bare bulb, round or speed light) from the body of the flash. Keeping the weight of the flash near the bottom of the light stand while putting a very small and light weight light source at the top. I've used the Godox (Flashpoint) system for over 1 year with great results.
Thank you for your direct and unbiased opinion!! Very awesome, Please do the Speedlight. I purchased an old junk camera (5D mkII that's in great shape) and a Godox's Speedlight and I'm itching for something better for if I'm shooting portrait, corporate and modeling headshots etc but the range in costs is really disheartening. Seeing videos like this is quite encouraging. Thank you
Thanks for sharing this with us. I really love your way of making video's and the topics you address.
I use the EXACT same kit. As soon as the V1 arrives it will replace the flash. It is wonderful having this much light, in so small a space at these prices.
Have a look at the X2Ts controller or the XPro controller. The EC200 extension head is also worth looking at. With a super clamp you can reduce the weight up top and the damage possible if the light stand falls over. Lastly the AD-S7 modifier is also very versatile. Good luck.
I have two Godox AD200's as well and they are great. Portable, reliable and fairly cheap.
Dude, people should not care if you put affiliate links. No different from brand deals.
Thank you for making this video.
Thanks for sharing @Sean Tucker. My Elinchrom pack days surely are numbered with all of the great stuff Godox is coming out with.
It's funny to stumble across this video. I just bought a couple Godox speedlights. I'm excited to shoot with them. I'm going to look into some of these other items.
Thanks Sean, just picked up at AD200 Pro. Love how you have your lighting kit organized.
Really helpful video Sean. Look forward to more videos of you using this kit. TH-cam is crying out for tutorials of your quality and diligence on simple lighting setups.
You really are a fantastic teacher and inspiration. Thank you for taking something that has been very overwhelming to me over the years and making it both understandable and something I really want to tackle now.
Owwww Man! I am so grateful for this video!! I was just about to buy Atlas TTL PRO 600 but! I've been waiting for your last video with my decision and I am really happy that I did it.
Thank you very much for sharing with us your experience!
Cheers!
Sean I enjoy your videos. I just moved up to GodoxAD200 with a small Godox softbox that fits on the bulb head. I want to add a Godox speedlight to replace my damaged Yongnuo. I like the idea of having one trigger do it all. So many of my local amateur shooter friends have also moved to Godox - either the AD200 or AD600. I'm sort of behind the curve. Keep the very good videos coming.
Add the ADB2 Adapter into your kit and combine the 2 x AD200s together, you will have more light power than an AD600 Pro, trick is you will need a softbox otherwise because the ADB2 bracket lines the bare bulbs up close, it throws off a strange shadow without a soft box.
I'm going that direction after getting the AD300pro last month.
I'm excited for this portrait series. I stopped doing portraiture for a long time, but want to get back into it.
Hey Sean. Just finished watching your video on one light op. Very easy to understand.
Fantastic info Sean, thank you. I have 3 AD 200 Pros and I am very happy with them. Everything you'd mentioned is right on the dot!
You know you remind me of another guy on youtube "30x40 Designs". Your videos play in 100% like his except for photography. he's architecture. It's what drove me to him as I am to you. You have some fantastic videos and your work is simply awesome!
Great video Sean, I bought two AD200s at Christmas, the B2 bracket is awesome and the LED model light that comes with it is powerful!!
Looking forward for your new video! Really want to know how to work with the basic stuff like what you said only one cheap speedlight and a umbrella.
These look so enticing. I’m running on some older Einstein e640s but the portability & power of these are making me want to switch it up
Keem Ibarra lol that’s what I am doing now selling my 640 for ad200 pro
Thanks Sean. Flash photography is intimidating. Looking forward to your follow on vids. They'll no doubt be as helpful at distilling as your video color grade was - which I still reference and love! Thanks as always for doing what you do.
@Paul K Don't let it intimidate you. Find a couple good tutorials and practice. Once you learn the basics & principles, it is easy. I had the same thoughts before I learned studio lighting. Give it a go.
I love the godox gear. They are a game changer.
Great video Sean. I for one do appreciate your gear videos. It helps those of us who are making some of these decisions and considering these options. Thanks for posting this.
I have very much the same system, but instead of the round head I carry an AD-S7 mini softbox along.
The advantage of bringing a TT685 TTL along--especially when traveling--is that it creates redundancy in case the trigger has a problem. You can have the TT658 on your camera trigger your AD200.
Great overview. Had been considering a more powerful Godox head, but given the versatility of the smaller AD200's, will definitely look a bit further at this arrangement. That plate combining a pair of them seems particularly useful
Been on the fence about the AD200 but now I want them badly! Great information. Thanks for sharing your experience. Loved your headshots video too. Subscribed!
you mentioned it at the end if the video but i would like to add that i would love to see a video on how you go about making your lighting decisions depending on environment and mood.thanks again for the fantastic content .
I prefer your ‘why photography’ videos, over the gear-orientated videos. They’re what make you great, in my opinion.
It is an integral approach, to give assets that solves the wondering of all the people that likes his work :) Philosophical, technical, artistic, human. :)
I recently swapped all my Nikon speedlites for Godox and could not be happier. no more AA batterys for me! I now use one AD200 and two 860ii's triggered by their xpro. don't have much time with this system yet but so far I love it! great video btw.
Thank you for your calm, clear manner and your very clearly structured videos with all those great film sequences and photos in between. I am just a beginner in photography but I will learn more every day. Your videos helped me a lot.
Enjoyed this video, and really enjoyed your comments at the end about telling your audience that you aren't trying to sell them anything. Can definitely tell your decision process and thoughts were genuine and non biased.
I too have the AD200 and I will either get another (to work with the AD-B2) or I may jump to the AD400. I love the portability offered by the AD200s. I look forward to your videos on portraits using this setup. Cheers!
Thanks for putting this together. I'm a Godox fan myself and have a subset of this kit I use indoors and out. What I would be really interested in is a discussion of the modifiers you like to take with you. I've tried some different things and have a few go-to modifiers depending on circumstances. I saw your video about one light portraits where you used that umbrella with diffusion panel built in and I have that on my Amazon list for an upcoming purchase. But I expect you have some other modifiers you carry along as well.
I talk about modifiers in other videos. Watch my Mentors video
Very late to this video, but then I've only started down the path of lighting and portraits. Nice history of your kit in general. The only surprising thing you left out of this is that when you use the Godox ADB2 head duel modeling lamps (of course you hadn't used it yet). I don't own one, but I do own the AD200 light and found myself wishing when using the bare bulb, I had a modeling lamp option. Hope since that time, your travels have taken you far and wide. Of course, most of that would have been during the pandemic.
Nice setup - but if you like to travel light, I suggest you try a triple Godox V1 setup. You will be surprised how strong these are despite of their size and the round head provides a very nice light distribution by default. Works with the standard Godox remote control and a wide range of accessories.