Very comprehensive and clear. Also the tips and tricks for various situations are well told. I'm a 25 year TV news cameraman expanding into DSLR so this was of great assistance.
+Jorge Aguilera - The Sound Devices MM-1 is a single channel,portable microphone preamp and headphone monitor designed for monitoring sound for film (boom operators), broadcast and ENG, field recording, voice over and corporate / industrial environments. The mic preamp features exceptional audio quality with a dynamic range exceeding 120dB and an audio bandwidth of 10Hz to50kHz. The balanced XLR microphone input provides user switchable +48V, 12V and 12V-T phantom power. A separate balanced monitor input accepts balanced or unbalanced line level signal. The 1/4" TRS headphone output is capable of monitoring microphone signal, external line level signal or a mix of both. A 3-position low cut filter switch eliminates noise below 80Hz and 160Hz. The compact unit features a belt clip and is powered with 2 AA batteries or external DC power source. bhpho.to/1mhNpYa Please contact us via e-mail if you have additional questions: askbh@bandh.com >Mark
I have a Tascam DR-60D MkII. It runs on four AA batteries or USB power. I have spare batteries and a USB-charger with me and use a powerbank for external power when I have to do recordings that exceed the three to four hours of battery life of this preamp/recorder.
Thank you so much for these videos! I am a film student and I recently bought a Canon t5i and I was having trouble deciding what microphones I should buy for my DSLR. Your videos have helped me so much.
Hi there, great video and huge thanks for the useful tips. I’m going to ask such a noob question so please excuse me. You said in the video that once you’re connected the XLR mic to the Beacktek audio adapter, you will then need a 1/8 inch mini Jack to connect the BeachTek adapter to the DSLR. Could you please tell me exactly what spec that mini jack is please or a link to one as I have no idea what I’m looking for. Many thanks in advance.
Although we cannot support Magic Lantern, it is my feeling that the AGC disabling would not be needed. Please contact us via e-mail if you have additional questions: askbh@bandh.com. Mark S.
I have a question I am planning to buy a Sennheiser MKH 416 and use that on top of my Canon 80D will I be able to connect the mic and the camera directly or do I need some kind of amplifier or SLR adaptor for best possible audio quality
You will need a DSLR audio adapter: The RA222 Riggy-Assist Dual-XLR Preamplifier with Phantom Power and Metering by juicedLink is designed for cameras that don't have integrated audio meters, manual gain control, or a headphone output. The RA222 features two 4-segment meters which can be calibrated to the camera, an 1/8" mono headphone output and an AGC disable switch. The RA222 features 2 locking XLR inputs with low-noise microphone preamplifiers. Each channel includes a Mic/Line level switch, a Hi/Lo gain switch, and a Phantom power switch. The onboard Phantom power voltage is selectable between 48V/12V. The inputs can also be summed mono, copying each input to both sides. The right channel can be completely powered down to conserve battery power if it is not needed. When engaged, the Audio Output Bracketing feature of the RA222 ensures that your audio inputs won't clip or distort. By placing the RA222's performance in mono and enabling the 16dB pad on the right channel, you end up with two signals with identical content, yet the right is recorded 16dB lower. This way if a sudden loud noise or a boomy portion of audio is recorded, you'll have a backup track with headroom in case the 0dB output clips. The RA222 Riggy-Assist is powered by a 9V battery. High capacity lithium-polymer rechargeable batteries can be used as well as alkaline. The low-battery indicator can be switched between alkaline or lithium-polymer threshold, so you can use either chemistry without leaving unnecessary capacity in the battery. bhpho.to/2h6OjrX >Mark
+Phoebe Nguyen An isolated mic plugged into the camera will give you the audio over the video and does not require syncing. However, doing a quality voice over over requires being in a studio as ambient noise would be a factor in the field. *Christina* AskAudio@bhphoto.com
+sam sutterlin You can send the audio from the H4n directly into the DSLR and it will be synced withe camera's video files. If you elect to use the H4n's high quality audio files instead. Please contact us via e-mail if you have additional questions: AskBH@BandH.com
I really wish the DXA-SLR-Pro was cheaper...I'm using the AT897 and need to hook it up to the Nikon D5100. I have a beach audio transformer adapter from an earlier set up, and it does not work. If I buy the Sescom SES-TR-153, it will work right? I can drown most of the hiss from the camera's pre-amp out in post. Please respond, and awesome video! :) Can't wait for part 3.
Although it is true that the cable adapter does not provide phantom power for condenser mics, you can use the cable adapter for dynamic microphones, something not mentioned in the video.
What microphone would be best for putting on the 60D? I use it mostly for short films that have dialogue, but I also use it for sports videos. Preferably under $500?
What's a good mic to record loudspeakers..the speakers have drive units that are scattered on the front of the cabinet. I wish to make a stereo recording of music through the loudspeakers. The speakers are spaced about 6ft apart and the listening position could be around 6 or 8 ft away. My camcorder is a Panasonic hcx900m
Connect a RODE Stereo VideoMic Pro (B&H # ROSVMP) which builds on the success of the Rode VideoMic Pro & Stereo VideoMic with improved stereo reproduction, sound quality and ergonomic design. The Stereo VideoMic's capsule feature a matched pair of 1/2" cardioid condenser capsules, mounted in a coincident X/Y position for accurate stereo imagery and detail. The microphone's small, ergonomic footprint features an integrated shock mounting system for superior isolation from vibration and mechanical noise. The multi-strand output cable is terminated with a 1/8" (3.5mm) output connector and delivers significantly lower noise transference than traditional audio cable. The included shoe mount features an integrated shockmount system for even further protection against handling noise. The Stereo VideoMic features a high pass filter switch at 75Hz for minimizing low frequency noise, and a -10dB Pad for maximizing headroom for capturing loud signals without distortion. The +20dB level boost switch is specifically designed to provide a higher quality signal with DSLR cameras. When activated, camera preamp level is reduced, resulting in a lower noise floor and much clearer recording. bhpho.to/Oq1g8u Please contact us via e-mail if you have additional questions: askbh@bandh.com>Mark
Im planning on shooting "reality show" like series with my dslr. I need to record voice for two people at the same time. What would you recommend for this type of recording. Thanks
i got this adapter ( Hosa Technology XVM-102F Angled 3.5mm to 3-Pin XLR Female Microphone Cable (2')) for my canon 650d and it did not work. Should i buy the other adapter for my camera?
The 80D should record audio on both channels. We will need a bit more information to help you with any issues you are facing. Please email us directly at askbh@bhphotovideo.com. We will be better able to assist you from there. Thanks! -Joey P
Hi. I have a Eos rebel T5. I was looking into get a separate boom mic for my shoot in august and I was wondering the best possible way and how to accomplish syncing it. Thanks!
Hello there. I wanna record my son's performance using my Nikon D810 in HD at 60 frames per second. This is recorded inside a room. I am ok with both wireless and wired. I would love to have something thats compatible with 4K considering future uses. It will be primarily used for upright piano. Your advice?
Your XLR microphone requires phantom power. Your Canon EOS Rebel SL1 does not offer phantom power. So you will need to use this device to not only power your microphone, but also to send its audio signal to your camera: Beachtek DXA-MICRO-PRO Active XLR Compact Adapter B&H # BEDXAMICROP bhpho.to/3oduy0W Key Features For DSLRs and Camcorders Connects External Microphones Powerful Preamplifiers 1 x XLR Mic Input with 48V Phantom Power 2 x 3.5mm Mic Inputs with Plug-In Power Easy to Set up and Use Compact Chassis with Flexible Mounting >Mark
+James Blanco Check out the following Beachtek DXA-SLR ULTRA - 2-Channel Active XLR Adapter. This DSLR audio adapter offers phantom power for the NTG-3 mic and it has built in compression. - Yossi bhpho.to/1oEmsrM
Correct. The Canon EOS Rebel SL1 and the Canon EOS Rebel T5i both offer external microphone input ports. The Canon EOS Rebel T5 doe not offer this feature. Please contact us via e-mail if you have additional questions: askbh@bandh.com>Mark
Hi Rob, I just purchased a RODE NTG-3B and I have a Canon 5D Mark 3. I'm looking to do a lot of shooting, and wanted to know which XLR adapter would fit best. I'm shooting a lot documentary style and behind the scenes what would work best do you think?
massively helpful! quick question: before buying, will a zoom h4n with a rode lavalier xlr mic work? if connected to the dslr will the audio still need syncing whilst editing??? thanks
Depending upon the line output configuration of your recorder, this attenuation cable might work: The Kopul ACDR-35 Line-to-Mic Attenuator Cable (B&H # KOACDR35) is designed to connect your digital recorder output to the mic level input of your DSLR camera with 35dB of attenuation to step down the hot line level audio to microphone level. It is shielded to reduce RF noise from cell phones and provide interference-free operation. bhpho.to/191UNka Please contact us via e-mail if you have additional questions: askbh@bandh.com>Mark
Thibaut boy Unfortunately you need a microphone input to connect a microphone to a camera. When the camera has no mic input, using a portable audio recorder would be the recommended method. Please contact us via e-mail if you have additional questions: askbh@bandh.com>Mark
hey b and h photo, I just got a rode ntg 2 and I have a nikon d3300. Would you recommend getting the juiced link audio mixer and or the beachtek audio mixer, or a zoom h4n? If I use something such as the juiced link with the ntg 2 would it make the audio quality worse than if I were to use a recorder such as the zoom h4n? Thanks, Iliyan
+Iliyan Husein Using an audio adapter from juicedLink or Beachtek is a fine workflow, but still records the audio to the camera's relatively low res audio track. Using the recorder provides the high resolution audio (WAV: 44.1/48/96 kHz) one desires for a professionally produced project. bhpho.to/1S8SzOs >Mark
I used a Sennheiser ME66 shot gun and a SHure PG 185 Lavalier Microphone for a BeachTek DXA-5DA Adaptor for an indoor recording with my Canon 7D but the audio output has so much noise, how do i correct that?
Be sure to have "AGC DSBL" activated on the Beachtek and have it switched to "MIC". Since there is no phantom power provided - make sure you have your mics powered up with fresh batteries as well. Check the Beachtek's battery as well. And connect via the "MIC OUT" only port. Please contact us via e-mail if you have additional questions: askbh@bandh.com. Mark S.
There is no practical device for what you are proposing. You could use a USB interface to route both signals to a computer. The AudioBox 22VSL from PreSonus is a portable 2 input/2 output USB 2.0 audio and MIDI interface that allows for monitoring with low-latency effects. It features two combo microphone/instrument inputs with Class-A XMAX microphone preamps, and ships with Studio One Artist DAW software. B&H # PRAB22VSL. Please contact us via e-mail if you have additional questions: askbh@bandh.com. Mark S.
This combination will not work with a Sescom cable. Use the Pearstone LMT100 cable (B&H#PELMT100) It is 1.5' long and has a 3-pin XLR female connector on one end and a standard 3.5mm mini plug on the other. It is designed for use with mono microphones. Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
Cris Madla Nikon offers their ME-1 microphone for the D3300 camera, which is a good quality mic and is affordable. See the link below for details. - Yossi bhpho.to/1CBRdoN
The RODE VideoMic Pro (B&H # ROVMP) is more convenient and will do a decent job. For professional results go with the RODE NTG2 (B&H # RONTG2) and a juicedLink XLR adapter (B&H # JURM222). Please contact us via e-mail if you have additional questions: askbh@bandh.com. Mark S.
The RODE NTG2 with the juicedLink will yield the better results. For convenience and compactness the RODE VideoMic Pro is a good choice. Please contact us via e-mail if you have additional questions: askbh@bandh.com. Mark S.
+Renzy Capillo - B&H does ship internationally, and can ship many of the items we carry to the Philippines. If you have questions about specific items, are specific shipping questions, I would suggest sending us an email. *Christina* AskTH-cam@bhphoto.com
I'm really fixed on getting the Canon 70D but it doesn't have a headphone jack - I'm looking to make short documentaries so I need to be able to hear through headphones. All microphones can be provided through university but I need a mic and headphone adapter... This seems like the thing you mentioned in the last section of the video but it seems very pricey. Do you know what my cheapest option would be? I don't really want to go down the magic lantern route
Most DSLR or mirrorless cameras do not provide a headphone output. This is a relatively low cost solution: The Beachtek MCC-2 2-Channel Audio Adapter and Bracket (B&H # BEMCC2) is designed to attach to your DSLR camera and allows you to send two mono or one stereo audio source to your camera's audio input. It has two mono 1/8" inputs with individual trim control knobs as well as a stereo 1/8" input. A mono/stereo switch controls whether the two mono or one stereo input is active. It connects to your DSLR camera via a 1/8" stereo mini-jack output, and works ideally with cameras that have a headphone output to allow you to monitor your audio. The body of the MCC-2 has three integrated mounting shoes to attach a variety of mics or wireless receivers to the unit. The MCC-2 itself will fit on any DSLR or camcorder that has a standard mounting shoe. It has passive operation, and thus requires no batteries or power source. bhpho.to/1IZIIbP Please contact us via e-mail if you have additional questions: askbh@bandh.com>Mark
You will still gain some benefit from a lowered noise floor and reduced noise. Typically a natively-designed XLR microphone, from a quality manufacturer, is more robustly built and engineered to deliver superior audio. >Mark
Yes - a Sescom cable could be used with a Zoom H1 recorder. The LN2MIC-ZMH4N-6 from Sescom is a problem solving cable for users of HDSLRs who are using a Zoom H4N or Zoom H1 as a secondary audio recording source. Many professional DSLR cameras have unbalanced stereo microphone level audio inputs on a mini TRS 3.5mm jack. The Samson Zoom H4N or H1 output line level audio signals. This cable provides the proper microphone levels and preserves the delicate connector contacts inside the camera, allowing users to go directly from the audio recorder into the camera. B&H # SEL2MZH4N6
The audio interface will output a line level signal. You can use a Pro Co Sound LMX In-Line Barrel XLR Mic to 1/4" Line Level Adapter (B&H # PRLMX) and then an adapter to convert the XLR output to a 1/8" mini (3.5mm) connector. The Kopul LMT100 connects a microphone into a high-impedance 3.5mm mini input found on DSLRs (B&H # KOLMT100). Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
Anyone have any suggestion for VERY loud, indoor live performances. I am looking to record shows for local bands and my Rode Mic pro just can't handle it. I have actually been better off using the internal mic on my DSLR, but I am looking to get some real professional sounding performances. Any thoughts?
This is an excellent, short-shotgun mic that handles high SPL's and will not break the bank. You will need a mount and cable for DSLR on-camera use. B&H # AUAT897. bhpho.to/1r8Dswy Please contact us via e-mail if you have additional questions: askbh@bandh.com. Mark S.
I'll assume you are referring to the Panasonic GH3. The VP83 LensHopper Shotgun Microphone from Shure is a compact camera-mount condenser that provides detailed, high-definition audio with DSLR cameras. An integrated Rycote Lyre shock mounting system provides isolation from vibration and mechanical noise. Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
You dont have too many options, but by the audio technica at2020 or the mxl770. But I would reccomend saving up for at least the 2035 or a rode nt1 off of ebay
Hi crew at B and H! I am planning on investing in an audio kit to use with my Canon 600D DSLR to make short films. Currently, I am looking at the Rode NTG-2 shotgun microphone with the Zoom H6 recorder (I would sync up my audio with my video in post). The total of those two items is my approximate budget. Do you think this is a good combination to use for my short films? I have also heard that the Tascam DR-70D is a good recorder. The main things I am looking for are minimal noise in audio and usability. If you could please tell me if my combination is a good one, and if not, could you please suggest a compatible recorder and microphone. Thanks, Thomas
Fine choices! We have hundreds, if not thousands of customers employing this same combination currently. The Tascam DR70D is very good as well - but offers a different form factor than the zoom H6. It lends itself very well for tripod mounting below the camera. bhpho.to/1wYk7Rr Please contact us via e-mail if you have additional questions: askbh@bandh.com>Mark
Long time watcher first time commenter. So we are a small hobbiest channel for friends and family, we recently upgraded to a Nikon d5600 and bought the rode micro and an extension 3.5mm cable to set up when we do podcasting or fun family video challenges. We notice that the pre amps in the camera are pretty shotty and quiet the guess work. We can set the volume manually and it will sound great when talking normal but when we laugh or shout (if playing a game) it peaks/clips so we turn down the volume in post, or if we turn down the mic on the camera a notch it is quiet in normal talking but the loud parts are fine. Is an interface something I need to keep the volume levels great and keep it from clipping? The mic is currently about 3-4 ft away as sometimes we have things on the table in front of us we would like to show. Thanks!!
The Sennheiser MKE 600 is a shotgun mic designed for use with a camcorder. It takes on even the toughest video sound challenges, while still being compact and short relative to previous models. B&H # SEMKE600. The juicedLink RA222 Riggy-Assist Dual-XLR Preamplifier will allow you to connect two XLR mics: B&H # JURA222. Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
If you are within 15 feet or less - use a shotgun mic like the Rode NTG-2 (B&H # RONTG3) or the Sennheiser MKE 600 (B&H # SEMKE600). For even better audio results, pair either mic with a boom pole positioned just outside the shot but close to your subjects. Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
You can use the Beachtek - DXA-SLR PRO HDSLR Audio Adapter (B&H# BEDXASLRPRO) and two wired lavalier mics: AUDIO-TECHNICA AT803B (B&H # AUAT803). Or you can use a couple of handhelds: Electro-Voice - RE50/B - Omni-Directional Handheld Dynamic Shock Mounted ENG. (B&H# ELRE50B). Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
Our Pearstone LMT100 (B&H # PELMT100) cable enables a microphone to be input into the 3.5mm mini input found on DSLR cameras. It is 1.5' long and has a 3-pin XLR female connector on one end and a standard 3.5mm stereo mini plug on the other. It is designed for use with mono microphones. Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
so why would someone spend $200+ on an external recorder over getting something like the beachtek riggy that does the same thing but plugs straight into the dslr???
A dedicated audio recorder is designed specifically to record quality audio. You are able to record digital audio at higher resolutions than available on a DSLR. DSLR audio recording is a secondary feature and lacks the control and monitoring capabilities as well. Even when using an external audio adapter such as the Beachtek, you are recording to the inferior components available in the camera. |Heather S|
You need the Sescom SES-TR-153 XLR to Right Angled Mini Microphone Cable (B&H # SESTR153). This cable features a standard XLR female input and a right-angled 1/8" (3.5mm) mini male output connection. Low to high impedance matching "steps up" the microphone level, and its RFI shielding eliminates noise from cellphones, etc. Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
hello, i recently bought a canon t5 to start getting into photogrphy and film. buuut i found out that the t5 does not have a microphone mini jack... so i started looking for solutions and was wondering. Can i use a usb to microphone jack adapter for my t5 to attach external mic? in case you dont know the adapter im talking about here it is i00.i.aliimg.com/wsphoto/v0/1597480718/16cm-Male-Female-Micro-USB-to-3-5mm-Jack-Mic-Microphone-Adapter-Cable-for-GoPro-Hero.jpg
Unfortunately you cannot use a GoPro or any other USB adapter . The only option would be to record a separate audio file with a recorder and sync it up in post: You could use a Tascam DR-40 4-Track Handheld Digital Audio Recorder which provides professional-level features and flexibility in a compact and durable design that's ideal for use in the field. (B&H # TADR40) bhpho.to/1IBFvQB. To sync the audio with your camera's video, use PluralEyes 3.5 from Red Giant, an electronic download of software for automatically syncing double system audio with video. PluralEyes 3.5 is compatible with both Mac and Windows platforms. The software imports your footage into its own timeline and automatically syncs the video from a single or multiple cameras to simultaneously recorded audio. Automatic syncing is accomplished by the software lining up the audio waveforms of the audio and video files, so for PluralEyes to work you must record an audio scratch track with your video footage. PluralEyes is able to import/export timelines from/to Final Cut Pro, Premiere Pro, Media Composer, and Vegas Pro. You can also export .mov or .avi media files for use in other programs. (B&H # RESHOPLUEYED) bhpho.to/1yQShXb Please contact us via e-mail if you have additional questions: askbh@bandh.com>Mark
The new Sennheiser MKE600 (B&H# SEMKE600K1) is a great overall shotgun mic, that you can mount on your Canon 60D. But I would highly recommend using an external audio recorder, like the new Tascam DR60D (B&H# TADR60D) to get the most of that mic. Please contact us via e-mail if you have additional questions. - Juan B askbh{at}bandh{dot}com
So professional. This guy absolutely nailed it from a dialogue delivering aspect, as well as just plain knowing these products. Thank you, Rob!
one of the greatest and most professional dslr-tutorials i ve ever seen. congrats to the precise auditive output of the spokesman!
Our pleasure and thank you for watching.
Thank you for watching and good luck with your purchase. We are grateful for your patronage.
Very comprehensive and clear. Also the tips and tricks for various situations are well told. I'm a 25 year TV news cameraman expanding into DSLR so this was of great assistance.
How do you power a preamp when you're outside shooting?
+Jorge Aguilera - The Sound Devices MM-1 is a single channel,portable microphone preamp and headphone monitor designed for monitoring sound for film (boom operators), broadcast and ENG, field recording, voice over and corporate / industrial environments. The mic preamp features exceptional audio quality with a dynamic range exceeding 120dB and an audio bandwidth of 10Hz to50kHz.
The balanced XLR microphone input provides user switchable +48V, 12V and 12V-T phantom power. A separate balanced monitor input accepts balanced or unbalanced line level signal. The 1/4" TRS headphone output is capable of monitoring microphone signal, external line level signal or a mix of both. A 3-position low cut filter switch eliminates noise below 80Hz and 160Hz. The compact unit features a belt clip and is powered with 2 AA batteries or external DC power source. bhpho.to/1mhNpYa
Please contact us via e-mail if you have additional questions: askbh@bandh.com >Mark
I have a Tascam DR-60D MkII. It runs on four AA batteries or USB power. I have spare batteries and a USB-charger with me and use a powerbank for external power when I have to do recordings that exceed the three to four hours of battery life of this preamp/recorder.
Thank you so much for these videos! I am a film student and I recently bought a Canon t5i and I was having trouble deciding what microphones I should buy for my DSLR. Your videos have helped me so much.
Very comprehensive coverage of the different options. Thanks
Hi there, great video and huge thanks for the useful tips. I’m going to ask such a noob question so please excuse me. You said in the video that once you’re connected the XLR mic to the Beacktek audio adapter, you will then need a 1/8 inch mini Jack to connect the BeachTek adapter to the DSLR. Could you please tell me exactly what spec that mini jack is please or a link to one as I have no idea what I’m looking for. Many thanks in advance.
A compatible cable would be the Kopul CMX-RC30 Right-Angle Coiled Stereo Mini Cable (Red, 8 to 30")
, B&H # KOCMXRC30.
bhpho.to/2XMWSfY
B&H Photo Video thank you so much. That’s great
If you are using Magic Lantern on a Canon DSLR, do you still need the AGC-off feature of the XLR adapters?
Although we cannot support Magic Lantern, it is my feeling that the AGC disabling would not be needed.
Please contact us via e-mail if you have additional questions: askbh@bandh.com. Mark S.
appreciate your introduction. really appreciate B&H. We learned a lot from your video series, here in Taiwan
We really need a more mobile format of XLR.
I have a question I am planning to buy a Sennheiser MKH 416 and use that on top of my Canon 80D will I be able to connect the mic and the camera directly or do I need some kind of amplifier or SLR adaptor for best possible audio quality
You will need a DSLR audio adapter: The RA222 Riggy-Assist Dual-XLR Preamplifier with Phantom Power and Metering by juicedLink is designed for cameras that don't have integrated audio meters, manual gain control, or a headphone output. The RA222 features two 4-segment meters which can be calibrated to the camera, an 1/8" mono headphone output and an AGC disable switch.
The RA222 features 2 locking XLR inputs with low-noise microphone preamplifiers. Each channel includes a Mic/Line level switch, a Hi/Lo gain switch, and a Phantom power switch. The onboard Phantom power voltage is selectable between 48V/12V. The inputs can also be summed mono, copying each input to both sides. The right channel can be completely powered down to conserve battery power if it is not needed.
When engaged, the Audio Output Bracketing feature of the RA222 ensures that your audio inputs won't clip or distort. By placing the RA222's performance in mono and enabling the 16dB pad on the right channel, you end up with two signals with identical content, yet the right is recorded 16dB lower. This way if a sudden loud noise or a boomy portion of audio is recorded, you'll have a backup track with headroom in case the 0dB output clips.
The RA222 Riggy-Assist is powered by a 9V battery. High capacity lithium-polymer rechargeable batteries can be used as well as alkaline. The low-battery indicator can be switched between alkaline or lithium-polymer threshold, so you can use either chemistry without leaving unnecessary capacity in the battery. bhpho.to/2h6OjrX >Mark
Part 3 is coming later this month. Thanks for watching.
Is there a mic that records while filming and functional for voice-overs? Thanks!
+Phoebe Nguyen An isolated mic plugged into the camera will give you the audio over the video and does not require syncing. However, doing a quality voice over over requires being in a studio as ambient noise would be a factor in the field. *Christina* AskAudio@bhphoto.com
+sam sutterlin You can send the audio from the H4n directly into the DSLR and it will be synced withe camera's video files. If you elect to use the H4n's high quality audio files instead. Please contact us via e-mail if you have additional questions: AskBH@BandH.com
I really wish the DXA-SLR-Pro was cheaper...I'm using the AT897 and need to hook it up to the Nikon D5100. I have a beach audio transformer adapter from an earlier set up, and it does not work. If I buy the Sescom SES-TR-153, it will work right? I can drown most of the hiss from the camera's pre-amp out in post. Please respond, and awesome video! :) Can't wait for part 3.
Hi great videos! what about recording conversations between 2 or more people on the streets?
Part Three is coming within a month. Thanks for your patience!
Although it is true that the cable adapter does not provide phantom power for condenser mics, you can use the cable adapter for dynamic microphones, something not mentioned in the video.
What microphone would be best for putting on the 60D? I use it mostly for short films that have dialogue, but I also use it for sports videos. Preferably under $500?
What's a good mic to record loudspeakers..the speakers have drive units that are scattered on the front of the cabinet. I wish to make a stereo recording of music through the loudspeakers. The speakers are spaced about 6ft apart and the listening position could be around 6 or 8 ft away. My camcorder is a Panasonic hcx900m
Connect a RODE Stereo VideoMic Pro (B&H # ROSVMP) which builds on the success of the Rode VideoMic Pro & Stereo VideoMic with improved stereo reproduction, sound quality and ergonomic design. The Stereo VideoMic's capsule feature a matched pair of 1/2" cardioid condenser capsules, mounted in a coincident X/Y position for accurate stereo imagery and detail. The microphone's small, ergonomic footprint features an integrated shock mounting system for superior isolation from vibration and mechanical noise. The multi-strand output cable is terminated with a 1/8" (3.5mm) output connector and delivers significantly lower noise transference than traditional audio cable.
The included shoe mount features an integrated shockmount system for even further protection against handling noise. The Stereo VideoMic features a high pass filter switch at 75Hz for minimizing low frequency noise, and a -10dB Pad for maximizing headroom for capturing loud signals without distortion. The +20dB level boost switch is specifically designed to provide a higher quality signal with DSLR cameras. When activated, camera preamp level is reduced, resulting in a lower noise floor and much clearer recording. bhpho.to/Oq1g8u
Please contact us via e-mail if you have additional questions: askbh@bandh.com>Mark
What about a D5200? That's stereo, right? And the sescom isn't compatible with the D5000s, right? Sooo...help!
Im planning on shooting "reality show" like series with my dslr. I need to record voice for two people at the same time. What would you recommend for this type of recording. Thanks
Are there any downsides to using an XLR to 3.5mm adapter? Is it still a symmetric connection?
The balanced connection is lost. Any adapter or additonal component in the signal chain has the potential to degrade the signal in some way. >Mark
What's difference between that expensive 153 cable and a 6 dollar XLR to 3.5mm cable?
Hi I have sound board/mixer which all the audios are plugin, can I still connect to this DSLR audio to it?
i got this adapter ( Hosa Technology XVM-102F Angled 3.5mm to 3-Pin XLR Female Microphone Cable (2')) for my canon 650d and it did not work. Should i buy the other adapter for my camera?
if i have a T3i canon, how can i listen to the playback if i have a DXA-2T, but this cam doesn´t have headphones output. Thanks!
I just purchased a Canon 80d and I noticed it only recordes on the Left Channel. What can I do to have it record on both channels like my Canon t6i?
The 80D should record audio on both channels. We will need a bit more information to help you with any issues you are facing. Please email us directly at askbh@bhphotovideo.com. We will be better able to assist you from there.
Thanks!
-Joey P
Thanks. Turns out the Mic input port is faulty. Sending it back.
Hi. I have a Eos rebel T5. I was looking into get a separate boom mic for my shoot in august and I was wondering the best possible way and how to accomplish syncing it. Thanks!
Hello there. I wanna record my son's performance using my Nikon D810 in HD at 60 frames per second. This is recorded inside a room. I am ok with both wireless and wired. I would love to have something thats compatible with 4K considering future uses. It will be primarily used for upright piano. Your advice?
Hello, I have a Canon EOS Rebel SL1. I'm not sure if I need a power supply for my XLR microphone? Please help!
Your XLR microphone requires phantom power. Your Canon EOS Rebel SL1 does not offer phantom power. So you will need to use this device to not only power your microphone, but also to send its audio signal to your camera:
Beachtek DXA-MICRO-PRO Active XLR Compact Adapter
B&H # BEDXAMICROP
bhpho.to/3oduy0W
Key Features
For DSLRs and Camcorders
Connects External Microphones
Powerful Preamplifiers
1 x XLR Mic Input with 48V Phantom Power
2 x 3.5mm Mic Inputs with Plug-In Power
Easy to Set up and Use
Compact Chassis with Flexible Mounting
>Mark
+James Blanco Check out the following Beachtek DXA-SLR ULTRA - 2-Channel Active XLR Adapter. This DSLR audio adapter offers phantom power for the NTG-3 mic and it has built in compression. - Yossi
bhpho.to/1oEmsrM
Strictly for video recording. The t5 does not have a external microphone output but the SL1 and T5i do. Right?
Correct. The Canon EOS Rebel SL1 and the Canon EOS Rebel T5i both offer external microphone input ports. The Canon EOS Rebel T5 doe not offer this feature.
Please contact us via e-mail if you have additional questions: askbh@bandh.com>Mark
Hi Rob, I just purchased a RODE NTG-3B and I have a Canon 5D Mark 3. I'm looking to do a lot of shooting, and wanted to know which XLR adapter would fit best. I'm shooting a lot documentary style and behind the scenes what would work best do you think?
massively helpful!
quick question:
before buying, will a zoom h4n with a rode lavalier xlr mic work?
if connected to the dslr will the audio still need syncing whilst editing???
thanks
I need an XLR microphone for a canon GL-2 using an audio adapter like the sound excellence adapter or a canon ma-300 adapter
Could I hook up an XLR mic to a recorder( that of course has XLR inputs) and send the audio from the recorder in to a DLSR?
Depending upon the line output configuration of your recorder, this attenuation cable might work:
The Kopul ACDR-35 Line-to-Mic Attenuator Cable (B&H # KOACDR35) is designed to connect your digital recorder output to the mic level input of your DSLR camera with 35dB of attenuation to step down the hot line level audio to microphone level. It is shielded to reduce RF noise from cell phones and provide interference-free operation.
bhpho.to/191UNka
Please contact us via e-mail if you have additional questions: askbh@bandh.com>Mark
B and H hello I have an SLR but not to a microphone jack so I ask if I can use the audio for DSLR without microphone jack on the reflex thank you.
Thibaut boy Unfortunately you need a microphone input to connect a microphone to a camera. When the camera has no mic input, using a portable audio recorder would be the recommended method.
Please contact us via e-mail if you have additional questions: askbh@bandh.com>Mark
ok
hey b and h photo, I just got a rode ntg 2 and I have a nikon d3300. Would you recommend getting the juiced link audio mixer and or the beachtek audio mixer, or a zoom h4n? If I use something such as the juiced link with the ntg 2 would it make the audio quality worse than if I were to use a recorder such as the zoom h4n?
Thanks,
Iliyan
+Iliyan Husein Using an audio adapter from juicedLink or Beachtek is a fine workflow, but still records the audio to the camera's relatively low res audio track. Using the recorder provides the high resolution audio (WAV: 44.1/48/96 kHz) one desires for a professionally produced project. bhpho.to/1S8SzOs >Mark
11:17 check the recording before you wrap to make sure it sounds good? And if it doesn't sound good ... yikes.
exactly, im trying to figure how to get professional quality sound and video here.
Is the mics only for xlr or is it also for dslr
I have a Canon 5D Mark III and a mic Rode NTG-2, I bought the adapter XLR --> mini jack but my camera doesn't reconize it :( Any recommandations?
I used a Sennheiser ME66 shot gun and a SHure PG 185 Lavalier Microphone for a BeachTek DXA-5DA Adaptor for an indoor recording with my Canon 7D but the audio output has so much noise, how do i correct that?
Be sure to have "AGC DSBL" activated on the Beachtek and have it switched to "MIC". Since there is no phantom power provided - make sure you have your mics powered up with fresh batteries as well. Check the Beachtek's battery as well. And connect via the "MIC OUT" only port.
Please contact us via e-mail if you have additional questions: askbh@bandh.com. Mark S.
Thanks, this is really helpful.
Would I be able to plug in my dynamic mic and plug in my guitar in the other xlr jack with proper direct box?
There is no practical device for what you are proposing. You could use a USB interface to route both signals to a computer.
The AudioBox 22VSL from PreSonus is a portable 2 input/2 output USB 2.0 audio and MIDI interface that allows for monitoring with low-latency effects. It features two combo microphone/instrument inputs with Class-A XMAX microphone preamps, and ships with Studio One Artist DAW software. B&H # PRAB22VSL.
Please contact us via e-mail if you have additional questions: askbh@bandh.com. Mark S.
Can you use with iPhone and how connect to iPhone
No PART 3?
This combination will not work with a Sescom cable. Use the Pearstone LMT100 cable (B&H#PELMT100) It is 1.5' long and has a 3-pin XLR female connector on one end and a standard 3.5mm mini plug on the other. It is designed for use with mono microphones. Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
What do you recommend for an on budget mic for a nikon d3300?
Cris Madla Nikon offers their ME-1 microphone for the D3300 camera, which is a good quality mic and is affordable. See the link below for details. - Yossi
bhpho.to/1CBRdoN
what would be a great doc audio for a 60D
is the juice link with a n2g2 any good or rode mic pro?
The RODE VideoMic Pro (B&H # ROVMP) is more convenient and will do a decent job. For professional results go with the RODE NTG2 (B&H # RONTG2) and a juicedLink XLR adapter (B&H # JURM222).
Please contact us via e-mail if you have additional questions: askbh@bandh.com. Mark S.
thanks man, im assuming a video mic pro into a juicedlink is a waste over a ntg2? I can get them both for the same price
The RODE NTG2 with the juicedLink will yield the better results. For convenience and compactness the RODE VideoMic Pro is a good choice.
Please contact us via e-mail if you have additional questions: askbh@bandh.com. Mark S.
is this Product available to ship to Philippines ?
+Renzy Capillo - B&H does ship internationally, and can ship many of the items we carry to the Philippines. If you have questions about specific items, are specific shipping questions, I would suggest sending us an email. *Christina* AskTH-cam@bhphoto.com
I'm really fixed on getting the Canon 70D but it doesn't have a headphone jack - I'm looking to make short documentaries so I need to be able to hear through headphones. All microphones can be provided through university but I need a mic and headphone adapter... This seems like the thing you mentioned in the last section of the video but it seems very pricey. Do you know what my cheapest option would be? I don't really want to go down the magic lantern route
Most DSLR or mirrorless cameras do not provide a headphone output.
This is a relatively low cost solution:
The Beachtek MCC-2 2-Channel Audio Adapter and Bracket (B&H # BEMCC2) is designed to attach to your DSLR camera and allows you to send two mono or one stereo audio source to your camera's audio input. It has two mono 1/8" inputs with individual trim control knobs as well as a stereo 1/8" input. A mono/stereo switch controls whether the two mono or one stereo input is active. It connects to your DSLR camera via a 1/8" stereo mini-jack output, and works ideally with cameras that have a headphone output to allow you to monitor your audio.
The body of the MCC-2 has three integrated mounting shoes to attach a variety of mics or wireless receivers to the unit. The MCC-2 itself will fit on any DSLR or camcorder that has a standard mounting shoe. It has passive operation, and thus requires no batteries or power source.
bhpho.to/1IZIIbP
Please contact us via e-mail if you have additional questions: askbh@bandh.com>Mark
is a real chame my d3400 has no mic in nikon really screwed this, any chance i can plug a usb miv
This camera (nor any other that I'm aware of) will allow a microphone to connect to its USB port. >Mark
What's the benefit of having a XLR connector? If one can use a adaptor men there is no gain from XLR?
You will still gain some benefit from a lowered noise floor and reduced noise. Typically a natively-designed XLR microphone, from a quality manufacturer, is more robustly built and engineered to deliver superior audio. >Mark
Very useful explanation of options - thx
Would a Sescom cable plug into a zoom h1?
Yes - a Sescom cable could be used with a Zoom H1 recorder. The LN2MIC-ZMH4N-6 from Sescom is a problem solving cable for users of HDSLRs who are using a Zoom H4N or Zoom H1 as a secondary audio recording source. Many professional DSLR cameras have unbalanced stereo microphone level audio inputs on a mini TRS 3.5mm jack. The Samson Zoom H4N or H1 output line level audio signals. This cable provides the proper microphone levels and preserves the delicate connector contacts inside the camera, allowing users to go directly from the audio recorder into the camera. B&H # SEL2MZH4N6
The audio interface will output a line level signal. You can use a Pro Co Sound LMX In-Line Barrel XLR Mic to 1/4" Line Level Adapter (B&H # PRLMX) and then an adapter to convert the XLR output to a 1/8" mini (3.5mm) connector. The Kopul LMT100 connects a microphone into a high-impedance 3.5mm mini input found on DSLRs (B&H # KOLMT100). Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
Anyone have any suggestion for VERY loud, indoor live performances. I am looking to record shows for local bands and my Rode Mic pro just can't handle it. I have actually been better off using the internal mic on my DSLR, but I am looking to get some real professional sounding performances. Any thoughts?
This is an excellent, short-shotgun mic that handles high SPL's and will not break the bank. You will need a mount and cable for DSLR on-camera use.
B&H # AUAT897. bhpho.to/1r8Dswy
Please contact us via e-mail if you have additional questions: askbh@bandh.com. Mark S.
I'll assume you are referring to the Panasonic GH3. The VP83 LensHopper Shotgun Microphone from Shure is a compact camera-mount condenser that provides detailed, high-definition audio with DSLR cameras. An integrated Rycote Lyre shock mounting system provides isolation from vibration and mechanical noise. Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
Looking for best $100 condenser mic or less for professional audio
You dont have too many options, but by the audio technica at2020 or the mxl770. But I would reccomend saving up for at least the 2035 or a rode nt1 off of ebay
Hi crew at B and H!
I am planning on investing in an audio kit to use with my Canon 600D DSLR to make short films. Currently, I am looking at the Rode NTG-2 shotgun microphone with the Zoom H6 recorder (I would sync up my audio with my video in post). The total of those two items is my approximate budget.
Do you think this is a good combination to use for my short films? I have also heard that the Tascam DR-70D is a good recorder.
The main things I am looking for are minimal noise in audio and usability.
If you could please tell me if my combination is a good one, and if not, could you please suggest a compatible recorder and microphone.
Thanks,
Thomas
Fine choices! We have hundreds, if not thousands of customers employing this same combination currently. The Tascam DR70D is very good as well - but offers a different form factor than the zoom H6. It lends itself very well for tripod mounting below the camera. bhpho.to/1wYk7Rr
Please contact us via e-mail if you have additional questions: askbh@bandh.com>Mark
Great clip, you sound guy does a great job!
hello i serche for a very good shotgunmic for my DSLR CAMERA CANON D600 for my shor movie, can you help me plesae? THANKS
Hakim Chikh Below are links to two recommended Shotgun mics for you to regard on our website. - Yossi
bhpho.to/UMNQvt
bhpho.to/1KljXIU
Long time watcher first time commenter. So we are a small hobbiest channel for friends and family, we recently upgraded to a Nikon d5600 and bought the rode micro and an extension 3.5mm cable to set up when we do podcasting or fun family video challenges. We notice that the pre amps in the camera are pretty shotty and quiet the guess work. We can set the volume manually and it will sound great when talking normal but when we laugh or shout (if playing a game) it peaks/clips so we turn down the volume in post, or if we turn down the mic on the camera a notch it is quiet in normal talking but the loud parts are fine. Is an interface something I need to keep the volume levels great and keep it from clipping? The mic is currently about 3-4 ft away as sometimes we have things on the table in front of us we would like to show. Thanks!!
Thanks Rob, most useful.
The Sennheiser MKE 600 is a shotgun mic designed for use with a camcorder. It takes on even the toughest video sound challenges, while still being compact and short relative to previous models. B&H # SEMKE600. The juicedLink RA222 Riggy-Assist Dual-XLR Preamplifier will allow you to connect two XLR mics: B&H # JURA222. Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
If you are within 15 feet or less - use a shotgun mic like the Rode NTG-2 (B&H # RONTG3) or the Sennheiser MKE 600 (B&H # SEMKE600). For even better audio results, pair either mic with a boom pole positioned just outside the shot but close to your subjects. Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
Very insightful, thank you!
In order to be able to monitor the sound being recorded in real time you could use a SONY A7 camera.
Marvelous as usual! Thanks.
Excellent video.. thanks!!
The NTG-3 sounded great.
You can use the Beachtek - DXA-SLR PRO HDSLR Audio Adapter (B&H# BEDXASLRPRO) and two wired lavalier mics: AUDIO-TECHNICA AT803B (B&H # AUAT803). Or you can use a couple of handhelds: Electro-Voice - RE50/B - Omni-Directional Handheld Dynamic Shock Mounted ENG. (B&H# ELRE50B). Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
Our Pearstone LMT100 (B&H # PELMT100) cable enables a microphone to be input into the 3.5mm mini input found on DSLR cameras. It is 1.5' long and has a 3-pin XLR female connector on one end and a standard 3.5mm stereo mini plug on the other. It is designed for use with mono microphones. Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
so why would someone spend $200+ on an external recorder over getting something like the beachtek riggy that does the same thing but plugs straight into the dslr???
A dedicated audio recorder is designed specifically to record quality audio. You are able to record digital audio at higher resolutions than available on a DSLR. DSLR audio recording is a secondary feature and lacks the control and monitoring capabilities as well. Even when using an external audio adapter such as the Beachtek, you are recording to the inferior components available in the camera. |Heather S|
You need the Sescom SES-TR-153 XLR to Right Angled Mini Microphone Cable (B&H # SESTR153). This cable features a standard XLR female input and a right-angled 1/8" (3.5mm) mini male output connection. Low to high impedance matching "steps up" the microphone level, and its RFI shielding eliminates noise from cellphones, etc. Please contact us via e-mail if you have additional questions: askbh{at}bandh{dot}com. Mark S.
love this videos thanks!
Thank you for making this!
9:25, Beachtek DXA-SLR PRO
12:10, Aden FMX-42
hello, i recently bought a canon t5 to start getting into photogrphy and film. buuut i found out that the t5 does not have a microphone mini jack... so i started looking for solutions and was wondering.
Can i use a usb to microphone jack adapter for my t5 to attach external mic?
in case you dont know the adapter im talking about here it is i00.i.aliimg.com/wsphoto/v0/1597480718/16cm-Male-Female-Micro-USB-to-3-5mm-Jack-Mic-Microphone-Adapter-Cable-for-GoPro-Hero.jpg
Unfortunately you cannot use a GoPro or any other USB adapter . The only option would be to record a separate audio file with a recorder and sync it up in post: You could use a Tascam DR-40 4-Track Handheld Digital Audio Recorder which provides professional-level features and flexibility in a compact and durable design that's ideal for use in the field. (B&H # TADR40) bhpho.to/1IBFvQB.
To sync the audio with your camera's video, use PluralEyes 3.5 from Red Giant, an electronic download of software for automatically syncing double system audio with video. PluralEyes 3.5 is compatible with both Mac and Windows platforms. The software imports your footage into its own timeline and automatically syncs the video from a single or multiple cameras to simultaneously recorded audio. Automatic syncing is accomplished by the software lining up the audio waveforms of the audio and video files, so for PluralEyes to work you must record an audio scratch track with your video footage. PluralEyes is able to import/export timelines from/to Final Cut Pro, Premiere Pro, Media Composer, and Vegas Pro. You can also export .mov or .avi media files for use in other programs. (B&H # RESHOPLUEYED) bhpho.to/1yQShXb
Please contact us via e-mail if you have additional questions: askbh@bandh.com>Mark
B and H thanks so much :)
Excellent!!!!!, thank you very much!!!!
yes, thank you for information!
whit the protections of the shotgun mic you probably could record next to an explosion
The new Sennheiser MKE600 (B&H# SEMKE600K1) is a great overall shotgun mic, that you can mount on your Canon 60D. But I would highly recommend using an external audio recorder, like the new Tascam DR60D (B&H# TADR60D) to get the most of that mic. Please contact us via e-mail if you have additional questions. - Juan B askbh{at}bandh{dot}com
the video is very good. I have mke 400
Audio sync fail at 5:18
that first mic sounded terrible....it was distorting at peaks
5.13 out of sync!