Nice. I am always happy when I hear somebody playing musical harmonies on the SubH. Too often is it used (under-used ?) for abstract random polyrhythms sequences of little interest (to me). This is a wonderful instrument, but integrating it in songs with a more classical form is a challenge. But that is also what makes it so interesting as a composition tool.
The SubH can be tricky, I think it just requires a bit more time to get what you want out of it. Im currently working with the moog sound system and some eurorack fx, modulation, and utility modules. So hopefully I'll have some videos with those three coming soon.
@@felix_ennui This is pretty much the centre of my configuration too, except that I swapped the Mother for an ARP 2600 clone. I was never too thrilled by the one-oscillator architecture of the Mother (One oscillator ? Come on, this is 2023 !). The 2600, on the other side, is a beast ! Incredible to think this machine was designed in 1971 !
Awesome
Thanks for watching George.
Nice. I am always happy when I hear somebody playing musical harmonies on the SubH. Too often is it used (under-used ?) for abstract random polyrhythms sequences of little interest (to me). This is a wonderful instrument, but integrating it in songs with a more classical form is a challenge. But that is also what makes it so interesting as a composition tool.
The SubH can be tricky, I think it just requires a bit more time to get what you want out of it. Im currently working with the moog sound system and some eurorack fx, modulation, and utility modules. So hopefully I'll have some videos with those three coming soon.
@@felix_ennui This is pretty much the centre of my configuration too, except that I swapped the Mother for an ARP 2600 clone. I was never too thrilled by the one-oscillator architecture of the Mother (One oscillator ? Come on, this is 2023 !). The 2600, on the other side, is a beast ! Incredible to think this machine was designed in 1971 !