actually your videos are the best tutorial videos that ive seen. zero useless blah blah, everything in depth, you even made chapters! great content, gonna recommend you to every musician i know
I highly appreciate that sentiment and I appreciate you stopping by to check out some videos 💪 happy to be of service where I can. Thanks for the comment!
9:54 I really needed this. Sidechain compression was the next thing on my list to learn about after asking you about this other thing. Searched sidechain compression and I see you have some videos covering it so I'm going to check those out, but my inquiry is, I have an analog tube pre-amp, plugged straight into my computer sound card, with everything adjusted between my sound card and pre- amp to eliminate noise, hum, and take advantage of the pre-amp tubes, with the FL mixer levels at 0db my signal is peeking around -20db. I know around -18 is what some people recommend, and I like the clean sound I'm getting, but just looking at the waveform, it looks a little thin. When I lower the mixer fader and record, the signal appears fatter, when I return the FL mixer fader back to 0db, the recording gets louder, along with some background noise. I'm just wonder what effect is happening when I record with the FL mixer fader lowered, and is it doing something detrimental like destroying head room? Is it advised or not advised? Is it fine if I leave the fader at the point I lowered it to during recording? I haven't tried normalizing the signal yet, either. I'm thoroughly impressed with the short explanation on side chaining that you gave here, you helped me understand it easier than I thought it would be. I was actually dreading learning about it as much as I dread learning about automation.
Interesting. So when it’s lower the wave form looks less dynamic is what you are saying? I’ve never actually been attentive but I know that DBfs is logarithmic. Which is why on your DB meter you can see a bunch of numbers close together towards the bottom, whereas between -6 and 0db on the meter is huge. I wonder if the waveform displayed acts similar to the DB meter in that regard. I’d say go normalize the audio and see if you get your peaks back. Also listen. If you don’t hear a difference between 2 similar takes you’re probably ok.
@@ScaleAudio Man! I'm doing the same thing trying to recreate what I did and I'm not getting what I thought happened. The levels sound the same in relation whether I record with the mixer level at 0db or lower. Saying if I record with the mixer level lower than 0db, then raise that mixer lever back to 0db, it will sound the same as if I recorded it at 0db. Maybe I resized the playlist track, I was tired, and shut everything off right after I thought it happened. I wasn't working with a song, just doing mic checks to get levels optimized. Sorry about
@@freestyletherapy you most likely changed where the recording happened. Next to your input (mic 1, mic 2, etc.) there should be a button with options like post eq, etc. If you select the option for after the mixer track then the mix fader position will effect the recordings. If you choose an option that’s prior to the mix fader then you won’t see a waveform difference in correlation with fader position because it’s recording prior to the fader itself.. if that makes sense lol
Hey! To make it pre fader you will want to load the “fruity send” plug-in. Link your mixer track to the location you want it routed to (how you would do it for post fader) but then turn the volume knob down (it should be linked but play no audio). Now when you open fruity send you will see the destination as an option to send to. Fruity send can be placed anywhere in the signal chain. 1:38 and forward on this video will show an example. th-cam.com/video/BwucUrVAX-E/w-d-xo.html
At 2:21 seconds in this video will show you where to put mixer presets. Just right click the folder and you should have an option for opening it up in windows so that you can actually drop your presets into that location. th-cam.com/video/8pj7GSCuEJU/w-d-xo.html
actually your videos are the best tutorial videos that ive seen. zero useless blah blah, everything in depth, you even made chapters!
great content, gonna recommend you to every musician i know
I highly appreciate that sentiment and I appreciate you stopping by to check out some videos 💪 happy to be of service where I can. Thanks for the comment!
il be follwing all your tutorials from now on cause you get in depth and i appreciate
I appreciate that 100% happy to get this kind of response to my content 💪. Thanks for watching and commenting 🤙
Nice video, great channel. Everything explained so well and simply. Keep up the good work sir!
Thank you! I appreciate you taking the time to comment 💪💪
This knowledge is gold
@@Calicrazedbeats happy you think so 💪 thank you for watching!!
9:54 I really needed this. Sidechain compression was the next thing on my list to learn about after asking you about this other thing. Searched sidechain compression and I see you have some videos covering it so I'm going to check those out, but my inquiry is, I have an analog tube pre-amp, plugged straight into my computer sound card, with everything adjusted between my sound card and pre- amp to eliminate noise, hum, and take advantage of the pre-amp tubes, with the FL mixer levels at 0db my signal is peeking around -20db. I know around -18 is what some people recommend, and I like the clean sound I'm getting, but just looking at the waveform, it looks a little thin. When I lower the mixer fader and record, the signal appears fatter, when I return the FL mixer fader back to 0db, the recording gets louder, along with some background noise. I'm just wonder what effect is happening when I record with the FL mixer fader lowered, and is it doing something detrimental like destroying head room? Is it advised or not advised? Is it fine if I leave the fader at the point I lowered it to during recording? I haven't tried normalizing the signal yet, either.
I'm thoroughly impressed with the short explanation on side chaining that you gave here, you helped me understand it easier than I thought it would be. I was actually dreading learning about it as much as I dread learning about automation.
Interesting. So when it’s lower the wave form looks less dynamic is what you are saying? I’ve never actually been attentive but I know that DBfs is logarithmic. Which is why on your DB meter you can see a bunch of numbers close together towards the bottom, whereas between -6 and 0db on the meter is huge. I wonder if the waveform displayed acts similar to the DB meter in that regard. I’d say go normalize the audio and see if you get your peaks back. Also listen. If you don’t hear a difference between 2 similar takes you’re probably ok.
Gave me something new to go research regarding the waveform 🧐
And I’m glad that the sidechain info was helpful! That’s the goal 💪
@@ScaleAudio Man! I'm doing the same thing trying to recreate what I did and I'm not getting what I thought happened. The levels sound the same in relation whether I record with the mixer level at 0db or lower. Saying if I record with the mixer level lower than 0db, then raise that mixer lever back to 0db, it will sound the same as if I recorded it at 0db. Maybe I resized the playlist track, I was tired, and shut everything off right after I thought it happened. I wasn't working with a song, just doing mic checks to get levels optimized. Sorry about
@@freestyletherapy you most likely changed where the recording happened. Next to your input (mic 1, mic 2, etc.) there should be a button with options like post eq, etc. If you select the option for after the mixer track then the mix fader position will effect the recordings. If you choose an option that’s prior to the mix fader then you won’t see a waveform difference in correlation with fader position because it’s recording prior to the fader itself.. if that makes sense lol
I watched a video tutorial on Studio One, while watching the work of Track Pre-Feeder, my brother, how do I make Pre-Feeder in FL Studio
Hey! To make it pre fader you will want to load the “fruity send” plug-in. Link your mixer track to the location you want it routed to (how you would do it for post fader) but then turn the volume knob down (it should be linked but play no audio). Now when you open fruity send you will see the destination as an option to send to. Fruity send can be placed anywhere in the signal chain.
1:38 and forward on this video will show an example.
th-cam.com/video/BwucUrVAX-E/w-d-xo.html
I have subscribed to your beautiful channel
Thank you! I appreciate the comment and subscribe 🙏
how to instal bought templates and where also how to use them/where to put them on the side of mixer plz and thank you
At 2:21 seconds in this video will show you where to put mixer presets. Just right click the folder and you should have an option for opening it up in windows so that you can actually drop your presets into that location.
th-cam.com/video/8pj7GSCuEJU/w-d-xo.html
If you’re referring to whole project templates I have videos for that as well!
Sir please tell me which laptop you use with configuration please please.
Dell G5 custom built on the dell website 🤙