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I borrowed this gear from the drummer in my band. Just a simple testing. Ltd Eclipse EC400 (C#) Rev G3 - Peavey 6505MH - Marshall TSL100 /w Eminence V128 - SM57 (on the edge of the speaker cone) There are things other than Rev on the pedal board, but they're all bypassed. Rev G3를 밴드 드러머 형님한테서 빌려서 간단하게 테스트해봤습니다. 다른 페달들은 전부 off해놓은 상태.

※ The video and images in the video were not photographed during actual sound recording. Side by side starts at: 3:44 Signal Chain: Guitar - LTD EC400 (C#) (no boost) Amp - Peavey 6505MH Reamp - Signal Art Reamp Cabinet - Marshall TSL 100 (JCM 2000) Speakers - Eminence V128/Celestion Vintage 30 (Marshall G12) Mics - Sennheiser sm57/Behringer B906 Edited & Volume adjusted in Reaper

Signal Chain: BC Rich Mockingbird (E std) - Axe I/O - Reaper - Signal Art Reamp - Peavey 6505MH - GB-V Attenuator - Marshall 2x12 with v30s - SM57/Rode NT1A Song: I am the Black Wizards 국내에선 아무도 안찾는 피베이 앰프입니다. 메탈은 역시 SM57을 기반으로 다른 마이크를 조금 섞는 것이 나은 것 같습니다. The 'unpopular choice' in Korea, Peavey. It is better to mix something else as a supplement when using sm57.

Cynic - Kindly Bent to Free Us - Chorus Part Bass

그냥 생존신고? 아직도 프렛리스만 칩니다.

Note that this version is different from both of the album versions (original and remix), with some improv by Sean Malone. Some parts are inaccurate, especially the bass solo, but left as it is due to time limitation.

Practicing the thing of those who know

Schecter Hellraiser 7 string (borrowed from @lmlthepig153 ) Marshall Guv'nor (Korean) Peavey 6505MH Marshall TSL JCM2000 Cab (modded to have closed back and double Vintage 30s) Shure SM57 Reamped via Signal Art ReAmp Bass and Drum tracks separated from original album. Not 100% the same, but I tried.

Peavey 6505MH Marshall TSL JCM2000 Cab (modded to have closed back and double Vintage 30s) Shure SM57 Exact settings are what you see in the video.

No post processing done except for volume boost in certain parts (volume matching for more accurate comparison) Equipments: BC Rich Mockingbird, Peavey 6505MH, Marshall TSL 2x12 Cab with Marshall Vintage 30, SM57. Mic Positions Tested: In center, off center 2.5cm, off center 7cm, speaker edge, in center 45°, 2.5cm 45°, in center 3cm away from grill. 하이게인 기타앰프 메탈톤의 마이크 위치에 따른 수음 차이 테스트입니다. 볼륨매칭 ...

My attempt based on remixed version.

Bass: Ibanez EHB1005F fretless Strings: Rotosound RS665EL Stainless Steel Round (45~130) With Ampeg SVT-CL Amp sim DI Mix Drum by Sean Reinert and Matt Lynch (Extracted from Cynic records) Pros: Brighter sound, better in the mix, more mwah in some notes Cons: Too much treble, harder to pluck, sometimes sounds more like fretted bass. Might eat up the fretboard faster than nickel/flatwound. You c...

Gears used: Ibanez EHB1005F Fretless Mix of Amplitube Ampeg SVX-CL and DI There has been some minor changes in the way I play the song, especially the right hand and the chorus part. Compare with my old video and Sean Malone's playthrough of the song.

Gear: Ibanez EHB1005F Amplitube SVX-CL Bassline of the remixed(2019) version, not the original (2008) version. It was a extremely challenging song to cover with bass.

New upcoming cover with new bass

Cynic - Veil of Maya: Bass Tutorial

Trying 5 string bass for the first time

Cynic - I'm But A Wave To... Bass Cover (retry)

Cannibal Corpse - Hammer Smashed Face (Guitar Cover)

Peavey 6505 MH Hesu 2x12 Test

Sean Malone Instagram Compilation

Cynic - Veil of Maya (Test Mix, partial)

Amplitube Test

Cynic - Veil of Maya (Bass cover)

Cynic - I'm but a Wave To... (Bass cover, partial)

Cynic - Veil of Maya (Outro)