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Outstanding essay on a Master Filmmaker. Andrei would be proud of you.

bro doesn't know what a titular character is

I've always thought of Rohmer's protagonists as sleazy opportunists trying to rationalize their sexual desires with intellectual argument.

Boring movie, boring video

I’m gonna watch this movie backwards and see happens

Excellent film, excellent essay. 👍🎬

But does her knee recover

Very beautiful. I have watched many classical japanese movies, but I have honestly never heard about this masterful trilogy. That's ashame. I really wants to watch it one day

Magnificent ❤❤

People pull the trigger without hesitation and die indifferently. Even if we cling to life like waves, death is always there, like a calm sea. Rather than a sense of despair leading up to annihilation, there is a clear beauty that cannot be expressed through dialogue alone. Personally, I think it's a masterpiece among Kitano's films, and I want you to see it before you die.

💃💃💃💃💃💃💃🧑❤️💯🎉💌♥️💋🙋🧖🛀🛌🌠🌌🌈🏖️🧑‍🦰🧑🧑‍🦱🧒🧑‍🌾🧑‍💼🪂🚣🧚

😂

If you like Takeshis work. Try out In Bruges, Sexy Beast or City of Industry. All 3 of those films are oddly contemplative gangster films.

it is always the underrated channel with low subscribers that produce a great quality content

Thank you for this amazing analysis/essay

I thought when I was younger the events in the movie were not a dream and actually happened. I now think it may have been a dream. Everything that happens to Quaid to make him believe it is real was intentional. He must be convinced it is not a dream to enjoy the experience. Maybe the reason why Recall had problems is because people had a hard time with reality afterwards. It was too real to them. I could be wrong though.

switch 2 chrome advert just as I was getting synched into the meaning of the madness of life

Mars

They did not implant the dream it's real watch it agaib before he leaves recall

I judge a foreign films worth by how emotional and thought provoking it makes me feel.This,thankfully,does both.

please make cc available to block out the distracting music.

This guy is like a cliche-machine of Antonioni analysis.

Started watching it again last night. It’s so obvious it’s all real

I watched La Notte last evening…10/10. I appreciate movies that respect the intelligence of its viewers.

It really is such an icon, the godfather of horror or at least scary films

Are you connected with The Cinematheque at GOMA in Brisbane?

That is the genius of Total Recall. It is about the nature of reality and it draws the line between fantasy and reality and it keeps you guessing and at the end of the movie, it is left to us the audience if it is real or fantasy.

It's the same issue with all stories that turn out to be just a dream. How does a dream have scenes the dreamer isn't in?

Forrest Gump is a better war movie than this

англосаксам тяжело понять

👍🏾😍

Fine synopsis of my all-time favorite movie.

No doubt a great cinematic achiecvement. Leaving apart the substance, the film has great music, cinematography, acting and editing. For all that, it has a tragic flaw in the narrative in its embrace of socialism. The film presents this idea of socialism as the solution to the human condition and, despite Kaji’s disappointment with how it’s implemented by the Soviets, Kobayashi never questions the underlying premise that there’s something called “socialism” - in opposition to Japanese fascism - that will allow men to flourish. Today we know that is nonsense - socialism itself is fatally flawed. The film, though still very much worht seeing, then becomes something of its time rather than timeless. Its mistake about socialism may even deepen the resonance of the film’s main narrative drive in the final part - the solution to the human condition is as elusive and illusory as Kaji’s chances of reuniting with Michiko.

The original _"mugen tsukuyomi"_

When their trying to put him in the simulation they tell you that they haven't even put him in yet and that someone has been messing with Quiads head so it wasn't a dream.

Best video review I've seen. Appears effortless. I'm a big fan of the book and film.

You came to the same conclusion I did: The third person perspectives we see, where Quaid isn't even one of the characters on screen, prove that it's not a dream.

The key is Melina...she appears on the screen at Rekall right before Quaid passes out. The implication is that Melina isn't real, she's a creation of Rekall for Quaid's ego trip.

Pity, but I am sure, all this was just a dream.

Excellent exposition of noir. What do you think about the relationship (dependency?) between film noir and the novel?

how is the quality of the movie so crisp here lmao

"blue skies on mars? Never seen that one before." -scientist at recall. Anyone else notice that and how the movie ended with mars getting blue skys

Luchino, pronounce. ' Lookeeno', a hard c not a soft one. Just saying.

Personally I am so fed up with westerners' obsession with deconstruncting almost everything. This film is good and void of the gay propaganda ,that we have grown so used to. A gem of a movie.

The movie purposely has textual evidence for and against it being a dream/implanted memory, there are a few red herrings, and it’s left ambiguous on purpose, that’s what makes it great. If you want to believe it’s real, then he is Houser when he screams “you blew my cover” not Quaid at that moment, he had total recall of who he was, then they knocked him out and wiped his memories again returning him to Quaid

Great video!

Back in 1982, one Sunday evening I caught an intriguing-looking movie on tv. It was on BBC2 (back in the day when British terrestrial telly quite regularly showed arthouse films). I was 11. The picture was _Pauline à la plage._ I was hooked, there and then. 30 years later, Rohmer is still my all-time favourite director. I calculated the other day that I have seen all of his films at least 50 times for each one. Some _(Conte d'été,_ _Le Beau mariage,_ _La femme de l'aviateur)_ I must’ve watched about 100 times. My all-time favourite, _Le rayon vert,_ probably about 150 times. All told, I calculated I have spent about 5,000 hours of my life immersed in Rohmer’s world, and not a minute of those hours was wasted; even on the 33rd viewing of whichever film it might be, for with Rohmer, he is inexhaustible! What you watched at 21, you watch again at 35, or 50, or 70, but because you are changed, more layers will be waiting to be uncovered that weren’t apparent on previous viewings. Meaning is constantly waiting to be uncovered in Rohmer. It’s never exhausted. Anyway, for those who are still interested, here is my personal ranking of Rohmer’s oeuvre. The choice here is mainly based on sheer enjoyment/personal meaning and not necessarily on any given film’s technical achievement. Those who tell you, like Harry Moseby in _Night Moves,_ that watching a Rohmer movie is like ‘watching paint dry’ are lying. I’d rather have a full bottle in front of me than a full-frontal lobotomy, and Rohmer’s vintage is very productive indeed. 1. _Le rayon vert_ (1986) 2. _Conte d'été_ (1996) 3. _La femme de l'aviateur_ (1981) 4. _Le beau mariage_ (1982) 5. _Pauline à la plage_ (1982) 6. _L'amour l'après-midi_ (1972) 7. _Conte d'automne_ (1996) 8. _Les nuits de la pleine lune_ (1984) 9. _Conte d'hiver_ (1992) 10. _Le genou de Claire_ (1970) 11. _La collectionneuse_ (1967) 12. _L'ami de mon amie_ (1987) 13. _Ma nuit chez Maud_ (1969) 14. _Le signe du lion_ (1962) 15. _Conte de printemps_ (1990) 16. _Quatre aventures de Reinette et Mirabelle_ (1987) 17. _L'arbre, le maire et la médiathèque_ (1993) 18. _Les rendez-vous de Paris_ (1995) 19. _La carrière de Suzanne_ (1963) 20. _La boulangère de Monceau_ (1963) 21. _Triple agent_ (2004) 22. _Die Marquise von O_ (1976) 23. _Perceval le Gallois_ (1978) 24. _L'Anglaise et le duc_ (2001) 25. _Les amours d'Astrée et de Céladon_ (2007)

Dream. During the red pill scene, Edgemar accurately reveals the rest of the program. I'm always amazed Quaid doesn't think back and go-huh?!! This is EXACTLY the way Edgemar said it would end!! ( Brain death ensues)