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Jon Raney
เข้าร่วมเมื่อ 20 ม.ค. 2008
Jimmy Raney Book: Sequence & Development
This is a demonstration of Jimmy Raney Book Chapter 3 and how you can use it to improve your playing
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Jimmy Raney Displacement Demo
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To Get the Jimmy Raney Book visit www.shermusic.com/ It's also available at Amazon
The Jimmy Raney Book: An Introduction
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To buy The Jimmy Raney Book visit: www.shermusic.com Direct link to the book www.shermusic.com/9781883217853.php Also available on Amazon
Keyboard Workshop: Very Early
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My interpretation of the Bill Evans classic. Still working on it! (For those of you who saw it before and commented my apologies for removing it! Had some issues and editing in any meaningful way is not really possible)
Peri's Scope
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In the spirit of "Workshop", I present this little unfinished woodshed ditty I was working a while back on Bill Evans' classic "Periscope". So here's the thing, it's deceptively hard. Yes, it's in C but that's precisely the reason I find it hard. It's a "sea of C" so to speak and ALOT of repeated turnarounds on II-V & III-VI. In other words, I find it easy to miss in C because they are similar ...
Keyboard Workshop: Misty
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I record for fun on my Yamaha P115 on some of my Fav Jazz Standards. This one is in the standard key of Eb. Was trying to press for some different elements: Changed harmony on the opening chord and some Bud Powell-like rising II-V chord substitutions in the middle. Enjoy!
Keyboard Workshop: STAR EYES
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I record for fun on my Yamaha P115 on some of my Fav Jazz Standards. This one is in the standard key of Eb. You might find some of my Shearing influences on this one. Enjoy!
Keyboard Workshop: My One and Only love
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I record for fun on my Yamaha P115 on some of my Fav Jazz Standards. On this one I tried to both choose an odd key and some more challenging harmonies. Enjoy!
Keyboard Workshop: Danny Boy
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I record for fun on my Yamaha P115 on some of my Fav Jazz Standards. This one is sort of a double homage to Bill Evans and Keith Jarrett who inspired this. Enjoy!
Keyboard Workshop: Fly Me to the Moon
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I record for fun on my Yamaha P115 on some of my Fav Jazz Standards. Enjoy
Doug and Jon Play Good Morning Heartache and the End of a Love Affair
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Recorded at Birdland on Nov 1996. Doug Raney - Guitar Jon Raney - Piano Dennis Irwin - Bass Mark Taylor - Drums Some of you sticklers might notice something during End of a Love Affair. Just keep it between friends :) (it got straightened out by piano solo) Many thanks to Tim Rogers who was there that night to capture this once in a lifetime event
Doug Raney Memorial Concert
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Here is a short recap video of Doug's Memorial held at Montmartre club in Copenhagen. It was a tragically difficult yet beautiful, unforgettable experience. I thank everyone Cecile , Sille, Morten, and all the musicians participating it and help sending our goodbyes.
Doug & Jon Raney play "Something's Up"
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Doug & Jon Raney Quartet@Birdland with Dennis Irwin, bass and Mark Taylor, drums. Rec: October 1996 Many thanks to Tim Rogers who was there that night to capture this once in a lifetime event
Jimmy Raney on picking & phrasing bebop guitar
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Jimmy Raney on picking & phrasing bebop guitar
BJ and Jimmy Raney and Celery - Sweet! for Guitar Quintet
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BJ and Jimmy Raney and Celery - Sweet! for Guitar Quintet
Doug Raney on Jazz Guitar part 1 of 5.wmv
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Doug Raney on Jazz Guitar part 1 of 5.wmv
Jimmy Raney, The Guitar Show - interview segment
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Jimmy Raney, The Guitar Show - interview segment
Late to the party, but what a great player. So musical, melodic, and just cool!
Wow
Ths is so spot on
@@rogerpercival5486 hello Roger welcome to my sandbox,😄
Thanks Jon, glad you wrote this...I'm going to look for the book today. I hope there will be one about your brother as well! Both guitar giants...
Thanks Mason.
Thank you Jon Raney for realising this Treasure ! This is a very Valuable edition and addition to Jazz education Material for all Musicians . Not limited to Guitarists. It is unfortunately not so common to have published materials from the great Masters of the Golden era. Jimmy Raney was not only a pioneer on the new instrument ( electric jazz guitar in modern jazz ), but a true master musician possessing many refined and Unique qualities .. The Book is very well put together .. In addition your development with the Material is of true excellence. A great asset to all University Jazz departments, and Musicians of all instruments.
Thanks Augie!
They said it about certain famous drummer that used to rush "He's playing behind the beat, behind the NEXT beat"
@@vova47 😁
@@raneyjr Hey Jon, I played with both your brilliant father and (quite a few times) with Doug, with and without Bernt Rosengren. Thank you for keeping their music and memory alive.
Wonderful
Thanks for your comments
That Raney Grace and Class… Superb
@@AgostinoDiGiorgioJazzGuitars Augie! Been forever. How r u? Thanks for comments
Hey! Makin these Guitars, i be in touch. Right now im running to buy the “ Jimmy Raney Book”! Congratulations ! A Substantial Valuable contribution to Jazz Education!! Not limited to Guitarists , I will be spreadin’ the word.
@@AgostinoDiGiorgioJazzGuitars thanks Augie! Hope you like it. Drop me a line via the Raney website
Found his records from the mid 50's and they are absolute gems
GOD BLESSed JIMMY RANEY and his sons Doug (guitar) and Jon (piano) -
Hello Jon , it is good to hear you - more people should - stay in touch Joe
Great!! Bought both the book and the PDF... Jimmy has been my idol since I was a kid. Jon, why don't you record all the examples in the book in the future? It would also be helpful for the many musicians who can't read music and would make the book even more appealing... Thank you!
@@Mauhorn thanks for purchasing. Re: recorded examples. It's probably a good idea. I will discuss with the publisher for the next edition
The way Jimmy Raney could spin those beautiful melodic lines- just pulls me right into the song. Just incredible.
Hi Jon , finally I've got it ! It has arrived in music library in Italy. I also Bought an other book of your father wich I didn't have, it's about the Abersold n29 ,but for now i just looked at it. I would like to ask a question about the Abersold 29: It is normal that in the Tablature of solo the editor puts notes to paly on open strings? I thought they shouldn't play in the jazz guitar . Do you remember if your father and your brother played their solo whith open strings? Thank you!
Great news. In reference to Vol 29 solos, to be honest, I really don't know but I doubt it. I have an early somewhat worn out version of 29 solos and there is no tablature in it. There are occasional fingering indications in the score. So I doubt the tablature indications were his. I have asked Jamey to be sure.
@@raneyjr Thank you Jon, I was interested in your opinion on the matter. I listen to the CD as soon as possible. The tablature indications could be useful for understanding certain areas of the solo on the keyboard... a guide. If whoever inserted them wrote them with such lightness, it really isn't worth considering them in this score.
I listened to the CD and it's very beautiful and with excellent audio. There's little to do when you listen to a number one... it's never banal... it adds nuances that enchant.
It never dawned on me before, how much Jimmy sounded like Dick Cavett.
A very early influence on Allan Holdsworth.
Hi you must be the decent brother, every Sunday during the summer back in the early 70’s (almost every Sunday) I ‘d meet your brother Doug and I was hounding him to meet your dad, anyway when I heard your brother I was blown away I took him to Jack Bradley at the jazz museum, I really dug him as a person(Doug)
This video is precious! ❤
Top shelf.
I’m a trumpet player. I was introduced to Jimmy Raney back in 1980 when my trumpet teacher in high school hipped me to the Jimmy Raney Aebersold book. They were very difficult lines to execute on the trumpet then… and still are!😂 I love his music.The syncopation and displacement in his lines reminds me of the great Louis Armstrong!
Thanks for posting this Jon
The Best🙏💞🔥😮
In jazz guitar, Jimmy Raney, Tal Farlow and Pat Martino are the holy trinity.
Will there be an audio recording for each section?
@@Ex003 sorry no. It will be discussed in later editions. Partly the reason I'm doing these
I bought it immediately as soon as I heard it ! Thank you so much for releasing such a valuable work !
@@TitusMaz Thanks Titus!
Purchased the book from Sher Music. Thanks Jon
@@gregwarner8560 Thanks Greg! Hope you like,😊
Hi Jon. I think the original phrase comes from Lester's famous tag on "Sometime's I'm Happy" (version with Guarnieri, Slam and Sid Catlett). Your father mentions listening to Lester to study the art of developement and I think this session, along with Just You, Just Me is exemplary.I first heard your father in the early 1970's in a club in NY called The Guitar (I was 17 then, I'm 70 now!). He was there for a long engagement and I went almost every night. He usually played with bassist Mike Moore. Your father played so Great I can't put it into words. Often times early in the evening you're brother Doug and I would the only ones in the place. One night Jim Hall was playing with Ron Carter and Doug sat in playng Jim's ES175. He was just a teenager. They played a Bb blues I remember and Jim was very complimentary. I drove Jim out to Jimmy D'Aquisto's shop to pick up the guitar Jmmy made for him. I also became a lifelong friend of Joe Puma's who alternated with your father in the Jimmy Lyon Trio at The Blue Angel accompanying Mabel Mercer and also on her recording "Merely Marvelous". Jimmy Lyon performed at Tatum's funeral! Almost as striking as your dad's playing was his humility. Greg
Hello Greg. You could be right about the pentatonic thing. His first influences were Prez and Christian before Parker. Pentatonic licks were more common in the Swing era. Thanks for sharing your stories. They predate my experience with Dad's gigs which were a few years later, though I did go to the Guitar gig at age 11. I remember sawdust on the floors. I also remember because I was introduced to George Van Epps. Later when I told Doug I made a mistake about omitting the middle name (I was 11 sue me lol) when I told him. I said, "I met George Epps". He needled me mercilessly for years about that. Ha
@@raneyjr It was funny; when I spoke to your dad at Zinno's, the first thing I asked him was, "Wasn't Prez one of your biggest influences?" He said, "No, Charlie Parker was my main influence." I was aware of that, as Barry Harris said on the liner notes to the "Live at Tokyo" album that "Jimmy Raney was the closest thing he ever heard on the guitar to Yard", a fact I always have to remind all the Bird and BH zealots, but I just wanted to hear him talk about what Greg had posted. It's also rarely noted that Mingus named Jimmy Raney as his fave jazz guitarist. Understandably, your father was not in the greatest mood that night, due to an aspect of the group, so I just changed the subject.😁 Your presentations on the book are an oasis of musical sanity on YT, keep them up!
That's funny about van Eps. We used to call him van - eezzz he was so fluent! His father Fred played with George Gershwyn. Van Eps as a little boy would sit on Gershwyn's lap as they rehearsed! Bless the Raney family (PS - I took up tenor after copying Lester's solos on guitar and ended up playing saxophone for the next 47 years) Really great communicating with you Been bottled up in me for half a century!
@@sgcim956 Re: Prez. Yeah not sure what that's about. It seems like that lick he plays on the JA play along record on Rhythm changes (top of last A, first chorus) is right out of Lester. Perhaps Greg can confirm this. Re: sanity. I'm trying...,😉
👍
Super way of looking at this subject.
@@bobblues1158 thanks Bob!
I bought the book as soon as I heard from it. Thank you very much releasing it. I love the playing of your father and also of your brother.
😊Thank you very much!
Thanks Jon
Your welcome😊
I'm glad I discovered your channel. Thanks for sharing such great materials about your father. He was the man! :)
It's interesting that Jill Stein only criticizes the Democrats, it's almost as if Putin wants Trump to win so he gave his marching orders to Stein to go out and try to pull votes away from Harris. It's amazing that people don't see the grift here.
Beautiful, Jon. Clever using the P-115's own recording capability.
@@jerryengelbach Jerry! How the hell are u fella? Long time. Thanks for the thumbs lol.
@@raneyjr Browsing and found your terrific TH-cam clips. Dunno how I missed them for so long. I use the same Yamaha keys on gigs. Always wished I had your chops. Cheers, Jer.
@@jerryengelbach the P115 is still a good instrument, isn’t it. Mine is kind of on its last legs with loose keys. I guess I hit ‘em too hard. 😬 drop me an email to catch up
@@raneyjr Don't have your email, so sent thru your website.
Hi Jon, I read an interview with John Scofield a few years ago and he said that he saw the video of your dad playing Billy's Bounce and he sent it to Pat Metheny. I don't think your dad could get much higher praise than that.
@@davidsheriff9274 yeah John mentioned that to me and also Pat’s response. I ended up putting them on the Everybody Dig Jimmy tab on my Raney Legacy website, www.jonraney.com
That is wonderful playing--his ideas are so close to the surface, he has no trouble accessing them. There's no apparent separation between the impulse of what to play and its execution. Amazing!
@@johnmiller1620 true indeed!
Amazing ! Your dad was my greatest discovery in jazz guitar along with your brother . Thank you Jon ! I will order it for sure ! Greetings from Croatia !
Greetings back from USA😊. Thanks for purchasing!
Ordering imediatly, Jimmy Raney is one of my heroes in jazz. Loved your work and dedication on website. My compliments and praise
Thanks jazzguitarTS
Got my hard copy. Very useful book. Thank you,Jon.
@@bobbycoxjr.2464 thank YOU,,😄
I'm taking music lessons from Chris Bizianes I took the book with me and left it with him to look over. He was impressed by it too.
@@bobbycoxjr.2464 great to hear!
Jimmy and Tal! My two favorite jazz guitarists!
Wonderful job keeping the legacy of your father alive! I will be ordering my copy right away. Your father’s album “The Master” is one of the greatest jazz guitar recordings ever made. His use of space has never been equaled. Thank you again for sharing this with the world!
@@DaniloMarrone Thank you Danilo.Hope you enjoy!
@@raneyjr I’m looking forward to learning from the master-just as Doug did. Their synergy on the guitar duets was amazing. Your contribution to the jazz guitar canon is invaluable. Thank you!
beautiful
Hi brother Jon The whole clip came up recently, in a slightly better quality Cheers from Denmark th-cam.com/video/jGjJhV0PyHA/w-d-xo.html
Love your dad's playing. Cheers from Italy
Bought it! Can’t wait to explore. Thank you, Jon!
@@fouroutoffour that's great, thanks so much!
I heard Jimmy and Doug years ago with Lee Konitz in my home town. Fantastic.
Unfotunatley I do not speek and write english well, so the spoken I have difficolt to understand ,but I see your videos playng the piano and the impression is that you are a great artist as your father . I am Italian , in 1994 I get in the store the Raney's album in Abersol ,I mean that dated 1979 if I am not in wrong. Today still I'm Studing on my guitar that incredible music similar at the music of J.S .Bach. Sorry for the mistake I have ben Study English only 1989 1990 and then I never pratic english leanguage till this time on you tube I ' ve wrote this message at memory without dictionary book. Thank you for your music
Hi Luca, thanks for you comments on my father and my videos. No worries about English. I understand you. Best, Jon
I love how his fingers move.... without ever seeming to stop on any given note. ...Just a continuous flow. There's a lesson in just that somehow
Hi Jon, Loved the book. For the transcriptions in Chapter 10 and 11, do you know which recording are they from ? Thanks
Hello RBC2. Glad to hear it! Chap 10 solos were created by me for the book.They are not Dad:). Chap 11 solos were Dad's written especially for the book
This is wonderful. I loved discovering Jimmy when I first got into jazz in the 70s, then listening to Doug coming on to the scene in the 80s. Jimmy had a special touch on the guitar that was unique. The book looks really good.