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Same lugubrious feel as Roslavets (though looks easier to play).

About twenty years ago, the American musicologist David Buch thought he had discovered Mozart's unknown opera "Der Stein der Weisen, oder die Zauberinsel" (1790) (The Philosopher's Stone, or the Enchanted Island) a singspiel in Act II; but he soon discovered that it was a forgotten "collective opera" - composed jointly by Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder and Mozart. The libretto was written by Schikaneder based on a fairy tale by Christoph M. Wieland. The opera has several important parallels with Mozart's The Magic Flute (1791), which premiered a year later. All 5 wrote parts of Act II, and all but Mozart wrote parts of Act I. Henneberg composed the overture. All 5 were later involved in The Magic Flute: Mozart as composer, Schikaneder as librettist, impresario and performer (Papageno), Henneberg as conductor, and Schack and Gerl as performers (respectively Tamino and Sarastro). The similarity between these two operas is striking! The basis for this " Der Stein der Weisen, oder die Zauberinsel" is Paul Vranicki's "Oberon" from 1989.

Yay disonance barber

In what sense is this performance "con brio"?

Какой Великий Мастер Клементи, недаром намного обращали внимание Бетховен, Моцарт и другие композиторы, он незаслуженно забыт, а ведь в его музыке прекрасно отображены: форма, контрасты, фразировка, динамика, новые интересные пианистические приемы, музыка его живая и одухотворённая, замечательно выстроена и начало, почти Доменико Скарлатти, который родился в один год с Великими Бахом и Генделем - 1685 г, скорее всего это как вариации на тему Сонаты Скарлатти, который, как и его знаменитый отец Аллесандро, внесшие в музыкальную сокровищницу свои труды..

Today it makes sense to listen to pieces like this...

12:57 14:03

25:21 - 25:38 is magical.

Beethoven and Chopin were quite avid fans of Clementi...I think it was Beethoven who declared that Clementi wrote better piano sonatas than anyone he knew. This piece shows why.

Mozart described him as being an automatum. Though clementi accused him of stealing theme from this sonata for his magic flute opera.

11:09

9:30

Feinberg at his best

scriabin if he didn't go insane

8:01

Clementi is all joy!

0:15 I: Father Abraham 4:14 II: Desert Interlude 7:49 III: As His Own Soul 10:32 IV: Barcarolle of Tears 14:37 V: I Am The True Vine 16:37 VI: Martha Complained 22:14 VII: Other Sheep 31:16 VIII: Madrigal Divine

14:11

The sonatas by Clementi appear richer than the sonatas by Mozart

Feinberg is such an amazing pianist...

I think this is the first time I've seen a cadenza in a sonata movement!

Great job!

The first nocturne, remind's me so much to the 2005 pride and prejudice sound track 👍👍👍

Ultimate transcendental music, no? What a great floral piece! It has got a whiff of old French chacone idee fixe quality.

perfection.

Gorgeous.! It should be illegal to have ads in the middle of classical music videos..

Hall Jose Lewis Shirley Wilson Mary

the most underrated composer of all time. and father of the piano

Love the quote from Mozart's Prague Symphony in the first movement cadenza. Very witty. Excellent playing. Thank you.

10:03

6:20

Splendid sonata, somehow reminiscent of Mozart and Beethoven, the canonic movement adds an interesting touch as well. Excellent performance, thanks for uploading.

At 14:04 is evidence that true tonality, with melodic lyricism didn't surrender to the mid-century obsession with atonality. At 15:18 it sounds like Barber is quoting Gershwin's piano concerto.

Browning never understood what to do with the recurring 3-note motif in the 1st movement which should have stress on the 2nd note, not the 1st. The orchestra gets it right, but the pianist, in both of his recordings, doesn't. You'd think somebody like the exacting George Szell would've pointed this out to the soloist. If you're following along with the score, it's maddening not to hear what is plainly indicated by the composer.

Very beautiful !

3:38 nice

3:29 III

Vl fleurs 10:03

16:13

i do not like this as much as his other concertos, like the cello concerto

Mozart was a killer of plagiarism...

This has easily just become my favorite performance of this incredible concerto.

Excellent concerto and brilliant performance!

Good to see this with the short score. I always have to chuckle how conductors and pianists inevitably play the main theme of the finale so that it sounds like 6/8 instead of 5/8 (making the first "big" beat too long). And as to the difficulty, I remember going to a pre-concert panel discussion before the NY Phil's first performance of this in 1963, with Barber and Browning, and Barber saying that there was no way in hell he could perform the piano part himself.

Too fast.

3:01 3:27 ❤

Very nice played this sonata, would you have the music notes? I cannot find it in IMSLP

No 4 is just flying

this is music.

Lowkey underrated cuz magic flute, people just dismiss this as worse