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Amphora Rope
เข้าร่วมเมื่อ 4 ม.ค. 2017
This channel is dedicated to score-videos of piano music, mainly of fairly lesser-known works, but also those of great Italian composer Muzio Clementi.
If you'd like to support this channel, please visit www.buymeacoffee.com/amphoraropH (link is below as well).
Thank you for watching! :)
If you'd like to support this channel, please visit www.buymeacoffee.com/amphoraropH (link is below as well).
Thank you for watching! :)
R. Nathaniel Dett - 8 Bible Vignettes
Robert Nathaniel Dett (1882-1943)
8 Bible Vignettes (1941-1943)
Michael Lee, piano
www.michaelleepianist.com/
1. Father Abraham: Title - 0:06 Music - 0:15
2. Desert Interlude: Title - 4:07 Music - 4:14
3. As His Own Soul: Title - 7:42 Music - 7:49
4. Barcarolle of Tears - 10:32
5. I Am the True Vine: Title - 14:27 Music - 14:36
6. Martha Complained: Title - 16:27 Music - 16:36
7. Other Sheep: Title - 22:03 Music 22:13
8. Madrigal Divine - 31:15
leaf-music.lnk.to/ML2023
8 Bible Vignettes (1941-1943)
Michael Lee, piano
www.michaelleepianist.com/
1. Father Abraham: Title - 0:06 Music - 0:15
2. Desert Interlude: Title - 4:07 Music - 4:14
3. As His Own Soul: Title - 7:42 Music - 7:49
4. Barcarolle of Tears - 10:32
5. I Am the True Vine: Title - 14:27 Music - 14:36
6. Martha Complained: Title - 16:27 Music - 16:36
7. Other Sheep: Title - 22:03 Music 22:13
8. Madrigal Divine - 31:15
leaf-music.lnk.to/ML2023
มุมมอง: 213
วีดีโอ
Poulenc - Fiançailles pour rire
มุมมอง 6Kปีที่แล้ว
Francis Poulenc (1899-1963) Fiançailles pour rire, FP 101 (1939) Geneviève Touraine, soprano Francis Poulenc, piano I. La Dame d'André: 0:06 II. Dans l'herbe: 1:30 III. Il vole: 3:41 IV. Mon cadavre est doux comme un gant: 5:22 V. Violin: 8:10 VI. Fleurs: 10:03
Leo Ornstein - Solitude
มุมมอง 322ปีที่แล้ว
A live performance from 2020 of one of Ornstein’s most moving works, written in 1978. Bryn Blackwood, piano Walter Hall, University of Toronto
Roslavets - 24 Préludes for Violin and Piano
มุมมอง 1.5Kปีที่แล้ว
Nikolai Andreyevich Roslavets (1881-1944) 24 Préludes for Violin and Piano Mark Lubotsky, violin Julia Bochkovskaya, piano 1. Andante - 0:06 2. Allegretto - 2:31 3. Allegro - 3:51 4. Andantino - 4:56 5. Maestoso - 6:58 6. Allegro moderato - 10:07 7. Larghetto - 13:12 8. Allegretto - 15:26 9. Presto - 16:54 10. Allegro non troppo - 17:43 11. Adagio - 18:36 12. Andante - 20:44 13. Largo - 22:22 1...
Bridge - Four Characteristic Pieces
มุมมอง 1.1Kปีที่แล้ว
Frank Bridge (1879-1941) 4 Characteristic Pieces, H.126 (1917) Peter Jacobs, piano I. Water Nymphs - 0:06 II. Fragrance - 2:22 III. Bittersweet - 6:01 IV. Fireflies - 8:08
Alexander Glazunov - 4 Preludes and Fugues, Op. 101
มุมมอง 1.5Kปีที่แล้ว
Alexander Konstantinovich Glazunov (1865-1936) Four Preludes and Fugues, Op. 101 (1918-1923) No. 1 in A minor: 0:07 No. 2 in C# minor: 16:26 No. 3 in C minor: 25:42 No.4 in C major: 34:25 Tatjana Fraňová, piano
Wolf - Michelangelo Lieder
มุมมอง 2.6Kปีที่แล้ว
Hugo Wolf (1860-1903) Michelangelo Lieder, text by Michelangelo Buonarotti; translation by Walter Heinrich Robert-Tornow (1897) I. Wohl denk ich oft an mein vergangnes Leben: 0:07 II. Alles endet, was entstehet: 1:59 III. Fühlt meine Seele das ersehnte Licht: 5:47 Hans Hotter, bass-baritone Leo Schwartz, piano
Poulenc - Trois chansons de F. García-Lorca
มุมมอง 1.2Kปีที่แล้ว
Francis Poulenc (1899-1963) Trois chansons de Federico García-Lorca, FP 136 (1947) I. L'enfant muet - 0:06 II. Adelina à la promenade - 01:36 III. Chanson de l'oranger sec - 02:19 François Le Roux, baritone Pascal Rogé, piano
Joaquín Rodrigo - Piano Concerto
มุมมอง 3.3K2 ปีที่แล้ว
Joaquin Rodrigo (1901-1999) Concierto Heroico para piano (1942, revised 1996) This is a compelling piece - Rodrigo is known best for his guitar repertoire, but has composed many wonderful piano miniatures in addition to this truly formidable piano concerto, which deserves to be heard more. I intend to feature more of Rodrigo's music on this channel. This is the arrangement done by Joaquín Achúc...
Rodrigo - 2 Berceuses
มุมมอง 6302 ปีที่แล้ว
Joaquín Rodrigo (1901-1999) Deux berceuses (1923-28) Artur Pizarro, piano I. Berceuse de printemps: 0:05 II. Berceuse d'automne: 2:15
Clementi - Sonata Op.13 No.6
มุมมอง 14K2 ปีที่แล้ว
Muzio Clementi (1752-1832) Piano Sonata Op.13 No.6 (1785) Maria Tipo, piano I. Allegro agitato: 0:05 II. Largo e sostenuto: 5:13 III. Presto: 11:16
Clementi - Sonata Op.25 No.2
มุมมอง 13K2 ปีที่แล้ว
Muzio Clementi (1752-1832) - Piano Sonata Op.25 No.2 Vera Franceschi, piano I. Allegro con brio: 0:07 II. Rondo un poco allegro: 4:25
Clementi - Sonata Op.39 No.2
มุมมอง 6K2 ปีที่แล้ว
Muzio Clementi (1752-1832) - Piano Sonata Op.39 No.2 Laura De Fusco, piano Allegro - 0:06 Adagio maestoso - 4:08 Allegro con spirito - 7:26
Rossini - Tarantelle pur sang
มุมมอง 8152 ปีที่แล้ว
Gioachino Rossini (1792-1868) Tarantelle pur sang (avec travesée de la procession) Dino Ciani, piano
Dvořák - Scottish Dances, Op. 41
มุมมอง 2K2 ปีที่แล้ว
Antonín Dvořák (1841-1904) Scottish Dances, Op. 41 (1877) Radoslav Kvapil, piano
Enescu - 7 Chansons de Clément Marot, Op.15
มุมมอง 3K2 ปีที่แล้ว
Enescu - 7 Chansons de Clément Marot, Op.15
Samuel Coleridge-Taylor - Piano Suite "Three-Fours", Op. 71
มุมมอง 1.9K2 ปีที่แล้ว
Samuel Coleridge-Taylor - Piano Suite "Three-Fours", Op. 71
Alexander Tcherepnin - 10 Études, Op.18
มุมมอง 2.6K3 ปีที่แล้ว
Alexander Tcherepnin - 10 Études, Op.18
Poulenc - Française d'après Claude Gervaise
มุมมอง 2.9K3 ปีที่แล้ว
Poulenc - Française d'après Claude Gervaise
Very beautiful !
3:38 nice
3:29 III
Vl fleurs 10:03
16:13
i do not like this as much as his other concertos, like the cello concerto
Mozart was a killer of plagiarism...
Scriabin with a broken head and broken legs.
This has easily just become my favorite performance of this incredible concerto.
Excellent concerto and brilliant performance!
Good to see this with the short score. I always have to chuckle how conductors and pianists inevitably play the main theme of the finale so that it sounds like 6/8 instead of 5/8 (making the first "big" beat too long). And as to the difficulty, I remember going to a pre-concert panel discussion before the NY Phil's first performance of this in 1963, with Barber and Browning, and Barber saying that there was no way in hell he could perform the piano part himself.
Too fast.
3:01 3:27 ❤
Very nice played this sonata, would you have the music notes? I cannot find it in IMSLP
No 4 is just flying
this is music.
Lowkey underrated cuz magic flute, people just dismiss this as worse
One of the greatest piano concertos, bar none! Wonderfully performed by both soloist and orchestra. Fiendishly difficult except for the ravishing second movement. Samuel Barber deserves to be counted amongst the greats!!
Excelente audio! Me gustó demasiado. Es la primera vez en mis 67 años que escucho este hermoso Vals Suite de este compositor. Es un Vals muy elegante. ¡Felicitaciones! ¡Gracias por compartir! Saludos desde México.
Clever and interesting and well crafted, but don’t you just wanna say sometimes, Sam, calm down.
Then again it was 1960, and who knew what was going to happen?
God Bless you both! Be Meo is so adorable.
God, he butchers the first mazurka so hard... he just butchers everything he plays, just a modernist with no musical insight, a complete waste of a human.
很好
10:22
Chopin se inspiró en Field
The first movement is quite odd, and almost post tonal, but has its own beauty. As a pianist, it is ridiculously difficult to a degree that even surpasses Rachmaninov. I will say, even though Barber was a pianist himself, there are bits of this movement that do are not nicely "playable" (by that I mean that even though rachmaninov's repertoire is incredibly difficult, it is written with the soloist in mind). That being said, this concerto was written specifically from John Browning's piano technique, which is why it doesn't come across as universally playable, e.g. the writing isn't intuitive, and is specific to the intended soloist. The second movement is just gorgeous, and the most playable and intuitive section of the entire concerto. It is heartbreaking and menacing at the same time, and to me represents the unknowns of death. The descending chromatic motif within the strings is potentially one of the most moving bits of music I have ever encountered. The third movement is quite frankly just goofy. And I think that is potentially the intent. It is to me very difficult to find exactly what key area we are in, and there is extensive use of dissonance which furthers the confusion. But its a good kind of confusion, one that is welcome for its shear absurdity and virtuosity. (Apparently, the third movement was not even finished until 15 days before the concert and was deemed to be unplayable in its first draft by the soloist, and it took a second opinion from Vladimir Howitz for Barber to agree to write it to be playable at concert tempo) Overall, one of the most unique and eclectic works in the genre, and a fantastic example of American classical music. Barber will certainly continue to be one of the American Greats and just orchestral Greats in general.
The sonata was fiery.
Questa sonata è un capolavoro
Прекрасное напряжение
RHUL 23 hour music exam core
So nice! It sounds more symphonic (in terms of form and thematic development, im not talking about textures) than the usual sibelius piano pieces, that tend to be more like miniatures. Very interesting
Masterpiece
ze chills
I think there's an outside chance Wolf had heard Tristan; lovely
Wow !
Hi
Kind of smacks you right in the face at the beginning! Anyway the piano is starting…
First étude is Brahms turned rach in the middle
Clementi è stato un colosso della musica pianistica del periodo classico, con una forte tendenza al pre-romanticismo nella sua ultima fase ! Punto. Genialità e massima libertà creativa le sue doti più evidenti, oltre ad un virtuosismo elevatissimo ma mai fine a se stesso. Direi che nell'Olimpo del classicismo pianistico possono tranquillamente coesistere Haydn, Clementi, Mozart e il primo Beethoven (il secondo e terzo Beethoven lo classifichiamo in ben altra categoria). Tutti gli altri compositori pianistici di quel periodo, al confronto, sono o "robbetta", o al massimo musicisti molto simpatici e piacevoli, nulla di più. N.B. Non ho volutamente incluso nell'Olimpo del classicismo né Schubert né Mendelssohn, grandissimi ma già decisamente oltre il confine tra classicismo e romanticismo, sebbene alcune loro composizioni giovanili possano considerarsi ancora nel solco del classicismo, sebbene non siano certamente le loro pagine migliori.
Если прослушать Фортепианные Концерты Сальери, то его также можно включить в Ваш первый список, о нём незаслуженно забыли, да и ещё Карл Филлип Эмануэль Бах, также очень силён, оригинальный и красив..
thank you Mr Fields
45:56 is the most Chopinesque thing a non-Chopin composer has ever wrote.
Field antecede de Chopin. Chopin se inspira en Field... No lo contrario...
Not a fan. Oh well there's always the violin concerto and adagio for strings of course
2
3:38 9:01
2:04 Peregrina II
4:05 6:55
II, III, VI (seems)
III 3:41
3:41
Berman is all the map with his tempi. Is this is standard approach or peculiar to this performance?
Masterpieces.