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The subs really do impress me. But for that room going forward, I think I will be going back to 18's. You'll see the 18's in use in an upcoming video

luckily I have things staged so there isn't too much heavy lifting (dead lifting) anymore. I have spent years streamlining things to get to this point. Hopefully there were some takeaways you can use (other than the amount of work, lol) Thank you for watching and commenting!

It depends on your local market. Thank you for watching!

@@inthemixls I watched a crew do something very similar for about 6800 in KY for a crow of about 380-400. I thought it was a good price but I also see some crews in similar situations charging half that

Exactly. Most of my business is word of mouth, and like you, I work hard to keep that reputation. Thank you for watching and commenting!

absolutely the tops will crush the subs. I run my subs on an aux which allows me to control the volume's to match. Thank you for watching and subscribing!

I agree. With the room size, there wasn't an ideal spot to place the projector with the stands I had. A TV would have been a better solution. Should the business case present itself, I may add one to my inventory for future events. Thank you for watching!

Greetings! Thank you for watching and commenting!

EDrums have come a long way! There are a few bands I work with on occasion that use them. For small rooms, nothing is better. The use of Edrums in this space really saved the day. Thank you for watching and subscribing!

Just checked the description. 😅

Thank you for watching and commenting!

Thank you for watching and commenting!

Thank you for watching and commenting!

The front lights used in this video are typically used as blinders. They go by different descriptions, but you may be able to find them by searching for 2 eye cob light. My brand are just generic, and do cool and warm white colors only.

@@inthemixls thank you. its perfect! looking for that warm amber color only :)

Thank you for watching!

ha! yeah, the parents had not a care in the world.... The temperature wasn't too bad that day, but I've been there. I think my most hated part of cold weather gigs is coiling/uncoiling the cables.

The main subsnake I use is a Whirlwind Drum Drop. It's 12 channels, 8 of those channels are XLR female tails. To catch other odds and ends, I either go direct, or I have two Cat 5 whirlwind boxes (one of which has built in DI's). But all analog to the DL32

@ thank you sir, great job on the videos

That was my thought too. Voltage drop on that long of a run is going to be pretty significant. Not to mention not a whole lot of amperage available from those 2 outlets. I just ordered a 7500/6000 watt inverter generator, and a 50 amp power distro for my smaller gigs (future-proofing for a bigger generator, or venues with 50 amp 240v). 7500/6000 watts is probably pushing it though, with 2 tops/2 subs/4 monitors/amps/mixer rack. Guess I'll find out! Lol. I also have a 2500 watt LifePO4 battery/inverter setup (3800 watt hours) I could use for monitors/mixer rack/lights, hopefully not causing any ground loop issues... Just started learning about live sound power (I've wired up outlets in my home, that's easy by comparison. Lol).

When I first starting setting up at that location, it was definitely a concern. So much so I had a voltage monitor/regulator on it. Believe or not, the system is efficient enough to be able to handle it. I definitely would not run any larger of a system on it, but luckily, it's not needed there.

Thank you for watching and commenting. I'll see if I can get some of that in future videos

…also, everytime I hear Tom Perry’s American Girl, I think of Silence of the Lambs for some reason.

Hear that song alot in the cover band circuit! lol

It's a Gravity Stands Light Stand Reducer Flange (36mm to M10 Male). Thanks for watching and subscribing!

Unfortunately I didn't have the opportunity to film the driver replacement, but the original driver definitely showed over-excursion. My guess is a pop from a cable ended it. Thank you for watching and subscribing!

Thank you for watching and commenting! Appreciate it!

Thank you for watching and commenting!

Thank you, I'll try that in future videos. Thanks for watching and commenting!

It's nice how over the years the gear has trended towards more compact and lighter. One of my favorite parts about the Yamaha subs is that their cover is designed to stay on. It's nice to not have to find a place to stash covers, especially in smaller venues. Thanks for watching and commenting!

It depends on what you are trying to do. If you have same manufacturer subs and tops, many of them are designed to come out of the sub and into the tops. Nothing wrong with that approach, and it can save cabling if you only have to run on signal cable from the mixer to the mains. My preference over the years is to run subs on an aux (or in the case of the XM32, Mono). That means I have to run two separate signal cables to the mains (one for sub signal, one for top signal). In my videos, you may notice that I use a 2 channel XLR tail snake. It saves some extra time not have to roll out and coil up extra cables, because now the signal is in one cable (the 2 channel snake). Thanks for watching and subscribing!

Yeah, I'm not sure either. I don't run these into the limiter. I'm just curious if the pop from someone disconnecting on stage at a prior gig provided enough to move the driver into over excursion. Thanks for watching and commenting!

Thanks for watching and subscribing! Appreciate it!

It's a 25 ft cable. I'm considering getting the 50 ft version as well. What with regard to power distribution cables would you like to see? A review of the Seismics? Thanks for watching and commenting!

DZR 12. Thanks for watching and subscribing!

Hey! Glad you are enjoying the videos! The touch screen monitor is a 15.5 inch Travel touchscreen from Amazon. Thanks for watching!

They've really become my "go to" speakers for all but the largest shows. There are other brands to look at, as Meyers do come with a premium price. But for size and weight, I'm enjoying them!

I highly recommend reaching out to a dealer for pricing. Thanks for watching!

I recommend reaching out to a dealer for pricing. Thank you for watching and subscribing!

If you are asking about the Blinder type lights, they are just a generic brand I purchased a few years ago.

Agreed. There's definitely a line. Sometimes it's educating the client, as they simply may not be aware. Thank you for watching and commenting!

I recommend reaching out to a Meyer dealer for pricing. Thank you for watching and subscribing!

Thank you, I appreciated it! Thanks for watching and commenting!

I think the most comparable would be Danley SM80s, but they are not powered, weigh a little more, and don't have the dispersion. I still have dbtechnologies IG3Ts and IG4Ts. They definitely pack a punch, and can be arrayed for larger gigs (2 per side). Till I got the Meyers, I used those. The main reason for getting the Meyers was to have more SPL on a pole without having to double up (groundstack or fly) the IGs. Another option to look at could be the RCF TTW4A's. They have about a 100 degree dispersion, but weigh about 67 lbs.

Thank you. Rockville definitely makes some affordable stuff. I use their bags for some lighting bars that come out occasionally.

Yes, these are part of the Chauvet EZlink series. The batteries in these seem to last forever. They have a newer version out now with a USB port to take their Di-Fi. It's a shame they don't build it in, but I get it, it's more $ for them to have them available for purchase separately.

The packouts have proven themselves as very versatile. I like that they can break apart for smaller packs, yet stacked and rolled together at events. Thanks for watching and subscribing!

In this video, I was using the Chauvet Di-Fi, and a generic Wireless DMX I got several years ago. I don't think it had a brand name. Thanks for watching and commenting!

Maybe I'll do a future video on some of my go to settings. Thanks for watching and commenting!

@ that would be great. And maybe show how you can record on laptop with reaper thers no videos out tber lives walk thru setting full band set up settings sound che k and recording them on reaper setting on desk and laptop id be very greatfull if you could really would. Thanks for your reply

The stage wedges are DbTechnologies FMX series. 10s, 12s, and a 15 at the drums. I do have bands that use IEMs. I have PSM300s racked up with a Behringer SD8, so I can run 3 stereo or 4 mono wireless channels (I have 4 body packs at this point). Thanks for watching and commenting!