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Thank you so much 🤗

Thank you so much. I'm glad you like it. 🤗

Thanks 😁

Thank you so much, I'm glad you like it. Everything is edited manually in the MIDI editor. Recording can't work well and efficiently for me where a track is automated with at least 10-12 parameters, and I don't have usable keyboard playing skills... Maybe it'll be change a bit in the future: as a former woodwind player, a couple of days ago I began to use EWI and I really enjoy it 🤗

@@ferencbatri Ok, it is difficult for me too, so I understand. I was a trombone player before so I may feel what you say. Keep on this wonderful work bro!

Thanks for the encouragement; that's what I'll do. 🙌

Thank you, I'm very grateful for that. Indeed, I won't deny that I'm a big fan of John Williams' music.😇

Thanks a lot 🤗

Thank you, I appreciate it much :)

Thank you so much :)

Thank you so much, David, it means a lot. ...yeah, CSS has a soul, and I always discover something more nuanced, tiny thing in it, piece by piece. But of course, it costs for extra work: for example, I design automation curves exclusively by hand for 42 parameters on the five string section tracks (a combined racked instrument with the CSSS, as a two-layered library on four MIDI tracks, etc.). This can be exhaustive (but also exciting) so I really appreciate your excellent attention. 🤗

@@ferencbatri I can hear you are doing it by hand, it is the only proper way to create a MIDI orchestral piece. Millions of mousing on curves, re-automating it after auditioning it over and over and 42 parameters, wow! No wonder it sounds so good. I know a lot of composers who do MIDI but man, most of them barely touch this excellence. Hope to get to some competition composing also but currently I gotta focus on other stuff hehe.

Thank you so much 🤗

thank you so much :)

Thank you so much 🤗

Thanks a lot 🤗

Thank you so much 🤗

@@ferencbatri The score is really good and could easily make it to the top 3, good luck!

I don't think they'll open the competition to previous winners this year either... I'm just taking part in creating something hopefully exciting for a nice short movie ;)

Thank you so much, Elijah, I appreciate much :)

Thank you :)

Thank you so much 🤗

Thank you so much. I made it in Maya (nParticles and MASH 3D motion graphics toolkit...)

Thank you

@@winknotes thank you so much

Thank you so much

Thank you. I made a video ;) th-cam.com/video/As0perrGIDA/w-d-xo.html

Thank you so much

@@歐陽可威 thank you so much

Thank you 🤗

Thank you 🤗

Thank you 🤗

Thank you. Usually, I clean the sound at the instrument, section, and master level too with EQ, and smart:eq, and use Soothe 2 as a resonance suppressor, sometimes I use a mixer desk simulation plugin on the section for further coloring. I use Cinematic Rooms Professional as reverb and Ozone for mastering, Usually, I don't use compression only a few in certain cases (brass, percussion, epic...). Carefully balanced mic settings for each library, I prefer more definition (close mic), and after mixing some filtered ambient with super quality CRooms. Layering is the most important thing, I use CSS+CSSS as a section+first chair combo on a single track for each instrument section (except double bass), but I use layering with solo in any possible case... in a nutshell, that's it :)

@@ferencbatri Thanks for the insight! Very helpful. Cinematic Rooms was already on my list of upgrades and will add Soothe and Smart Eq to that list. Much appreciated!

Finally, the 4th version of Smart EQ contains profiles for each string section. For my taste, CSS needs some color treatments... If you are lucky, you can grab the CR pro version on Black Friday, like me ;)

@@ferencbatri Thank you. Would love it if you shared a video of your process. CSS will add that to the list too. Any books you could recommend on orchestration and or programming?

Apart from the most popular TH-camrs, I can't really recommend anything else. In a given situation, I tend to look randomly for theories or technical details on the web. I have a few breakdown videos, but I don't think I'll ever make an orchestral mixing video, sorry. For this topic, I can suggest Joël Dollié's channel. Good luck.

Hi, this piece exists as a DAW project only in Ableton. If you want it I can send it to you for free ;) Just send me your email in a pm on FB (you can find me easily).

Thank you so much 🤗

Thank you so much and congratulate to your 1st place, very beautiful and original entry 🤗

Thanks :) 2 months ago...

Of course

@@ferencbatri thank you so much but can I monetize my TH-cam video with this music

Please don't

@@ferencbatri ok

thank you, I'm glad you like it :)

Thanks for following my work, I appreciate it 🧡 I used really basic motion design, I don't think I made a breakdown of this topic on this channel but you can search videos for "how to cut images in Photoshop using pen tool" but there are many similar ways to make an image transparent manually and check this video, maybe it helps: th-cam.com/video/7tVyu-rjHbg/w-d-xo.html

@ferencbatri I will check it out. Thank you!

Thank you so much 🤗

glad you like it, thank you ☀

Hi, thank you so much 😊

@@ferencbatri Congratulations on being a finalist!

Thank you so much 🤗

Thank you so much, Elijah, your words means a lot. Btw your brilliant entry is my absolute favorite 😉

@@ferencbatri of course, and I’m super glad you liked it! 🕺

Thank you so much :)

Thank you so much 🤗

Glad you like it, thank you 🤗

Thank you so much 🤗

Thank you so much 🤗

thanks, well, we'll see if it comes true for the fifth time :)

Nothing special, I used Photoshop and After Effects in an old regular workflow ;) You know, this is a part of my original profession...