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Mfw M was much scarier to fight than N. And conniving with her little trick she pulls to make N do what he does and realizes the centrifuge and snaps like a twig. And M neutralized X's abilities for the group. That moment was just like "OHHHH MY GOD!!"

still salty this game lost best OST to God of War

I love how this having the same melody as Agnus Colony while using different instruments portrays both the similarities and differences between this place and any other Agnian colony.

I love when this plays when you're fighting an enemy in a tiny pool of water on an island.

Manami Kiyota's original comment, put through a translator and edited by me: 2-03. Nearing the Enemy This is an ambient piece I wrote for a tense scene. The basic part of the song was created using synthesizers, but a chorus was added to create a nice atmosphere. The chorus melody may have a slight Japanese element. As I listened to the recording, I thought about how wonderful it was that the male chorus added weight to the song. Remote recording with Slovakia created a very magical space, and I am always impressed by how interconnected the world is. [Kiyota] Original: 緊迫シーン用に作ったアンビエント系の曲です。基本的な部分はシンセサイザーで音作りしていますがコーラス を入れて良い雰囲気になりました。コーラスのメロディは少し和の要素が入っているかもしれません。男声コー ラスが入ると重さが出て素敵だな~と思いながらレコーディングを聴いていました。スロヴァキアとのリモート 録音はとても不思議な空間で、世界は繋がっているんだなあ~といつも感動します。[清田]

People who only played Xenoblade 3 will never understand what the Urayan Tunnels once were….

Lanz? Sorry. Could I ask for some help here?

The Moebius TH-cam versions keep dying because Ourobouros is so good at their jobs

勇氣、友情、熱血！！！ 啊啊啊啊啊

Me when when the great sea stirs permanently replaces this banger. (to be fair, that one is also really good)

Kenji Hiramatsu's original comment, put through a translator and edited by me: *2-02. Alfeto Valley/Night* The still-anxious feeling of the early field is carried by the alto flute and cello with the piano as the main instrument... For this song, I wanted to have a calm, quiet, and delicate piano tone, so I asked Osaki Keiko-san to play on the Bösendorfer. This album has many delicate songs (including some intense ones), so the vast amount of percussion was also recorded almost live! In the final days of recording, we had to go over the top every day due to a storm of dubbing, but Nozaki Megumi-san breathed the last of her life into the song! [Hiramatsu] Original: 序盤フィールドの夜、まだ不安で一杯な気持ちをピアノ主体にアルトフルートとチェロに乗せて･･････。今作、しっ とりと落ち着いた繊細なピアノの音色が欲しくて、それらの曲はベーゼンドルファーで大嵜慶子さんに演奏いた だきました。同じく今作は繊細な曲が多いので(激しい曲も含めて) 膨大なバーカッションもほぼ生収録! レコ ーディング終盤、ダビングの嵐により連日てっぺん超えでしたが野崎めぐみさんによって最後の命を吹き込んで いただきました! [平松]

The Nintendo Music app needs the Xenoblade games asap.

Epic song of Xenoblade3

*Kenji Hiramatsu's liner note:* (I do not know any Japanese. Put through both Google Translate and DeepL and edited to make sense. My translations are still inferior to a Japanese speaker, though I do hope being a musician will help me out with the ideas) _(I'm not trying to replace the person who did this before, Robottsie, but I have access to the composer comments for the rest of the soundtrack and would like to make them easily accessible to people who find these uploads. They share fascinating stories and aspects of the music that may otherwise not be known)_ 2-01. Alfeto Valley The song has a heavier tone to evoke the image of the flow of great destiny that is about to unfold; of the footsteps passing under the overhanging, sharp rock faces in the midst of the protagonists’ worry after the story has begun. They are looking out at the sea of clouds spread out below the mountain, the tin whistle carries their feelings of anxiety about being unable to see what is on the other side at the bottom of the sea of clouds and the loneliness of being separated from their friends… I put the atmosphere of the scenario straight into this song, especially in the beginning. [Hiramatsu] Original: ストーリーが動き出した直後の不安の中、張り出す尖った岩肌の下を抜けていく足取り、これから訪れる大きな 運命の流れをイメージして重めの曲調です。山岳の眼下に広がった雲海を眺めている主人公達、雲海の底、向こ う側にある見えないものに対する不安や、仲間たちから離れてしまった寂しさみたいな感情をティンホイッスル に乗せて･･････今作、特に序盤はシナリオの持つ空気感をストレートに曲に込めました。「平松]

This area is absolutely stunning, and the music exemplifies the contrast of the trees and ground

This really have been the Xenoblade Chronicles, A.

I can't believe I've never realised just how peak this song is. Really makes me disappointed it only plays twice in-game.

I love how perfectly this song manages to strike a balance between similar and different to the out of battle version.

I love how menacing this one sounds, especially when the vocals kick in. It really reminds me of very carefully sneaking around the enemies to avoid getting detected. (and failing half of the time)

Does this give off similar vibes to Captocorn Peak or is it just me? To be fair, they are both composed by Manami Kiyota.

Out of all the songs in the series that are infamous for interrupting other songs, I probably mind this one the least. The very calming composition (compared to most other songs of this type being intense battle music) combined with the fact that you can actually CHOOSE when this gets to play and that you won't have to hear it as often as other "optional" themes like iris network and chain attack. (Visions of the future and enemies closing in are unfortunately not triggered by player choice)

I can't believe I went from not even remembering what this song sounds like to it becoming one of my favourites from the entire trilogy.

Honestly, if the devs decided to always play the same music at day night and instead make the two different versions of this song be the high and low Maktha Wildwood themes (this one being for low Maktha), I genuinely wouldn't bat an eye.

Marco Pt attempting 116 Kg military press official theme

Monolith the only studio that can make an unassuming and plain town theme into one of the best field themes in the franchise (alongside its night variation)

I love how they used this for the land of challenge, even though Urayan Tunnels would've given off a more similar vibe to the land of challenge songs in the other games.

This reminds me of Nier Automata

foun this song from a vid , i thought this song was like 10 years old or sum , turns out its new as hell

The sense of wonder and adventure that this song gives is unmatched !!

The sound of touching up and re-wroking your entire team after losing a boss fight.

While both versions are amazing in their own right, this one has a sense of sadness to it, especially in the second phase and ending... the flute just brings tears to my eyes man 😭

Break! Topple! DAYEEZ!

I feel the reason why I hold XC3's music in the highest possible regard is how it seamlessly blends storytelling into its compositions, especially into the cutscene music. This is no exception either, as Homecoming's composition reflects despair and anxiety over something that was once thought to have been triumphant, and the climax and crescendo of the music perfectly matches the explosion of those feelings that leaves nothing but despair and anguish behind. Very few games actually come this close with the level of detail put into the music to tell a story without words... you can simply feel how the story goes through this song alone. And XC3 nails this consistently throughout the soundtrack, creating the absolute greatest Video Game OST of all time

Vengadores unidos

Prison Ireland

Mystery Man: hm. . . . . *Materializes guns*

Depression, the song.

2:08 "Matthew. Take care of...Na'el. The future...It's in your hands, Matthew."

“Unchecked, Ouroboros will lead this world to ruin. You must be erased!” The Trailers still live rent-free in my mind Also neat detail how at first, you think the Lyrics are from Mio‘s or Noah‘s perspective, but if you check the Lyrics, it‘s clear it‘s from N‘s and M‘s perspective

…no words…

I forgot this actually first plays when Mechafriend gets crushed and upon playing it after knowing the more famous context of this song (being the opening to chapter 6) I was laughing so hard that that's when it first plays.

As much as this song is cool... It gives me PTSD because the chord progression reminds me of that one song from the School Days anime... IYKYK

For most overworld music in the series, I feel like both the day and night versions both work very well individually, but this is one of those few tracks where both the day and night theme work together to tell a musical story. Absolutely beautiful. And boomers say video game music isn't real music.

And people say this game has forgettable overworld music. SMH.

“Do people *have* to make so much noise?”

Xenoblade Chronicles is the holly grial of the videogames.

Check out Miki Saito's shinobue cover of this song! th-cam.com/video/OTrdKzA5LxQ/w-d-xo.htmlsi=E-g7nhXm1w_-nRoB

0:54 Can we talk about how much the violinist for this song went hard on the violin? O_O

0:27 0:32 0:54 1:05 1:41 2:01 2:22 2:49 2:58 3:09 3:14

That transition from Crys to Noah may be one of the best moments in the entire series. The way the music swells in tandem with Noah growing up, coming into his own as his own leitmotif becomes more prominent in the music never ceases to give me chills, and is especially emotional upon repeat playthrough knowing his past with Crys.