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Austin Gentry
เข้าร่วมเมื่อ 13 ธ.ค. 2020
วีดีโอ
'Movement' for oboe and piano
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Written by Austin Gentry Audio is from MuseScore 4.
String Quartet movement (after Piano Sonata no. 1)
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So, this is an arrangement of the first movement of my Piano Sonata no. 1 I did a few years ago for the final project in my theory class. The assignment was to write a piece in sonata form using a group of instruments. I don't remember the exact criteria for the assignment, but I do remember that if the piece was in a minor key, the secondary theme had to be in the relative major key; however, ...
Duet no. 2
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Written by Austin Gentry Download the pdf: drive.google.com/file/d/16PnUSZVdxpy9_CIBDe5gKif0LhX2x6EW/view?usp=sharing
Crazy fugue I wrote
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First fugue I've ever written and first atonal piece I've ever written Score: drive.google.com/file/d/1idZXn_Ntkc2OhoVTgxq5dd2JH9fGskp9/view?usp=drive_link
Brahms - Violin Sonata no. 1 in G Major, op. 78
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0:00 I. Vivace ma non troppo 11:02 II. Adagio 18:15 III. Allegro molto moderato Branan Harrison, violin Austin Gentry, piano Recorded on 4/28/24.
Lazy Cat Rag
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This probably should've been written in 4/4 with swing but oh well Download the pdf here: drive.google.com/file/d/1F7j6sGHJNsjnULj9RPzjskLeX93OpSAZ/view?usp=sharing
left hand piece
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left hand piece by austin gentry drive.google.com/file/d/14sRemAFDngoPt1XG835TSW9GJTV5uLrZ/view?usp=drive_link
Austin Gentry - Suite for Piano (2024)
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0:00 I. Fanfare 4:31 II. Forest Waltz 7:56 III. By the Countryside 10:29 IV. Dream of Winter 14:47 V. The Court Jester Here's a pdf of the score: drive.google.com/file/d/11MhnMPiHxZNyBCTcv8_NsBhbHsZEIl1Y/view?usp=sharing (updated as of 4/5/24)
Chopin - Etudes, op. 25 (complete)
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0:00 No. 1 in A-flat Major 2:46 No. 2 in F Minor 4:26 No. 3 in F Major 6:16 No. 4 in A Minor 7:57 No. 5 in E Minor 11:34 No. 6 in G-sharp Minor 13:50 No. 7 in C-sharp Minor 19:29 No. 8 in D-flat Major 20:47 No. 9 in G-flat Major 21:54 No. 10 in B Minor 26:20 No. 11 in A Minor 30:01 No. 12 in C Minor Recorded on 3/22/24.
Beethoven - Violin Sonata no. 3 in E-flat Major, op. 12 no. 3
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Beethoven - Violin Sonata no. 3 in E-flat Major, op. 12 no. 3
Chopin - Etude op. 25 no. 7 in C# minor
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Chopin - Etude op. 25 no. 7 in C# minor
Chopin - Etude op. 25 no. 5 in E minor, “Wrong Note”
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Chopin - Etude op. 25 no. 5 in E minor, “Wrong Note”
My First Composition - Waltz in A minor (2014)
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My First Composition - Waltz in A minor (2014)
Austin Gentry - Piano Sonata no. 5 (2023)
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Austin Gentry - Piano Sonata no. 5 (2023)
Chopin - Rondo in C Major for Two Pianos, Op. posth. 73
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Chopin - Rondo in C Major for Two Pianos, Op. posth. 73
Prokofiev Etude op. 2 no. 1 with annoying squeaky pedal
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Prokofiev Etude op. 2 no. 1 with annoying squeaky pedal
Schumann - Fantasie in C Major, op. 17 (1st mvt)
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Schumann - Fantasie in C Major, op. 17 (1st mvt)
Scriabin - Piano Sonata no. 4 in F-sharp Major, op. 30
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Scriabin - Piano Sonata no. 4 in F-sharp Major, op. 30
Austin Gentry - Piano Sonata no. 4 (2023)
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Austin Gentry - Piano Sonata no. 4 (2023)
Austin Gentry - Piano Sonata no. 3 (2023)
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Austin Gentry - Piano Sonata no. 3 (2023)
Holst - The Planets, op. 32 (for two pianos)
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Holst - The Planets, op. 32 (for two pianos)
Austin Gentry - Piano Sonata no. 2 (2023)
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Austin Gentry - Piano Sonata no. 2 (2023)
Liszt - Les jeux d’eau à la Villa d’Este
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Liszt - Les jeux d’eau à la Villa d’Este
aww this is so sweet, the themes are really cute and i will absolutely be humming them subconsciously tomorrow also that (false?) recap at 95 definitely got me, was not expecting that at all
That’s the start of the development
@@austinwgentry oh oops that makes much more sense
Ligeti but from heaven?
I absolutely love the second movement
Not atonal. not bad
Wonderful!
so good....
This is insanely good. You need to get this recorded for real
It sound very modern.
So professional
very nifty, these chord progressions are always ear candy when i saw the title, i was curious how you were going to portray it, since this is a really abstract concept, but somehow it comes across so clearly
Ooh, I like this!
I like this song!
wow five minutes ago? I'm never this early
Beautiful!! A lot of your music feels well-suited for orchestras, and you realized that very well here
Great orchetration!
You are a very talented pianist and composer
you like kapustin dont u ;D
Very nice
i love this
i think i prefer the original, but that might just be because i'm not used to this version. in any case, i think this is a cool perspective on the piece while still retaining the energy of the original. very nice seeing you dabble with other ensembles
Araratr
chat this is insane
I've just been listening to some of your compositions, and for some reason this piece immediately came to mind. Nice to see that you have your own interpretation of this one on your channel as well!
まさか弦楽アレンジが出るとは🎉
I was looking at the thumbnail and it got me thinking of your sonata no. 1, no wonder
what grade did you get for this assignment?
I think a 92%, if I remember correctly
I think Darius Milhaud did that in a piece titled "Le Beouf sur le Tois." Very creative and effective. Nice piece of music, this. Keep up the good work!
I am listening to a unique new voice with this sonata. This is a fine composition and I certainly hope that more is forthcoming from your writing implements. Personally, I would like to hear what you would do with a string quartet and other chamber music, in addition to more piano works. Also, I enjoy music for pipe organ; your contemporary harmonies would fit nicely. Keep up the good work!
I didn't thin that ist's possible to write something original that not sounds like random notes.
drop W's in the chat this is nuts
Based, especially the B section (B for Based)
that was really fun, wow also congrats on 1k subs!
🤯🤯🤯🤯🤯🤯🤯👀👀👀👀🤯🤯🤯🤯🤯👀🤯👀🤯👀🤯🤯🤯👀
Bangin
Your music really stands out, well done! How did you get this good at writing music, any advice you don't mind sharing?
You just gotta keep doing it, keep experimenting, this is the result of me composing for 10+ years, obviously during the first few years of me composing my compositions weren’t that great, but the more you do it, the better you will get and the more you’ll evolve as a composer
Coming back to this legendary piece 2 months after release. It’s so good!!!
simpsons?
The Grupe prodigy
on a real note this actually sounds like a Shostakovich Prelude and Fugue entry, 10/10
Любовь с первого звука! Великолепно!
Bela música e interpretação. Parabéns!
Very delicate personally imagined
It is amazing
In my eyes, this can sit around the same dinner table as Gaspard de la nuit. Mesmerizing, remarkable, truly genius.
Sounds like a Charlie Brown TV special!
Lovely piece! It's got a great bluesy sound to it which I love.
Superb! the most interesting and exiting music I heard in a long time!
P.S. I'm wondering about how an atonal fugue can actually exist given that the fugue is predicated on tonal relationships, like tonic and dominant, that don't exist in 12-tone music (as all of the pitches are essentially equal in serialism and don't have functional roles in scaler systems. Does anybody have any thoughts on this question? There is clearly tonality operating here, but not at all times. I've always been a bit dubious about atonal canons and counterpoint...what makes them difficult to write is remaining within the framework of tonality.
Sure. Schoenberg had themes in his music that would repeat throughout a piece (although not always structured the same).
Atonality doesn't mean dodecaphony. There is more types of atonality (like Scribin), where there are some "tonal" centers but not in the normal scales or keys, but in the supersets, sets and subset of other scales, like octatonic scale, prometheus scale or others!
Or it can be just chromatic, dodecaphony is actually the least used atonal system.
A fugue doesn't have to be predicated on tonal relationships, but on recurrences of a theme and (generally) consistent counterpoint.
@@klop4228 If it doesn't have the tonic and dominant relationship it loses it's "fugueness". Plus they are rather easy to write when you don't have to create implied consonant harmonies and cadences. There is nothing to "work out" in such counterpoint. You choose a subject and you can repeat it against counterpoint of any kind and there is no wrong answer. Atonal fugues and canons are kind of a joke...tonal relationship are what make them challenging to write.
This was highly inventive and enjoyable...I'm not certain all of it is atonal
Great and mature piece! Well done!