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Thank you so much for this great video showing us this amazing horn and your amazing God given talent. May He continue to bless you. Bill. Uk 🎷🎷🎷

I love the sound of these Bach horns but I prefer my feel of my Xeno.

Mr. Markey is extremely thoughtful. Great video.

He hit it on the spot, and it was all original improv!!! Keep the greatness of sax alive, Virtuosity! Continue to what you do on the sax!! Overall,amazing demonstration Edmar!!!

Nice sax. I have a King tenor super twe ty. It is similar

Wonderful vid. Thank you. I am a fan.

I have a 54 LA Olds Recording...I think its an upgrade from my 90's Bach Strad.... I absolutely love it!

Really should talk to the camera. The side shots are annoying.

BTW, If you want to buy a Mark VI... well good luck in finding one that was really taken good care of... or find one that never been played!

Yamaha custom Z is sooo fluent. Yamaha tenors are great, i have an old Silver YTS 62 1990's, repadded and all my Mark VI friends want it ! Mind you Yamaha 82ZUL Altos are also very good, listen to Phil Woods. But Tenor and Alto saxophones are two different beasts... And don't get me started on sopranos!

Вы так классно рассказываете,что хочется послушать разницу в звучании))

Thoroughly impressive comprehensive comparison across the range to help me select the next move and a visit to Boston.

professor Edmar Colón what a super job he did!

Brahma 8* really suits your style

Great review, great playing, makes it easy to assess each piece, many thanks 🙂

your question what's the best tenor saxophone ? Conn 10M easy :-)

Your mark 6 sounded the best to my ears because it had a rounder sound with the high edges smoothed off and the Yamaha custom Z was a close second because the sounds had that classic vibrato sexiness you can almost feel in your chest.

Hello, do you sell the Bach 182 ? Thanks

just sounds the same as my s80 ll, in fact my s80 ll sounds better

Can I borrow $15,000….🦥💨

Very interesting vid on low range can you confirm the name of the excessive book with one plug

Wonderful collection! BTW a Stork 2FLS mouthpiece (Bach taper) works fine with a pre-56 Olds cornet.

Thank you Edmar and Virtuosity Musical Instruments for making such a good Theo Wanne mouthpieces presentation. I have one Lakshmi #8 Very happy playing it on my JLWoodwinds tenor

Well, a good60k VI is almost impossble to equal, let alone better. But to me, the 36 and interestingly, the Rampone & Cazzane are the most interesting sounding new horns. They're all really good. No doubt about the value of the Yamaha. Or, for that matter, a Yanagisawa. But that said, a later VI (>140k) is in the same price range, and I've played some stunning 200k horns. You said it, Jon, early on. It's what one likes. You sound great on all of them-no one in their right mind would say, "Oh-that's not working." You could cut an album with any of em and I'd buy it!

You can invert that and instead "pull your top lip out of the mouthpiece" [when playing pedal notes]. Using my top lip worked great for low notes on the trombone, but on tuba, my lower lip is much more consistent in the E0 register, In fact I can't hit E0 using my top lip but can consistently play E0 and even D0 with my bottom lip. It took me years to adjust, but now I'm an upstream player on low brass and even sound better on high brass, by simply using more lower lip. In my case, my upper lip is more fleshy and flabby than my lower lip.

Are you playing the Couesnon with a French Taper mouthpiece? Usually intonation complaints of the "Queenie" are caused by this.. wrong taper. If you want to play 'small morse (bach) taper on a Couesnon, you need a Melk/GR leadpipe.

Played a VI for 60 years. Aside from the sound, it fit my hand like no other. As if I was joined to it at birth. The sound of it and every VI I've ever heard has a softness/sweetness to it like no other. This video didn't change that fact. It sounds like no other.

P-Mauriat is a joke like Cannonball is

Siiiiii!🙌👏

Qual essa melodia?

Qual e essa melodia?

❤❤❤❤🎉🎉🎉🎉 YES

❤❤❤❤🥰🥰🥰🥰 Bravo

Clartastic and Clarific ❤❤❤❤

Been there, great store!!!

Which instrument is it? It sounds much different when I play on my buffet b12 with same mouthpiece and reed.

Haven't taken my D valve off my 822G, always need it, but agree it would free up the horn a lot.

I use a Griego Deco 2 on my 822G, no problems, just the cup tires me out. I go back to a Yamaha 59G, feel the same (rim) but just a bit shallower. I use either/or depending on what is needed. I played on a 612, that also "swallows" the mouthpiece, but never really hampered my playing. The new Yamaha 835 does not swallow the mouthpiece, they changed it to more "traditional" depth that is the most common.

That sound. Incredible!

Stellar. Sharing this with all my flutist friends. So glad I happened to find this excellent recording!

Thanks for sharing, really heplfull insights. I'm in the middle of "come back" to trombone after 10 year of pause. Grab the Bach 50B. Would love to buy new horn in your store someday! Greetings from Ukraine

Having such a talented musician as Edmar Colón presenting anything related to music and saxophone is just PERFECT. Thank you!

SM VI the best

Great tone.😮😊

Rampone comes across as really interesting gutsy sound. The 54 is probably closest to the mark VI, but thinner. The series III and ref 36 have a rich juicy 'nice' sound.

One suggestion on your playing , move your feet to keep the time not your body like a metronom you will find your sound get fatter

Lose that buzzing sound

I’ve had the metal Brahma 7* now about a year now on my Yamaha 82Z II tenor and it gives me all I need throughout ranges and dynamics, great piece.

I stay with my VI.

Great playing Mark 6 has a clarity from high C through the palm keys that the other selmers are lacking Rampone is a great sounding horn but it really takes getting used to