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I love what you’re doing Tyler. You guys are absolutely breaking new waves with your 3-D printing technology and the accuracy isunmatched. But really I wanted to just come on here and say that you somehow someway managed to increase your physical beauty tenfold with the new haircut. I don’t know how you do it, but you appear to get younger every time I see you. You sexy beast you lol Now, how much of a discount does that get me? 😘

Purchased one of these a few months ago and its the absolute best mouthpiece I've ever played on. I've owned some really expensive vintage links and my Reso just blows them out of the water.

There is a much larger difference when you try these necks in solid silver (not silver plated). Yamaha puts a clear lacquer on their solid silver necks. I have these necks in solid silver (V1 and E1) for both tenor and alto. I use the V1 (solid silver) for my mellow mouthpiece (it puts more sweetness, volume, and focus in my sound) and I use the E1 (solid silver) for my brighter sounding mouthpieces (the E1 sounds much better to me with the brighter sounding mouthpieces). I have the Yamaha 875 tenor and the Yamaha 875 EXII alto. The solid silver definitely adds very noticeable depth and spread to the tone and it seems I get more dynamics in volume from the solid silver necks (especially the V1). If you are a classical saxophonist, you would probably prefer the Yamaha C1 neck... it's more focused and the darkest sounding of these necks and easiest for intonation... the E1 is a little easier for the low notes and also has great intonation. I actually think the V1 has great intonation, but when you listen to the C1 neck, you hear the greater focus and that's why it is easier for beginners or advancing players. Yamaha supplies the E1 neck on their 875 EX tenors and they supply the V1 neck with the 875 EX alto and also the Custom 82Z alto and Custom 82Z tenor... it surprises me that classical players will use the V1 neck... I think they they haven't tried or know enough about the other necks. There is an art in creating your setup. I like having more than one setup for different situations. If you are looking for more warmth or more brightness or more depth in your sound, it is very much worth trying these necks before trying a different saxophone. If you have a Yamaha 82Z sax, you could definitely add some depth to your sound with the E1 neck.

Reso a Beauty

I prefer the SuperSonic. Sounds great and powerful! Nuff said.

Can you upload a video editing the sound with this option with 2 microphones please, with all the details.

I’m impressed by how great each of these sounds and how different the are from each other.

Great! I have a Gs slant 6 and have a sound somewhere between Charlie Parker and Joe Henderson. Couldn’t be happier. I have one question though: is there a selmer soloist copy on the way?

The GS II sounds dark to me. what vintage piece is that based on? I have 3 of your pieces already and the all play great!

Complimenti

Gorgeous sound and playing!

Very nice sound...Thanks

You won't hear low A on this clip - even though the piece is in concert C. It would be gratuitous to the real point of having low A: it changes the tone character of the whole horn in a unique way.

I generally use a bell mic. Is the setup any different from other pedals I use?

Tip opening in the video? Medium or large chamber? Thanks!

where did you get tjhe backtrack? nice reverb gadget

Thank you for this

belle vidéo, mais quelle configuration du Daw pour entendre l'effet de la réverb ?

Tyler --- how does the Ishimori stack up to the Yani bronze/silver tenor -- any thoughts or differences. Great videos! Especially getting into the recording side. Best regards

Wow...great sound!.....I changed from a straight soprano and love the curved soprano much more, because you can hear yourself better and have much better control over the sound...

I love that deep, breathy tone you have. Very Ben Webster.

I love my Martin tenor and alto the tenor is from1954 the alto was made in 1949 like me . I got the tenor from a pawn shop in Brooklyn for 120.00 she was broke, had a big dent on the D key but there was just something about her that drew me to her. I had a friend who played alto who told me to take here up to a guy on 48th street, when he saw her he said " this is a great horn it's a Martin a poor man's Selmer ",I can fix it give me a week. I love the lush sound and the American craftsmenship of these horns.

Great. Thanks. Im looking at buying a YDS 150 or 120 (i play a pro yamaha alto but have been a tenor & soprano player). Just wondering if the YDS 120 can also work as a midi controller? The 120 is cheaper & apart from having no bluetooth connection it seems to have all the features of the 150. Thanks for taking the time to read this.

Would there be any problems plugging a wireless sax mic into this if there was a xlr to jack converter?

That soloist was golden!!!

I think you have a very bad room and that´s why the ribbon works better, If you check other sax players comparing same ribbon and other choices you will notice all the lost frequencies on that ribbon. I liked better a cheaper ribbon se 1xr on another review, sounded a lot more alive

Could you review the new Dickerson Resonator Ligature for us:

This is super cool! Confused a bit about the stereo field -- at first glance it appears you have a mono output from your board, but are you splitting the signal on the output with a Y cable or something?

Perfect, many thanks for your perfomance. 🎷

Received this horn from Get a Sax a few weeks ago; love this horn. I did have to take it to my tech for a few tweeks, C spring/ finger touch had to be adjusted and a small leak under the B pad. But these were minor. I stumbled across Ishimori; I am thinking they do not market aggressively in the US. I have been playing the Yamaha 62III for the past 4 years and find the Vintage superior, at least for me, on a number of levels: response, even tone and action-faster. Much thanks to you all for the help.

What was th tune you played with the vintage brilhart?

Agreed. It has a very beautiful mellow tone - more like a soprano than an alto - only darker It sounds beautifully in tune - which is not always the case with vintage saxophones

What is your take on each of these horns? what has the best action, intonation etc

Dude, great playing

That mouth piece works on that horn. It really sings!! Love those Conn tranny/ NW in.

Fantastic!

Couesnon saxes are so underrated.

Bro you sound amazing - GS Meyer sounds best though

Sounds sharp to me.

sounded great with the Conn!

Sound Good!

Silver has significantly more edge and clarity, laquer is rounder. Clear as day to me. btw you say solid silver - you mean silver plated right? Clearly from the images a lot of it is brass.

So cool ！

I feel like the only thing I learned here is Yanagisawa sounds better than Yamaha🤣🤣

What's this song?🤩

Bonjour j'ai un selmer 80 sup action serie 2 .. il est plus proche de quel instrument que nous presentez ?? je suis a la recherche d'un bec .. j'ai un Lakey 7*3 .. ligature cuir que j'ai changé pour une ligature laiton/metal .. merci par avance cordialement Stephane