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The Smuggler
Canada
เข้าร่วมเมื่อ 14 ต.ค. 2014
The biggest weeb of the great white north. Covering topics of Anime, Technology, Media History and whatever else I find buried in my closet.
#anime #vhstapes #90s
#anime #vhstapes #90s
イガク - 重音テト [Smuggler MMD]
not sure what this is, but it is something I felt like making, for some reason.
残念!!!!!!!!!
------------------------------
イガク - 重音テト
music,lyrics, @sasuke_haraguchi
Motion
ZigZag, Sky Hollow, ux.getuploader.com/skyhollow/
Camera
Me
Model
www.deviantart.com/chee-shep/art/MMD-DL-Teto-Kasane-Edits-5-Model-Pack-889014024
Video
me
残念!!!!!!!!!
------------------------------
イガク - 重音テト
music,lyrics, @sasuke_haraguchi
Motion
ZigZag, Sky Hollow, ux.getuploader.com/skyhollow/
Camera
Me
Model
www.deviantart.com/chee-shep/art/MMD-DL-Teto-Kasane-Edits-5-Model-Pack-889014024
Video
me
มุมมอง: 215
วีดีโอ
Debunking RetroTink's VHS Capture Propaganda
มุมมอง 558หลายเดือนก่อน
I'm not going to make many friends with this one. More likely though, no one will ever watch this dumpster fire. Are your VHS captures sad and crunchy? Is your LD collection destined for a 240FPS 8K anime upscale? ARE YOU A RETRO TECH SCHILLL WITH ALOT OF AFFILIATE LINKS? My statements may be inflammatory but they are made in good faith, to make that clear first comment which corrects or elabor...
Best of TBS 2002! ft. Ami Nakagawa HD [Smuggler VHS Rip #3]
มุมมอง 8116 หลายเดือนก่อน
NEW ENCODES WILL BE POSTED HERE: @The_Smuggler_2 Yet another tape which had up to now never graced the internet this time starring Ami Nakagawa! Nearest I can find her only other acting credit was in Battle Royale II: Requiem, where she played the character of Honami Totsuka. This tape was produced by the Tokyo Broadcast Service which once again doesn't have any information on its involvement i...
Always ft. Yuriko Sakuma G-Works 2003 HD [Smuggler VHS Rip #2]
มุมมอง 7526 หลายเดือนก่อน
Nearest I can tell this tape is dead media. No need to thank me I'm just doing my part preserving the worlds "Culture". As far as 2000s Japanese Gravure goes, calling this one low budget would be an understatement. I think I get better video out of my MiniDV JVC camcorder, as such getting this up to 1080p was a stretch fer sure. The Chroma bleed and halo's were especially bad although it didn't...
Computer Programming with a Laserdisc Player
มุมมอง 4919 หลายเดือนก่อน
Its been awhile! What started as a curiosity turned into a dive deep down the laserdisc rabbit hole. Having a lot of fun with this though, got a few corrections to make for part 2 but let me know what you think or if there's anything I should cover on the next one! Dive into the depths of forgotten technology with "The Hidden Code: Exploring LaserDisc's Lost Technology." This video unveils the ...
Dear, ft. Ayaka Akimoto, Cutie Queen [Smuggler VHS RIP: Tape #1] (1080p, Pony Canyon, 2002)
มุมมอง 1.3K11 หลายเดือนก่อน
NEW ENCODES WILL BE POSTED HERE: @The_Smuggler_2 To my fellow people and catgirls of culture, I bring you... Ayaka! The Queen of Cuties! At some point in the past, I came across a bulk shipment of 90s Japanese bikini videos washed up on the beach. It was then I knew what had to be done. This is the first VHS tape of the 30 bikini videos. they might not all end up on this channel so check my int...
Tenbatsu! Angel Rabbie, OVA 2004 (Smuggler HD Encode, Eng Sub, DVD Ver.) 天罰エンジェルラビィ☆
มุมมอง 1.2Kปีที่แล้ว
NEW ENCODES WILL BE POSTED HERE: @The_Smuggler_2 Seems the last time someone cared about this Hardsubs were still a thing. Took me awhile to transcribe the hardsubs from the original release but alas here it is! Angel Rabbie in all its glory for all 5 people who care. Low key though this is pretty based, the wrestling moves are my favorite. Was adapted to promote an Eroge game back in the day f...
Historical Trends of Japans "Adult" Animation Industry.
มุมมอง 1.5Kปีที่แล้ว
This is my first attempt at long-form scripted Anime content in awhile so I hope I didn't miss the mark. Enjoy!
Battle Royal High School OVA (1987, HD, Eng Dub, Smuggler Encode, Brock Domesday Rip)
มุมมอง 3.1Kปีที่แล้ว
This was ripped from the original Japanese LaserDiscs by, Brock The Archivist, using a Domesday machine and encoded by yours truly. I then Encoded a PAL SD Version with the original audio which you'll be able to find on his internet archive page which I'll link once available. For the Memes I took the same files and swapped out the audio for the English dub n upscaled it to 1080p for a decent v...
90s Anime Aesthetic (City Pop Analog Glitch Music Video)
มุมมอง 636ปีที่แล้ว
90s Aesthetic videos are cringe. So I made one. Song is : Miho Nakayama - Witches Used a video feedback loop and my analog mixer to make this up! Pretty cool stuff. Just need to get it recorded onto a VHS tape n I'll be running in the 90s.
This Hentai OP is a banger! (Variable Geo Neo OP 1080p, Smuggler Encode DVD ver.)
มุมมอง 1.5Kปีที่แล้ว
Making an full 1080p encode of this show which will be available on my internet archive page at a future date. archive.org/details/@smug620
Summoning Arcane Technology to Make a Cursed AMV #2
มุมมอง 285ปีที่แล้ว
Summoning Arcane Technology to Make a Cursed AMV #2
Windows 7 Anime Commercial ( OS-Tan, Madobe Nanami) [Smuggler Encode, 1080p, Eng-Subs CC]
มุมมอง 500ปีที่แล้ว
Windows 7 Anime Commercial ( OS-Tan, Madobe Nanami) [Smuggler Encode, 1080p, Eng-Subs CC]
Dragon's Heaven, OVA 1988 HD Full (Eng. Subs, Smuggler Remaster) DVD Ver.
มุมมอง 4.7Kปีที่แล้ว
Dragon's Heaven, OVA 1988 HD Full (Eng. Subs, Smuggler Remaster) DVD Ver.
NINETEEN19 OVA ᴴᴰ, 1990 HD, Full Eng Sub CC (V2 𝙎𝙢𝙪𝙜𝙜𝙡𝙚𝙧 𝙇𝘿 𝙍𝙞𝙥)
มุมมอง 2.2Kปีที่แล้ว
NINETEEN19 OVA ᴴᴰ, 1990 HD, Full Eng Sub CC (V2 𝙎𝙢𝙪𝙜𝙜𝙡𝙚𝙧 𝙇𝘿 𝙍𝙞𝙥)
Marine Sports! (90s Japanese City Pop Instrumentals) (Smuggler LD Rip)
มุมมอง 3332 ปีที่แล้ว
Marine Sports! (90s Japanese City Pop Instrumentals) (Smuggler LD Rip)
I Summoned Arcane Technology to Make a Cursed AMV...
มุมมอง 9492 ปีที่แล้ว
I Summoned Arcane Technology to Make a Cursed AMV...
What's Michael - Soppo! (OP Song?) (Denoised, 720p Upscale)
มุมมอง 9022 ปีที่แล้ว
What's Michael - Soppo! (OP Song?) (Denoised, 720p Upscale)
Arisa Good Luck OVA (Eng. Subs, Smuggler Remaster) SD
มุมมอง 18K2 ปีที่แล้ว
Arisa Good Luck OVA (Eng. Subs, Smuggler Remaster) SD
A Brief Guide to Collecting Anime VHS Tapes
มุมมอง 10K2 ปีที่แล้ว
A Brief Guide to Collecting Anime VHS Tapes
NINETEEN19 OVA 1990 HD Full (Eng. Subs, Smuggler Remaster) LD Ver.
มุมมอง 11K2 ปีที่แล้ว
NINETEEN19 OVA 1990 HD Full (Eng. Subs, Smuggler Remaster) LD Ver.
WHY YOUR ANIME VIDEO GETS COPYRIGHTED: The Current State of Anime Copyright
มุมมอง 1.5K2 ปีที่แล้ว
WHY YOUR ANIME VIDEO GETS COPYRIGHTED: The Current State of Anime Copyright
Even More VHS Anime Tapes! + News on Next videos
มุมมอง 8565 ปีที่แล้ว
Even More VHS Anime Tapes! News on Next videos
The Macross Guide: Zero to Delta Pt. 2 - Super Dimension Fortress Macross ( SDF )
มุมมอง 16K6 ปีที่แล้ว
The Macross Guide: Zero to Delta Pt. 2 - Super Dimension Fortress Macross ( SDF )
thanks for uploading this.
i transfer lots of VHS tapes using Avermedia ADVC-300 and JVC video corrector CX-7 as well as VHS decode with Dooms day duplicator with RF capture form Video head directly.
Interesting take to be sure. I think to properly debunk the actual result, you'd need to have a capture sample by following the tutorial versus what you'd consider to be an ideal method on the same starting content. You'd probably want to zoom way in (like 4x) so that details are more visible on TH-cam without the compression washing out the details on each. The retrotink in this capacity is the actual ADC (analog to digital converter) The HDMI capture card placed after it is really just storing the "already digital" stream it made with various settings depending on how you want to capture. I don't think RetroRGB gets a kickback from Retrotink for these videos, I think they are just trying to show some functionality of a device that many of their user base already has. Yeah, sounds like they could have improved upon the settings, but doesn't mean it isn't a good device for the purpose. While originally designed for gaming, it has an FPGA at its heart which is basically hardware emulation and this is what broadcast TBCs used as well for most of their TBC heavy lifting back in the day. I'd wager modern FPGAs are better on all counts in terms of processing power and efficiency. The "trimming/cropping" that is probably a bit of a misnomer - most likely it is just blanking/masking the "trimmed" areas to solid black. I don't think the retrotink can output a resolution of 1900x1070 as an example, or would do so without further developer setting modifications - most HDMI devices wouldn't like that and may not display that at all, let alone be able to capture it. I assume you have a Sony FXE-120 Mixer there based on how it looks - Checked the data sheet and that uses 8 bit color depth and 4:1:1 chroma subsampling for its processing which negates any advantages of capturing in 10 bit after that. I've seen other similar mixers go as low as 4:1:0 chroma subsampling, so that's something to watch for. Agree that the settings used in the tutorial may not have been ideal, but the functionality could still be there if you were to set things up correctly and if you are a gamer that already has one - so sounds like you could make a better tutorial for the same device haha. The other advantage of having a TBC inside something like the retrotink is fewer analog to digital and digital to analog conversions in the chain. One single analog to digital conversion is ideal. Each one you have is a (hopefully small) "generation loss". Case probably hasn't been made yet that it is the most cost effective or has better performance compared to alternatives as not too many direct comparisons against other popular video chains are out there.
Thanks for the great comment! Later this year I plan to aquire a retrotink and make a more concise and detailed video and try to see how what more detailed comparisons could yield, and what the 480i passthrough mode would look like in terms of an actual avisynth script workflow. He has a follow up video where he uses alot of burnt DVDs and a Wii U to test these cards which I also have issue with. In the case of my current set-up I capture uncompressed YUV, so the file sizes are pretty dumb, since many of my tapes are DVCAM footage which were shot at 4:1:1 in rec 601 which is 8bit I dont get a loss of any color information in theory. the 10 bit Color does however make a big difference when you capture or encode from lossless to H264. Since 10 bit gives the codec more bandwidth for the color you end up with fewer compression related artifacts in the final encode. In my experience encoding 8bit analog as 8bit Digital, almost always results in macro blocks during low light scenes. 10bit color is especially important for Digital Gradients used in late 90s and early 2000s anime where 8bit in H264 attempts to save space by bricking the colors together.
I wanna be your friend 😢
This is the reason VHS was invented..
Here is the thing though, Not all people want to keep or capture lossless and process on the computer or have the know how, I would say the majority, Yes the proper way is to seek a good VCR with line TBC and output S-Video, capture into 480i AVI 4:2:2 and keep these master files for future processing. So the video you are criticizing is not technically wrong, it is just one of the ways of doing it, I was criticized for my workflow but I do experiment and learn to find out for myself, this is how it should be, There is no such "The best method to capture analog video tapes", It is goal based not method based.
No, the video I criticized is technically and factually wrong on many points, in particular his complete unfamiliarity with the Telecine Process. including the proper use and basic settings of virtual dub required for synced audio during analog capture. Among other areas. I encourage you to watch further into the video so you can get a better idea of what my criticisms actually are.
@@The_Smuggler_ You do realize that analog video conversion to digital is a two phase process, Capturing and processing. So which part you are criticizing? As far as capturing I don't see that he is wrong about any of it, Now processing which includes but not limited to, de-interlacing, cropping, resizing/upscaling, tone and color correction, noise reduction, encoding. it can be achieved in many different ways, depends on skills and budget, As I mentioned the majority of people are not going to do it your way due to skill limitation.
Over the course of this 2 hour video, I definitely talk about both capturing and processing and I present simple and cheap alternatives, in addition to the AVIsynth processing which I show at the end. If you have any issues with the technical details of what I discussed or if I said anything that is factually incorrect please let me know. But if you just have an issue with how the information was presented then I can't really do anything about that, I'm sorry.
@@The_Smuggler_ I wasn't talking about your video, I was talking about the video you're criticizing, Besides using the retrink for processing I didn't see anything wrong he mentioned in that video.
I think that there is a happy medium here to be found. I agree that Mr RetroRGB is stepping into a field of expertise that he doesn't have enough knowledge to be an authority on. However, "propaganda" and "shill" are I think not factual statements to make about him. He has affiliate links because that's how you make money in a post adpocalypse TH-cam. He has affiliate links to other products on videos where those products are featured. He also mentions at the start of the video that this solution is meant for people who already own a Tink or to put it another way, don't buy a Tink if your only goal is recording analog media. It's just not the same as, for example, the whole rent a PC scam that Gamer's Nexus recently covered where all these creators were paid directly to give specific talking points about the service, many of which were false. This is a guy who, most likely because he is misinformed or ill-informed, thought that this solution was good and made a video about it. So misleading would be a more apt term IMO (but that's not as clickbaity is it?). The idea that the RetroTink products would be good for movies and tv shows is not something that is prominently promoted from Mike Chi. The only mention of it I could find on the website is this blurb all the way down in the FAQ section; quote "Movies -- the goal of the TINK products has always been games and games first, but we are already adding movie oriented features such as BFI film projection simulation, inverse telecine and 24 Hz restoration." There is no mention here about using it to record either. All that being said, I also think that it isn't crazy in some scenarios to use a RetroTink to digitize analog media. I'll give my own experience as an example. I am a retro gaming enthusiast so I already own a RetroTink for that. It's a godsend for up-scaling retro video games to be played on modern TVs. There are other products that also do a fine job like the OSSC or the venerable Framemeister but I went with the Tink. I also already owned an Elgato capture card because my friends and I thought we would get into streaming years ago and never really did. My family has a decent amount of old home movies and I wanted to archive them so I used the tools I had on hand and was satisfied with the result. Is it the greatest rip of those home movies ever? Probably not, but it's satisfactory for preserving these sentimental moments in a digital format as tapes don't last forever. I think that saying that the output of the RetroTink is "shit" for analog media is something that I disagree with. Is it the best? No. But it's satisfactory. I don't like calling it shit the same way I don't like it when audiophiles shit on people for using MP3s. At the end of the day, if I, the person consuming the media is happy with the results then who cares. I do agree that when you're talking about archiving media, especially media that has never been re-released, then I fully agree that you should use the Doomsday Duplicator and properly decode and format the RAW data after the capture and especially especially when you are going to be sharing that archive with others. But for home, individual use, then it isn't a big deal that it is or isn't the "best." That is perhaps the biggest mistake in the RetroRGB video; not being clear that for true archival purposes you should use something like the doomsday duplicator that captures RAW data that can be decoded and processed later. Finally, I think that being as inflammatory as you were wasn't productive to the conversation around this issue. I get that you are upset but I think that coming to the table in good faith and perhaps even reaching out to RetroRGB or Mike Chi for comment and dialog would have been more productive in moving towards a future where people are more well informed on how to properly archive analog media. In that world, perhaps RetroRGB would release an updated video with better information and/or Mike Chi could make a post to the RetroTink blog making it even more clear that the RetroTink products are not meant for archival backups of analog media. Sorry for the long post but I felt that there were times you were being unfair and wanted to correct those moments. I very much appreciate people like you who have the knowledge and tools to properly archive old/lost media. The work you and people like you do is invaluable.
Well said
To be completely clear I agree with much of what you say here. Although to be frank my issues are not which the product itself or Mike Chi, but specifically how the product is being represented in this case. It would be one thing if the tink was shown by itself, however RetroRGB compares it against other workflows using a flawed testing methodology. This actively hurts the commercial viability of these competing products and for a channel which is fairly hardware focused seems like a massive oversight. From where I stand, there is no reason why creators like RetroRGB should be publishing videos, which are this poorly researched. A smaller channel such as my self should not be put in a position where I would need to ask nicely to have revisions made to a video which has already been published and watched by a wide audience. This video is simply about presenting the correct information to the best of my abilities. The inflammatory nature of my speech serves to give this unscripted 2 hour rant some form of rhythm or cadence, and also acts to counter RGB's positive and happy demeanor. You say that this is not indicative of having a good conversation, however we are having this conversation now, and I've had a ton of back and forth in DMs with people asking for clarification, or just thanking me in general for presenting this information. I admit I was unfair and overly salty at many points, but I've also broke down an incredibly complex topic in more or less plain English which people can use as a basis for further study. So take from this video what you will. I made it, It is mine, I have no regrets. PS. I sincerely appreciate you taking the time to comment.
Smug going hard in the paint on this one!
Hey man, this is a very interesting video! Lots of great info. I'm currently going down the rabbit hole of analog video archival capture (specifically VHS and S-VHS tapes), and I've done more reading than I could ever want to on the different workflows... an old windows XP computer and the period correct hardware and software, or the currently available USB analog capture cards (IO data), or analog to HDMI conversion and HDMI capture card (e.g. retrotink), or analog to SDI conversion and SDI capture, or analog to firewire conversion device then capture (I do have a windows 7 laptop with firewire port), or why not a CRT TV and just play the tapes when I want to watch them :) Anyway, I'm curious as to what your typical process is for capturing analog s-vhs video while retaining the most 'information' from the original source as "reasonably" possible? Not sure I'm smart enough to figure out the radio frequency methods like vhs-decode.
Youll want any capture device that supports native NTSC or PAL video capture, with a 4:2:0 or 4:2:2 color space, Lossless capture. ref NTSC Chroma Sub-Sampling. That Osprey capture card on Amazon seems to be the best non domesday option currently. dont run the video through SDI converters, and don't pay money for a windows Vista TV card. I have tried those methods and I don't know why people have decided those are good options. Anything that changes the format of the video signal before recording should be avoided like the plague. Capture that 4,2,0 video as Uncompressed RGB in Vdub2. then process the video using VaporSynth or Avisynth. Upscale to 4:3 1080p if you're posting on TH-cam, otherwise leave the video at its base resolution. invest in a RAID setup and buy lots of hard drives.
@@The_Smuggler_ I appreciate the reply! Any reason to capture the 486interlaced (visible lines) NTSC video as uncompressed RGB rather than something like lossless compressed YUY2 in 4:2:2? Also, in your opinion, is the IO data GV-USB2 capture device a worthwhile option, or should it be avoided? For what it's worth - I have seen some folks get what I would (maybe naively) consider as pretty damn good results using an analog s-video to SD SDI (525i NTSC, 59.94 fields per second) converter device, then capturing the SDI video in lossless 10-bit 4:2:2, but not sure how it objectively stacks up to the other methods.
Sorry for the confusion I misspoke, By lossless capture I mean using a lossless codec, or in the case of VDUB uncompressed RGB is still capturing 4:2:0 or in the case of broadcast NTSC Video 4:1:1. From my understanding it is impossible to capture interlaced video in 4:4:4, or even in 4:2:2 in many cases since the actual fields are separated into alternating lines and staggered, this halves the chroma, and the Chroma information on NTSC video is halfed again compared to the luma information. 4:2:2 was mostly utilized in DVCAM systems, This was part of the BT601 standard, but the previous standard REC601 was 4:2:0 so If you are capturing movies or anime from the 90s its probably 4:2:0 or in the case of low budget English localizations the dubbing equipment could have brought that down to 4:1:1. While some SDI or converter solutions may let you over sample to 4:2:2 or 4:4:4 in 10 bit, the extra information is just being interpolated. The most important part that many people overlook with SDI converters and Retrotinks, is that the devices are built to assume that the source video is actually properly printed on the tape with standardized Telecine patterns and field timing. If those device misidentify, add or drop a single feild throughout and entire movie, it can screw the IVTC and deinterlace later which is not an issue I've run into using a native ntsc composite capture device.
I just randomly remembered this movie and I remember renting it from my local blockbuster with streetfighter or ninja scroll. My parents just thought I was watching "cartoons" lol good times. Thanks for the upload. Now adding it to my collection
my husband collected many of these and still has them!
the soundtrack is on internet archive
god damn! what a time to be alive 🥲
So I bought like the old version of topaz like two years ago they used ffmpeg and just bwdif. their AI block after generally reduced the ssim quality need to write up but yeah maybe the new stuff is better the old stuff sucked tbh.
I really only find the Proteus model produces reliable results on the stuff I've done. Although the results are quite good when it works. The default settings and denoising it does is also way too strong in my opinion, seems to struggle with analog anime especially. For DVDs n digital stuff though it works quite well. If you have Avisynth ive found that some of the resize plug ins can give very good results if you run multiple passes of lighter denoising at certain points in the filter chain.
@ I always found the avisynth setup a pain compared to ffmpeg but I mainly use Linux. Topaz takes forever
Topaz is quite slow without cuda acceleration, but i built my computer to brute force stuff so its less of an issue. I'm interested to see where the real time upscaling goes though. Frame Generation and DLSS is working quite well for video games, and faking the frames is more perfomant compared to actually generating them which is a very strange idea to me. Since the Topaz output cooks the video similar to the retrotink method it suffers the same drawback, although to a lesser extent. I can't say I know enough about ffmpeg to compare it to AVS but I will say AVS is quite powerful and at the advanced level can produce very high quality VFR content from DVDs. That said if you are already using Linux and ffmpeg, you should forget AVS and use VaporSynth instead. it's much more mordern and is under active development. the only reason I've stayed on AVS this long is because the vast amount of old forum posts which relate to DVD and VHS encoding has been incredibly helpful as a learning tool for myself.
you really need to calm the down. The profiles for VHS 480i output are just for those that already have a retrotink. Worked perfectly for me. My home videos look great and I still have full 480i MOVs of all my tapes. I didn't deinterlace through virutaldub, I used StaxRip.
I wish I saw this video before I bought the tink 4k 🤦♂️ All that money down the drain. Thanks for uploading this vid.
to be fair, Mike Chi has never recommended the retrotink for VHS transfer, and in the discord, most people who ask about it are recommended to look into the domesday duplicator instead
... this is cinema.
I'm glad someone understands xD
All people in this threads are their parents problem.
why nobody talk about the HDPVR Rocket ? i use it for analog video capture and it's work great the only fault is that since I am European, I have to go through a device that converts the composite signal into component since the rocket only accepts NTSC composite, in my case I go through a Pioneer DVR-545HX for the conversion
You use SRESTORE on every tape? I've been using fpsdivisor=2 or frate=(frame here) depending on what the video looks like. A lot of my tapes have digital elements & ghost frames layered on top of the anime so I usually just go for 29.97 & say (screw it, that looks like the raw mkv did) unless it's very clearly a movie. Having the opening or the credits of an anime break because they shift from 23.976 to 30 just doesn't seem like a good trade off so I switch between the two depending on what it looks like (unless it's very clearly a digital anime, but that's been rare in my experience)Edit 2: Damn, maybe I really should be using deflicker, that might have been bottlenecking me.
Not every tape, but it is handy in certain cases. for the specific Ys LD there is a method using Vapoursynth someone showed me which can deal with really bad ghosting and blending although I'm not sweaty enough at the moment to understand how it works, however, You can specify frame ranges to specific filters, so if you have digital elements at 30fps during frame 100-200, you can basically turn anime IVTC off and process that scene as native 30 to avoid stutters. AVS also supports exporting variable frame rate MKV's and TDecimate also has a VFR mode, which is handy for DVDs. This was the script i used to process the DVD release of Kimagure Orange Road: Summers Beginning, which you might find handy for conventional tape rips aswell if they follow a standard IVTC pattern. LoadPlugin("dgmpgdec2007\x64\DGDecode.dll") DGDecode_D2VSource("[DVD][070523] Shin Kimagure Orange Road ~Soshite, Ano Natsu no Hajimari~\VIDEO_TS\VTS_01_1test.d2v") #################################################### Tfm( mode=2,pp=6,micmatching=3, slow=2, cthresh=8, d2v="[DVD][070523] Shin Kimagure Orange Road ~Soshite, Ano Natsu no Hajimari~\VIDEO_TS\VTS_01_1test.d2v", mchroma=true, mmsco=false) TDecimate(mode=0) ################################################## converttorgb24(interlaced=true).blur(0,1).sharpen(0,1).ConvertToYV24() DotKill_DotKillS(iterations=1) ############################################# a=nnedi3(field=-1, nsize=6, nns=4, qual=2, threads=10) yadifmod2(mode=0, edeint=a) ############################################# Clip=last o =last DH = o.dehalo_alpha(rx=2.5,ry=2.5,darkstr=1.0) bb = DH.removegrain(11) xD = mt_makediff(bb,bb.repair(bb.repair(bb.medianblur(2,-333,-333),1),1)) \ .mt_lut("x 128 - 2.49 * 128 +") xDD = mt_lutxy(xD,mt_makediff(o,DH),"x 128 - y 128 - * 0 < 128 x 128 - abs y 128 - abs < x y ? ?") DH.mt_adddiff(xDD,U=2,V=2) ############################################## crop(4,4,-4,-4) Prefetch(threads=10, frames=10) (FOR VHS YOU CAN PUT THE CROP BEFORE THE DEINTERLACE)
It feels like one of the greater disservices in the video was creating the perception that you need to spend four figures to even get started otherwise. It has the chance of turning away people from even giving it a go otherwise. Clearly, the 4k is top of class when it comes to gaming, but in their attempts to expand their viable market, it has the possibility of doing damage to archival efforts.
My thoughts exactly! and I feel like alot of people are swooned by the idea that if only they had the money to buy the magic box they would have all of their problems solved. But Trying to digitize media is fundamentally a problem created by old hardware limitations so investing heavily in more hardware to solve the hardware problem doesn't make sense to me.
@@The_Smuggler_ Were any of the TBCs you mentioned full frame? I have a TBC-1000 from when they were basically worthless, but those editing decks look really cool. There's like 20 star wipes on some of those things.
Very few TBCs outside of TV station equipment are full frame unfortunately, however a good Field TBC will do quite well. You can improve the performance of a field line TBC inside a video mixer by Buying a VCR or VTR that supports Black Burst Output, Sony SVO series VCRs, amoung others, will output timing information through a B.B. port which most well equipped mixers can interpret and adjust their internal TBC to match the output. This is essentially a genlock signal which acts in tandem with the TBC to further stabilize and Sync the video. it basically lets the VCR talk to the mixer n vice versa. If you use the B.B. signal to record a blank tape it is also possible to perform preprogrammed edits and transitions during A-B editing, since the Mixer knows what the VCR is doing.
YESSSSS, I'VE BEEN THINKING ABOUT DOING THIS. Thank you for covering the issue with the retrotink propaganda.
this is what news channels should be airing
Great classic anime. Such a weird ending though. Was fhere supposed to be a continuation? Like Yuuki just up and dies cause he was "tricked". The Demon King just chilling in some dude with no resolution?
This happens from time to time. Trash Anime no one sees has an awesome soundtrack. The Millionaire Detective has a good Opening but the credits song is awesome.
Hey dude Ik I’m a year late but can you plz tell me the name of the animation in this vid??
I think it's a gif from the anime City Hunter. Although don't quote me on that.
Man, the VHS transfer of this is SO bad. Very happy you uploaded this.
Somebody. Put out a hiitt on these cupid stunts
As an "oldtaku" who started watching anime back in the early 90's, I'm eternally grateful to the dedicated fans, who went to such great lengths to give us the chance to watch series we might not be able to otherwise.
Ooo nice sony fxe
what an excellent find the colors are super vibrant
your channel a gold mine and honestly goals for my collection
I'm glad you're enjoying it! ☺️ So your aware Most of my future captures are going to be posted on my second channel. @The_Smuggler_2
Bruh I remember. <3
I heard this film is practically "The Last American Virgin (1982)" in anime ova form.
I don't think so personally
I dont mean to disturb with the unrelated comment, but do you know the good methods of transferring a mini-dv tape to digital format? I have a Canon ZR900 and tried to use the fire wire to no avail as windows 10 just tells me its broken drivers or something.
th-cam.com/video/e2Qt0rQVRhc/w-d-xo.htmlsi=ZreH3qLDi1hJHH9U this channel has alot of information which may help! As far as drivers go it's hard to say, but most video editing software has Legacy support for the fire wire protocol.some of that is covered in the video I linked.
@@The_Smuggler_ thanks abunch for that man
@CalaryMan No worries! Hope that helps!
it wouldn't have been a period-accurate OVA without the bathtub cheesecake show.
Now...there's more reason to watch this OVA. It's unrelated but the episode of a recent show called Ultraman Arc called 'Goodbye Rin' where one of the characters Rin met with an old mentor of hers whom she hasn't seen since high school, decided to investigate a leaker who is conducting prohibition of dead Kaiju cells. I'm pretty sure you know where this is heading. Please go check out that episode since it's a pretty good companion piece to this OVA as it shares the same themes and such.
What was up with that waiter grabbing Bro’s ass and why did Bro look like he lowkey liked it?
Such an amazing collection. It brings me great joy to see people still appreciating the times of scarcity but love for anime and similar media in general. Take care of it
I don't know what this is but this woman gives off a peaceful aura. I feel relaxed having this on the background.
do you have those 6tbs of amvs uploaded anywhere ? im kinda curious
If you go on nyaa or other public trackers you can search AMV and then sort by size. The 6tbs I have is a compilation of all the largest collections.
Great video! :)
please gravure video from then AKB48 members like mariko shinoda & tomomi itano
Just found a gem of a channel
She is really pretty! I have been enjoying the Gravure vids you been putting up.😄
I was looking for some FXE-120 assistance, are you on Discord chief? And great video, very well paced and informative.
Glad you liked it! N Yea if you go onto the laserdisc sub-Reddit and join their discord I'm a moderator over there.