วีดีโอ

內容、口譯、文字⋯都非常完美。👍👍👍👍👍🙏🙏🙏🙏🙏

❤

I remember Manfred ages ago being the star in Studio 14. It’s wonderful to watch him (and his amazing wife? co-trainer?) using his incredible artistic and teaching skills to educate these young dancers. Hi, Manfred, thanks for making me smile in dance memories!

我很喜歡看Dormenico 跳舞。他授課認真誠恳。

這練習是使上半身肋骨與握持在第一拍時產生擺盪，擺盪帶出移動的動力，也因擺盪使第二拍時出現傾斜，傾斜要極至，傾斜也是塑形，即達到華爾滋舞蹈的風格。練習時只專注在揮手是沒效果的，要感受因揮手造成的動力與肋骨帶動握持的傾斜。

習慣真的可怕，聽到的好東西不容易體現在架型和運動上，只是站在地板上，但欠有機連接。不要小看基本步，它們若沒有質量，ballroom dance 無以繼承。

What a clear lecture

As an amateur competitive Ballroom dancer long ago in the 1980s in Ukraine, I recognized Lorraine Barry as a wonderful, great Artist, teacher, and judge. She is an unforgettable personality in the dancing world with unique, fascinating life story. Thank you Lorraine!

31:00 The most efficient balance is over the ball of the foot, the head weight is over the heel.

10:30 The volume of the hold is like a circle of the energy created by the couple.

13:00 Preparation is as important as the action itself.

謝謝版主, 翻譯得很精彩, 我相信對台灣的舞界後進們會有很多幫助到的. 深深感謝

03:45 SCOOPING swing first he's moving to the right leg, and then he's using the shoulder, the shoulder blade 首先，他移動到右腿，然後 利用肩膀 和肩胛骨 using the weight of the hand to have a circular motion 利用手的重量 進行圓周運動

17:10 when i Stretch i always Breathe In 當我伸展時 我總是吸氣 🦜🦜

25:07 [ Hip Joint Play ] 髖關節遊戲 🦕🦕

English please.

👍👍👍👍👍🙏🙏🙏🙏🙏

全部吗？没有看到

何為跳舞的時候屁股不要坐在馬桶上那種样子？ 跳舞首先全身放鬆，氣血打通佈全身，神清氣爽，飄逸柔美。健美健身耶！ 放鬆的同時做到：八面支撐，氣佈全身，節節貫穿；脊椎中正；沉肩垂肘，氣沉丹田，尾椎中正緊收，壓縮腹腔；虛靈頂頸；沉肩垂肘。屁股不會坐在馬桶上那種样子了？ 跳舞之中力要給自己，減去男士承負外給的力量，協助男士輕鬆帶領；女士自己用柔韌的肌肉力度聆聽著對方的身韵緊隨移動舞步；任何跳前進步者，主動引導後退者輕鬆發揮舞步移動，展現出舞蹈藝術的魅力。 2023年6月18日凌晨楊杰敬啟

運動中創造舞伴間的和皆與相互聆聽；按照太極原理，符合大自然規律，順着人體結构動律舞動：全身放鬆，鬆而不懈；八面支撐，氣佈全身；狐形相隨，節節貫穿，連綿不絕，行雲如水；緊鬆開合，一氣呵成。 科學跳舞，健美健身耶！😅😅😅 2023年06月12日下午楊杰敬啟

從頭到結束，霍斯特大師一直強調對抗控制平衡。 何為對抗？脚踩地板 ( 吸地力 ~ 沉 ) 兩力對拉。以腰為分界綫上下對拉；前後對拉；左右對拉；脖頸與胸腔對拉。氣佈全身，八面支撐，無有鬆懈處。精神飽滿圓潤，肌肉柔韌有彈性的力度。 上述是霍斯特大師要求每個舞者必須做到之意。每個舞者必須俱備，缺一不可跳耶！ 生活無處不太極，舞蹈也是如此啊！ 2023年06月12日 下午楊杰敬啟

跳三D舒服得無法形容！ 八個月前迪馬大師創造了三D，可是台灣老前輩高承宗老師在一年多前就帶我跳過。 一年多前在我不知情的情况下，高老師突然帶我跳三D ( 那時沒有三D這個名字，也沒有看到過有那麼大弧度的跳法 ) ，我以為高老師發瘋了，你瘋了，我比你更瘋，我索性擴大弧度，用柔韌的肌肉力度跟隨聆听高老師的身韵，配合融洽，舒服極了，至今還記憶猶新。 一年多前跳了以後，再也沒有跳了；我想帶人跳一跳，也沒人被我帶動跳過，因為被帶跳的人放鬆不了，都是僵硬的。跳三D動作必須放鬆，而且要有棚勁柔韌的肌肉力度，并且還需要會聆聽，方可帶動，但是職業選手們基本上都放鬆不了，不是鬆懈就是僵硬，又不會聆聽，跳了四拾多年的老師也是僵硬......，故而無法帶動。 天天想有人帶我跳三D，或者有人被我帶動跳三D，半年、一年過去，就是沒有人。只能等有時間，去找高老師跳！事情不是想象的那麼簡單，高老師說很累......，沒有帶我跳了，直到有一天，才有幸碰到李娟娟老師，我就帶李老師跳三D試了一試，感覺李老師柔韌的身軀跟隨着，被我輕巧地帶動跳起了三D，我很高興，從那時起，我每週二、五就到李娟娟老師教室上個別課，李老師教我跳三D的方法，已上了31堂課，收益匪淺。】 2023年06月03日晚上楊杰敬啟

good

Very helpful lesson

35:15 There’s no fixed center/contact, partners are rolling between each other to create the harmony and energy.

7:30 The upper body is a reaction of the lower body In static or moving as well.

34:30 Feet alignment to give the direction, leading is giving the info and listening the respond. The leading info is given around the triangular base.

33:50 Man breathing the R arm to give lady the space and time to drive forward

32:50 The partner moving forward (or the outside circle) the upper body is moving on a much wider circle, hence more active and activities involved.

30:55 The body weight is over the ball of the foot, the back of the head is over the heel, use the knee and center to move forward without the head coming into the frame.

23:50 Man should aware the lady’s weight is on her ball, center, heel of the foot thru his right palm.

13:00 Preparation is as important as the action itself.

English version please

너무 너무 좋은 강좌 내용 알아들을 수는 없으나 탱고 공개럭취 번역 해설이 필요 하네요

Catia Vanone - Harmony Partnership lady's way ■ 舞伴和諧 女士之道 (中文配音) th-cam.com/video/HicUSgkXbEc/w-d-xo.html

Catia Vanone - Harmony Partnership lady's way (cc) English subtitle here you go th-cam.com/video/CuFORtYzIJs/w-d-xo.html

Nhảy Tăng go quá đẹp tuyệt vời !!

Please can choose language.

謝謝老師配了普通話❤

18:10 The lady head rolling in lunge is led by the man using his knees.

Please, is there an English soundtrack version of this video. My phone doesn't allow an audio source selection

25:00 The energy will be greatly consumed if the partner’s moving direction is different.

25:30 When I lead, I also listen/feel where she can go thru my right hand holding her shoulder blade, she will find her-own balance.

24:00 The man should be able to feel his lady balanced on her heel, ball or toes.

22:50 The man use the body contacts and most importantly the hands and arms to lead and listen to his lady.

20:10 The leading information(direction & speed) should be given at the beginning of the swing for lady to have time to react.

7:00 Foot Alignment, Center of Balance, Info to the partner.

please enable the english subtitles, thank you

please enable the english subtitles, thank you

Mirko 大師邀請這位示範的女舞者, 是 Ekaterina Prozorova, 她的舞伴在旁邊, 正是大名鼎鼎的 Vasily Kirin( 瓦西里·麒麟)