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Fillius Jazz Archive at Hamilton College
United States
เข้าร่วมเมื่อ 5 ม.ค. 2017
vvv Subscribe below vvv - Some videos in this collection begin with a brief biographical sketch of the artist. Because of copyright concerns, music from the artist which originally was included over this scroll was removed. These interviews with jazz artists were conducted starting in 1995 for the Fillius Jazz Archive at Hamilton College, and the gathering of videos is an ongoing process.
Visit the Fillius Jazz Archive website for more information: www.jazzarchive.hamilton.edu
Visit the Fillius Jazz Archive website for more information: www.jazzarchive.hamilton.edu
David Friesen Interview by Monk Rowe - 9/24/2024 - Zoom
Composer and bassist David Friesen speaks about the role of faith in his music, his composing process, and the importance of being in the moment when he plays.
Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, Section 107) which allows use for commentary, criticism, news reporting, research, teaching or scholarship without requiring permission from the rights holder. Any use that does not fall within fair use must be cleared with the rights holder. For assistance, please contact the Fillius Jazz Archive, Hamilton College, 198 College Hill Road, Clinton, NY 13323. (315) 859-4071
Visit the Fillius Jazz Archive Website
jazzarchive.hamilton.edu
Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, Section 107) which allows use for commentary, criticism, news reporting, research, teaching or scholarship without requiring permission from the rights holder. Any use that does not fall within fair use must be cleared with the rights holder. For assistance, please contact the Fillius Jazz Archive, Hamilton College, 198 College Hill Road, Clinton, NY 13323. (315) 859-4071
Visit the Fillius Jazz Archive Website
jazzarchive.hamilton.edu
มุมมอง: 153
วีดีโอ
Winard Harper Interview by Monk Rowe - 10/10/2014 - Utica, NY
มุมมอง 214หลายเดือนก่อน
Drummer Winard Harper speaks about the changing landscape of the jazz scene, the importance of live recordings, and life lessons he learned from Betty Carter and Dexter Gordon. Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, Section 107) which allows use for commentary, criticism, news reporting, research, teaching...
Carol Bash Interview by Monk Rowe - 4/2/2012 - Clinton, NY
มุมมอง 79หลายเดือนก่อน
Filmmaker Carol Bash, the founder and president of Paradox Films, speaks about the challenges and rewards of producing documentaries. During the recording of this interview she was in the process of making final edits for the production of "Mary Lou Williams: The Lady Who Swings the Band." Use of these materials by other parties is subject to the fair use doctrine in United States copyright law...
Charles McPherson Part 2 Interview by Monk Rowe - 9/9/2024 - Zoom
มุมมอง 3452 หลายเดือนก่อน
In his second interview for the Fillius Jazz Archive, Charles McPherson speaks about metaphor and analogy as critical elements of improvisation, and the importance of learning the business of music in all its aspects. He also describes the composing and arranging process on his recent release, "Reverence." Use of these materials by other parties is subject to the fair use doctrine in United Sta...
John Beal Interview by Monk Rowe - 6/18/2024 - Zoom
มุมมอง 3483 หลายเดือนก่อน
Bassist John Beal speaks about his lengthy career that included jazz gigs, extended Broadway shows, and symphonic orchestral work. Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, Section 107) which allows use for commentary, criticism, news reporting, research, teaching or scholarship without requiring permission f...
Ken Poston Interview by Monk Rowe - 6/4/2024 - Zoom
มุมมอง 1953 หลายเดือนก่อน
Ken Poston speaks about the challenges and rewards of producing jazz radio programs and festivals, and directing the L.A. Jazz Institute. Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, Section 107) which allows use for commentary, criticism, news reporting, research, teaching or scholarship without requiring permi...
Darius Brubeck Interview by Monk Rowe - 6/29/2024 - Zoom
มุมมอง 1844 หลายเดือนก่อน
Darius Brubeck enjoys an international career as an educator, composer, and pianist. As the eldest son of Dave and Iola Brubeck, Darius shares stories of his childhood, his artistic philosophies, and discusses his significant accomplishments at the University of Natal in South Africa. Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Tit...
Daryl Sherman Interview by Monk Rowe - 6/11/2024 - Zoom
มุมมอง 1524 หลายเดือนก่อน
Vocalist/pianist Daryl Sherman speaks about the joys and challenges of performing long-term engagements in and around New York City. She describes her own style of accompaniment, her relationship with Dave McKenna, and the pleasure of working with some of New York's finest musicians. Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Titl...
Arturo O'Farrill Interview by Monk Rowe - 5/6/2024 - Zoom
มุมมอง 2875 หลายเดือนก่อน
Arturo O'Farrill shares his thoughts about the global origins and development of jazz, his early musical influences, and his work with his group the Afro Latin Jazz Orchestra. Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, Section 107) which allows use for commentary, criticism, news reporting, research, teaching ...
Hal Espinosa Interview by Monk Rowe - 3/20/2024 - Zoom
มุมมอง 3206 หลายเดือนก่อน
Hal Espinosa shares the story of his career in music from his days as a big band trumpeter to his ten years as president of the Los Angeles Musicians' Union Local #47. Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, Section 107) which allows use for commentary, criticism, news reporting, research, teaching or schol...
Mike Davis Interview by Monk Rowe - 4/1/2024 - Zoom
มุมมอง 4397 หลายเดือนก่อน
Trombonist and composer Mike Davis speaks about the challenges and rewards of a career in music. He also shares anecdotes about his big band experiences and leading his own ensembles. Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, Section 107) which allows use for commentary, criticism, news reporting, research, t...
Christine Jensen Interview by Monk Rowe - 3/4/2024 - Zoom
มุมมอง 2867 หลายเดือนก่อน
Saxophonist Christine Jensen speaks about her development as a saxophonist and composer. She also shares her thoughts on jazz education, music technology, and women in jazz. Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, Section 107) which allows use for commentary, criticism, news reporting, research, teaching or...
Pigeons Playing Ping Pong -- Jeremy Schon & Greg Ormont Interview by Monk Rowe - 3/8/2024 - Zoom
มุมมอง 2327 หลายเดือนก่อน
Jeremy Schon and Greg Ormont are the guitarists, founders, and songwriters with the band Pigeons Playing Ping Pong. They describe the path of the band from basement rehearsals to headlining shows across America. Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, Section 107) which allows use for commentary, criticism,...
Pigeons Playing Ping Pong -- Gator & Ben Interview by Monk Rowe - 3/8/2024 - Zoom
มุมมอง 1347 หลายเดือนก่อน
Alex and Ben are the drummer and bassist respectively in Pigeons Playing Ping Pong, a self-described band that jams. They speak about the life of a full-time musician and the creative collaboration between all four members. Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, Section 107) which allows use for commentary...
Dick Griffin Interview by Monk Rowe - 2/12/2024 - Zoom
มุมมอง 2888 หลายเดือนก่อน
Trombonist and visual artist Dick Griffin speaks about his upbringing in Jackson Mississippi, and his associations with Medgar Evers, Sun Ra, and Roland Kirk. His lengthy and creative career has carried him well into his eighties. Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, para. 107) which allows use for comme...
Putter Smith Interview by Monk Rowe - 2/27/2024 - Zoom
มุมมอง 5298 หลายเดือนก่อน
Putter Smith Interview by Monk Rowe - 2/27/2024 - Zoom
Ed Soph Interview by Monk Rowe - 2/9/2024 - Zoom
มุมมอง 1.7K9 หลายเดือนก่อน
Ed Soph Interview by Monk Rowe - 2/9/2024 - Zoom
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มุมมอง 5519 หลายเดือนก่อน
Jane Bunnett Interview by Monk Rowe - 1/25/2024 - Zoom
Fred Radke Interview by Monk Rowe - 11/8/2023 - Hillsdale, MI
มุมมอง 73110 หลายเดือนก่อน
Fred Radke Interview by Monk Rowe - 11/8/2023 - Hillsdale, MI
Ben Sidran Interview by Monk Rowe - 11/15/2023 - Zoom
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มุมมอง 2.4K11 หลายเดือนก่อน
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Phil Wilson Interview by Monk Rowe - 9/27/2023 - Zoom
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Phil Wilson Interview by Monk Rowe - 9/27/2023 - Zoom
John Altman Interview by Monk Rowe - 9/14/2023 - Zoom
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Sheryl Bailey Interview by Monk Rowe - 7/24/2023 - Zoom
Ray Vega Interview by Monk Rowe - 7/20/2023 - Zoom
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Ray Vega Interview by Monk Rowe - 7/20/2023 - Zoom
I was in line at Barns and Noble in Phoenix to have Steve sign my video tape of his show shortly after this interview and before his death. Thank you, Steve, for sharing your talent with us. RIP.
That's my uncle
A criminally under-rated drummer and musician. Ed worked for decades playing with the Tonight Show Orchestra. Five nights a week, a different musical artist; reading charts of jazz, rock, folk, country and every genre you could think of. Ed was the definition of a drummer who could cut anything. I took a lesson from him back in the 70's. He spent his time speaking about swing and feel. Just a really beautiful guy.
👏🏿👏🏿
I was in the Dues Band that Phil directed at Berklee. To this day I look back at that time as such a rich and valuable musical experience. Phil could be tough at times but I wouldn’t change a minute of those times. Phil Wilson is a national treasure and responsible for educating so many successful musicians through the decades.
WOW!!! 90 years and The Paesano is still around. #franksantopadre should Interview him soon 😁👍🏻 Watching THE NEXT LINE on The game show as we speak 😛
Thank you for this great interview.Jon Hendricks was really a wise and spritual man and it´s a pleasure to listen to him talk.I can only complain because the world in the new century is not going like he predicted.If things were like he said this would be a wonderful place to leave.
Yes, I recall Jon's predictions and thought for a time that they would become a reality. You might enjoy our first interview, the link is: th-cam.com/video/eX7sGSgjNXo/w-d-xo.html
@@filliusjazzarchive Thanks again.In fact I saw the first interview previously and then I saw the second.I did enjoy both a lot!
Yeah, "While We're Young" is a great CD. Love "Bo Diddy" from Tatics. Speak of The Devil is dark and moody slow burn. One of my favorite trios.
Monk, I have commented on this interview several times. But with my particular background, I find new aspects and revelations about Jay and his place in jazz history with repeated listenings. Monk, your restraint as interviewer was so important in allowing Jay to open up in this interview! But let me finally emphasize that Jay’s band of the early 1940s was one of the five greatest jazz orchestras of the classic era; the others being Fletcher Henderson, Duke Ellington, Jimmie Lunceford and Count Basie. And Jay’s band was very important in helping Charlie Parker develop his approach and style.
Much appreciated n.
Cakewalk with Joe Pass, Niels in Italy 1985.
Stellar musician, sweet guy. Great interview!
What an amazing Interview. He is incredible, and so sorry to hear about his troubles that started in 2020 during the pandemic - it just proves that life isn't fair.
Herb was without a doubt my favorite Jazz/Swing guitarst. I listened to TONS of his recordings and saw him live with "The Great Guitars" (with Charlie Byrd, Barney Kessel, Joe Byrd and John Rae). I even found hie phone number later in his life and called him just to say how much I appreciated him & his music!!! Great interview!!
Amazing work, thank you very much for your knowledge, greetings.
Being partially deaf, I found his voice quite difficult to understand perhaps the the microphone may have been better placed
We work very hard at maintaining accurate closed captions on all of our interviews, perhaps you might have better luck if you turned them on and used them to augment what you are hearing.
TRULY TRULY A LEGENDARY MUSICIAN.
Truly wonderful interview. I have shared it to other monster musicians. I went to NORTH TEXAS at the same time as LOU after four years touring with The NORAD "Cavalcade of Music". I was not on the 1 O'clock Lab Band, 2 O'clock my best, but went back to The USAF Academy Band FALCONAIRES. I truly truly appreciate this interview. The Jazz Snob was Lou at that time, pretty funny to hear him say it here. I have kept track of Lou and Tom Malone all my life since North Texas. At 80 now, it is awesome that you have excited me. GOD BLESS
Hello and thanks for your positive comment. I really enjoyed that conversation with Lou as well as this one with Tom Malone. th-cam.com/video/645yRC0yPng/w-d-xo.html You might enjoy our podcast, “Jazz Backstory” based on excerpts from these interviews. It is available on major podcast providers. Monk
👍🏾
I agree. There is a part 2 on the channel with Mr. Hendricks, equally thumbs up. You might enjoy our podcast, “Jazz Backstory,” based on excerpts from these interviews (including a few from Jon). It is available on major podcast providers.
Oh wait a minute how u gonna talk about founding fathers of Latin Jazz and just leapfrog over Tito Puente? TP was one of the very first calling his music "Latin Jazz" and one of his worldwide compositions was "Oye Como Va" which he lent to Carlos Santana...
I would of love to meet him but he passed away before I was even born
m.th-cam.com/video/rn96-UaQWTk/w-d-xo.html I wouldn’t even know where to begin in pointing out the various references and implications of this documentary. Jay McShNn’s memory is very approximate, and he’s often off by a few years in his recounting. But what a beautiful man to get to know! Jay led, of course, the last of the great black jazz orchestras to come out of Kansas City; a band which introduced Charlie Parker to the world. And then Jay himself, as a pianist, is one of the indisputable giants of jazz. Despite the fact that Jay was a world renowned musician, he was also in many ways a very simple man. And he remained resident in Kansas City, and he gigged locally for much of the year, providing work for many his less renowned friends. I love that this interview includes following Jay in his car, on the streets of KC, as well as following Jay to his little motel room in Lincoln Nebraska. Though history has not quite caught up with this fact yet, between 1940 and 1943, Jay McSann led one of the four or five greatest jazz ensembles in history; right up there with Basie and Ellington. - No kidding! This documentary would have been made in the early 1970s.
Great, thank you!
Thanks Monk!
Obtaining a mastery through the process of apprenticeship is becoming a lost art.
Indeed. Finding a mentor was a large part of many musicians learning process. Our interview with drummer Eddie Locke has additional anecdotes about this form of jazz education.
Whats lost is not just the music but a way of seeing..
Love Herb
Marvelous interview. Carol has such a lovely decorous, intelligent way about her; and of course, it's brought out to the fullest by one of the supreme interviewers, Monk. I love the way they both balanced the general central components of making a documentary with talking about the lady herself...Miss Williams.
I actually had the pleasure of meeting Mary Lou Williams. I was a Junior in college working at our university radio station and was the producer and engineer of a jazz program. The host, Jack McKinney, interviewed Miss Williams and we also played some of her recordings. This was about 1974. I remember her to have been charming and unpretentious, and she certainly did not mince words!!! Anyway, this was such a marvelous conversation with two highly dedicated people in their respective fields. Bravo.
Thank you for the positive feedback Joe. You might enjoy our podcast, “Jazz Backstory,” based on excerpts from these interviews. It is available on major podcast providers. Monk
@@filliusjazzarchive Thank you, Monk. I will watch it. I'm sure that it is fascinating. Keep doing the superb job that you're doing, Monk.
I loved Etta ❤ she would come to our house to rehearse and I never knew she was as world renowned as she is. Her story is phenomenal! She sang with Dorothy Dandridge and her sister. To think she was like an Aunt to me growing up.
Thanks for that wonderful anecdote.
Thankyou for this ..does anyone have the documentary "jazz is my native language"? Thanks
I see a listing at IMDb.
Scott Hamilton! Saw him in Barcelona recently ... . | Meanwhile, who is the Steve Allen of today? Does one even exist?
He was an American treasure. I'm grateful to have been young when there were Steve Allen's on the planet.
Very insightful comments by Evan Christopher, great interview Monk!!
While going through things my father left for me, I found Danny's autograph on the back of a Glen Miller Orchestra concert, July 7, 1971 on the lawn at Siena College. I was only 10 and have never forgotten sitting on the grass listening to the big band with my family as we visited my grandparents in upstate New York. Great interview with great info, thanks for posting.
I listen to him sometimes on WPRB. I always wondered what he looks like. His voice reminds me of an old friend of mine.
bless you monk for letting him talk as much as you did. This will definitely take multiple listens, he is a real vestige of truth telling and wisdom and you are in your prime as an interviewer at this point
Thanks, it was interesting to speak with him again after the 1st session so long ago. You'll also find that interview on the channel.
Bebop revisited is one of the greatest albums in the idiom! Charles is in the lineage of the greats that came from Detroit
Mr.Rowe would you happen to have any interviews with the late musicians such as Leo Parker; Wadell Gray; Eric Dolphy; Charlie Parker; Theloneous Monk; and Dizzy Gillespie."
Hello Ronnie, our project did not start until 1995, sadly those iconic musicians were already gone.
A wonderful interview. Thank you Monk, K.
"If you're saying no - I can't use you, I'm lookin' for somebody sayin' yes. Why would I wanna be bothered with no?" Great interview, thanks! :)
God bless Mr. Valentín. R.I.P.
Weew
I don't understand why Danny isn't more well-known. Two of my favorite albums from my youth were Maynard Ferguson's "Chameleon" and Woody Herman's "The 40th Anniversary, Carnegie Hall Concert," both with Danny on drums. He even subbed for Buddy Rich in his band when Buddy was sick. Thanks for all the great music, Danny!
The great Buster Williams ! Thanks for the interview 👏
Наши амурские волны , им некогда душой не понять.
As a student of Manny’s why did it take so long for me to discover this wonderful interview? What a treasure he was and his rich story telling ability always came through in his music. My short time with him has had a huge influence on me and I so regretted his loss in 2001. And now some of his best music is difficult to find which is tragic. Maybe this interview will help to preserve his legacy. Kudos to Monk!
Hey Richard, thanks for the supportive comment, I am pleased that it was meaningful for you. I have so much respect and admiration for arrangers like Manny who could excel at what they were passionate about writing as well as what they were hired to write. Monk
There is no reincarnation jerry...but we get our experience through living your life...and we don't choose our parents ,our environment, our social hierarchy, poor or rich ,WHITE OR BLACK,BROWN..
Jerry had a enrichment environment..like so many musicians back in the 60,80,80,90,...
I ve always played with loud bands..I developed bad HABITS...IT TOOK YEARS LATER TO TRY TO FIX THOSE BAD HABITS. I DID NOT HAD THE OPPORTUNITIES TO TEACH - I WAS YOUNG
Spectacular interview. WELL DONE!!! Very important musical history is chronicled here.
Thank you Stephen. Monk
Such a great interview he was amazing and a funny guy
Thanks for your comment. You might enjoy our podcast, “Jazz Backstory,” based on excerpts from these interviews. It is available on major podcast providers, I included an anecdote from Dave in an early episode.
@@filliusjazzarchive cool will check it out
The Real Jazz Legend