- 28
- 1 334 918
Andrea Joshua Asnicar
Italy
เข้าร่วมเมื่อ 23 มิ.ย. 2017
Andrea Joshua Asnicar is a film director.
Born and bred in northern Italy, he moved to Australia to start a new life. After years of career capital, he started his own business to bring the model of the entertainment industry into the world of business.
He has created content for the French fashion powerhouse Hermes, filmed and delivered content to Virgin Australia, worked with the global skincare company Aesop and the Asia-Pacific consultancy company Aurecon.
In 2019 he worked alongside director/producer Jenna Cosgrove as a cinematographer to shoot the sci-fi web series 2121 starring TV legend Gary Sweet, with over 1 million views online.
He’s currently dedicating himself to own his craft by creating short films and producing his first feature film.
Born and bred in northern Italy, he moved to Australia to start a new life. After years of career capital, he started his own business to bring the model of the entertainment industry into the world of business.
He has created content for the French fashion powerhouse Hermes, filmed and delivered content to Virgin Australia, worked with the global skincare company Aesop and the Asia-Pacific consultancy company Aurecon.
In 2019 he worked alongside director/producer Jenna Cosgrove as a cinematographer to shoot the sci-fi web series 2121 starring TV legend Gary Sweet, with over 1 million views online.
He’s currently dedicating himself to own his craft by creating short films and producing his first feature film.
There Is No Antimemetics Division - Finale - SCP Horror Short Series
Support more SCP short films by subscribing to our channel, and liking and sharing this with your SCP friends!
In the gripping finale of 'There Is No Antimemetics Division,' Marion Wheeler finds herself in a desperate race against time, evading the clutches of the pervasive SCP-3125 and its memetic tendrils. With the revelation that SCP Site 41 has fallen under the complete control of the memetic adversary's signal, Marion is thrust into a battle for survival. The stakes are higher than ever as she navigates the compromised facility, determined to uncover the answers hidden within a secret lab. Will Marion outmaneuver the omnipresent threat and preserve the remnants of her memory, or will she succumb to oblivion, losing the war against an unseen enemy?
Thank you for joining us on the thrilling journey through 'There Is No Antimemetics Division,' our captivating 4-part series that has explored the shadowy depths of the SCP universe. Your adventure with us isn't over yet; stay tuned for more SCP shorts coming your way. Subscribe to embark on our next chilling SCP adventure that takes you to mysterious lakes...where the bodies in the water are not as they seem.
CREDITS
Created and Directed by
Andrea Joshua Asnicar
andrea.joshua.asnicar
Written by
Andrea Joshua Asnicar
Jenna Cosgrove
Based of
There Is No Antimemetics Division by qntm - a.co/d/ijpSs90
Inspired by
The SCP Foundation Wiki - scp-wiki.wikidot.com
Tanya Schneider - Marion Wheeler
Liam Howarth - Paul Kim
Jeffery Richards - SCP-3125 Voice
Portuguese (Brazil) CC Translation: @burglar1235
Spanish CC Translation: Elissa Forte
Listen to the TINAD Official Soundtrack EP:
Spotify - rb.gy/rib1yq
TH-cam - th-cam.com/video/COyTWjeYal0/w-d-xo.html
Legal Disclaimer for The SCP Foundation
Content relating to the SCP Foundation, including the SCP Foundation logo, is licensed under Creative Commons Sharealike 3.0 and all concepts originate from scpwiki.com/ and its authors. This video, being derived from this content, is hereby also released under Creative Commons Sharealike 3.0.
In the gripping finale of 'There Is No Antimemetics Division,' Marion Wheeler finds herself in a desperate race against time, evading the clutches of the pervasive SCP-3125 and its memetic tendrils. With the revelation that SCP Site 41 has fallen under the complete control of the memetic adversary's signal, Marion is thrust into a battle for survival. The stakes are higher than ever as she navigates the compromised facility, determined to uncover the answers hidden within a secret lab. Will Marion outmaneuver the omnipresent threat and preserve the remnants of her memory, or will she succumb to oblivion, losing the war against an unseen enemy?
Thank you for joining us on the thrilling journey through 'There Is No Antimemetics Division,' our captivating 4-part series that has explored the shadowy depths of the SCP universe. Your adventure with us isn't over yet; stay tuned for more SCP shorts coming your way. Subscribe to embark on our next chilling SCP adventure that takes you to mysterious lakes...where the bodies in the water are not as they seem.
CREDITS
Created and Directed by
Andrea Joshua Asnicar
andrea.joshua.asnicar
Written by
Andrea Joshua Asnicar
Jenna Cosgrove
Based of
There Is No Antimemetics Division by qntm - a.co/d/ijpSs90
Inspired by
The SCP Foundation Wiki - scp-wiki.wikidot.com
Tanya Schneider - Marion Wheeler
Liam Howarth - Paul Kim
Jeffery Richards - SCP-3125 Voice
Portuguese (Brazil) CC Translation: @burglar1235
Spanish CC Translation: Elissa Forte
Listen to the TINAD Official Soundtrack EP:
Spotify - rb.gy/rib1yq
TH-cam - th-cam.com/video/COyTWjeYal0/w-d-xo.html
Legal Disclaimer for The SCP Foundation
Content relating to the SCP Foundation, including the SCP Foundation logo, is licensed under Creative Commons Sharealike 3.0 and all concepts originate from scpwiki.com/ and its authors. This video, being derived from this content, is hereby also released under Creative Commons Sharealike 3.0.
มุมมอง: 129 796
วีดีโอ
There Is No Antimemetics Division - Ep 3 - SCP Horror Short Series
มุมมอง 145K7 หลายเดือนก่อน
Support more SCP short films by subscribing to our channel, liking and sharing this with your SCP friends! In the captivating third episode of 'There Is No Antimemetics Division,' Marion Wheeler confronts the unknown as she ventures into a hidden room within Site 41. Her discovery unveils a history of tragedy and despair, revealing it's not her first encounter with this somber place. She uncove...
There Is No Antimemetics Division - Ep 2 - SCP Horror Short Series
มุมมอง 188K7 หลายเดือนก่อน
Support more SCP short films by subscribing to our channel, liking and sharing this with your SCP friends! In the enthralling second episode of 'There Is No Antimemetics Division,' Marion Wheeler and Lyn El Marness join forces on a mission dictated by El's unique severance agreement with the SCP Foundation. Their goal: to unlock the secrets of 1976, a pivotal year shrouded in mystery and the cr...
There Is No Antimemetics Division - Ep 1 - SCP Horror Short Series
มุมมอง 513K7 หลายเดือนก่อน
Support more SCP short films by subscribing to our channel, liking and sharing this with your SCP friends! Biggest “Thank You!” to our Guest Appearance: @TheExploringSeries Dive into the gripping SCP universe with our first episode of 'There Is No Antimemetics Division,' where Marion Wheeler and Junior Researcher Kim confront the unseen horrors that lurk within the shadows of the Foundation. Di...
SCP 2951 - 10,000 Years - Horror Short Film
มุมมอง 169Kปีที่แล้ว
Subscribe for more SCP content - COMING SOON. Commander Terrence is the only one in his team to make it out alive from an abandoned mine that the SCP Foundation classifies now as SCP-2951. What happened? Made by @andrea.joshua.asnicar Starring Mark Adams @markstephen85 Jeanette Coppolino @jeanette.coppolino William Servinis @williamservinis Aurnab As-Saber @svberofficial Geordie K. Poulos @geor...
SCP-2812 Echoes Of Yesterday - Horror Short Film
มุมมอง 77K2 ปีที่แล้ว
We got more SCP content coming your way. SUBSCRIBE! SCP-2812 Echoes Of Yesterday is a horror short film based on SCP-2812 entry on the SCP Foundation wiki, written by djkaktus Agent Watson from the SCP Foundation is sent to track down a missing MTF. But she wants to get away. Read the original entry: scp-wiki.wikidot.com/scp-2812 Made by @andrea.joshua.asnicar Starring Brooke Tomlinson @brookes...
Parker - Crime Thriller Short Film
มุมมอง 1.7K3 ปีที่แล้ว
PARKER is an intense neo-noir short film set in a seedy torture room where, away from the eyes of the law, a man struggles with the choices given by his captor in order to save his life. Parker, a professional psychopath and hitman, has kidnapped and is holding hostage Mick, a man whose life choices brought him right to that room. Starring Parker - Liam Howarth Mick - Stanley Roach Directed by ...
That Town In The Hills - Crime Drama Short Film
มุมมอง 2.1K3 ปีที่แล้ว
One last job to get out. One last job to go back to that cute town in the hills. "That Town In The Hills" is a small, no budget crime drama shot in Melbourne. Made by Andrea Joshua Asnicar Adam Rowland Jeanette Coppolino Ricardo Vaveliuk Rad White Cinematography by Alastair Duffield Music by Giacomo Salzani and Alberto Papotto Thanks to Cassten Roberts "Happy Endings" from H. (4/4) by Bow'n'Arr...
Redemption Day - Post-Apocalyptic Short Film
มุมมอง 46K3 ปีที่แล้ว
One day everything went offline. Now they're trying to survive. Buy me a coffee: www.buymeacoffee.com/andreajoshua Made by Andrea Joshua Asnicar Starring: Scarlett Clemens - @scarlett.clemens Sunny S. Walia - @its.always.sunny.in.melbourne Sandy Singh - @i.am.sandysingh Johnny Cash "Redemption Day" Cover by @Bow'N'Arrow Full cover coming soon! Follow me on Facebook Instagram @andrea.joshua.asni...
Doom From The Jungle - Lovecraft Horror Short Film
มุมมอง 7K5 ปีที่แล้ว
Doom From The Jungle - Lovecraft Horror Short Film
Days Of Promise - Music Drama Short Film
มุมมอง 4495 ปีที่แล้ว
Days Of Promise - Music Drama Short Film
Hannah Potter - Mastering at Jack The Bear Studio
มุมมอง 1255 ปีที่แล้ว
Hannah Potter - Mastering at Jack The Bear Studio
Is there going to be a 5th one?
Nope! The rest of the book follows these first chapters, but we’re not able to complete it just yet.
There Is No Antimemetics Division is one of my favorite SCP tales. So glad to be seeing this adaptation! Marion and Alastair Grey are perfectly casted, and all performances were excellent! I only wish you had pulled off the effect where Paul can see Grey through walls, even through his eyelids when he closes them. Even so, fantastic work all around. I’ll be keeping up with this channel!!!
"El, it's finished." Lyn Marness is more than ninety years old and hasn't stood at his full height in ten. He was a tower of a man in his prime, two metres tall and built like a boxer. Nearly nobody he ever met was able to look him straight in the eye, at least not and tell him "No". Illness has gradually eaten away at that over the years. He feels as if he lives at the bottom of a deep bath, everybody he ever meets looking down at him from slippery, unscalable walls, none of them able to reach down to help him. He's spent his final months crumpled up in bed like a dying spider, changing to a corpse's colour ahead of time. It might have been bearable if he'd lost his mind, but he remembers what he used to be: a leader, a powerhouse. He used to be able to alter the course of terrible events for the better, to get justice. He used to protect people. "El. You can wake up now." But there's a warm wind through his thin colourless hair and there's direct sunlight coming down on him now, and the heat is filling him up like a tonic. He's outside; it's been too long since he was last outside. When he opens his eyes he sees his lake, the one in the Northwest which he used to have all to himself every summer. He's on a boat, his boat, lying on a blanket laid on the deck. A few kilometres away behind them is the little lake house, empty. It's perfect. He didn't know he had the strength left to safely leave the hospital, let alone travel this far. But if he'd put his mind to it and selected a final moment, this might have been it. "Do you remember me?" Marness looks, with eyes which are strengthening. The woman speaking is seated on the deck beside him, attentive. She has a large plastic box full of medical supplies open in front of her, and a light suit jacket laid on the deck beside it, and she has her sleeves rolled up so she can work. As he watches, she carefully disposes of a needle. A dim memory surfaces and starts taking shape. The woman is twice as old now as when he knew her last, and visibly twice as confident. It would be difficult to forget her. He taught her everything he- well, everything he could remember at the time. He remembers her as a field agent. He remembers sending her through Hell, a fistful of times. "Marion." "El," the woman softly explains, "you died. You died surrounded by grieving family. They loved you very much, and they cried over you. The funeral for the fake is in a few days, but unfortunately you won't be able to see it yourself. You're dead now, and this is what comes next." "Marion. Hutchinson." Marness feels gold spreading through his bones, miracle juice. It's Wheeler now, but she doesn't correct him. "When you retired from the Foundation, El, we did what we do to all of us who retire; what all of us agree to when we sign up. We gave you some medicine which made you forget. As you stepped out of the door for the last time, all the work you did for us - great work, which saved lives - evaporated away, and your cover story sealed over those years became reality. That's why you've spent your whole retirement believing that you were a former section chief at the FBI. It's what you wanted, it's what we wanted, it's what you agreed to. "But you, alone, agreed to something else as well. And you must be starting to remember, now, what that something else was. I've injected you with a serum which throws the human aging process into hard reverse, and it affects everything: organs, tissues, memories. You'll be coming up on it soon. Remember?" "Yes," Marness croaks, remembering, dizzy. "You signed over your final twelve hours to us. You asked for a full and happy and well-deserved retirement… but now, for the last day, you work for us again, because of one particular job. I have it in writing here, you see? Do you recognise your signature, and mine? I witnessed."
"Yes." "Do you remember who you are?" "Doctor Lyn Patrick Marness, of the Foundation," he says. "Antimemetics Division founder." Wheeler smiles with relief. It's good to see him again. "We need some memories from you," she explains. "Memories which nobody else in the world has access to, and which are buried so deeply that we can't extract them without killing you. So this afternoon, that's what we're going to do. We're going to extract those memories, and once we're done, you'll be dead." Marness has already begun to regress to the time when he himself set this wheel in motion. He remembers, very clearly, discovering the mystery in his own head, the blank spots which he couldn't explain, and couldn't safely access with any kind of chemical or physical technique. He remembers deferring the mystery until now. "What happened in 1976?" Wheeler asks.
*
Marness sits up. His skin is beginning to clear and his breathing is improving. He feels as if his brain is cleaved in two by a wormhole, such that his eyes are focusing on different time periods. In his right eye he sees the lake and the boat he's dying on; in his left he sees a collage of electrifyingly familiar past faces and places. Bart Hughes with his grin and thick glasses and baby face, looking like some kid dressed up as a Foundation researcher; the original Site 48 crew, great techs but a hopeless excuse for a softball team; young Marion with steel-strong nerves and a mind like a laser; suits and lab coats and MTF operatives. And everywhere paperwork, and floods of serial numbers. He starts to speak. 1976 was the year he founded the division. He brainstormed the whole thing in one legendary week, hammering out the science and then distilling the first chemical mnestic with the help of a hand-picked trio of assistants, the first Antimemetics researchers. No antimemetic SCPs had even been observed up to that point - the entire operation was a shot in the dark - and yet the team immediately struck gold. Passive black holes of information, active predatory infovores, unrememberable worms which covered the human skin like dust mites… contagious bad news, self-sealing secrets, living murders, Chinatowns. Wheeler wonders if there might be something more serious awry with Marness' head. His version of events is hopelessly romantic. In Wheeler's experience, nobody looks back on Foundation work fondly. "But it was all too fast," Marness says. "Special containment procedures take time to develop, much more time than I took. The Foundation as a whole acquires about a dozen new SCPs annually. I found that many in one year, essentially single-handedly. It was too easy. It was as if I knew it all already, and was just catching up. "And then… one day I realised I couldn't remember my life before Antimemetics. I knew I'd been a Foundation operative for decades prior, that was where I got the authority to start my own division, but there was nothing else there. It was a wall in my mind, which even mnestics couldn't get me past. I went to the paper archives and looked at my own personnel file, and…" Marness trails off. Not because he's forgotten what to say next, it's deliberate. The trailing off is exactly what happened. "You woke up back at your desk half a working day later, remembering nothing," Wheeler says. "You went through the loop a dozen times before someone realised what was happening and broke you out of it." Wheeler knows all of this. The file still exists, and the antimemetic effect still clouds the back half of it. All of this would be over in a second if any of that back half could be read. Marness goes on. "When I assembled the evidence what I found was… well, a hole. Like a jigsaw with only the edges and corners. So I did the only thing I could do, I looked at the shape of the hole. And, together with Bart Hughes and others, I formed a theory. "This is not the first Antimemetics Division. Before 1976, there was another one. I was part of that division; possibly, I led it. Certainly, I am the only known survivor of it. Something happened to that team. Some antimemetic force chewed up and swallowed the idea of the Antimemetics Division itself. I was let off lightly; I lived. The rest of those people, whoever they were, however many of them there were, are missing without trace." Wheeler nods. "This much we know already. I was there when you wrote the note, remember? The question is known. It's the answer that we can't get to without killing you. It's the answer that we've waited all these years to get at. I'm here to ask you: What. Happened?" Marness covers his right eye and grimaces, trying. He fails. "It's not there. You haven't sent me back far enough, there's still that wall there in my head. I remember why the question exists, but I don't remember the answer. I need more." Wheeler swabs his arm, and gives him another ten years.
Marness seems like another man once the second X dose takes effect. Wrinkles are sliding back up into his face, muscle mass is returning to his limbs, but it takes Wheeler a second to realise the real reason why; she's just booted him back across the field/desk agent transition. Marness has regressed a little way past senior management, the realm where most problems were solved by saying the correct words, and into a time where he survived through physical fitness, situational alertness and hands-on experience. Marness gets to his feet for the first time in years. He scans his surroundings, examining the placid golden lake and the sky and the boat itself. He doesn't sit down again. He smooths down his hospital gown, wishing he had a sweater and, separately, some fishing gear. He brushes a hand through new, old hair. His sideburns are back. "We weren't Foundation at first," he says. "The first Antimemetics Division was a U.S. Army project. It ran parallel with Manhattan during World War II. We called ourselves the Unthinkables. "It began as an experiment in advanced propaganda. The objective was to cut through the physical conflict and find a way to rupture the ideological machine, to obliterate the idea of Nazism. After two years, enough theory had been developed that the task had been reduced to an engineering problem. Another two years, and the engineering problem had been reduced as well, and what we had built was a very special kind of bomb. "Unfortunately, we didn't understand what we'd built. Back then, we didn't have the mnestics or the shielding that we could use to protect ourselves. We didn't understand how far ahead you need to think when you're working with this kind of technology. "We got looped. It was textbook. We built the unthinkable bomb and test-detonated it… and it worked perfectly. The bomb destroyed itself, and erased its own successful detonation, and flattened all the knowledge which had gone together to build it. We forgot that we had ever built the bomb at all, and started over. "To our credit, we realised pretty quickly what must have happened. There was a four-year gap in our progress now, and there was no other way to explain it. But by the time we put the pieces together the second time, the war was almost over. The Nazis had been defeated by conventional means, and the Japanese had been broken by the first atomic bombings. So we completed the second antimemetic bomb, and after that, we sat on it." Marion Wheeler is silent for a long moment. "The U.S. Army," she says doubtfully, "was secretly developing antimemetic weaponry as early as the 1940s." "We sure were," Marness says, with more than a hint of pride. "Of course, there is no one in the whole world who could back this up." "That's right," Marness says, flashing a smile he hasn't flashed in decades. "You only have my word for it. Cute, huh? Still, this is why you resurrected me, isn't it? For the sake of one more good war story. God, I've missed shop talk." "I resurrected you because I want a very specific question answered," Wheeler says. "Although I can see that in a way you've already answered it. This bomb was the means, wasn't it? The old Antimemetics Division-" "-the Unthinkables-" "-bombed themselves. Somehow." "That's right," Marness says. "From context," Wheeler goes on, "I assume that they knew what they were doing that time. I assume it was not an accident." "It was not," Marness says.
*
"Can I smoke?" This time the receptionist narrows her eyes at Marion. "No," she says. "You- No, you can't smoke anywhere on Site 200. Just because it's an administration building doesn't mean we don't have lungs. Or labor law." Marion notices the exasperation on the young woman's face. "I've asked you that before, haven't I?" "Twice in the last quarter-hour," the receptionist says. "You must really need a smoke." She's genuinely puzzled at the repeated question, and she's doing a bad job of concealing her puzzlement. "You think this is like Memento, don't you?" Marion offers, charitably. "You think I have no long-term memory, and if I stay in one place for too long I forget why I'm there." The receptionist is only just old enough to remember that film. "I… guess?" Marion smiles sympathetically and shakes her head. It's nothing so simple. Minutes pass. She toys obsessively with her lighter. She is turning fifty this year and slowly greying, well on her way out of "petite" towards "little old lady". In her bag her phone beeps because it's time for a pill, but she tells it to remind her later. There is a slight tremble in her fingers, but that's not age-based infirmity, that's just ordinary nerves. She's nervous because she's here to meet an O5, and O5s are scary. O5s never want to see you for a small thing. It's the end of the world, or nothing. Finally, forty minutes late, the door to the inner office opens. Four or five high-ranked Foundationers spill out, carrying laptops or briefcases. As a group, they head straight past reception and out to cars which are waiting. Marion recognises a few of the faces- the Site 19 site director, the head recruiter for Western Europe. None of them glance in her direction. Once they're gone, O5-8's assistant pokes his head around the door. He's twenty-something, improbably youthful, like a teenager stuffed into one of his dad's business shirts. His haircut is barely regulation. In one hand he holds a tablet computer showing his boss's day planner. It's packed. The man evidently does not sleep. "Marion? You can come through now."
*
The office door closes behind them with an unusually heavy mechanical clunk, as if the whole thing is part of a machine built into the office walls. While Marion takes the indicated chair and sets her bag down, the assistant turns and does some confusing additional things to the door, causing it to make several further strange noises. O5s have non-trivial privacy and security requirements. The office is spacious, but somehow contrives to be dark despite two big corners of window and broad daylight outside. The walls are all bookshelves and dark wood panelling; perfectly stylish, but a style from the Nineties, a little worn, and not yet old enough to be fashionable again. As for the fellow behind the desk, well, an O5 never looks like you imagine. Marion takes a deep breath. "So what's the topic? All I got was the meeting invitation, no agenda or subject. I mean, an O5 says 'jump', you jump, but-" Looking to her right, she notices that the assistant, without saying anything or making any undue noise, has set his tablet down on a table, produced a gun and aimed it at her head. Marion stops talking. She sits still in her chair for a little while, absorbing the change of pace, letting her heart rate rise to a hummingbird's and then start to flatten again. "Okay?" she hazards. She licks her lips and grips the arm rests, otherwise staying perfectly still, waiting for another prompt. The assistant's face is totally neutral now, like this is just how meetings go. Maybe it is, for people up here. "Who are you?" O5-8 asks her. Marion blinks. "What? Oh, God." "Let me rephrase," O5-8 says. "Marion Wheeler, forty-nine, with loving husband and two boys in tow. Likes camping, hiking and ornithology. Boring mother with perfect, airtight background and financials, as far back as we can examine. And you've got full Foundation credentials which we've never issued, including access to a list of installations and rooms which… some of these locations don't exist, or were torn down decades ago. At least one hasn't been built yet, yet you've got the front door key to it. That's before we get to your SCP access control lists, which I can only term as 'egregious'. "So you're a spy, and your objectives are misaligned with ours, and Clay wanted to cut Xi-3 loose on you, but I was able to bring him around. I talked him into a face-to-face. I thought there was a slim chance that if we locked you in a bomb-proof room and asked politely, you'd have the good sense to spare yourself 'the rest'." Marion has long since stopped listening. "You dullard," she says now she can finally speak, "I'm your chief of Antimemetics." "We don't have an Antimemetics Division," Clay says. "Yes, you do. We do." O5-8 says, "We have a Memetics Division, a Telekontainment Division, Fire Services, Ops-A, Ops-B, Personnel, D-personnel and two dozen others. We don't have an Antimemetics Division." "Do we have an Irony Division?" Marion asks. She hesitates hopefully. "No? Alright. Well, try this: why do you think the Antimemetics Division would show up in the listing?" "This is just a cover story," Clay says to O5-8, not taking his eyes off Marion. "It's a good one, but she's had it worked out in advance." "Clay, lose the piece," says the O5. Grudgingly, Clay does so. Marion relaxes fractionally. "There are SCPs with dangerous memetic properties," she says. "There are contagious concepts which require containment just like any physical threat. They get inside your head, and ride your mind to reach other minds. Right?" "Right," O5-8 says. He could name a score of SCPs fitting this description without even thinking. "There are SCPs with antimemetic properties," Marion goes on. "There are ideas which cannot be spread. There are entities and phenomena which harvest and consume information, particularly information about themselves. You take a Polaroid photo of one, it'll never develop. You write a description down with a pen on paper and hand it to someone- but what you've written turns out to be hieroglyphs, and nobody can understand them, not even you. You can look directly at one and it won't even be invisible, but you'll still perceive nothing there. Dreams you can't hold onto and secrets you can never share, and lies, and living conspiracies. It's a conceptual subculture, of ideas consuming other ideas and… sometimes… segments of reality. Sometimes, people. "Which makes them a threat. That's all there is to it, really. Antimemes are dangerous, and we don't understand them; therefore, they are part of the Problem. Hence my division. We can do the sideways thinking that's needed to combat something which can literally eat your combat training." O5-8 stares back at her for a long moment. Clay fidgets, disliking and distrusting the story, but the O5 seems more open to the concept. "Name one," he says. "Name an antimemetic SCP." "SCP-055," Marion says promptly. "There is no SCP-055," Clay retorts. "Again: Yes, there is," Marion says. "There isn't," Clay asserts. "SCP numbers aren't assigned sequentially. There are gaps. That number hasn't been assigned. It's not superstition, we have enough to be concerned about without arbitrary numerological mysticism. We have SCP-666 and SCP-013. But there's no SCP-001. And there's no SCP-055." "Clay," O5-8 says, "you should look at this." He turns his monitor so Clay can see the file that he has just retrieved. Clay bends over and reads it from top to bottom. Stunned, he scrolls back and reads it all a second time. "But…"
"The file's dated from 2008," O5-8 says. "It's got all the right flags and signatures. It's keyed and coded. It's real." "You've seen this before?" Clay asks him. "Never in my life," O5-8 says. "As far as I can remember, anyway. On the other hand, if the content is accurate, both of us have probably seen it dozens of times." Clay glares at Marion. "This isn't possible." Marion nearly spits. "For Christ's sake, Clay, how long have you been working here?" "But if this SCP is this powerful…" he begins. "Yes?" "Who wrote the file?" the O5 finishes. "And for that matter, how was the interview conducted, and who is 'Bartholomew Hughes'? And most importantly, how do you, Mrs. Wheeler, retain knowledge of any of this?" "Bart Hughes wrote the file. He's dead," Marion says. "What happened to him?" "You don't want to know." There is a very long pause while both O5-8 and his assistant react to this. In fact, they pass through a long, discrete sequence of reactions. Indignation at the seeming rudeness; confusion at Wheeler's incaution in front of sinister superiors; surprise at the magnitude of the claim; pure disbelief; comprehension; and finally, horror. "What…" O5-8 asks carefully, "would happen if we did know?" "It would happen to you as well," Marion says, levelly. "…As for the rest of your questions: we manage that pharmaceutically. You know we have class-A amnestics, for people who very badly need to forget things? Of course you do. Who could forget about class-A amnestics? Well, in Antimemetics, we have a different pill, for people who need to remember things that would otherwise be impossible to remember. Mnestics, class W, X, Y and Z. Same Greek root as the word 'mnemonic'. The M is silent." In her bag, her phone beeps again. With a nod of approval from the O5, Marion reaches into her bag and turns her phone off, acknowledging the prompt this time instead of postponing it. She pulls a blister pack from another pocket and pops a pill out. It's hexagonal, and green. She holds it up, and is satisfied to see a flicker of recognition on O5-8's face. He's beginning to put it back together. Marion says, "These are class W mnestics, the weakest, suitable for continual use. Two pills per day. Go down to the site pharmacy and ask. The pharmacist will claim they don't stock any such thing; they're misremembering, tell them to double-check." O5-8 sighs. "And now, I think, I get it. I see why we're having this conversation at all." "Yes," Marion says, popping a second pill out and handing it over to him. "It's because you missed a dose. You're supposed to be on these, the same as me and everybody on my staff. It's the only way we can work. You forgot to take a pill, and then you forgot all the information that the pills were helping you retain. You forgot why you were taking them, who gave them to you, where to get more. You forgot about me, and my entire department. And now I have to bring you up to speed." "And if I take this," O5-8 says, "I'll remember this whole conversation and we won't have to have it again?" "Hopefully not," Marion says. Clay pipes up. "Uh, should I be taking those?" "Sorry, kiddo," O5-8 says. "Need to know. Maybe when you're an O5 yourself." He swallows the pill. Marion swallows hers too. "So what is SCP-055?" O5-8 asks. "SCP-055 is nothing," Marion says, now relaxing entirely. "SCP-055 is, as described in the file, a powerful information autosuppressor. As far as experimentation has uncovered, it can only be defined in negative terms. We can only record what it isn't. We know it isn't Safe or Euclid. We know it isn't round, or square, or green or silver. We know it isn't stupid. And we know it isn't alone. But what we do know is that it's weak. It's weak because it's the only antimemetic agent in our possession which has a physical entry in the files. We have paper records of the thing. We have containment procedures. It's not Safe, which means it's dangerous… but it's contained."
O5-8 blinks. "You have procedures? Where?" Marion points at her head. "Then how many other antimemes are there? How much more dangerous do they get?" "Ten that I know of," Marion says. "Statistically, probably at least five more that I don't know of. This does not count the antimemetic entities freely roaming the halls, not under containment. There are at least two in this room with us right now. Don't look. I said don't look! It's pointless!" O5-8 does an impressive job of controlling himself, keeping his attention focused on Marion. Clay doesn't fare so well, and quickly sweeps the whole room, even checking behind his back. Making an ass of himself, essentially. He finds nothing. He looks baffled. "There is an invisible monster which follows me around and likes to eat my memories," Marion explains, patiently. "SCP-4987. Don't look it up, it's not there. I've learned to manage with it. It's like a demanding pet. I produce tasty memories on purpose so it doesn't eat something important, like my passwords or how to make coffee." "And what's the other one?" Clay asks. With another nod from O5-8, Marion goes to her bag again. This time she pulls out a gun and shoots Clay twice in the heart. More aghast than in pain, Clay collapses sharply against the bookcase behind him. Pulling his head around to face Marion, he manages, "How did you- kn-" Marion stands, aims more carefully and shoots him a third time, this time in the head. O5-8, again, does an impressive job of not reacting. "That's Clay's gun," he deadpans. "You stole it from him." "It's tricky to steal a firearm this heavy from someone without them noticing," Marion explains, unloading it and carefully setting it down. "But stealing a firearm and then stealing their memory of the theft is a little easier. Like I said: a pet. Some pets are dumb enough that they can be trained." "Yes," O5-8 says, evenly. "That much I'd guessed. But why?" "Because you were supposed to be taking class-W mnestics," Marion says. "You can't skip a dose of class-W mnestic. I've tried. You can postpone a dose, but you can't forget unless someone actively prevents you from taking it. There's only one person who could get close enough to you to do that, and that's your assistant. And remember when I asked him how long he'd been working here?" "He didn't answer," O5-8 says. "I thought you were being rhetorical." "He doesn't work here," Marion says. "He's an antimeme. Since when do you have an assistant? You don't have an assistant, Brent. Look at this office. It's got one desk. You've got a receptionist outside: she's the one who screens your calls and schedules your meetings. Where does Clay even sit? Where does he fit? Don't blame yourself. You're human, and these things are redaction incarnate. You need to think like a space alien to get around them." O5-8 asks a question which, in any other workplace, would be absurd. "Is he dead?" "Maybe," Marion says. "I can put his corpse in our research queue and we'll see what we can see when we open him up. There's a duality here, though. They're like parallel universes sharing the same space. It's conceptual versus concrete, figurative versus physical. It's very unusual for things to cross over. I don't know what Clay was, but he had a human body, which instantly makes him weird, even by our standards. As ever, the search for stalemate continues. I will let you know if we get any closer." "Any side effects of these pills?" O5-8 asks. "Nausea, and dramatically increased risk of pancreatic cancer," Marion says. "And very bad dreams."
Junior Researcher Kim's been working for the Foundation for all of four hours and he feels pulverised, as if an anvil were dropped on his head in that first introductory lecture. It's lunchtime, and he's found a corner so far back in the cafeteria that nobody bothers him, where he can chew and swallow non-anomalous food, drink apocalyptically strong coffee and digest the hard lessons of the morning. On his Foundation-provided phone, he pages fretfully through the few SCP files for which he has clearance. Most of them have to be jokes. That's how they read. Like very bad, dark, frightening jokes. Kim's one of eleven Junior Researchers in the new intake, and the other ten are sitting in a separate group at a separate table, chatting animatedly to one another. There are some instructors here and there, munching sandwiches. Other than them, the cafeteria - large enough to seat two hundred people or more - is deserted. To Kim, that seems odd. Site 41 is large, three skulking buildings with significant basement space, buried casually in the forests of central Colorado. Where is everybody? A man in a grey suit walks into the cafeteria, makes eye contact with Kim and strides purposefully over. The man's suit is sharp enough to cut. He wears a tie pin and a platinum wristwatch as big as a brick. He looks badly misplaced. Site 41 is a working site. There's training, education, research, development, analysis, and even the containment of a very few Safe SCPs going on here. Executives shouldn't ever be here. So what is he? A lost exec, trying to find the helipad? Or a researcher or instructor, dressing for the job he wants, not the job he has? "Hell of a first day," the man says, holding a hand out. "Alastair Grey. With an E." "Kim," says Kim. "Paul Kim." "Good to meet you. What accent is that, if you don't mind me asking?" Kim blinks. "New York," he says. "I'm from New York. Are you the site director?" "You seem on edge." "Well, that figures, doesn't it?" Kim asks. "You must know how that intro goes. It's like an atom bomb to the ego. I just had almost everything I know overturned. It turns out I've spent my entire adult life being 'protected' from 'dangerous' knowledge, as if the whole outside world is a… a ballpit, for under-sevens. Stepping out of that has been… humiliating. To start with. And…" He blinks again. "Hey, what do you do here, exactly? You didn't answer my question." "You didn't answer mine," Grey says. "Of course I did," Kim says. "I'm from-" And then he just stops, his train of thought running off the end of the track into air. It's on the tip of his tongue, the answer to Grey's question, but he can't get the words out. "That's weird," he says, shaking his head. At this point, he also notices that Grey isn't wearing his badge. This could be an honest mistake, albeit an extremely serious one. But surely execs don't get to the executive level without being scrupulously correct in everything they do? "Who are you?" Kim asks again. "Your life story was fascinating." "What?" "You spoke four languages," Grey tells him. "One now, and soon zero. Too huge an intellect to specialise, your education was a fusion of biochemistry and comparative literature. You felt as if you'd die if you couldn't find more foreign thoughts to cram into your head. You've been all over the world, hungry, and every country you've ever been to was like landing on another planet. You toy with anthropology, but there's too much world for one human race to ever understand, let alone one human. There's too much human race. We should pare it down." Kim nods. "Would you excuse me for just one second?" He gets up and hurries to another table, to the instructor whom he met earlier that day. When Kim gets close to her he feels a kind of staticky sensation building up. He tries to shake her shoulder, and succeeds in moving it a little, but it's like reaching through tar. "Hey! There's a problem. There's an intruder. I think it might be an SCP. Doc, look at me! Hello?" She doesn't react. He tries the gaggle of fellow newcomers as well, but they keep chattering and hypothesising, oblivious to him shouting and clapping in their ears. "Hey! People! Listen to me! No, no, no, no." He looks back. Grey has stood up and started moving towards him, still with that confident smile. And there's definitely something wrong with him now because he's visible through the tables, like an augmented reality holoprojection jammed inside Kim's eyeball.
if there's ever a half life movie this guy would be perfect as gman
Okay so, could you do more to explain what i just watched? I feel like its required to read the wiki entry on this scp to even understand what youre watching
Just finished the book yesterday, I am so ready for this
Hope you enjoy it!
Fucking phenomenal. Camera work, script, delivery, editing, TEH WERKS! DO MORE NAOW! <<<333
Thank you man! We loved making it!
The chamber and it's interior are 10/10, it probably took you days if not weeks to create it.
We had a phenomenal team of Production Designers who worked tirelessly!
That's exactly how I imagined it, I can't explain how much I love it
NO FUCKING WAY It was my DREAM to see this hub as a short film and now i stumble upon A WHOLE SERIES WOOOOAH
Me too! That's why I made it. It's a fantastic book!
I didn't do my homework because scp-55 made me forget
New excuse added to my tool box!
Gives wish master vibes
This video reminds me of
This video reminds me o
The most overused Trope in all of media : "I know where it is. I'll deal with it." And never actually *Telling* anyone where it is. So, no reinforcements, because no one knows where you are. Goo's SCP film thou.. captures what would likely happen with non-MTF people.
Holy shit, this is one hell of a reintroduction into the SCP fandom... Well done. I'm going to show this to my mother.
First time I saw it I could've sworn it said "anti-semetic" division.
Since you’ve been receptive for feedback I’m going to leave my two cents: I think generally you maybe went a bit too hard on making Grey clearly not a person. A big theme throughout Antimemetics division is the actual level of sentience present in the anti memes. The people working are on the front lines- they often personify their threat in a way similar to MTFs. But they are also researchers, and quick to depersonalise in order to allow some really callous treatment. It’s not super glaring right now, but assuming you adapt all of the Antimemetics division I think the product might suffer a little from it.
He saw the blackwall...Dont let Netwacth kmow.
I thought he would use mirror or something because antimemetics consume information but they ARE information.
They forgot how to play chess as well. Was there something symbolic behind the queen move? I want to know but the position isn't possible. Like a forgotten king of anything else. Watching this over and I'm just curious
This was a good series I can't wait For more material, with you guys and The cadet series possibly coming and now a new game for scps. It seems like scps was starting to pick up again.
this is not the first time I watch this series, is it?
I love this book, thanks for doing this!
Your series has had an official reference in SCP 5k labeled as a coincidental addendum to SCP-173's tertiary effect of having it's actual recorded top speed being completely unable to be recorded in any form "This tertiary effect is poorly understood, and is believed to be indirectly responsible for the Falsification of an "Antimemetics Division" in previous iterations of this document"
i don't think the series per se, i think is just the department. However, I was chatting to Affray SM Manager about doing something for them!
It is sad that we cannot hold every stories of antimemetic division arc
Great SCP 1-4 series
Thats my college experience in a nutshell...
There is no dead internet theory, just an infovore in the server farm like a langolier chewing away our past.
The referral link in the description is not working for me. Kinda ironic
i think qntm is doing something with antimemetics and it's not available anymore
noo not on boat? edit: it's as good as it could get 👍👍👍👍
OH MY GOD I DIDNT KNOW THIS EXISTED I CANT WAIT TO WATCH THISSSSSSSSSSSSSSSS as someone who pratically knows this shit by heart im so happy to hear all the quotes yess it's said word for word i love this :D edit im actually going to cry tears of happiness i LOVED reading it and now there's this i can watch yayyy
thank you man!
It’s like, awesomely anticlimactic.
With all of that messed up memory stuff, there must be at least one person there just lying or acting their way through it all. Thinking they wandered into some giant improv act. Even more fun if there’s then another person embezzling their pay check.
What did I just watch?
What did I just watch?
What did I just watch?
this is my favorite series on scp
I remember reading these stories years ago and thinking they were the coolest short stories I've ever read. Thank you for bringing them to life!
Thank you for watching them!
55555
N I thought that pain kept the voice out, so she goes randomly from crawling to walking again... should have stabbed herself with a pen or something, then the elevator opens for the next location and she had another wound she doesn't remember inflicting. could have also had the voice closer to the bomb instead of random hallway no. 3
I'm not quite sure about some stuff you said, but either way, I wanna thank you for watching the entire series and leaving constructive comments
@@AndreaJoshuaAsnicar :) It was a good series. I'm really surprised you don't have more subscribers. and since you replied, feel free to ask about any of my comments and I'll try to explain better what I meant. But I'm by no means a film maker, just a writer, and even that is tenuous description.
9/10 great mindfuck.
4/10 had a hard time understanding the actor and the voice lines were just not well done. Considering its most of the scene, meh.
9/10 much better than most. better acting, the sound was on point, when most of these vids sound like they are far from the mic or something.
Just here to say that I fell in love with your work here. I'm a huge scp Fondation's fan and this is absolutely gorgeous. I can't wait, of course, for new entries in this universe.I could'nt be more exicted to see more ! As always, We secure, contains and protects.
从中国🇨🇳慕名而来
what'd he say
It's like walking alzheimer's or the thing that's going to decommission all the classified non disclosure stuff I got stuck with in the future unless I get to Maryland or Vermont wherever the patient is the sole owner of their medical records and organ brain and tissue bank
I remember the first part of this story being read on the dead meat podcast,its crazy how close to my imagination this was