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Yet another of your incredible achievements! The more I get to know from your work the more I'm becoming a huge fan!

Wow, what an energetic and exciting Scherzo! Fascinating! That has Mahler- or Shostakovitch-like qualities with its very diabolic and haunted character in the A-section.

This is a real masterpiece! So consequential how you lay out and develop the material. And so masterly and colorfully orchestrated! Kudos!

Congratulations on your first Symphony. That's quite an achievement! Very rich and inspiring!

That is very cinematic! Very colorful and intriguing!

I especially like the fugal part. It's very unique. The permanent changing between arco and pizzicato in some of the string sections creates a very delicate effect.

Sorry for the miscounting in the end... Did you have only one read-through session with the instruments?

It's very nice, how the flute and oboe are "overtaking" each other constantly as the highest line in the setting.

Brilliant! Are you a wind player yourself? You've got so much feeling for these instruments!

The whole suite is such a rewarding piece! Full of spirit and character, every mood and personanilty and moment is captured with a distinct voice in a thoroughly worked out setting.

Good handling of the 5/4 beat! Intricate irregularities! You can never feel too certain, which is good!

That movement has in some moments an almost Dvorak-like atmosphere. Wonderful!

You really have a good feeling for instruments and for making them sound characteristic and playful together. It's music for musicians! Very enjoyable!

What a evocative piece! Already the unique opening draws me immediately into the music and makes me wanna hear how it might continue and develop. I'm very sympathetic to your musical language! It's both successable and interestingly strange with a lot of very specific and characteristic instances not every composer comes up with.

I wouldn't call the approach you had for these miniatures 'formal'. I would call it consequential and with a good abilty to dig deep and squeeze evreything out of the material. I wish you more subscribers and commentators for your excellent music!

Playing the bassoon myself, I would certainly have great joy in playing this delightful Three Meditations.

Very good contrapuntal writing, very idiomatic for the woodwind instruments. What a nice, calm and slightly melancholy mood. And I congratulate you for the good and sincere performance of the piece!

That's very intricate and subtle how the fanfare rhythms are layered to make the accents unpredictable. I love the consequence of your harmonic language, in the A section with quartal and quintal and all sorts of sus-chords. The B-section, more thoughtful, seeks more of minor second dissonances and thus show a different character, more introverted and melncholy than the outgoing A section. Keep it going!

One thing, though: Perhaps it would be benefitial if in one or two instances you could break out from the regularity of the changes in the repeated eight notes. When there were moments where you're changing chords not every 4 or eight 8 eights, but for example after 6 or 10. Just a little moment of irregularity where the listeners stumble across and come to thinking what that was... I think that would make the piece even more interesting.

Very beautiful composition, congratulations! It's so light hearted and uplifting. But what impresses me the most is how you manage to make a lot out of very restricted material and how you create a distinct character that is in the same time simple and yet rich and showing your own personality. I like that a lot!

Hey, adding to your self characterization concerning the doses of Gried and Horner and the moody Scandinavian look, I'd say it's a very American, Copland-like tone language with the open harmonies and the barn-dance-like ostinato, very attractive and appealing and making appetite for a more extended elaboration and contextualization. It has the potential to be a part in a full string quartet and to develop into a longer form. Good job!

Oh that’s a really cool piece and pretty difficult to perform. Hats off to Eleanor Bunker

Bravo, incrível.

Beautiful piece

Fugues are very difficult to write. Good work!

It's always amazing to realize how much creativity there is out there, so many good composers. Congratulations to that piece and to you being a winner in the competition for Pops Orchestra with this colorful composition!

love it! really stylish music!

Lively and scenic music! The wind quintet is capable of such colorful textures

Hey would you be interested in a composer challenge? This one gave me Copeland vibes❤

Why doesn't this have more views? ❤