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I’m away from my studio right now, but after watching your video it occurred to me to use it to shape the characteristics of strings by tweaking the harmonics. I use the Studio Strings in Logic Pro and the Spitfire BBC core, and I think this will help make them more natural sounding! TY!

the worst keyboard, regret for buying it....😕

Good stuff.

I think you are a very naturally gifted teacher.

No human being can read those subtitles as quick as they were going on screen…🤪 Otherwise, CSS and Chamber is the ultimate combo!

Really good video - and also agree with the ARA comment

Hello, your tutorials are very good. But unfortunately you forgot the most important thing here. Gain staiging only works if you first activate the "Pre-Fader Metering" function in the control bar so that you can see the input signal of the mixer channel. Otherwise you cannot perform gain staiging, OK? Best regards

till you put all these parameters a session musician will record 30 times fastr a piano line that is unique and has a real human touch

First person I've seen to call it non sturdy and plastic.

Henry 🤩🤩🤩

New to logic and loved it.

Great teaching skills, nice humble guy. Thanks.

I just bought the M-audio oxygen pro 61.... im a newb, was hoping for instructional video on this keyboard, theres none out there... how eavh button and knob work and what they are used for.... Theres nothing and I am clueless!! I bet you would get a huge following if you did videos on how to use everything!! Thankyou

Stem splitter in logic worked perfectly for me.

Just got hip to your channel. Definitely going to follow. I brought up how AI could render some positions more and more obsolete over time on NPR a few days ago. I think this is a next step in that evolution. For good or for bad.

Sharing is caring, cheers from Brazil.

I can't hear a difference. I have Logic, and RX10 Standard. The RX11 sounds about the same as I'm used to with RX10. It is helpful for me. I shometime shoot live bands with a nice stereo mic on my camera, then I master the audio. I've improved the mix by separating the stems in RX then bringing up the vocal a little. So you can improve a crappy capture a little. I've also heard that these work better on NON-MASTERED MIXES. The Queen track is a mastered mix.

Do you know why they’re smart artifacts when you’re doing this stuff because whoever mixed it you’re gonna have more artifacts it depends on the mixing if somebody mix it good they’re gonna have less artifacts it’s all about the mixing if you mix it good you will have less artifacts but if you have a shitty mix, you have more artifacts😊

Great video! What IR did you use with the K&K? It sounds amazing?

I'm into Extracting Guitars from Songs, So I went with Steinberg's Spectralayers 10 instead......

I would like to see a video on how you make these videos, lol I’m learning Final Cut and would like to make this type of video! Thanks!

You’re a smart kid!

Thanks for the comparison. I was a fan of iZotope and used their products in my video editing workflow for about seven years. However, I got lost when they started offering various bundles and complex marketing. I almost bought the wrong product-a music bundle with a limited version of RX. I updated RX until version 9, but the latest update doesn't add anything for me. iZotope needs to adapt quickly as AI is advancing fast. There are already websites that perform better in isolation. I wish iZotope success and hope their next version impresses again.

Honestly, I am quite disappointed with this Stem Splitter tool. It's pretty same as Izotope's one, so nothing new or better, maybe the benefit using Stem Splitter in Logic is - processing speed, how fast stereo mix is being split into those different tracks, but other than that, pretty much meeh thing, I only see the use of this tool is for purely music education purpose, when you need to figure out how musicians played different parts. But what really shocked me in a good way - Session Players' integration into Logic 11. It's bloody good. I saw your previous video where you were asking yourself if you use this for professional setting, and you said no. Well, for me I would say yes and no. No, because you can't simply write music with given generated pattern, but also yes, because you can modify the session player's track to make more sense to your actual arrangement and save plenty of time not having to program, for an example, drums for few hours. So it does save a lot of time, and for professionals - it's the most important thing.

Awesome, I’d love to see a comparison to Gaudio and Lalalai

Shift-Tab to go backwards.

Excellent video. Please create more of these exploring different genres.

I dont understand. can this session player add to an already made melody? Or do I always have to start with its suggestions? If it does not add to my melodies chords that make sense then this feature is idiocy.

🇧🇷🇧🇷🇧🇷🇧🇷👏🏻, Nice video, thanks for sharing!

It's sound amazing

Thanks. As expected the auto parts (it isn't AI) don't relate to the leads (the music's story). So it all sounds random and chaotic. :-)

You're a very pleasant and good teacher. This is the first video I see from you and I'm almost instantly convinced to subscribe to your TH-cam Channel to see more of you. Yes, you deserve succes and respect, the world needs people like you. Keep going and thanks a lot 💯🙏🏼✌🏼

u r the legend bro

Woah... Man that gospel style take sounded great. Keep rocking man ❤

nice video. Is it okay to practice piano with semi-weighted keys?

Awesome, thanks for the review. I'm considering getting one of the Keylabs with orchestra stuff in mind as well - did you like the faders when you had them or did you feel like it still might be helpful to have something separate (with a longer throw)? Thanks!

Thanks for pointing that out. I've done some work with Cubase and there are expression maps for each library that you can import to Cubase and it automatically populates the articulations and if you need to edit them you can open up each expression map and change the CC / Key switch, or add additional, etc. Does Logic gives visual feedback for the articulation that is being assigned to each note like a playing technique track as a sub-track drop down?

Wow! This was amaaaazing!! You should teach orchestration in TH-cam or even a paid only website or something. I'm just in the very beginning of orchestration and sometimes I have good ideas for melodic phrases with emotional expressions and I may have a few phrases of accompaniments added and a bit of expansion of the idea but pulling it together to build such a coherence story while you are going to so many diverse phrases of creating unease, playful, ominous, etc. yet knowing how and when to bring it back to the familiar ground. I would personally love to learn that. Thank you!

Hi. Sounds very nice. I watched a few of your other videos. So you composed this in Sibelius and then printed the parts for the musicians? Although you have sample libraries too so do you sometimes have musicians to play it, and sometimes just resort to the sample libraries depending on the project budget I guess?

Hello. Thanks for the useful feedback. I didn't quite get your workflow. You were talking about the sample playability, quality, etc. but you said for composing in the notation software, you prefer just Note Performer. So when do you use notation software and when do you use a DAW (I suspect that's where you use the high quality samples). Also if the computer needs to load 30+ gigs of samples for your DAW, having the same sort of resources loaded for Sibelius probably shouldn't make that much difference in overall resource use, and if your computer handles DAW and massive sample load, it will probably handle Sibelius or Dorico and the same massive sample load. You can tweak switching articulations, expression, etc. within Dorico by changing cc in the playing techniques track as well as being picked up by the articulation symbols added and the way the expression map is populated with all the possible articulations and their corresponding key switches and cc values (I imagine it is the same in Sibelius) so in reality, I don't think it is that much different composing in tracks and piano roll in DAW or building your instruments and players and entering notes, etc. in the score in notation software. Of course for mixing, DAW has much more things to offer so I imagine ideally you start from notation and once the info for the scores and playing techniques addressed, you import it to the DAW for further mix, right? If that's not your workflow, please explain. Thanks.

Thanks for the review. Sorry it is not really related with the keyboard review. Which sound library do you use that has Sforzando?! I was looking for one and couldn't find it. Also I noticed you didn't map Crescendo and Diminuendo (possibly could be mapped to the bottom row?) unless you just use the velocity change instead of sampled one due to timing issue? How about other articulations, con sord, tenuto, sul pont, vibrato, trills, etc.? 16 pads are excellent for those quick switching between the articulations. Most keyboards have only 8 pads.

Great video thanks deffo going to pick one up. The only considerations is 49 or 61..the extra octave would be nice

Very helpful, but where is the list for delay offsets you menntion? Google it, but can't find it. I found it, but it didn't have info on CSS or CSB: docs.google.com/spreadsheets/d/1WP9sobba7OkldNkTiSzXP7r3Pb64IzWQWrLkqdiyRcA/preview#gid=

i have speakers which are bluetooth....so can i just connect the speakers to the laptop via bluetooth instead of getting an audio interface?..... and the laptop connects to the Arturia wth the bundled usb cable?..... and there wil be sound as good as via an audio interface?

Brilliant! Thank you!✨

Video so good I H A D to leave a comment

The best review for the keys I've seen so far.

30ms delay? Dude, do some reading. 30ms would be intolerable.

This is invaluable❤

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