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TeachingJazz
Australia
เข้าร่วมเมื่อ 19 มี.ค. 2023
A channel, about jazz education, for teachers & students. Practical advice, teaching techniques, lessons, research, reviews, and more.
I'm Saul Richardson PhD, principal & co-founder at Jazz Workshop Australia. Here, I share knowledge and advice from my 30+ years' experience as a jazz educator, including classroom teaching, and as a professional guitarist/bassist. My teaching tips are based on insights from my successes, wisdom from my failures, as well as research.
There are plenty of channels about how to play jazz, but it is harder to find useful information about how to teach it. This channel helps to meet several needs: Jazz pedagogy mentoring for newer teachers, professional development for seasoned jazz educators, and practical information about jazz pedagogy for performers who are also teaching.
This channel is founded on the understanding that learning to play jazz is based upon knowledge, skills, and techniques that can be taught and learnt.
I'm Saul Richardson PhD, principal & co-founder at Jazz Workshop Australia. Here, I share knowledge and advice from my 30+ years' experience as a jazz educator, including classroom teaching, and as a professional guitarist/bassist. My teaching tips are based on insights from my successes, wisdom from my failures, as well as research.
There are plenty of channels about how to play jazz, but it is harder to find useful information about how to teach it. This channel helps to meet several needs: Jazz pedagogy mentoring for newer teachers, professional development for seasoned jazz educators, and practical information about jazz pedagogy for performers who are also teaching.
This channel is founded on the understanding that learning to play jazz is based upon knowledge, skills, and techniques that can be taught and learnt.
Can You Learn Jazz on YouTube? Overcome the #1 Obstacle
You can learn jazz and make real progress-stop hopping around TH-cam and tackle the #1 obstacle holding you back.
Photo credits:
Joe Pass By Tom Marcello Webster, New York, USA - Joe Pass, CC BY-SA 2.0,
Pat Martino Tom Beetz @ home.hetnet.nl/~tbeetz/index.html, CC BY 2.0 creativecommons.org/licenses/by/2.0, via Wikimedia Commons
Photo credits:
Joe Pass By Tom Marcello Webster, New York, USA - Joe Pass, CC BY-SA 2.0,
Pat Martino Tom Beetz @ home.hetnet.nl/~tbeetz/index.html, CC BY 2.0 creativecommons.org/licenses/by/2.0, via Wikimedia Commons
มุมมอง: 1 931
วีดีโอ
Learn these building-blocks for fluent II-V jazz solos
มุมมอง 4.5K21 วันที่ผ่านมา
Master the essential building-blocks for fluent II-V jazz solos with this simple, practical, and effective method. th-cam.com/play/PL7rpRGIFiyXQkNrkyyIDUmH23zc2hMRP7.html 👉Free PDFs: jazzworkshopaustralia.com.au/downloads/ Watch the start of this series: 👉 th-cam.com/play/PL7rpRGIFiyXTbM1CxM9MO4wkN1Ag0bZsk.html&si=q2PM7kJRuHHKwZlk A video about "middle-out" scales (it was my first video - pleas...
Jazz lines for blues guitar solos (Part 3)
มุมมอง 1.4Kหลายเดือนก่อน
Discover how to craft beautiful 2-5 jazz lines for your blues solos. PART 1 passing 2-5s (jazz blues soloing) 👉th-cam.com/video/QEsd2e8a7I8/w-d-xo.html PART 2 passing 2-5s (jazz blues soloing) 👉th-cam.com/video/4UkkqkHhetg/w-d-xo.html Free PDF downloads (notation & TAB) 👉jazzworkshopaustralia.com.au/downloads/ A video about using 7 flat nine chords in solos 👉th-cam.com/video/2M6qdT31WBA/w-d-xo....
Jazz lines for blues guitar lesson (part 2)
มุมมอง 1.7K2 หลายเดือนก่อน
Make your jazz blues solos "jazzier" and more connected by practicing these three awesome but playable passing 2-5 lines. 👉Did you see Part one of this lesson? It's only 5 minutes, so watch it too: th-cam.com/video/QEsd2e8a7I8/w-d-xo.html 👉The Major Blues Scale is a very useful all-around tool for jazz blues playing. My lesson on Major Blues Scale is at th-cam.com/video/285eSBXuFow/w-d-xo.html ...
Jazz Lines in your blues solos with passing II-Vs
มุมมอง 4.5K2 หลายเดือนก่อน
Learn how to use passing II-V licks to add smooth transitions and more jazz feel to your blues solos while improving your time and phrasing. 👉How to start using II-V-I lines to transform your jazz blues solos: th-cam.com/video/nW6babRp-a0/w-d-xo.html 👉The Major Blues Scale is a very useful all-around tool for jazz blues playing. My lesson on Major Blues Scale is at th-cam.com/video/285eSBXuFow/...
Easy way to Teach & Learn Brushes for Jazz Drumming
มุมมอง 1K3 หลายเดือนก่อน
Are you unsure how to practice or teach brushes? Confused by how to start ot where to go next? You're not alone! Brushes are often called for, but widely misunderstood. This lesson might be just what you need. Special guest, drummer Simon Ert, outlines a simple yet astonishingly effective way to practice or to help your students advance quickly towards better brushwork. Simon wants you to know ...
How to use Voice Leading for better comping
มุมมอง 1K3 หลายเดือนก่อน
So you know some chord voicings and have transformed your approach to jazz comping with the ‘Game-Changing’ method (what, you haven’t? Don’t worry-links below). But what comes next once you’ve got a handle on the main chord types? In this fast but important lesson, you’ll discover 7 essential tips for using voice-leading to connect your chords smoothly, add sophistication, and make your comping...
Little Sunflower jazz guitar lesson: comping & soloing
มุมมอง 1.6K4 หลายเดือนก่อน
In this jazz guitar lesson, you'll learn how to use melodic voice leading to comp and improvise through the three key centres of Little Sunflower, a modal masterpiece by jazz legend Freddie Hubbard as well as in other, similar tunes. This lesson is aimed more at intermediate players. If you’re a beginner, you can benefit too - so long as you go through at least the minor chord family comping vi...
3 Top Tips: Secrets of the Great Teachers
มุมมอง 4054 หลายเดือนก่อน
Are you ready to discover the secrets that set great teachers apart? In this video, I’ll reveal three powerful tips that the most successful jazz educators use to supercharge their teaching and accelerate students' progress. Good teaching is more than just common sense (though that helps), and it's more than just being able to play well. Try these insider strategies - they'll help you take your...
A Transformative Approach to Comping with Major Chords
มุมมอง 6884 หลายเดือนก่อน
Part 3 of the "Game Changing Comping" series. This lesson for less experienced and intermediate jazz guitar players teaches a highly effective approach to voice leading and interactive comping using major family chords. Want to get better at comping without the hell of "10 thousand impossible chord shapes you'll never even use"? Watch this video. Includes: 2 basic chord shapes you'll need, 2 ba...
Doggin' Around: Jazz Guitar Lesson (Beginner to Intermediate)
มุมมอง 3.7K5 หลายเดือนก่อน
Are you tired of the same old blues progressions? Ready to try something different? It’s crucial for jazz students to experience a wide range of tunes and chord progressions to avoid getting stuck in a rut or becoming too comfortable with just one type of song. In this lesson, you’ll discover the 1930s swing classic 'Doggin’ Around'. It’s a fantastic old tune that's fun to play, great for soloi...
Top Jazz Tunes for Beginners + Tips on Choosing
มุมมอง 1.4K6 หลายเดือนก่อน
What are the best tunes for beginning jazz improvisers, and how do you choose them? I Share a curated list of top jazz tunes perfect for beginner improvisers. Using a key centre approach, these tunes are designed to simplify your jazz improvisation journey - whether you’re a jazz educator or student. Plus, get valuable tips on how to choose the right tunes to match your skill level and keep you...
2-5-1 Unlocked: Easy jazz guitar comping lessons
มุมมอง 1.3K6 หลายเดือนก่อน
Do jazz chord progressions just become a blur to you? Does your brain short curcuit as soon as a tune starts? You need to learn 2-5-1s as a muscle-memory pattern. The help you need is right here, in this jazz guitar lesson. Watch. The 2-5-1 chord progression is one of the essential building blocks of so many songs that you'd have to be crazy to not know it. Learning it as a pattern is EXTREMELY...
Jazz guitar skills: Control Your Phrases, improvise better
มุมมอง 2.9K6 หลายเดือนก่อน
You need to be able to control the lengths of your phrases if you want to become a fluent and effective jazz improviser. It's true whether you play jazz guitar, or any other instrument. This lesson focuses on controlling and varying phrase length, with exercises to help you build the skills and time-awareness you need to master jazz phrasing. Start Soloing Through Blues Chord Changes: A Beginne...
Connect chords with Diminished 7 Arpeggios for Jazz Guitar
มุมมอง 3.6K6 หลายเดือนก่อน
Unlock the mysteries of jazz guitar with the magic of diminished 7 arpeggios! In this practical lesson, we'll explore how to play these arpeggios, their fingerings, and why they are a must-know for any serious jazz musician. You'll discover an OH-SO-IMPORTANT way to learn & use this pivotal technique - a great way towards achieving those classic post-bop jazz sounds that, let's face it, sound s...
Game-Changing Comping 2: Dominant Chords Unlocked
มุมมอง 2.3K7 หลายเดือนก่อน
Game-Changing Comping 2: Dominant Chords Unlocked
Transform Your Jazz Blues solos with II-V Licks: HOW to Start
มุมมอง 4.9K7 หลายเดือนก่อน
Transform Your Jazz Blues solos with II-V Licks: HOW to Start
Start Soloing Through Blues Chord Changes: A Beginner's Breakthrough Lesson
มุมมอง 25K7 หลายเดือนก่อน
Start Soloing Through Blues Chord Changes: A Beginner's Breakthrough Lesson
Transform your playing with this comping method for guitar & piano
มุมมอง 30K8 หลายเดือนก่อน
Transform your playing with this comping method for guitar & piano
Unlock Jazz with the Major Blues Scale: A Beginner's Guide
มุมมอง 9K8 หลายเดือนก่อน
Unlock Jazz with the Major Blues Scale: A Beginner's Guide
Max Roach at Manhattan School of Music
มุมมอง 3059 หลายเดือนก่อน
Max Roach at Manhattan School of Music
Keep Music Students Coming Back: Top Tactics for Long-Term Success
มุมมอง 1759 หลายเดือนก่อน
Keep Music Students Coming Back: Top Tactics for Long-Term Success
Effective Music Lesson Planning for Studio Tutors & Teachers
มุมมอง 2859 หลายเดือนก่อน
Effective Music Lesson Planning for Studio Tutors & Teachers
How to understand chord charts & play better JAZZ CHORDS
มุมมอง 2.3K11 หลายเดือนก่อน
How to understand chord charts & play better JAZZ CHORDS
Introduction to Jazz Theory: step-by-step guide to constructing chords
มุมมอง 1.6Kปีที่แล้ว
Introduction to Jazz Theory: step-by-step guide to constructing chords
How about attacking jazz education for costing an absurd amount of money, therefore, gatekeeping jazz
I think about this constantly finally someone made a TH-cam video about it
Thank you once again for a wonderful video ! Your videos are Gems ! Do give us a solid roadmap in your next video so we can systematically work our way towards playing jazz ... you are truly the best on youtube !
The problem is that you, with your quality content (teaching it the proper way), have 1,500 views and the crappy, click-baity “jazz musician” channels out there get hudreds of thousands. That way the crap keeps spreading and real quality will soon disappear.
Why bother learning Jazz when there’s a super delectable channel where a woman reads bedtime stories to 6 little Poodles and they’re all in matching Pajamas!
That's a good question.
You can learn white guy jazz on TH-cam. You want to play like Bird, then no, you can't learn on TH-cam.
Fully agree Saul. To be honest, I don’t care too much about the overkill of jazz lessons on TH-cam and I even find some of the content really helpfull. But you are absolutely right that learning requires a didactical organizing principle (I’ve been a lecturer). I would add to your excellent argumentation that this organizing principle depends on the learning goal the student (and not the teacher!) has. My learning goals are really modest; just play at home by myself, getting just enough ‘stress’ to challenge my brain and handmuscles in order to keep them functioning (I’m getting old) and have fun. I will never play in a band, never be on a stage, never have songs called out to me on the spot etc. And I find it somewhat frustrating that my (very talented) teacher insists on me learning to improvise, learning bebop songs etc etc. I can see the value of that for a performing musician, but I’m quite happy playing from sheet music. So in conclusion, it’s not about what the teacher wants to teach, but what we as learners want to learn (even when this is boring for the teacher). It would be nice to expand on this is one of your videos. Greetings from the Netherlands.
I guess that's one of the benefits of TH-cam: it does allow viewers the flexibility to follow what and however they wish. The benefit of a teacher is that, with every individual student's goals in mind, the mass and chaos of information can be organized and curated in a much more helpful way. There's certainly plenty of good material out there, but making use of it all can be hard for an autodidact.
Hi Saul, the main difference of your awesome channel is that you have an structured method, each video is based on previous one, all the series leading us to learn basic skills with time and practice. You are here to "Teach", not to attract our attention and we noticed that ;-) TH-cam is a very addictive and dangerous thing that make lose our time at the beginning with the overhelming quantity of information that push us to jump and take little pieces here and there. We are so lucky to had found you Saul! Wishing you and all Happy New TeachingJazz Music Year!
Thanks, I do try!
I'm finding youtube teachers are becoming worse and worse. So much misinformation. So many people selling scale dictionaries and other nonsense. So many people misunderstanding modes. So many people selling snake-oil. It's disgusting.
The use of hyperbole to get views and sell courses that often aren't very good does seem to be a problem, not just in jazz and music, but across the platform.
@@TeachingJazz There are guys who can play. They might completely misunderstand how the fretboard works, yet have some tools for navigating it. These tools might be misconstrued and misunderstood but they sound good enough to convince people. Then they go looking for revenue and just produce the most terrible "educational" material. It's at all levels too. We have everyone from Rick Beato to Janek Gwizdala they're all selling junk.
Totally agree: I havent found yet on yt a jazz channel to have structured lessons from start to intermediate and further to advanced jazz skills. Your videos are ok, but kinda started "in the middle" and I dont know what to expect. Cheers.
You're unlikely to, either. Why would a content creator want to put a complete course on youtube for free consumption by others?
@@floaty10 why not? more subscribers and views = more $$$ :)
Well, I think these videos started pretty close to the start: improvising in major key centres: th-cam.com/video/j-G5AOYkUxA/w-d-xo.html , 'Escape from the blues' th-cam.com/video/M0GsHvIIPXc/w-d-xo.html, and Major blues scale: th-cam.com/video/285eSBXuFow/w-d-xo.html. Improvising in minor key centres: th-cam.com/video/Xg1gJaHs3aM/w-d-xo.html This, about blues, might be next: th-cam.com/video/CJMpPsMQLks/w-d-xo.html Then you could follow from there. However, it's not meant to be a complete course really. But there ARE sequences of lessons that build on each other. But you're right, TH-cam isn't always the best way to learn jazz - your best options would be find a good teacher not always feasible), or find a course you can work through (I haven't made an online one yet. There might be some ok ones). Thanks for sharing your thoughts.
Thanks Saul. I do think over-information is one of the biggest blocks for many of my students. Intelligent, and often times hardworking students come to me each week wanting to discuss a new concept they've learned instead of concentrating on the lesson we are currently focussed on. There's a sense that more knowledge is a key element of being able to play, rather than focussing on getting good at one thing and then moving on. Often times its my younger students who really move forward at a rapid rate...not because they practice more, but I think because they stay focussed on one thing at a time. I really like the concept of working on one thing at a time. There's lots of great info on TH-cam about the value of working on One Thing at a Time...but I'm really reluctant to go down that rabbit hole...I'm just going to get back to watching heaps of Jazz TH-camr Videos :)
Yes, it's most often adult students who lose focus due to information overload.
very truthful video !
100%! It’s all about the clicks. TH-cam vids are great to keep you immersed and fun for new ideas. If you find something at your level or a bit above unless you integrate it into your daily practice most of the vids are the musical equivalent of amuse geules.
It can be hard to know how to use all the info that's out there. Even harder when every second video warns you that THIS is THE essential secret to jazz.
Thanks!
Here's some important advice, a rant even, but so many students seem to get all tied up becuase of this. Meanwhile, the next lesson in the II-V series is coming. See the series here: th-cam.com/play/PL7rpRGIFiyXQkNrkyyIDUmH23zc2hMRP7.html
You roasted that “heavy handed” strings part by Don S…. Haha
Good lesson, but licks on a pdf. are too small to be readable and with mistakes. It would be great to play/show the chords of progression to see the outlining of chords. Cheers.
good points. I'll try to fix in future. I'll make the PDF bigger for this one if I can. Thanks.
49 years old and can’t read the PDF. Too small
@@singdealer823347 years old here, same problem 😂😂😂
And now I've learned a new term - "middle out". Having learned that, I will now attempt to incorporate it into my playing.
Good stuff. Liked and subscribed.
Thanks! 🙏 And welcome to the channel.
I don’t read music 😮😢
😂😂😂
Here's the video about the link between a diminished 7 arpeggio "shape" and the dominant 7 in a II-V-I: th-cam.com/video/2M6qdT31WBA/w-d-xo.html. And here's the playlist of the lessons in this series: th-cam.com/play/PL7rpRGIFiyXQkNrkyyIDUmH23zc2hMRP7.html
Great video. Those are great exercises
I'm glad you found them useful! 🙏They do help a lot if you apply them systematically.
Would you agree that changing to 4ths tuning is a good idea for someone learning these things? (soloing over chord changes ...) I find it's easier and it reduces brain processing power with 4ths tuning but I'm not sure if it would have any negative effects in the future... would it be bad for comping for example? I've gotten pretty comfortable with 4ths tuning over the last 3 months , the only thing that bothers me is relearning the first 2 string notes which i already know intuitively on standard tuning... just wanted to really hear your advice on this as i highly respect your ideas ! Thank you !
No, it doesn't sound like a good idea to me, unless you're playing 6 string bass. It will make chords difficult. Now that you've practiced it a bit, good, but I suggest getting used to standard tuning too.
I really appreciate the quality of your teaching. Thank you so much.
That's such great feedback, thank you too.
Great information....thanks for sharing.....
I'm glad you found it useful! 👍
You have a wonderful way of explaining, not too fast, very clear and not too much content per video. Thank you so much for doing this, I know it's a lot of work and I hope you like the idea that hundreds of people are now sitting in their rooms and playing their hearts out.
That's very nice of you to say, thanks. And what a tremendous image, all those people playing. Cheers!
Thank you 👍
You are welcome
I am glad to be subscribed to your channel. Thank you for this lesson! 🙂❤️🎸
Thanks, I'm happy you are on board! 👍
Hi Soul, this series of lessons is really a treasure for us (jazz beginners) to learn how to improvise, I really appreciate you work sharing all this knowlegment with us, thanks!! Music theory needs to add information about knowing how, when and where to apply it and you really know how to teach this ;-)
I think you're right, the "how" is as important as the "what". I'm happy to be able to share 🙏.
I very like your solo that begins 16.58. For me it is very important and helpful, because there many information about rhuthm construction for soloing. Your playing with swing so beautiful.I transcribed it and learn now. Please,more videos with solo like that!)❤❤😊 I mean your improvisation
I'm glad you found that solo useful! I'll try to do more like it!
Really useful, thank you
My pleasure, I really appreciate your feedback 🙏
Great lesson!
Thank you 🙏
Magnífico!! Gran lección. Muchas gracias teacher.
I like the delayed resolution
Cool, I do too.
Does anyone know how to ad some black metal smoothly to delta blues?
That is not a safe mixture, a dangerous explosion is 96.4% likely to result. Please use caution and protection.
Did you see Part 2 of this lesson? It teaches you the lines, shows you where & how to use them to give your blues solos a "jazzier" and more connected sound, plus gives you structured, guided practice applying them. th-cam.com/video/4UkkqkHhetg/w-d-xo.html
Nice , can't wait for the next part of this series !
Thank you. 🙏
Thank you very much for these lessons. I really appreciate your pedagogy and your encouragement to learn Jazz. Everyone can see your passion and professionalism and these are very important qualities. I hope your channel can grow because it really deserves it. Greetings from Italy 🇮🇹
Well thank you too for such encouraging feedback. I'm happy you like my work! Cheers, and welcome to the channel.
There's so much benefit to working on these - even when playing a straight 12 bar (non Jazz) blues. Thanks for another great lesson and examples Saul!
Saul, would it be possible to consider a part#3 lesson to discuss how these lines are actually constructed i.e. what are the concepts behind creating them (are they pieces of arpeggios, triads, scales, something else ?)
Good idea, yes. I haven't finished with the theme, and I should definitely include that.
You are really a terrific teacher. Simple , efficent,, humble. Awesome.thanks
Thank you very much, I really appreciate it! 🙏
Fabulous!! You have a great presentation format! Thank you!!
Thanks so much! I really appreciate your feedback.
I play piano but have gotten some of my favorite lines from your videos. Thanks for the great content!
Oh, that's very cool. Thanks for letting me know and thanks for watching 🙏
Did you see the much shorter Part 1 of this lesson? th-cam.com/video/QEsd2e8a7I8/w-d-xo.html In Part 2, each section includes quite a lot, but here are the main parts of this lesson: 1:34 Bar 4 lines & exercises 7:29 Bar 8 lines & exercises 12:33 Bar 12 lines & exercises 18:16 Putting it all together 20:08 Some truths you need to hear (reality check plus genuine encouragement!)
at last... part 2 ! thank you Saul !!
Yeah, this one took a lot of time to make, it was quite complex. Thanks for your patience! 🙏
@@TeachingJazz Thank you for your effort Saul ! I keep practicing all these great lines from part#1 and part #2 and combining them together and with my own phrases. I am using them as building blocks to create new lines