It's confirmed! I've never played this piece, but when a bandmate requested it, I had to research it, and found this. Amazing clarity in your suggestions, some of the best advice I've seen in many years of jazz piano study.
It's confirmed! Fantastic breakdown of complex beauty. Thank for playing the song,which shows us all the puzzle pieces duly set in order. Ah, but then...strangely reassembled in Siskindian creative beauty.🌹😎🌹
Do you have any resources on how to comp in bebop style? As in how Russ Freeman comped for Parker in 47, or John Lewis in the 50s. I have a pretty decent ear, but not nearly good enough to pick out voicings in those old recordings. I would also really like to know what their actual lead sheets might have looked like. All the resources I see are either on how to improvise bebop for piano, or solo piano arrangements of Bird tunes.
Great tips and demonstration! At 6:17 , I was a bit surprised that it was written as a c#, as it has always sounded to me like a c on the original Charlie Parker recording. Then again, it may not be all that important, since it is, as you said, rather more "decorative".
Jeremy, I understand the guide tones but how do you go from that to the cool perfect patterns you play to connect one to the next? It's always alluded me!
love how you play through the tune for a few minutes at the end, would be great to see you do this everytime you run through a tune like this 👍👍
Awesome - I’ll take that under advisement!
It's confirmed! I've never played this piece, but when a bandmate requested it, I had to research it, and found this. Amazing clarity in your suggestions, some of the best advice I've seen in many years of jazz piano study.
Very helpful lesson. It’s confirmed!
Thanks so much, Yanny!
It's confirmed. Thanks!
My pleasure - thanks for watching, Margaret!
This is really helpful, thanks!
Confirmed! Fantastic playing at the end 🔥🔥
Thank you much, Silence!
killer flow of ideas at the end!! wonderful suggestions on taking on this tune - thank you!
Thanks so much, Nick! It's one of the great learning tunes for jazz musicians.
Wow, incredible playing there at the end.
I appreciate it, Lever!
It's definitely Confirmed !
Watch the last three minutes if you want to see Jeremy's piano skills confirmed!
Why thank you, Lin!
Its great tips and explanation. Thanks a lot!
Awesome! Thanks for the nice comment!
A brilliant lesson and performance, JS
Yay, thanks much, Walker!
It's confirmed! Great lesson and great playing as always!
Thanks so much, Alexandros! Happy practicing!
😂 Super!
It's confirmed! Another truly inspiring lesson from Jeremy the Great.
Thanks so much, Jorge!
Confirmed - amazing solo!! As always🎉🎉🎉
Thanks, Veena! I hope I get to see you this summer!
@@JeremySiskind NCKP!
It's confirmed! Fantastic breakdown of complex beauty. Thank for playing the song,which shows us all the puzzle pieces duly set in order. Ah, but then...strangely reassembled in Siskindian creative beauty.🌹😎🌹
Thanks so much, Brenda! I’m not sure “Siskindian” is going to catch on, but I like it!
Do you have any resources on how to comp in bebop style? As in how Russ Freeman comped for Parker in 47, or John Lewis in the 50s.
I have a pretty decent ear, but not nearly good enough to pick out voicings in those old recordings.
I would also really like to know what their actual lead sheets might have looked like.
All the resources I see are either on how to improvise bebop for piano, or solo piano arrangements of Bird tunes.
Its confirmed!
Thanks for watching, Blake!
Great tips and demonstration!
At 6:17 , I was a bit surprised that it was written as a c#, as it has always sounded to me like a c on the original Charlie Parker recording. Then again, it may not be all that important, since it is, as you said, rather more "decorative".
It’s been a while since I’ve done my proper listening, I have to admit! Trust your ear!
Hi Jeremy, if i may ask, where did you get those type of lead sheets (0:46)? is that a new version of the common real book? where can i find it?
It’s just the real book that I got from the Kindle app.
Thanks
It's confirmed!
Thanks for watching to the end, Cliffy!
@@JeremySiskind You bet! A great video, as always!
Jeremy, I understand the guide tones but how do you go from that to the cool perfect patterns you play to connect one to the next? It's always alluded me!