Beginners have an advantage that I didn't have when I started out - youtube and your channel. Not many yt channels help. I recommend this channel and one other...only. People should write these tips down and refer back. We follow so many guidelines, while painting, that it's easy to forget some basic rules. This tip applies when trying to display and kind of light. Bravo!
Have so much more to learn. Didn't realize there's so much a person needs to learn to make a beautiful work of art. Thank God I scrolled upon on your channel. I truly am learning so much from you and so excited as well as thankful for your selflessness with your knowledge.
It never fails. I decide I’m going to try something (night city scape with contrasting lighting effects) and BAM! This video shows up in my list. Lots of ideas on how to achieve some of the lighting effects I was looking to get. I always learn at least a few things from each of your videos.
Out of very artist on u tube you have taught me the most. I thank God for you. He has a way of leading us to the right person when we ask that of him Thank you for being you.
Super helpful tip Diane. Specially these days when I was looking to make glow my yellow orange oil colours painting feathers. Thank you so much for sharing your experience and knowledge. Greetings from Mexico City.
Thank you so much! I have been taking weekibg art classes this past yr.. I never learn the things you teach me!! I learn other things.... but I need your teaching as well. Thank you.
Kathy, in watercolor we'd do this backwards by beginning with the higher intensity colors first: brighter yellow, then surround it damp into damp with the darker yellow, then surround that, damp into damp, with the neutral. On some papers, such as Waterford, you can begin with the neutral, lift out back to the white paper just after it looses its gloss, then while still damp, drop in the yellows, but that's a bit more tricky.
So are you saying we should make the bulk of our paintings lean towards neutrals or less chroma high colors and then add the pure colors as accents. I am struggling with the use of gray in my paintings. I know the eye needs a place to rest but how to I decide where that grey goes? I use more grey in the farther recesses of my paintings for depth but my chroma can still overwhelm me. Do you have a video that shows how to use gray in proportion to the painting? I can;'t seem to find it. I did refer to your nocturne video and it really helped. Thanks,!!!!
Let's change the language a bit here, Pat. When I say neutrals, I don't mean grays. Rather, I mean desaturated hues. In nature, almost all colors are desaturated, some more than others. The best way to know about that is to study it from nature. See Quick Tip 203.
The palette I use for teaching is actually a plastic palette that came with my pochade box. It measures 10" x 12". In my main studio, I do use a glass palette measuring 12" x 23" .
Love your videos! only started to view them yesterday. A question on this one-are you saying that we have to have gray in order to make the colors glow? How would you make a color glow in a field of green or in a still life where it is surrounded by other colors?
Thanks, Nelida. One of the characteristics of chroma (intensity) is that a low saturation of hue will bring out the brilliance of a highly saturated hue, especially of the same value. Try an experiment with your field of green idea by sneaking in small bits of neutral of the same value within a highly saturated area of green. Let us know your results.
I think what Dianne is saying is that neutral refers to a less saturated version in the same color. A more grayed version of that color, but not necessarily a pure gray, and then keeping the value the same. So in your field of green you would use a grayer green amongst the brighter greens. Hope this helps.
Stephen, getting the brightest white depends upon the colors surround the white rather than the white itself. That kind of contrast is possible when a tiny a complement of the surrounding color is added to white, and/or strong value contrast. For example, if you are making clouds in a blue sky, a tiny bit of orange (complement of blue) mixed into the lightest part of the cloud will make it appear bright.
Do you have a video how to make Magenta?I have bought Alisarin Crimson is that the same? There is some video on yu tube but its not that colour,you are the best😇🌈🖼️
A pure neutral is where no color is detectable, but any color can be neutralized. Purely saturated hue has no neutralization, but every hue has the potential to be slightly unsaturated (slightly neutral) to almost fully neutral where the hue is barely detectible. No hue detection is pure gray at any value or pure white or pure black.
Thank you, you consistently explain concepts so clearly. In this video I noticed in the container of "brushes" on the upper left side of your pallete box there are tooth brushes. What do you use these for?
By the way, Blue Ridge Oil Colors has some great stuff. 100% Pigment &Walnut oil starting at $19 for 150 ml. Single Pigment Colors from a small but great company.
@@IntheStudioArtInstruction No, I started painting since it rained so much and a found watching the news too depressing. First I got a couple of Winsor Newton tubes which are resonable but I was glad for Jason Walcotts tip. He found BROC to be equil with Old Holland and Vassari.
Dear Mam If I dont have Cerulean Blue to paint sky will cobalt and Prussian Blue mixed with white will be good for making sky blue. Do pls let me me knw Thanks Rims1
The color you use for the sky depends upon the color of the sky you are painting. There are a variety of blues that can do that. As you might have noticed by now, I don't give formulas for which colors to use for what. That would be doing you an injustice.
The sunflower in a glass vase would be the reference, but to paint it, we must switch our attention from what it is to what we are seeing - i.e., shapes, values, colors, edges, etc. We can paint anything when we change our attention from what it is to exactly what our eyes are seeing. I will put this concept on our Quick Tips list.
We got one from below the everything on here and it is the big one up there I think blister and I just worked at heard if feels like it's really tight bro but why is the blister Hill
georgia O 'Keeffe's paintings really glow. I checked if there was a lightsource behind the canvas. After making sure that nobody was looking. Later I noticed several others peeking behind the canvas as well.
Beginners have an advantage that I didn't have when I started out - youtube and your channel. Not many yt channels help. I recommend this channel and one other...only. People should write these tips down and refer back. We follow so many guidelines, while painting, that it's easy to forget some basic rules. This tip applies when trying to display and kind of light. Bravo!
Thanks for your support.
I never went to art school but do now paint. You teach me so much that I need to know, so quickly: thank you.
That's good to know. Thanks.
I went to art school but sometimes they don't give you all these tips and you are swimming or sinking if you know what I mean.
Have so much more to learn. Didn't realize there's so much a person needs to learn to make a beautiful work of art. Thank God I scrolled upon on your channel. I truly am learning so much from you and so excited as well as thankful for your selflessness with your knowledge.
Enjoy the journey!
you are very smart and explain things so well! thank you!
You are so knowledgeable and kind to share these amazing tips! Thank you!
My pleasure.
Being. someone who was self taught then stopped painting long ago your lessons make it easy to get back on track and loving painting again.
Go for it!
Thank you so much. I have learnt so much with your lessons on video. Love your talent and your generosity in taking time to teach us. 🌹♥️🌹
You are so welcome!
I certainly did enjoy this quick tip Dianne. Thanks you.
You are so welcome!
I love you as a teacher and a painter 🌹
Thanks so much.
Absolutely amazing tutorial! Thanks!
A pleasure
It never fails. I decide I’m going to try something (night city scape with contrasting lighting effects) and BAM! This video shows up in my list. Lots of ideas on how to achieve some of the lighting effects I was looking to get. I always learn at least a few things from each of your videos.
Have fun!
I like the way you explain things so simple! I’ve learned a lot from your videos. Thank you!
Great. Keep enjoying the journey.
Your videos are really helping me develop my skills. Thank you so much for sharing the wealth of knowledge that you have!
I enjoy doing these. Thanks for watching.
Thanks again for your wonderful demonstration. 🤗💯
You are so welcome.
@@IntheStudioArtInstruction Thank you 💯🤗🍀
Oh my gosh... your lessons are awesome...thank you🥰
You are so welcome!
Hi Dianne,I only just asked you about this very thing and up came this tutorial,a winner every time, thanks again!
Wonderful! Thanks for watching.
Out of very artist on u tube you have taught me the most. I thank God for you. He has a way of leading us to the right person when we ask that of him Thank you for being you.
Thanks for that, Kathy. It's a pleasure to make these available.
Super helpful tip Diane. Specially these days when I was looking to make glow my yellow orange oil colours painting feathers. Thank you so much for sharing your experience and knowledge. Greetings from Mexico City.
You are so welcome! Thanks for being a subscriber.
@@IntheStudioArtInstruction thank you Diane! All the best!
" contrast of chroma" - I've learned something! Thanks!
Have fun with it.
Dianne your instruction is SUPERB BRILLIANT just simple demos of grasses leaves is like painting
Thanks.
You just ROCK Dianne! Thank you once again.
Still learning from your videos. Thanks SO MUCH for sharing these tips!
My pleasure.
Wow what a difference the gray makes!!!! Thank you.
Play with this little exercise.
Thank you for the Quick Tip #113! I love color and this makes sense to me, especially the glow!
Great! Give it a try!
your tips are wonderful and often timely
Thanks.
Thank you so much! I have been taking weekibg art classes this past yr.. I never learn the things you teach me!! I learn other things.... but I need your teaching as well. Thank you.
It's a pleasure to share these. Thanks for watching.
You are the best teacher that I have ever seen🌹🌹🌹🌹
Oh my! Thanks for that!
Excellent thank you SOOOOOO much Diane, O have never known how to get that nighttime glow!!!!
Play with it and have fun doing so.
I love your tutorials, you'r a great teacher!!!
Thanks.
This was very helpful! Thanks so much!
Glad it was helpful!
the best tutorials! thank you!
You're very welcome!
Thank you once again for an excellent tutorial
My pleasure!
Thank you so much from another Dianne. Your videos are very informative and inspiring.
Always a pleasure.
This is a great lesson:) Very helpful tips!! Thank you very much 😊
You're very welcome!
You are simply amazing , Thanks.
I blush. Thank you.
Thank you! Amazing video, taught me a lot!
It's a pleasure.
Thanks for sharing this great video.
My pleasure.
Thanks Diane. I always wanted to know that! ❤️
You are welcome!
I am going to be watching all the quick tips that I can and then hopefully when this virus thing is over, I hope to take some of your courses
Great. There are enough Quick Tips here to keep you occupied--let's hope until the virus thing has passed.
Great video Dianne. How could you do this with watercolour where you can't put lighter colours on top of dark?
Kathy, in watercolor we'd do this backwards by beginning with the higher intensity colors first: brighter yellow, then surround it damp into damp with the darker yellow, then surround that, damp into damp, with the neutral. On some papers, such as Waterford, you can begin with the neutral, lift out back to the white paper just after it looses its gloss, then while still damp, drop in the yellows, but that's a bit more tricky.
That was very helpful - thank you.
You're welcome!
You did it again! Great tip!
😊
So are you saying we should make the bulk of our paintings lean towards neutrals or less chroma high colors and then add the pure colors as accents. I am struggling with the use of gray in my paintings. I know the eye needs a place to rest but how to I decide where that grey goes? I use more grey in the farther recesses of my paintings for depth but my chroma can still overwhelm me. Do you have a video that shows how to use gray in proportion to the painting? I can;'t seem to find it. I did refer to your nocturne video and it really helped. Thanks,!!!!
Let's change the language a bit here, Pat. When I say neutrals, I don't mean grays. Rather, I mean desaturated hues. In nature, almost all colors are desaturated, some more than others. The best way to know about that is to study it from nature. See Quick Tip 203.
I love your tutorials learn a lot please tell me how to mack my landscape look more dull in colour mine look very bright
Learn to decrease the saturation of your colors. In landscape, rarely do you see colors of full saturation.
So awesome explain great👍👍
Thanks!
Love love love your tips💕
😊
You are a great Teacher. Ty . Off to the web site to check out the vids !!
Thanks.
Hi Dianne - I have admired your glass pallette and the box - will you please tell me what size you are using? It looks perfect. thank you.
The palette I use for teaching is actually a plastic palette that came with my pochade box. It measures 10" x 12". In my main studio, I do use a glass palette measuring 12" x 23" .
@@IntheStudioArtInstruction Thank you, Dianne.
Wonderful video and so helpful. Thank you so much
My pleasure.
Beautifully explained 😁
Thanks.
amazing .
Thank you so much!!!
You're welcome!
Thank you so much .but how can I show glowing in sunny day?for example a blue door under a tree on street
Observe what light is doing to the color. You might find helpful Quick Tips 118, 127 and 140.
Very well explained, thank you
My pleasure.
Thank you!!!
You bet!
Love your videos! only started to view them yesterday. A question on this one-are you saying that we have to have gray in order to make the colors glow? How would you make a color glow in a field of green or in a still life where it is surrounded by other colors?
Thanks, Nelida. One of the characteristics of chroma (intensity) is that a low saturation of hue will bring out the brilliance of a highly saturated hue, especially of the same value. Try an experiment with your field of green idea by sneaking in small bits of neutral of the same value within a highly saturated area of green. Let us know your results.
By "neutral" do you mean gray or burnt umber in the same value as the green? I have a lot more to learn.
I think what Dianne is saying is that neutral refers to a less saturated version in the same color. A more grayed version of that color, but not necessarily a pure gray, and then keeping the value the same. So in your field of green you would use a grayer green amongst the brighter greens. Hope this helps.
@@passage2enBleu thank you for your explanation, it was an excellent question and one I would have asked myself later and you've answered it 👍 thanks!
This was an awesome tip!!
Thanks, again.
Thank you ma'am!
Thanks for watching.
Thankyou so much for this ,has helped emensly
My pleasure.
You teach better than my instructors at art school
Wow! Thanks!
Thanks!
Welcome!
Awesome little video, I really learned something! Subscribed..
Thanks and welcome aboard!
How can I mix the brightest white..
Stephen, getting the brightest white depends upon the colors surround the white rather than the white itself. That kind of contrast is possible when a tiny a complement of the surrounding color is added to white, and/or strong value contrast. For example, if you are making clouds in a blue sky, a tiny bit of orange (complement of blue) mixed into the lightest part of the cloud will make it appear bright.
Gracias
Thanks for watching.
Excellent tutorial Dianne! I'm so glad I found your Channel. I just subbed! :-) Thank you!
Thanks for subscribing. Welcome aboard.
very helpful! thank you :)
You're welcome!
Thank you !
My pleasure.
You're amazing!
😊
Thank you.:-)
You bet!
Thank you, Maa'm
Do you have a video how to make Magenta?I have bought Alisarin Crimson is that the same? There is some video on yu tube but its not that colour,you are the best😇🌈🖼️
Magenta is red violet in hue. Alizarin Crimson is deep transparent red. Ultramarine blue added to alizarin will give you magenta.
Is gray the only neutral
A pure neutral is where no color is detectable, but any color can be neutralized. Purely saturated hue has no neutralization, but every hue has the potential to be slightly unsaturated (slightly neutral) to almost fully neutral where the hue is barely detectible. No hue detection is pure gray at any value or pure white or pure black.
Thank you, you consistently explain concepts so clearly. In this video I noticed in the container of "brushes" on the upper left side of your pallete box there are tooth brushes. What do you use these for?
I use toothbrushes to clean the last residue from the palette so that it has no stains for my next session..
@@IntheStudioArtInstruction thank you for replying. This is a great idea.
By the way, Blue Ridge Oil Colors has some great stuff. 100% Pigment &Walnut oil starting at $19 for 150 ml. Single Pigment Colors from a small but great company.
Are your affiliated with Blue Ridge Oil Colors?
@@IntheStudioArtInstruction No, I started painting since it rained so much and a found watching the news too depressing. First I got a couple of Winsor Newton tubes which are resonable but I was glad for Jason Walcotts tip. He found BROC to be equil with Old Holland and Vassari.
Dear Mam
If I dont have Cerulean Blue to paint sky will cobalt and Prussian Blue mixed with white will be good for making sky blue. Do pls let me me knw
Thanks
Rims1
The color you use for the sky depends upon the color of the sky you are painting. There are a variety of blues that can do that. As you might have noticed by now, I don't give formulas for which colors to use for what. That would be doing you an injustice.
Dear Mam
What must be the size of ur tube colour u use.40, or 30ml.
Which colour is cobalt real?
Reply me soon
Rims1
Some oil paints come in 40ml tubes, others come in either 37 ml or 150 ml. The size doesn't matter.
I'm not sure what you are asking about cobalt.
Dianne your website the dns is missing could not load it.i know this video is old ,so do you still have this website? Thanks
Redmaple2008, go to diannemize.com . Everything is there!
Thank you so much! Very interesting. Good to know.
Thanks for watching.
I wish she was my gramaw and I could go to her house, paint with her and make supper and then watch tv together:))
Thanks!
it may be my 73 yr old eyes but can you make these a bit larger the samples are too small to see a change
or glow mayb just an inch or two bigger.
We're working on that.
Hanson Yellow Light? I'm sorry, I couldn't hear.
Hansa yellow light.
Would you please paint a sunflower in a glass vase ✌️🎨🙏👩🎨🌍☺️
The sunflower in a glass vase would be the reference, but to paint it, we must switch our attention from what it is to what we are seeing - i.e., shapes, values, colors, edges, etc. We can paint anything when we change our attention from what it is to exactly what our eyes are seeing. I will put this concept on our Quick Tips list.
We got one from below the everything on here and it is the big one up there I think blister and I just worked at heard if feels like it's really tight bro but why is the blister Hill
Ruth, I can't decipher what you are saying. Would you please clarify?
georgia O 'Keeffe's paintings really glow. I checked if there was a lightsource behind the canvas. After making sure that nobody was looking. Later I noticed several others peeking behind the canvas as well.
😎