Schumann - Introduction and Allegro, Op.92 (1849)

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  • เผยแพร่เมื่อ 14 พ.ค. 2020
  • Robert Schumann (8 June 1810 - 29 July 1856) was a German composer and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.
    Introduction and Allegro appassionato, Op.92 (1849)
    Roger Boutry, piano and the Chamber Orchestra of the Saar conducted by Karl Ristenpart
    Description by John Palmer [-]
    Sketched September 18-20, 1849 and orchestrated by September 26, the Introduction and Allegro appassionato in G major, Op. 92, was first performed on February 14, 1850, in Leipzig. The work was published by Whistling in 1852. Like the "Concerto" for four horns, Op. 86, the Introduction and Allegro appassionato in G major, Op. 92, received the title, "Konzertstück" (Concert Piece). Thus, Schumann recognized that such works did not fit into any of the molds brought to mind by other terms. Unfortunately, the Introduction and Allegro appassionato, Op. 92, has always been overshadowed by Schumann's Piano Concerto, Op. 54, although the later piece marks a significant stylistic departure for the composer. Schumann conceived the Introduction and Allegro appassionato while immersed in the works of Lord Byron. He had only recently worked on his Manfred overture, Op. 115, inspired by Byron, and would soon begin setting Byron in the Hebrew Melodies, Op. 95. Schumann translated the heroism depicted in Byron's poetry into a work for piano and orchestra.
    Critics disagree concerning the importance of the Introduction and Allegro appassionato, some calling the work uninspired while others claim it is an important example of Schumann's mature style. Certainly, it is a unique structure in its single-movement format with multiple sections and unusual processes of development.
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ความคิดเห็น • 27

  • @AndrewKierszenbaum
    @AndrewKierszenbaum 2 ปีที่แล้ว +16

    that intro... and the return of the intro at 14:53... beautiful! such an underrated piece lmao

  • @hornfancy8214
    @hornfancy8214 ปีที่แล้ว +5

    Why is every Schumann piece so instantly so Schumann? #hearts

  • @arlarl7176
    @arlarl7176 2 ปีที่แล้ว +6

    Sadly underrated piece. It's wonderful - and very typical for him.

  • @elmiramuradova561
    @elmiramuradova561 3 ปีที่แล้ว +6

    Breathtaking music.
    Amazing performance!
    Love it.
    Спасибо. Потрясающая музыка. Великий композитор и блестящее исполнение. Браво!!!

  • @parcivalg.5659
    @parcivalg.5659 4 ปีที่แล้ว +7

    Stupendo! Schumann è meraviglioso.

  • @robertoarriaga5846
    @robertoarriaga5846 2 ปีที่แล้ว +5

    ¡Música extraordinaria de un extraordinario genio: ROBERT SCHUMANN!

  • @resorcinolamide
    @resorcinolamide ปีที่แล้ว +3

    The introduction is so beautifullll :)

  • @davemiller7633
    @davemiller7633 4 ปีที่แล้ว +10

    What an exquisite upload

  • @dm_99
    @dm_99 2 ปีที่แล้ว +3

    I heard this music 100 times

  • @JanCarlComposer
    @JanCarlComposer ปีที่แล้ว +1

    Schumann, the greatest composer of the Romantic era :) In parts, this piece indeed seems to foreshadow op. 54. Very instructive!

    • @internationaloleandersocie2333
      @internationaloleandersocie2333 6 หลายเดือนก่อน

      This was written in 1849, 4 years after the completion of the piano concerto (1841-1845).

  • @fulviopolce9785
    @fulviopolce9785 ปีที่แล้ว +1

    Grande animo romantico in questa magnifica composizione!
    Grazie del bellissimo inserimento e delle note a corredo.

  • @cantabilius5945
    @cantabilius5945 2 ปีที่แล้ว +1

    To see this, and the opus 134, with the scores, affords a wonderful insight into the profoundly poetic conception of these works - many thanks!

  • @andreauribe6454
    @andreauribe6454 2 ปีที่แล้ว +1

    Mi maestrisimo robert schuman..rasch ..

  • @Tristan-zt8tw
    @Tristan-zt8tw 4 ปีที่แล้ว +3

    I have a CD of Jan Lisiecki playing this, it’s quite the piece! Love it.

  • @andrewpetersen5272
    @andrewpetersen5272 ปีที่แล้ว +4

    Funny isn't it Batman? Could be as much St. Saens as Schumann. Love this piece. Many thanks for the upload.

  • @user-ru8vy1uz7c
    @user-ru8vy1uz7c 4 ปีที่แล้ว +2

    Bravo brilliance music

  • @TimondeNood
    @TimondeNood 4 ปีที่แล้ว +2

    Thank you!!!

  • @SCRIABINIST
    @SCRIABINIST 2 ปีที่แล้ว +3

    2:41 Don't know why but the harmony reminds me of Mondnacht from Liederkreis

  • @dm_99
    @dm_99 2 ปีที่แล้ว +3

    ありがとうシューマン

  • @rickshafer6688
    @rickshafer6688 4 ปีที่แล้ว +2

    WOW !

  • @shushanayvazyan2491
    @shushanayvazyan2491 ปีที่แล้ว +2

    💙

  • @christianwouters6764
    @christianwouters6764 3 ปีที่แล้ว +1

    I find this superior to the a minor concerto.

  • @johnnorris1964
    @johnnorris1964 ปีที่แล้ว

    Check out Richters interpretation of this. Breathtaking...

  • @robertcocovinis5269
    @robertcocovinis5269 4 ปีที่แล้ว +16

    I did a lot of laundry today

    • @erikfreitas7093
      @erikfreitas7093 4 ปีที่แล้ว +15

      robert cocovinis Nice! May your clothes be spring-fresh and wrinkle-free ✌️