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- เผยแพร่เมื่อ 31 พ.ค. 2024
- 8 Noveletten Op. 21 (1838) (score), by Robert Schumann (1810-1856). Dino Ciani, piano.
1. Markirt und kräftig [Marcato and strong] (00:00)
2. Äusserst rasch und mit Bravour [Extremely fast and with spirit] (5:07)
3. Leicht und mit Humor [Leggiero and with humour] (10:24)
4. Ballmässig. Sehr munter [Moderato dance/Like a ball. Very lively] (14:56)
5. Rauschend und festlich [Noisy and festive] (18:08)
6. Sehr lebhaft mit vielem Humor [Very lively with a lot of humour] (27:17)
7. Äusserst rasch [Extremely fast] (31:09)
8. Sehr lebhaft [Very lively] (34:24)
Robert Schumann (8 June 1810 - 29 July 1856) was a German composer and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.
The Novelletten, Op. 21, is a set of 8 pieces for solo piano, written by Robert Schumann in 1838. The Novelletten were composed during February 1838, a period of great struggle for the composer. Schumann originally intended the eight pieces to be performed together as a group however they are often performed separately with great success. This set of pieces is an excellent example of Schumann's keyboard style.
There's an earlier version I uploaded with the recording of the great Spanish pianist Alicia de Larrocha. You can visit it here: www.youtube.com/watch?v=t57cK...
I don't own the audios nor the scores shown in the video.
-audio: Dino Ciani www.youtube.com/watch?v=GQ1wt...
-score: petrucci.mus.auth.gr/imglnks/u... - เพลง
![[3 Hour] 가을에 듣는 명곡 / 피아노 연주 모음 (중간광고 없음) Autumn Piano Collection / Relaxing Piano Music](http://i.ytimg.com/vi/OA4xWoZ6Ygo/mqdefault.jpg)
![Schumann - Davidsbündlertänze, op. 6 (Audio+Sheet) [Kempff]](/img/n.gif)
Thank you Schumann for your amazing music. You are truly among the most gifted melodic composers.
Stupenda, altissima resa interpretativa del Grande D.Ciani, caratterizzata da una finezza sonora, una capacità pittorica fuori dal comune, e rispondente appieno al fervore inquieto del Mondo Interiore di R.Schumann.
Forse è retorico il dirlo ma grandi Pianisti così non scompaiono con la dipartita, ma rimangono qui, con chi vuol tendere l' orecchio ad ascoltarli, per Sempre.
Grazie per il post del Video.
I can't imagine listening to this music in a set, Schumann had a special gift as a composer, but had no idea what people would be able to digest during a performance
I totally disagree, there's nothing I love more than that feeling after being battered non stop for the best part of an hour and then finally sitting back and being like 'woah'
@@hb3393 l can understand where you come from, as a performer myself, wanting to put this whole thing together is so tiringly hard, especially with few(not all sets) of Schumann's work. So I can easily assume what the audience would feel ftom what I can bd able to convey organically, and that is where my perspective comes from "if it's hard for me to put convincingly, how much harder would it be for the audience to grasp it"
@@bachopinbee5991 yeah that's fair enough!
@@hb3393 this sounds MAD out of context
I cant agree more with you. This work is too much for the audience to digest especially for a non musical audience. Even for a musical audience a live experience of this work would be more enjoyable if somebody have already listened to it at least once. Speaking from personal experience i really had to spare much time to finally appreciate these novelettes.
Extremely beautiful interpretation. I always wondered why these magnificent Noveletten are so seldom played ....
It's a very difficult set, both as a listener and performer.
So wonderful Ciani! Thanks and glad to introduce with pianist. Composition is great.
Never heard of Ciani, wonderful recording!
娘が毎日弾いていた曲 久しぶりに聞きました。
What a performance!
Thank you very much, i was looking for something like this a few days ago!!
#s 1, 2, 5, 7, 8 are my favorites (although I love them all). These Novellettes are Schumann at his most colorful, most stream-of-consciousness, most demanding for the listener. But so rewarding!
Un compositeur qu on oublie souvent mais qui fait de tres belles oeuvres. La derniere est la meilleure selon moi
Straordinario. Mai sentite Noveletten così.
Oh my god finally 23:47! Been stuck in my head for a week. Finally found it. Incredible how such a short major switch can get stuck in your head. It remembered it as a lot longer.
th-cam.com/video/myaIGwj9bXw/w-d-xo.html
The 2nd movement is a fantastic journey that takes you on to strange and yet familiar worlds.
Liri Ronen A movement is part of a symphony or a sonata or a concerto...
This is a group of eight pieces...😊
"Strange and yet familiar."
That's really got me baffled...!!😚😋
This is so beautiful.
19:04 Schumann was a genius with hemiolas 21:28 beautiful melody, touching in all its simple syncopations
I love the last novelette! I love the melody 38:17 marked "Stimme aus der Ferne" (distanced voice), which keeps developing at 38:53. And then it reappears at 43:45
I think it is kind of variants of descending fifth, Clara theme
@@minghaogong2343 It's from Clara's nocturne op.6 no.2. Schumann made sure to include Clara in his music somehow
Stimme aus der Ferne is an apt title for that passage because the first theme never returns after that as if it's completely lost; as you can see, the piece is ended by the waltz and not the first theme.
@@sender1496 yeah he states that he wrote the sonatas, the concerto, op.6, op 21 especially only for Clara
As sonn as the first theme of the first novelette, we can see the perfect and natural use by RSch of what Schoenberg called "extended tonality".
what makes it have extended tonality?
@@Aaron-dj2vichanging the key like every phrase
Äusserst rasch und mit Bravour is amazing, but especially that beautiful intermezzo!
38:53 - 39:56 is transcendent.
Thanks for sure...
GRACIAS POR DIFUNDIR ESTA BELLA MUSICA DE SCHUMANN, QUE EN MI IGNORANCIA NO CONOCIA
My new love forever..
3:10 is so sweet
Finally - a great performance of this complete work! I ordered CD just now.
Besides the criticism, this still remains one of my favorite piano pieces ever. Particularly no 1 and no 6 are my favorites out of the set.
Schumann definitely liked the gallop rhythm a lot
I identify greatly with Schumann, even though we seem different in many ways. Yesterday, I kept asking myself where I heard 24:50 and now I know!
How are you?
thnx Paco M
Excellent interpretation. A tragedy Ciani died so young.
Pura energia maestro robert ya estoy que me tiro al rio.
Почему каждая нота отдельно?..
Grandissima interpretazione. Musica splendida
To compare it with Horowitz' late version is interesting.
th-cam.com/video/gHNfBIJHmN8/w-d-xo.html
H. gets a bit tangled at the very end, but I find the whole is more assimilable than this lovely version, I think because Horowitz highlights a singular line of melody (or sometimes, unexpectedly, a line in the harmony), so that it's a combination of gracious ease and nervous expectation (what will he do next?)... Whenever everything is equally brilliant, and equally stressed, as here, it's a bit tiring.
Великая Фортепианная Музыка
Does anyone know why was this a tribute to Henslet??
Henselt had been a long time friend of Schumann, although the last years of his life their relationship cooled. This work was a dedication to Henselt as a result of the tendency of their time. Composers used to dedicate their compositions to others out of friendship, admiration or even social reasons.
23:12-24:01 this is so cool, and it reminds me of Alkan a bit.
35:25
schumann : i'm schumann!!!!!
Haha rhythmically that actually works when you sing that with the melody!!
Dino Ciani , perfetto
👍🏻 good😮
25:54 Happy Birthday!
❤️
Io eseguo la prima e l'ultima; Ciani è noto soprattutto per questa incisione.
6:50
No 2 always reminds me of one of the parts in the first movement of Beethoven Sonata No 4
32:43
Ciani. what a terrible loss to music (1941 to 1974). He had a Horowitz sound. Very expressive.
Horowitz had a Horowitz sound...Ciani had a Ciani sound!😊
Same as Dinu Lipatti and Julius Katchen. Such a breed of greats that quickly left us
@@bachopinbee5991 l
@@bachopinbee5991 эээ
@@bachopinbee5991 хээхэ
Your the only best piano player I’ve ever seen!
Great! But "Ballmässig" is not "Massive ball", just "Moderato Dance". ;)
+OpusStefano Thanks a lot for the correction! I know very little German and I wasn't sure about the translation :)
It's actually not even that. "Mässig" doesn't mean "moderate" in this case - it means "Like a ball" or "ball-like".
Mmm, are you German? Maybe it's a meaning of massig I didn't know, because I know that "ball-like" would be "ballhaft" (like Schattenhaft is "like a shadow" in Scherzo from Mahler's 7th).
I am German, yes. The word construction Schumann uses is indeed a bit strange, I guess that is part of his poetic use of language. You are right, "ballhaft" is correct and to me sounds even better. However, both mean exactly the same thing. The only reason I can think of why Schumann chose "mäßig" is that it comes from the noun "Maß" (measure) and thus could give a feeling of tempo or timing. At the same time it could just be that he prefers the sound of the word. ;-)
"Moderate Dance" by the way would be "Mäßiger Ball".
Ok, now I know German a little more! Thanks! :)
12:01
Inespressivo, peccato, pezzi meravigliosi, specie 1,2,8
28:50
23:35
38:01
37:16 !
3:37
40:35
2:17
Can someone find me measures 282-291? I have an excerpt of this on my music theory assignment and don't wanna waste time putting it into Musescore.
Could you specify which of the 8 novelettes are you talking about?
Oh, 8.
Don't be lazy...
A tribute to Henselt? I love your taste, Schumann.
Hm?
One, Two and Seven.
I don't understand why Ciani sustaines the last note of the first piece. That is clearly not what is written.
Sure enough the very last note is a quarter note followed by one quarter rest and that is how it ends despite the entire work is in 4/4 time and there is no "2 quarter note" lead in at the beginning. Just another Schumann peculiarity.
Nicht schlecht für einen Formel 1 Fahrer
38 people who did not know what is the truly music...
this would have to have the worst advertisement intrusions of any music I have ever heard on youtube
슈만 곡은 참 아름답고 지랄맞네요
i played nº1 in 8º
Magnífico,enhorabuena.- Ya eres buen pianista- Son realmente difíciles.- Pero...Isaías: ¿Por qué te expresas en inglés, siendo hijo de una lengua tan rica como es el español?.- ¿Se expresan acaso en español los ingleses?..Oye: "Pintor de santos de alcoba, ¿por qué desprecias tu color? Píntame angelitos negros, que también los quiere Dios" Se aplica al caso, ¿no crees?.-Saludos cordiales.
Someone here watched the movie "Futari".
me, chizuko 's younger sister
n.1 @@
n.2
n.5 @
n.7 @@
Э
i prefer Karl Engel, better interpretation
Great ! but too much notes Schuman. I prefer Carnaval or Vienne
not enough notes
Well, its indeed a heavily orchestral work and sounds complex thats why a one time listen is not enough to understand this work and generally this is true for the majority of Schumann works
@@georgel2201 It grows on you, that's how truly great composers are able to make a lasting impression. Chopin is great to play to please an audience, and Liszt is great to perform on stage, but when I'm is sitting quietly pondering upon the intricacies of the universe or enjoying a fantastical journey through a world of senses (trippy as kids call it nowadays), I listen to Beethoven and Schumann
@@charlescg3904 Exactly my thoughts.
27:17- I'm laughing my head off!! (sarcasm)
yes very amusing [your comment ] not the piece
Schumann is the not one of the most romantic composer.
노벨레테 정말 좋은데 슈만 곡 중에서도 손꼽히게 지랄맞네요
Proof that Schumann could never compose a beautiful melody lol
Most ignorant comment I've read
Utter tripe.
Just go away, please. Schumann one of the greatest of melodists.
Proof that you are an idiot
If you really want proof, look at kinderszenen, his fantasy, his first piano sonata, etc.
34:57
37:04
34:28