You prolly dont give a shit but if you guys are bored like me during the covid times you can stream pretty much all the latest movies on Instaflixxer. Been watching with my girlfriend for the last few days :)
Love the sound of the recording... every year of every decade has it's own ambience. Modern clarity and technology can easily disperse some of that effervescent authenticity ;) I can understand why this would be one of your favourite, Erroll Garner albums. I'm curious, what is the name of this album ? Does the CD have the same title ?? And, is this "canned applause" (wherever it comes from, it's not from the same place where the trio was recorded, pretty sure of that) also on your album/CD ?? Has the CD been remastered, or is the same as the original recording ? And, it the orginal recording complete with "natural" applause and audience ambence ?? Curious... :))
In New York, the Savoy Records company offers Garner to record records that clearly capture the characteristic style of playing: a slightly lagging rhythm, when the right hand seems to "drag" behind the left, while "touching" adjacent keys along the way. The famous American jazz critic Leonard Feather described his impressions of the musician as follows: "Garner is a 'two-faced Janus' who 'turns abrupt melodies into pearly splashes.' His hands - each individually - had their own character and could play at different rates. Garner, born neither right-handed nor left-handed, could sign with both hands.
Erroll Louis Garner (born Erroll Louis Garner; June 15, 1921, Pittsburgh, PA - January 2, 1977, Los Angeles, California) - American jazz pianist, ensemble leader, composer. Outstanding innovator and virtuoso of the jazz grand piano, who developed his own unique "orchestral" style (he was called "the man with 40 fingers"). Garner's influence has been experienced by many pianists, including Oscar Peterson, George Shearing, Monty Alexander, Ahmad Jamal, Ellis Larkins, Red Garland, Martial Solyal, Dave Brubeck. Обожаю слушать и смотреть Эрролла!!! Erroll Garner led a bachelor lifestyle and was rather indifferent to the company of women. He had a dog, which he tenderly looked after. His whole personal life is the story of a lone genius, absent-minded, with an unsettled life, capricious.
@@YingTou1 ru.wikipedia.org/wiki/%D0%93%D0%B0%D1%80%D0%BD%D0%B5%D1%80,_%D0%AD%D1%80%D1%80%D0%BE%D0%BB%D0%BBuse a translator from any language to your language.
@@larisadobrorez Thank you for the speedy reaction. The wikipedia page you referred me to is the Russian version on Erroll Garner, which I can't read - does this page (unlike the English one) mention his dog and that he was "rather indifferent to the company of women"? If not, where did you find that? This Erroll Garner epigone whose one great true love has been his dog and who has grown increasingly indifferent to the company of women would very much like to know. Thanking you in advance, yours sincerely Koen
@@YingTou1 About personal life and habits [edit | edit code] Erroll Garner led a bachelor lifestyle and was rather indifferent to the company of women. He had a dog, which he tenderly looked after. His whole personal life is the story of a lone genius, absent-minded, with an unsettled life, capricious. One of his whims: the members of the trio had to always perform in costumes. This embarrassed the musicians, and bassist Eddie Colehoun complained that it was difficult to swing the double bass in a tuxedo. However, it is only natural for Garner to wear awkward outfits. To concerts, he takes with him several suits, shirts, ties, 4-5 towels (he had an amazing ability to wipe his face with his left hand, without stopping playing), several bottles of soft drinks and ... a phone book of Manhattan: not a single cushion for piano chairs suits him better. His performances are always a surprise. He never planned anything. His hands - each one individually - had their own character and could play at different rates. Garner, born neither right-handed nor left-handed, could sign with both hands. At concerts, he never said anything. Garner seated his musicians so that they could see them well and so that they could see him: the bass player on the left (there it is more convenient for him to watch Garner's left hand), and the drummer on the right. If Erroll did a short upward passage at the end of the piece, it’s time for a break. The rhythm group learned about which piece would be played from the long introductory piano solos: the pianist did not like to start the theme straight away.
@@larisadobrorez Well, thank you again! But, at the risk of sounding ungrateful (I'm not - such an extensive reply to a stranger - very kind, most appreciated), how do you know all these interesting tidbits? Did you read a biography? If so, I would very much like to know the title. So, thanking you in advance, I remain, chère Madame, sincerely yours.
Due to his reluctance to learn musical notation, he does not receive a systematic musical education. The music teacher invited by his mother met the boy's stubborn reluctance to get educated. The professor, to whom the mother showed her young nugget, said that Erroll did not need to know the musical notation at all.
I went to Salle Pleyel in Paris to see and hear Erroll Garner and his trio (Eddie Calhoun and Kelly Martin, then Ernest Mac Carthy, José Mangual and other talented side musician) once à year, starting 1962 first with my father and many years after alone or with a friend. I could once shake his hand but I was so impressed... I was 9 years old first time
Thanks very much kadoguy for posting this. Until I listened to this I hadn't appreciated how much range Erroll Garner had. He has a lot of ideas and pursues them audaciously. The performance seems to be 'the thing', he's never filling or marking time. Very intense. It's not one of those socialised trios, each playing solos. It seems to be Erroll Garner going off, saying 'Hey I'm going here. Keep up!' The audio quality seems pretty good [for something streamed through a computer's small speakers anyway]. Do you know the tunes being played? I don't know enough to be able to identify the tunes and Mr Garner didn't appear to slavishly follow the hummable hook lines. Is it the same set list as the One World Concert in Aug 1962 at The World's Fair, Seattle?
Erroll's Theme (Erroll Garner) Where Or When (Richard Rodgers, Lorenz Hart) Autumn Leaves (Joseph Kosma) They Can't Take That Away From Me (George Gershwin, Ira Gershwin) Some Of These Days (Shelton Brooks) Mambo Erroll (Erroll Garner) I Cover The Waterfront (Johnny Green, Edward Heyman) Back Home Again In Indiana (James F. Hanley, Ballard MacDonald) Laura (David Raksin) You Do Something To Me (Cole Porter) Erroll's Theme (Erroll Garner)
Thank you, James Brookes. I've taken the liberty of adding time stamps to your playlist. Erroll's Theme (Erroll Garner) 0:00 Where Or When (Richard Rodgers, Lorenz Hart) 0:47 Autumn Leaves (Joseph Kosma) 4:15 They Can't Take That Away From Me (George Gershwin, Ira Gershwin) 9:31 Some Of These Days (Shelton Brooks) 13:46 Mambo Erroll (Erroll Garner) 17:36 I Cover The Waterfront (Johnny Green, Edward Heyman) 21:10 Back Home Again In Indiana (James F. Hanley, Ballard MacDonald) 25:31 Laura (David Raksin) 28:49 You Do Something To Me (Cole Porter) 34:26 Erroll's Theme (Erroll Garner) 37:23
En eso de no saber música no estoy de acuerdo del todo. Al revés, Errol Garner sabe más música que muchos, muchos pianistas que estuvieron mil años en el Conservatorio. La música se oye, se entiende en el cerebro y se reproduce con las manos. Que suerte tienen los músicos que oyen precisamente lo que piensan y pueden reproducir con las manos lo que tienen almacenado en la cabeza !. Creeme, querido Correa Lopez, esto lo digo por propia experiencia. Ocho años en el Conservatorio y después ni idea. Yo he aprendido la música "de oido". A veces no me queda más remedio que descifrar sobre todo los pasajes difíciles armónicos, leyendo con mucho trabajo las partituras. El jazz es casi inaccesible para pianistas "normales" como yo lo soy. Mucos saludos y mucha alegria con la música, sobre todo con esos superdotados como son los pianistas de jazz !!!
I'm an EG addict and a Laura addict as well. Does anyone know if this Laura version appears on an album and if so which one ? Previous inquiries I made elsewhere turned out negative. I've read that EG had made 5 different Laura versions, am tracking all of them. Many thanks for all answers.
Hey I'm an Erroll Garner addict too and I specialise in his recordings. Here is a complete list of all the versions of Laura played by Erroll Garner you can listen to on the internet. Laura was a standard that Erroll frequently played on radio and in concerts, however unfortunately the vast majority of Erroll Garner recordings remain in archives. If you were interested in listening to those recordings, I believe they are currently stored in the University of Pittsburgh Archives and the Library of Congress. That being said, I have compiled a list for you of everything I could find online. *Salle Pleyel, Paris - 1962* - The recording in this video - www.francemusique.fr/emissions/les-legendes-du-jazz/inedit-erroll-garner-a-paris-69940 *NYC 1951* - th-cam.com/video/G44Q2Jg4JDE/w-d-xo.html *Pasadena 1949??* - th-cam.com/video/zIxMhyi_5SA/w-d-xo.html *Hollywood 1946??* - th-cam.com/video/buChaSy_kiw/w-d-xo.html *NYC 1945* - th-cam.com/video/Ir3srSTZIIE/w-d-xo.html *London 1965* - th-cam.com/video/sRA-WV01Ogk/w-d-xo.html *NYC 1944* - th-cam.com/video/7dcyGa8ORK0/w-d-xo.html *Amsterdam 1964* - th-cam.com/video/X6cuRsaxqqs/w-d-xo.html *Carmel 1955* - th-cam.com/video/K8PnrD5Q4Vo/w-d-xo.html
@@JaschaBingham There are no words to tell you how grateful I am to you for posting all these links ! Some of them I already had but you posted some real treasures. I'm in Quebec, Canada & there is no problem with any of the links. I'll be listening in greater detail after, just wanted to thank you right away ! I fell in love with the Laura theme when I was 9 years old and could never forget it. Later on, discovered EG and have been enthralled since with his works. You have now a new subscriber to your channel. A million thanks to you.
@@JaschaBingham One can hope that the EGJP comes out with other treasures held in the vault and not just remastered versions of albums already out although it has brought exposure of EG to others who were unaware of him. Glad to see too an 18 year-old like yourself exploring his works.
@@MarinaLaroche Thank you. I am hoping that the EGJP will come out with a full unissued live concert, that would be amazing :D (Something like Erroll Garner June 3rd 1962 - Free Trade Hall, or maybe a box set of the full Village Gate concert recordings).
Exactly the same thing hit my ears. Maybe Kadoguy knows why. Probably for reasons of pumping up the material, which definitely don't need any of those. The producer is a strange kind of animal.
![[TH] VALORANT Champions Seoul - Grand Final - EDG vs TH](http://i.ytimg.com/vi/WvObMc9VelI/mqdefault.jpg)
My mind is blown every time I hear Erroll! His band sure could swing too
He makes me happy!
He was a genius ,i love
Started listening to erroll in 1954 at age 12. Nobody like him and I have heard them all!
You prolly dont give a shit but if you guys are bored like me during the covid times you can stream pretty much all the latest movies on Instaflixxer. Been watching with my girlfriend for the last few days :)
@Rohan Samuel yup, been watching on InstaFlixxer for years myself =)
Did you have the opportunity to see him live?
Garner always delights and makes one a happier person on hearing his piano
Pure instant lasting JOY!!! Unique, cheeky, witty, brilliant inventive original powerhouse of uplifting happy jazz piano!
The one and only Erroll Garner!!!
Amazing. Genius.
Thank you for this!!! I'm wondering how anyone could've hit thumbs down on this???? Their heart must not be beating.. .. .. ..
The Magic Johnson of Jazz Piano. Thanks for the concert
Erroll swings the most 🎹
One of my favourite Garner albums, my first on AN LP
then CD , I play it constantly!
Love the sound of the recording... every year of every decade has it's own ambience. Modern clarity and technology can easily disperse some of that effervescent authenticity ;) I can understand why this would be one of your favourite, Erroll Garner albums. I'm curious, what is the name of this album ? Does the CD have the same title ?? And, is this "canned applause" (wherever it comes from, it's not from the same place where the trio was recorded, pretty sure of that) also on your album/CD ?? Has the CD been remastered, or is the same as the original recording ? And, it the orginal recording complete with "natural" applause and audience ambence ?? Curious... :))
In New York, the Savoy Records company offers Garner to record records that clearly capture the characteristic style of playing: a slightly lagging rhythm, when the right hand seems to "drag" behind the left, while "touching" adjacent keys along the way. The famous American jazz critic Leonard Feather described his impressions of the musician as follows:
"Garner is a 'two-faced Janus' who 'turns abrupt melodies into pearly splashes.' His hands - each individually - had their own character and could play at different rates. Garner, born neither right-handed nor left-handed, could sign with both hands.
Magnífico comentario
Erroll Louis Garner (born Erroll Louis Garner; June 15, 1921, Pittsburgh, PA - January 2, 1977, Los Angeles, California) - American jazz pianist, ensemble leader, composer. Outstanding innovator and virtuoso of the jazz grand piano, who developed his own unique "orchestral" style (he was called "the man with 40 fingers"). Garner's influence has been experienced by many pianists, including Oscar Peterson, George Shearing, Monty Alexander, Ahmad Jamal, Ellis Larkins, Red Garland, Martial Solyal, Dave Brubeck. Обожаю слушать и смотреть Эрролла!!! Erroll Garner led a bachelor lifestyle and was rather indifferent to the company of women. He had a dog, which he tenderly looked after. His whole personal life is the story of a lone genius, absent-minded, with an unsettled life, capricious.
Thank you. Where did you find such interesting things as the dog? Any good biography?
@@YingTou1 ru.wikipedia.org/wiki/%D0%93%D0%B0%D1%80%D0%BD%D0%B5%D1%80,_%D0%AD%D1%80%D1%80%D0%BE%D0%BB%D0%BBuse a translator from any language to your language.
@@larisadobrorez Thank you for the speedy reaction. The wikipedia page you referred me to is the Russian version on Erroll Garner, which I can't read - does this page (unlike the English one) mention his dog and that he was "rather indifferent to the company of women"? If not, where did you find that? This Erroll Garner epigone whose one great true love has been his dog and who has grown increasingly indifferent to the company of women would very much like to know. Thanking you in advance, yours sincerely Koen
@@YingTou1 About personal life and habits [edit | edit code]
Erroll Garner led a bachelor lifestyle and was rather indifferent to the company of women. He had a dog, which he tenderly looked after. His whole personal life is the story of a lone genius, absent-minded, with an unsettled life, capricious. One of his whims: the members of the trio had to always perform in costumes. This embarrassed the musicians, and bassist Eddie Colehoun complained that it was difficult to swing the double bass in a tuxedo. However, it is only natural for Garner to wear awkward outfits. To concerts, he takes with him several suits, shirts, ties, 4-5 towels (he had an amazing ability to wipe his face with his left hand, without stopping playing), several bottles of soft drinks and ... a phone book of Manhattan: not a single cushion for piano chairs suits him better.
His performances are always a surprise. He never planned anything. His hands - each one individually - had their own character and could play at different rates. Garner, born neither right-handed nor left-handed, could sign with both hands. At concerts, he never said anything. Garner seated his musicians so that they could see them well and so that they could see him: the bass player on the left (there it is more convenient for him to watch Garner's left hand), and the drummer on the right. If Erroll did a short upward passage at the end of the piece, it’s time for a break. The rhythm group learned about which piece would be played from the long introductory piano solos: the pianist did not like to start the theme straight away.
@@larisadobrorez Well, thank you again! But, at the risk of sounding ungrateful (I'm not - such an extensive reply to a stranger - very kind, most appreciated), how do you know all these interesting tidbits? Did you read a biography? If so, I would very much like to know the title. So, thanking you in advance, I remain, chère Madame, sincerely yours.
Just FANTASTIC thank you
It was one week before my 10th anniversary and thanks to you I am back to this golden âge. Warm thanks for it ...
Garner at his best his mastery of the piano astounding pity his life was cut short
Amo essa música!!!!!!!
💓💓💓💓💓💓😍
The best erroll garner 🎹🖤
Genius!
Due to his reluctance to learn musical notation, he does not receive a systematic musical education. The music teacher invited by his mother met the boy's stubborn reluctance to get educated. The professor, to whom the mother showed her young nugget, said that Erroll did not need to know the musical notation at all.
that is exactly right, he did not learn notes, its all by ear
@@dieterkrause5691 Yes, all heard!
Transports me to the 30’s even tho I was born on the 80’s.
I was there, with my father...
Wow. Did you have a chance to meet him- and how much do you remember ?
I went to Salle Pleyel in Paris to see and hear Erroll Garner and his trio (Eddie Calhoun and Kelly Martin, then Ernest Mac Carthy, José Mangual and other talented side musician) once à year, starting 1962 first with my father and many years after alone or with a friend. I could once shake his hand but I was so impressed... I was 9 years old first time
Gênio
Thanks very much kadoguy for posting this. Until I listened to this I hadn't appreciated how much range Erroll Garner had. He has a lot of ideas and pursues them audaciously. The performance seems to be 'the thing', he's never filling or marking time. Very intense. It's not one of those socialised trios, each playing solos. It seems to be Erroll Garner going off, saying 'Hey I'm going here. Keep up!' The audio quality seems pretty good [for something streamed through a computer's small speakers anyway].
Do you know the tunes being played? I don't know enough to be able to identify the tunes and Mr Garner didn't appear to slavishly follow the hummable hook lines. Is it the same set list as the One World Concert in Aug 1962 at The World's Fair, Seattle?
Erroll's Theme (Erroll Garner)
Where Or When (Richard Rodgers, Lorenz Hart)
Autumn Leaves (Joseph Kosma)
They Can't Take That Away From Me (George Gershwin, Ira Gershwin)
Some Of These Days (Shelton Brooks)
Mambo Erroll (Erroll Garner)
I Cover The Waterfront (Johnny Green, Edward Heyman)
Back Home Again In Indiana (James F. Hanley, Ballard MacDonald)
Laura (David Raksin)
You Do Something To Me (Cole Porter)
Erroll's Theme (Erroll Garner)
Thank you, James Brookes. I've taken the liberty of adding time stamps to your playlist.
Erroll's Theme (Erroll Garner) 0:00
Where Or When (Richard Rodgers, Lorenz Hart) 0:47
Autumn Leaves (Joseph Kosma) 4:15
They Can't Take That Away From Me (George Gershwin, Ira Gershwin) 9:31
Some Of These Days (Shelton Brooks) 13:46
Mambo Erroll (Erroll Garner) 17:36
I Cover The Waterfront (Johnny Green, Edward Heyman) 21:10
Back Home Again In Indiana (James F. Hanley, Ballard MacDonald) 25:31
Laura (David Raksin) 28:49
You Do Something To Me (Cole Porter) 34:26
Erroll's Theme (Erroll Garner) 37:23
Back Home again in Indiana, I can't get started with you
34:02 ...... jingle all the way!
Stupendo
What’s the first song called? Or was that an opener / intermezzo ? Thanks for the upload 🎹✔️🎵
4:18 only Erroll can play like this.
19:19
wonderful Garner, complete with outrageously fake applause.
Could someone tell me what is the name of the song he plays at minute 21
I Cover The Waterfront
4:18
Cada interpretacion es una verdadera creacion. Es un pianista que no sabe musica!!!!!!!!!!!!!!!!
En eso de no saber música no estoy de acuerdo del todo. Al revés, Errol Garner sabe más música que muchos, muchos pianistas que estuvieron mil años en el Conservatorio. La música se oye, se entiende en el cerebro y se reproduce con las manos. Que suerte tienen los músicos que oyen precisamente lo que piensan y pueden reproducir con las manos lo que tienen almacenado en la cabeza !. Creeme, querido Correa Lopez, esto lo digo por propia experiencia. Ocho años en el Conservatorio y después ni idea. Yo he aprendido la música "de oido". A veces no me queda más remedio que descifrar sobre todo los pasajes difíciles armónicos, leyendo con mucho trabajo las partituras. El jazz es casi inaccesible para pianistas "normales" como yo lo soy. Mucos saludos y mucha alegria con la música, sobre todo con esos superdotados como son los pianistas de jazz !!!
Eso no es verdad. Erroll Garner sabe TODO sobre la música!!
@@marcellomentasimonsennico5670 Estoy completamente de acuerdo !!!
Outside of Tatum-the Greatest. PIANO DON'T KNOW I CAN;T READ MUSIC!
I'm an EG addict and a Laura addict as well. Does anyone know if this Laura version appears on an album and if so which one ? Previous inquiries I made elsewhere turned out negative. I've read that EG had made 5 different Laura versions, am tracking all of them. Many thanks for all answers.
Hey I'm an Erroll Garner addict too and I specialise in his recordings. Here is a complete list of all the versions of Laura played by Erroll Garner you can listen to on the internet. Laura was a standard that Erroll frequently played on radio and in concerts, however unfortunately the vast majority of Erroll Garner recordings remain in archives. If you were interested in listening to those recordings, I believe they are currently stored in the University of Pittsburgh Archives and the Library of Congress. That being said, I have compiled a list for you of everything I could find online.
*Salle Pleyel, Paris - 1962* - The recording in this video - www.francemusique.fr/emissions/les-legendes-du-jazz/inedit-erroll-garner-a-paris-69940
*NYC 1951* - th-cam.com/video/G44Q2Jg4JDE/w-d-xo.html
*Pasadena 1949??* - th-cam.com/video/zIxMhyi_5SA/w-d-xo.html
*Hollywood 1946??* - th-cam.com/video/buChaSy_kiw/w-d-xo.html
*NYC 1945* - th-cam.com/video/Ir3srSTZIIE/w-d-xo.html
*London 1965* - th-cam.com/video/sRA-WV01Ogk/w-d-xo.html
*NYC 1944* - th-cam.com/video/7dcyGa8ORK0/w-d-xo.html
*Amsterdam 1964* - th-cam.com/video/X6cuRsaxqqs/w-d-xo.html
*Carmel 1955* - th-cam.com/video/K8PnrD5Q4Vo/w-d-xo.html
@@JaschaBingham There are no words to tell you how grateful I am to you for posting all these links ! Some of them I already had but you posted some real treasures. I'm in Quebec, Canada & there is no problem with any of the links. I'll be listening in greater detail after, just wanted to thank you right away ! I fell in love with the Laura theme when I was 9 years old and could never forget it. Later on, discovered EG and have been enthralled since with his works. You have now a new subscriber to your channel. A million thanks to you.
@@MarinaLaroche No problem! I'm just glad that we are able to still appreciate and listen to Erroll's music :)
@@JaschaBingham One can hope that the EGJP comes out with other treasures held in the vault and not just remastered versions of albums already out although it has brought exposure of EG to others who were unaware of him. Glad to see too an 18 year-old like yourself exploring his works.
@@MarinaLaroche Thank you. I am hoping that the EGJP will come out with a full unissued live concert, that would be amazing :D (Something like Erroll Garner June 3rd 1962 - Free Trade Hall, or maybe a box set of the full Village Gate concert recordings).
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
This is strange. It is obviously a studio recording with badly dubbed applause. Why?
Exactly the same thing hit my ears. Maybe Kadoguy knows why. Probably for reasons of pumping up the material, which definitely don't need any of those. The producer is a strange kind of animal.
Of course i mean : PIMPING up the material, aso.
I guess it's not 1962 but mid fifties.
It's a similar repertoire than Concert by the Sea (1955).
Anyhow, great music.
Thanks for sharing.
17:52