@seektheforce What ever the category you put Lanza in, He still had one of the most beautiful clean clear quality of voices ever,He really had no competition in the so called American songs and he was also quite enjoyable for many in Italian songs and operatic selections.
Se ve ridículo, artista de opera , pues yo soy un humilde Doctor en música , concertista , catedrático universitario y profesor benemérito en el conservatorio nacional de mi país , me asquea que¨´ profesionales ¨, descalifiquen a este inmenso tenor ,sin tener verdaderos elementos de juicio , deberían revisarse los oídos y ser mas respetuosos.
Excellent- but there is the complication of singing the "SI Morro". It's hard to sing an "ee" sound so high. Mario does not pronounce the "s" of the "si")- Peerce just says "Ah, morro)- Lanza does it perfectly. Caruso added a note before to jump from it upwards. For what I just heard. The original German is easier you just sing: Ah, teile es mit mir, JA, mit mir!
M.Del Monaco, the time of the film, at the top of his vocal talent, was conceivable unsuitable choice of differentiated Singing Caruso to evoke. His breath pressure is enormous, he put his laryngeal deep. The dynamic Scala, ranged only, from forte to fortissimo. In Young Caruso.
But still, records from past can't even show how Caruso really was. Of course, MDM not a Caruso and Caruso not a MDM. But it is clear, what they both dramatic. MDM used a strong powerful voice in dramatic voice, Caruso liked a straight, not be so loud, but passionate.
This voice sounds more like Tagliavini than Del Monaco, Ferruccio usually darkened his voice to produce some dramatic effects, (he was a magnificent lyric tenor), but Del Monaco, whom I heard in 1950 had a more dramatic natural voice from his beginning, pls recheck and advise, thank you Jose
como es posible que no siendo tan bueno para no ser un cantante de opera !Soberano disparate!, la versión de Lanza es visiblemente superior a esta del gran tenor del Monaco, sin tener que parecerse a Caruso, inmenso Lanza.
Yes, Caruso was superior. Does that mean we can't enjoy both? You do realize we have both time and access to recordings of both singers, right? You could have, you know, used the time you spent writing that comment listening to...Caruso...
Viva Mario Del Monaco
Magnificent
Thats a very good clip Thank you.
En la partitura está escrito "Sí, morro". Del mónaco lo hace correctamente
MDM here is trying to imitate Caruso...and if you listen to the Caruso's version of this aria (1904) you coud find the very same "Si morro!" ;)
Are you listen "Ah, morro"?, Mario said "Si", powerfull and clear.
very good
@seektheforce What ever the category you put Lanza in, He still had one of the most beautiful clean clear quality of voices ever,He really had no competition in the so called American songs and he was also quite enjoyable for many in Italian songs and operatic selections.
Lanza fué un tenor que triunfó en el cine, no hizo carrera operística importante.
Se ve ridículo, artista de opera , pues yo soy un humilde Doctor en música , concertista , catedrático universitario y profesor benemérito en el conservatorio nacional de mi país , me asquea que¨´ profesionales ¨, descalifiquen a este inmenso tenor ,sin tener verdaderos elementos de juicio , deberían revisarse los oídos y ser mas respetuosos.
Excellent- but there is the complication of singing the "SI Morro". It's hard to sing an "ee" sound so high. Mario does not pronounce the "s" of the "si")- Peerce just says "Ah, morro)- Lanza does it perfectly. Caruso added a note before to jump from it upwards. For what I just heard. The original German is easier you just sing: Ah, teile es mit mir, JA, mit mir!
It's called lip synched by Mario del Monaco.
Voltape.... There is a clear sssss before "si"
M.Del Monaco, the time of the film, at the top of his vocal talent, was conceivable unsuitable choice of differentiated Singing Caruso to evoke.
His breath pressure is enormous, he put his laryngeal deep. The dynamic Scala, ranged only, from forte to fortissimo. In
Young Caruso.
Wrong
But still, records from past can't even show how Caruso really was. Of course, MDM not a Caruso and Caruso not a MDM. But it is clear, what they both dramatic. MDM used a strong powerful voice in dramatic voice, Caruso liked a straight, not be so loud, but passionate.
This voice sounds more like Tagliavini than Del Monaco, Ferruccio usually darkened his voice to produce some dramatic effects, (he was a magnificent lyric tenor), but Del Monaco, whom I heard in 1950 had a more dramatic natural voice from his beginning, pls recheck and advise, thank you Jose
This is definitely Mario Del Monaco
The recording is too sharp. But this is definetly MDM.
This sounds nothing like Tagliavini
como es posible que no siendo tan bueno para no ser un cantante de opera !Soberano disparate!, la versión de Lanza es visiblemente superior a esta del gran tenor del Monaco, sin tener que parecerse a Caruso, inmenso Lanza.
El mejor Otello de todos los tiempos pero su canto nunca fué elegante.
Caruso was so much superior to Del Monaco
Solo un emerito somaro può dare paragoni simili.
Yes, Caruso was superior. Does that mean we can't enjoy both? You do realize we have both time and access to recordings of both singers, right? You could have, you know, used the time you spent writing that comment listening to...Caruso...