This is a good approach. You can take it a step further by using the channel mixer in Monochrome mode and adjusting the outputs to shape the luminance response from those channels. An example being a low Red and Blue Output with a higher Green Output gets some gritty skin texture and dark, dramatic skies while not losing a lot of midtone openness that the green channel provides. Really lets you tailor the flavor of the bleach bypass to your taste.
If you work in the ACES colorspace, you dont have to do these colorspace transform nodes every time. Just give the footage on import the right colorspaces and you're done.
@@ColoristFoundry It is understandable. But here you explain something specific. If I was to search how to get Fincher look or bleach bypass, your own click ain't title would stand in your way of me acquiring the knowledge that I need: Still, your channel is amazing and please don't stop!!!
Zack Snyder uses Bleach Bypass in almost all of his films, creating a strong contrast and metallic look where color shines as a detail giving a wide range of deep and saturated colors
And this is why all TV and movies these days look like they are filmed in a basement, underwater, in Seattle, at night. Sorry I like to actually SEE the characters in movies and TV series. The world is "dark" enough already. Time to step into the light.
It’s nice showing how to achieve this look, but your process is unnecessarily sloppy and disorganized. It could lead to a lot of easily avoidable mistakes made by the less experienced looking to you.
@@ColoristFoundry that’s a far worse response than I was expecting. “Part one is the bad way they can get you in a lot of trouble, but look out for part two where I actually teach it correctly!” Yikes.
We have to start somewhere. We chose to start with the most commonly known technique. Also, we think, for an absolute beginners it’s a pretty summarised history lesson and overall technique to get started with. Just because you know a thing or two, doesn’t mean it becomes the absolute “Right” way to do things. There’s a slope to that. Your hostility is not needed here. Lol.
@@ColoristFoundry no hostility, purely warranted criticism. I’m not saying to teach something a right way, I’m saying to consider that you are being seen as a guide to many beginners and are teaching them sloppy techniques that can lead to easily avoidable mistakes in this video. It’s amateurish, to be frank. Then saving the ‘better’ way for another video almost seems irresponsible and makes the existence of the first video questionable. There’s plenty of valid criticism across your videos in the comments, this is simply one of them. Thanks!
FYI: The composite mode for the mixer is Hardlight. The voice-over says Hard Mix. Hardlight is what is actually selected in the video.
Serioulsy. They shuld remove this video.
@@John-e4p1x and why is that?
@@kjrbst Joking bro
Thanks, I just found that for myself without realizing that hard mix was the wrong one.
This is a good approach. You can take it a step further by using the channel mixer in Monochrome mode and adjusting the outputs to shape the luminance response from those channels. An example being a low Red and Blue Output with a higher Green Output gets some gritty skin texture and dark, dramatic skies while not losing a lot of midtone openness that the green channel provides. Really lets you tailor the flavor of the bleach bypass to your taste.
This is awesome. Thank you.
Legend
Underrated channel.
So glad I clicked on this video. I thought it would be a video essay, but it's actually a really good tutorial.
Thanks! :D
I use Fujifilm and it comes with a bleach bypass film simulation.
i did this whith shotcut. great tutorial here!
already that intro was so good, so excited to watch the rest
Wow. Can't wait for part 2!!
Second! I was told to desaturated the TOP node of the layer mixer for an effective bleach bypass but this looks like an easier method
One Minute in, immediatly subscribed
Thanks for the video! I like using Bleach Bypass, however most of the time it adds too much texture. Any tips to manage that?
If you work in the ACES colorspace, you dont have to do these colorspace transform nodes every time. Just give the footage on import the right colorspaces and you're done.
beautiful! i like this 😍
GREAT LOOK Professional. Excellent Bleach by Pass look method
what an intro! 🖤
Really helpful. Thank you.
Do you have any color grading tutorials for this?
what would the colour space transform settings need to be if your using BMPCC4K footage?
black magic design, gen 4 or 5 depending on what you shot at.
@@krisdekker5830 BMPCC4K is the blackmagic pocket cinema camera 4k
Is there a way of exporting this as a cube file to preview in camera?
Such a great tutorial. Can't wait for the part 2.
wow love this music electro sample - what the name of the track?
Nbdy Nprtnt "Caution"
I needed such a simple guide with an explanation of all the steps. Thanks a lot!
It helped thanks very much
Can you please consider non-clickbait titles? The quality of this video deserves better than the cheap "this"
I agree
Ones with the least views on our channel are the ones speaking clearly to the audience in title of the video.
@@ColoristFoundry 🤔 so…you agree…you’re clickbaiting…lol
@@ColoristFoundry It is understandable. But here you explain something specific. If I was to search how to get Fincher look or bleach bypass, your own click ain't title would stand in your way of me acquiring the knowledge that I need:
Still, your channel is amazing and please don't stop!!!
Guys, the video speaks for itself. The tile hardly matters. They need to get views.
I love this channel
Hello, excellent, we are beginners, to apply this technique with Sony cameras in Slog 3, what do you recommend? Thanks!!!
What a great video! Thanks so much, you helped me a lot.
Love the tutorial, thanks
THX waiting for new video :D
How do I know the settings for Color Space Transform for my footage?
Hey! I really like that video is in 16:10 (or simmilar) aspect ratio :)
I just measured it, I think it's 1.66:1
I don’t have composite mode? Is it not in the free version?
Hey, I love you content. Can you give me the name of the music you used?
hey can you guys do some tuts with Sony cameras footage?
Just discovered your channel, what an amazing job you do, thank you so much ! Subscribed !
This is awesome, THANK YOU
wow thank you for the video!
Can you link the intro song? I found the artist but the song isnt on yt or spotify
Thanks for this. What are the project settings, ACM?
if it is a rec 709 footage i shouldnt be applying any cst right ?? and just go straight with Hardlight in layer mixing
what the setting for input color space & input gamma on CST IN node if using Slog3 footage ?
there is a possibility doing this on a6000 footages?
Does anyone know what the song at the start was?
Super video, I've learn a lot ! BTW what is the name of your intro ?
Were these shot with an iphone ProRes?
i live for these lessons , thank you very much
Excellent
hi whats the aspect ratio for this video? it feels very full on my macbook thanks !
ur tha best
I've never heard the word "node" this much in my life.
Zack Snyder uses Bleach Bypass in almost all of his films, creating a strong contrast and metallic look where color shines as a detail giving a wide range of deep and saturated colors
DOPE 💯💥
man i woulf love for you guys to do atleast 1 final cut pro video on color correction
❤️
Make a pr
Make one for BMPCC 6K Please
Change output color space for black magic. Done.
@@LateGreatHenry THANK U
Meh. Bought a camera that films 10bit. Found out you need the payed version of davivinci to grade 10 bit footage..
And this is why all TV and movies these days look like they are filmed in a basement, underwater, in Seattle, at night. Sorry I like to actually SEE the characters in movies and TV series. The world is "dark" enough already. Time to step into the light.
Sent you guys two messages about my order and no response :/
It’s nice showing how to achieve this look, but your process is unnecessarily sloppy and disorganized. It could lead to a lot of easily avoidable mistakes made by the less experienced looking to you.
Yes, that’s why there’s a part two. More efficient and with a free powergrade.
@@ColoristFoundry that’s a far worse response than I was expecting. “Part one is the bad way they can get you in a lot of trouble, but look out for part two where I actually teach it correctly!” Yikes.
We have to start somewhere. We chose to start with the most commonly known technique. Also, we think, for an absolute beginners it’s a pretty summarised history lesson and overall technique to get started with.
Just because you know a thing or two, doesn’t mean it becomes the absolute “Right” way to do things. There’s a slope to that.
Your hostility is not needed here. Lol.
@@ColoristFoundry no hostility, purely warranted criticism. I’m not saying to teach something a right way, I’m saying to consider that you are being seen as a guide to many beginners and are teaching them sloppy techniques that can lead to easily avoidable mistakes in this video. It’s amateurish, to be frank. Then saving the ‘better’ way for another video almost seems irresponsible and makes the existence of the first video questionable. There’s plenty of valid criticism across your videos in the comments, this is simply one of them. Thanks!
@@LateGreatHenry Perhaps you can share your technique?
Stop using robotic voices and you'll get more views
Ouch.