Yeah it’s really good. It has some wobble issues at wider angles but still does really well. Yeah pretty heavy kit ha. Coming from Nikon and this is way heavier than my Z6. But it actually helps with handheld shots. The weight makes it easier to get smoother shots. Overall love the s1H. Very capable camera.
Igor Pilot the 10 bit 422 internal is pretty darn good, but the ProRes Raw is no doubt more flexible in post. It’s a hard choice though, with how large the ProRes Raw files are and what your delivery time is. Honestly, I’d choose the 10 bit 422 ProRes external recording over the internal for sure because it runs so much smoother in post. It’s like magic compared to h.265. Even the 5.9k ProRes Raw files run smoother than h.265 files. I don’t get it.
Jonathan Grijalva yeah h.265 is not for editing for sure so makes sense that prores is smoother. Great stuff - thanks! I have a SL2 with 10 bit h.264 which edits fine or external prores but no raw on that one.
Very nice.
Thanks!
Very cool! Really enjoyed watching this.
Al-fa-gof!
Have to say I am imprssed with the IBIS on that camera. Good setup choice; heavy kit?
Yeah it’s really good. It has some wobble issues at wider angles but still does really well. Yeah pretty heavy kit ha. Coming from Nikon and this is way heavier than my Z6. But it actually helps with handheld shots. The weight makes it easier to get smoother shots. Overall love the s1H. Very capable camera.
Perfect Flight; Beautiful Footage; Well done kids. #proudmama
What a thrill it must have been 🛩
Nice! How do you find ProRes Raw compared to the internal 10 bit on the S1H?
Igor Pilot the 10 bit 422 internal is pretty darn good, but the ProRes Raw is no doubt more flexible in post. It’s a hard choice though, with how large the ProRes Raw files are and what your delivery time is. Honestly, I’d choose the 10 bit 422 ProRes external recording over the internal for sure because it runs so much smoother in post. It’s like magic compared to h.265. Even the 5.9k ProRes Raw files run smoother than h.265 files. I don’t get it.
Jonathan Grijalva yeah h.265 is not for editing for sure so makes sense that prores is smoother. Great stuff - thanks! I have a SL2 with 10 bit h.264 which edits fine or external prores but no raw on that one.
Igor Pilot nice! Feels like every camera will have raw soon haha.