Liszt - Réminiscences de Lucia di Lammermoor, S397 (Hegedűs)
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- เผยแพร่เมื่อ 29 พ.ย. 2018
- An exceptionally vibrant interpretation of Liszt's reminiscences on the closing sextet of Donizetti's ‘Lucia di Lammermoor’.
The sextet is one of the greatest pieces in the literature; when Caruso sang it in New York, such pandemonium broke loose that policemen stormed into the Met thinking that a riot had broken out. It is the pivotal point of the opera, with its conflicting and interwoven emotions of the enraged Edgar, the remorseful Enrico, the scarcely sane Lucia, and the sundry other rogues and varlets. Liszt's transcription commences in 3/4 time and, after its syncopated introduction, mirrors the orchestral and vocal parts before becoming airborne with a fluttering cadenza passage leading to a lovely arperggio throughout the upper half of the keyboard. The time signature then changes to 9/8, and the theme is developed in right-hand chords while the left is occupied by a series of arpeggios and intermittent trills, softly played, but which by their continuous presence and increasing dynamics serve to create a sense of considerable emotional pressure. Liszt then notches up the temperature by inverting the right-hand-left-hand treatment of melody and accompaniment; the climax is finally reached when that tensely repressed accompaniment bursts through the surface of the melody. The artistry involved in creating this cathartic result is astonishing in its uncanny preservation of the sense and feel of the original work as encased in a vivid, dreamlike state. At last, the piece then closes with a return in 3/4 to the original theme, which then fragments into booming left and right-hand chords before once again coalescing into a final rollercoaster arpeggio that brings the music to a close. - เพลง
Liszt was a genius like no other. Easily one of the greatest artists, all eras combined.
Hi dylonely42
Yes!!!!
Liszt is one of my favorite composers.
"This Liszt guy" never ceases to amaze me.
I'm very grateful you've uploaded this.
I hope you're doing well.
Hats off to the piano technician -- the voicing and tuning are really superb.
recording chain too. Can you identify the piano? Fazioli?
Audaciously bold, colorful, regal, and sublime! This is the raison d’etre of the Concert Grand Piano (instruments in music aren’t capitalized, but I feel emboldened to do so in this instance). And this is why ladies would faint when Franz Liszt entered a room. A splendid performance of this demanding piece.
the fainting... do you have a reference for that? I read tales that his playing had caused people to faint but never knew the source / verified.
This Early Operatic Fantasy (which was sadly cut by the publisher) has probably the most unique structure of his early virtuosi life and actually has the feeling of the opera. The introductory material is based highly on the sextet but in the diminished setting with the first 2 bars based of the start of the sextet and the other 2 bars being based on the middle section in 9/8. The second part of the fantasy (Marche et Cavatine) captures the essence of the dramatic scenes of the opera. Truly a marvellous work.
Une des pièces majeures des réminiscences d’opéras par Liszt et des plus connue magnifiquement rendue par ce grand pianiste Hegedus ! Merci pour cette diffusion !
That became Nostalgic ❤
Wow... This piece is just amazing
this piece is absolutely fantastic
Yes,absolutely
Bravo bravo bravo brilliance music super virtuoso
This is incredibly beautiful.
"sundry other rogues and varlets" :D you rule. And this is a fab recording. Now I must look up that anecdote of Caruso's performance...
What a ferocious interpretation, bravo!
I love this!
Without Liszt piano is boring😊😊😊
Spectacular.
2:57
0:51 liszt had 3 hands confirmed
Quale parte dell'opera originale
Liszt trascrive?
sextet "Chi mi frena in tal momento?" (Act II FInale)
@@TheBackdraftTV Grazie mille ♥️
Quoting the famous Sextet "Chi mi frena in tal momento? " 🤍
Thanks for all the gems you upload!
Utterly wonderful! It is so different than another Lammermoor fantasy that I also very much like, the Grande Fantasie by Parish-Alvars (th-cam.com/video/wmKBmx--KPk/w-d-xo.html). There must be something inspiring about an insane woman in a Scottish castle set to the glorious music of Donizetti.
esta claro ...................muchas cosas..................el piano.es un instrumento.....magnifico..............pero la voz humana supera todo.................todo....................
Try listening to this in a half speed.
Why?
I'm also curious as to why
I third their questions.
@@clarkebynum4623 maybe because it sounds a bit like bumblebee)))
@@costelconstantin4845 why am I singled out here haha
2:36 A little excursion to Ricordanza :)
I thought the same :)
@@AndreiAnghelLiszt Are you still among us...?
0:47
Impossibile non accostare questo pezzo a quello di Thalberg sulla stessa scena finale.
Forse uno dei pochi casi in cui Thalberg supera Listz
True, it seems like liszt didn't go all out in this work. Can't say the same thing about his reminiscences de lucrezia borgia.
Awwww very.... Good song.. But looks.. HELL..
2:28～カデンツァは類をみないほど艶っぽい。超絶技巧の第９「リコルデンツィア（回想）」に似ているが、単なる器楽的な意味しかもたないものではない。3:05～左アルページォとトリルのキレイな仕上がりは、手になじみにくい場合は練習を要するが、練習に費やした労力に十二分に報いてくれるほど美しい。
5:19～天上に舞い上がるかのような右オクターヴの上昇音程！、独創的な終わり方である。邦語では「ルチアの回想」で通っている。アンコール・ピースとして弾くにはちょうどよいくらいの長さと、法外な技巧を要求するものではないので、おまけとして聴きたい曲。
Not my favorite performance. I was playing it for a friend (who is a musician) that was unfamiliar with the piece, and he thought it wasn’t very good music. I found it hard to disagree, but not because of the piece itself, but because of the performance. The playing was very heavy and choppy, and the beautiful soaring melodies just felt flat.
So you good at piano well done
Matei Constantin i means this recording lol.
@@gojewla We agree to disagree :) I personally think Hegedűs' bold (and occasionally quite ferocious) recording suits this dashing piece perfectly.
I couldn't agree more! The pianist obviously never listened to the sextetand knows nothing about the "plot" of the opera - it's NOT a march but a lament! The tragic culmination of the first act should be played as what IT IS and not simply as just another Liszt score.
Repent and trust in Jesus. we deserve Hell for our sins. For example lying, lusing, saying God's name as a cuss word and stealing our just some examples of sin which we can all admit to doing at least one of those. For our sin we deserve death and Hell, but there is a way out. Repent anf trust in Jesus and you will be saved. Repentence is turning from sin. So repent and trust in Jesus. He will save you from Hell, and instead give you eternal life in Heaven.
John 3:16
Romans 3:23❤😊❤❤