Franz Liszt / S.253 / Grosse Konzertfantasie über spanische Weisen (Spanish Fantasy)
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- เผยแพร่เมื่อ 8 ต.ค. 2021
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The manuscript of the Grand Concert Fantasy upon Spanish Themes is dated ‘Lisbonne, 2 Février, 1845, but the work was not published until after Liszt’s death. It appeared in 1887, with a dedication to Liszt’s first biographer, Lina Ramann. We do not know why Liszt kept this piece to himself for so many years, but he must have thought about it quite late in life to apply the dedication. The later Spanish Rhapsody shares one theme with the piece, and an unfinished manuscript in Weimar also contains some material in common. The present enormous piece is based upon three melodies: a fandango, which is heard in an opening flamboyant fantasy, and will be recognized immediately by anyone who recollects the third act of Mozart’s Figaro; the Jota aragonesa, encountered in a number of famous musical homages to Spain and here treated in a slow and rhapsodic manner; and a cachuca, which first appears as a subsidiary melody to the jota, and then returns-after further development of the fandango-as a section in its own right and at the proper tempo, now with fragments of the jota which eventually gains supremacy in the coda.
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Piece Information
Grosse Konzertfantasie über spanische Weisen (Spanish Fantasy)
Composer : Franz Liszt
Opus Number : S.253
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Tags
#liszt
#crazy
#insane
#hard
#piano
#tutorial
#steinway
#spanish
#fantasy - เพลง
I love hearing Liszt pieces that I’ve never heard before
Try Norma Fantasy :)
I love how you can hear the Spanish Rhapsody too
because these are very spanish type of themes
@@Deniz69567 because Spanish Fantasy was later changed to Rhapsody lol
@@Just_a_Piano_Not really, they just used the same themes as one another. S.695c sounds closer to the Rhapsody anyways.
@thenotsookayguy Except they also use the exact same parts in both pieces. Nearly at the same time. They don't sound similar because of the theme, but because they literally used the same notes at times
It’s funny, listening to Liszt without knowing what you’re actually listening to just feels like finding video game easter eggs. Sometimes you find the older versions of Liszt pieces you’ve already heard before and it’s like “heyyyy I’ve heard that before”
And there's a pianist who played even faster...
no such thing. its impossible for a pianist to go faster than synthesia tempo... only person that has ever attempted this speed is pletnev, but no one will surpass a synthesia
@@raphaelconcepcion863 LaDivinaFanatic did.
8:09 ~ my Fav part ❤
i like your effects
9:11 - thats hard , i mean ig its trill on 4th nd 3rd on both hands nd playing alternative notes
i love the spanish theme of 9:33 , sooo catchy
And the left hand is a tenth 😂
@@JramLisztfan rip small hands 🤣
9:11 to 9:32 is by far the hardest for me.
The trills are the only reason why I never played this piece without cheats (like no cuts and stuff)
I always die from the trills., and if I do the trills perfectly, I die in 10:37
And then I will die again on 11:15 and stop on 11:40
@@thenotsogoodpianist47064:30 is really crazy. At least we can break LH tenthes in that trill part and it works, but this part is just insane.
@@Paganini-Lisztthis isn’t even the hard shit of this piece lmao
Love start 8:09
What was the song used in the outro
Mereaux Op63 No45 Scherzo Alla Napolitana.
9:34
10th like flex
noice
Shut up
What did bro even do??? 💀
@@richlistcool6631 ?
i want to learn this but its 31 pages
Nic
bros handle is mereaux
First
You’re crazy.
haha
I need your help to share my video if you can..😀. if i have free time i want upload Mozart Symphony No 40. What do you think about my plan for uploading Mozart Symphony No 40
@@sambakumara5397 I love that piece too and I will help you.
@@somchaisaelee328 Thank You Very Very Much 😊😊
You DO NOT SAY HE IS CRAZY