Faz muita diferença quando o maestro expressa as emoções na regência da obra. E este maestro, além da sua regência técnica, as suas emoções com a interpretação da obra com certeza foi um fator importantíssimo para eu sentir a essência desta maravilha. Como dizem, música tem que executar e interpretar com coração, com paixão. Tem que ter o "sentir humano".
Lo facciamo quest'anno con il mio coro insieme a un altro..difficile ma meraviglioso, tra "in Sempiterna" e "Fac ardeat cristu premuniri" ecc! a Roma 8 e 9 giugno..
In the most gorgeous setting a splendid performance! The soprano and mezzo are beautifully matched in duetto; the basso shows excellent control and dynamic range. Maestro took rather slower tempi which was quite pleasing. And on personal note - the basso recitativo with chorus sounded varied and not boring as in most instances. Regrettably, the tenor’s emission was totally foreign to the other soloists which was rather disrupting the cohesiveness in ensembles. Great thanks for Teatro Comunale di Bologna for such a wonderful tribute to great bolognese
Está orquesta Bolognesa, en concreto, le daba 40 likes. Adoro el tempo, la intensidad y sin embargo ligereza, su aérea gracia. Y el coro de máximo nivel, así como los solisti. Bravísimo!
Porque aquí el tempo es ligero y delicioso, como son las óperas del Maestro. Creo que hay aquí más Rossini que en otras versiones más renombradas, en las que parece que el director quiere interpretar el Requiem de Mozart antes que dar vida a la partitura rossiniana.
58.22 l'espressione facciale, le labbra serrate e la mano sinistra imita Abbado. Così pure a 1.00.49 Comunque grande esecuzione, tranne per i cantanti che gonfiano e intubano i suoni credendo che siano più grandi all'ascolto.
It's so disgusting that such a great work of Rossini is not written in English the most spoken language in the world! I really wonder why it's in Italian when it is shown around the world. I do not know where it was played, which orchestra, who the soloists are and who the conductor is!
Anand Samuel areyou kidding? The work was written in the early 1800s, in Italian. This is an Italian performance in Bologna, Italy. You and I have the privilege to watch it in far away U.S. They do not translate the classic works for transmission to other countries - that would be absurd.
Anand Samuel is latin friend, Stabat Mater means “the mother was there” (at cross feet), Latin was used in Stabats, Requiems and others liturgical music.
Many people dont know how great Rossini was as composer. May be besause music expert have seen him only as a comedy composer?
Faz muita diferença quando o maestro expressa as emoções na regência da obra. E este maestro, além da sua regência técnica, as suas emoções com a interpretação da obra com certeza foi um fator importantíssimo para eu sentir a essência desta maravilha. Como dizem, música tem que executar e interpretar com coração, com paixão. Tem que ter o "sentir humano".
Eccellenti! Tutti! Direttore favoloso!!!
houèèèèèèèèèèèèèèèèèèèèèèèèèèèèèèèèèèèèèèè🥰😍🤩
Ercole D'aleo, un caloroso saluto. Bel coro
Ein gutes video danke
Lo facciamo quest'anno con il mio coro insieme a un altro..difficile ma meraviglioso, tra "in Sempiterna" e "Fac ardeat cristu premuniri" ecc! a Roma 8 e 9 giugno..
A glorious work many thanks.
In the most gorgeous setting a splendid performance! The soprano and mezzo are beautifully matched in duetto; the basso shows excellent control and dynamic range. Maestro took rather slower tempi which was quite pleasing. And on personal note - the basso recitativo with chorus sounded varied and not boring as in most instances. Regrettably, the tenor’s emission was totally foreign to the other soloists which was rather disrupting the cohesiveness in ensembles. Great thanks for Teatro Comunale di Bologna for such a wonderful tribute to great bolognese
Tante grazie TCB. Un'ora di piacere ascoltando questa bellissima interpretazione.
Magnífico 👏🏼👏🏼👏🏼
Me encantan las orquestas y coros italianos para interpretar el Stabat Mater y la Pequeña Misa. Saben darle la sal el azúcar y la canela.
Está orquesta Bolognesa, en concreto, le daba 40 likes. Adoro el tempo, la intensidad y sin embargo ligereza, su aérea gracia. Y el coro de máximo nivel, así como los solisti. Bravísimo!
Que Maravilha! Gratidão por compartilhar! Bravíssimo, Maestro! Que Belo Trabalho!!!
Splendido! Grazie
Che bella!
Belíssimo. Parabéns. Muito obrigado.
Excellent. Thank you very much for this sharing.
Thanks so much for the information
The soloists aren't top-notch but I find the jaunty quartet at 33:30 strangely addictive for reasons I can't explain...
Porque aquí el tempo es ligero y delicioso, como son las óperas del Maestro. Creo que hay aquí más Rossini que en otras versiones más renombradas, en las que parece que el director quiere interpretar el Requiem de Mozart antes que dar vida a la partitura rossiniana.
Bravo. Sacro. Rossini. Divino pecatore.
58.22 l'espressione facciale, le labbra serrate e la mano sinistra imita Abbado. Così pure a 1.00.49 Comunque grande esecuzione, tranne per i cantanti che gonfiano e intubano i suoni credendo che siano più grandi all'ascolto.
A me piace il basso
In che data é stato eseguito?
per cortesia, chi sono gli interpreti?
El tenor con su arete resta seriedad a un concierto de este tipo.
Y falta trabajar más está aria
Pero ataca digno
Non mi piace la piccola voce nasale del tenore.
That’s because you’re not a heavy metal fan 😂
It's so disgusting that such a great work of Rossini is not written in English the most spoken language in the world! I really wonder why it's in Italian when it is shown around the world. I do not know where it was played, which orchestra, who the soloists are and who the conductor is!
Anand Samuel areyou kidding? The work was written in the early 1800s, in Italian. This is an Italian performance in Bologna, Italy. You and I have the privilege to watch it in far away U.S. They do not translate the classic works for transmission to other countries - that would be absurd.
Very stupid idea. Go learn Italian you lazy lout.
Anand Samuel is latin friend, Stabat Mater means “the mother was there” (at cross feet), Latin was used in Stabats, Requiems and others
liturgical music.
He was pretty consistent in being Italian, the work was commissioned by an Italian - I am sure he didn't mean to upset you so...
From the notes :
Michele Mariotti, direttore
ORCHESTRA E CORO DEL TEATRO COMUNALE DI BOLOGNA