I've always thought the main problem with Vivaldi is not that he wrote too much but that he wrote too little. Thank you so much for addressing this defect!
dixit Dominus Domino meo sede a dextris meis donec ponam inimicos tuos scabellum pedum tuorum 06:13 Virgam virtutis tuae emittet Dominus ex Sion dominare in medio inimicorum tuorum 08:25 Tecum principium in die virtutis tuae in splendoribus sanctorum ex utero ante luciferum genui te 11:00 Juravit Dominus et non poenitebit eum tu es sacerdos in aeternum secundum ordinem Melchisedech 13:40 Dominus a dextris tuis confregit in die irae suae reges 15:25 Judicabit in nationibus implebit ruinas conquassabit capita in terra multorum 18:06 De torrente in via bibet propterea exaltabit caput 21:00 Gloria Patri et filio, et spiritui sancto 22:14 Sicut erat in princípio, et nunc et semper, et in saecula sæculórum. Amen.
Incantevole. Un degno erede del Prete Rosso, ma anche di quella meravigliosa scuola veneziana, che annoverava eccelsi Maestri come Antonio Lotti (1666-1740); Benedetto Marcello (1686-1739); Baldassarre Galuppi (1706-1785).
encore un compositeur baroque que je ne connaissais pas mais quelle merveille aussi bien que tout les traditionnels vivaldi corelli etc vraiment les italiens sont maitres en la matiere
Apparemment ce sont des mélodies de Vivaldi et F.M. SARDELLI est le chef d'orchestre qui les a redécouvertes. Voir www.musebaroque.fr/une-corbeille-de-primeurs-f-m-sardelli/
Al final va resultar que me gusta la música contemporánea más que pensaba. À la fin il me semble que j'aime la musique contemporaine beuacoup plus que je ne le pensais
Sauf qu'à force de faire de la fausse musique baroqueen plein XX - XXI ieme siècle, ça ressemble quand même trop à Vivaldi - bonne copie - mais copie ....
But this is actually very near to mere copying.. Yes, it’s nicely done, but it tooks not just scheme and time signatures, but sometimes even parts of themes from Vivaldi.
It was and is commonplace for composers to borrow ideas from each other. It was a means to show appreciation and respect towards the work of another master. I don’t agree it should be considered plagiarism. I think Sardelli is just very well versed in 18th century musical forms and schema.
Legolasicek well, that’s your viewpoint. I personally adore music from this period and admire those who dedicate their life to understand it. Questions as to whether it should or not be considered a serious pursuit are a waste of time.
I agree with what Markus said, but at the same time, this is uncanny. I dont want to listen to a composer that sounds exactly like another composer... there are many little-known composers on youtube today composing baroque music, and none of it sounds this uncannily similar to any specific baroque composer. This just makes me feel uneasy tbh!
D'affermar con chiarezza oggi m'onoro
che questo "Dixit" è 'n capolavoro.
3:25 is such an absolutely gorgeous 5th progression worthy of a person whose compositions epitomize the spirit of High Baroque excellence. Brilliant
I've always thought the main problem with Vivaldi is not that he wrote too much but that he wrote too little.
Thank you so much for addressing this defect!
Je suis enchante de faire la connaissance de ce compositeur que je ne connaisais pas jusqu a ce jour...Excellente musiqye pleine de vie et de joie...
It is hard to believe that I love this.
dixit Dominus Domino meo sede a dextris meis donec ponam inimicos tuos scabellum pedum tuorum
06:13 Virgam virtutis tuae emittet Dominus ex Sion dominare in medio inimicorum tuorum
08:25 Tecum principium in die virtutis tuae in splendoribus sanctorum ex utero ante luciferum genui te
11:00 Juravit Dominus et non poenitebit eum tu es sacerdos in aeternum secundum ordinem Melchisedech
13:40 Dominus a dextris tuis confregit in die irae suae reges
15:25 Judicabit in nationibus implebit ruinas conquassabit capita in terra multorum
18:06 De torrente in via bibet propterea exaltabit caput
21:00 Gloria Patri et filio, et spiritui sancto
22:14 Sicut erat in princípio, et nunc et semper, et in saecula sæculórum. Amen.
Eccellentissimo Sardelli, come sempre
The one and only Sardelli! :)
Superb , thank you !
Incantevole. Un degno erede del Prete Rosso, ma anche di quella meravigliosa scuola veneziana, che annoverava eccelsi Maestri come Antonio Lotti (1666-1740); Benedetto Marcello (1686-1739); Baldassarre Galuppi (1706-1785).
Sublime!!!
mi allarga il cuore
Enchanting, thank you.x
Viva Ispirazione Barocca!
encore un compositeur baroque que je ne connaissais pas mais quelle merveille aussi bien que tout les traditionnels vivaldi corelli etc vraiment les italiens sont maitres en la matiere
Apparemment ce sont des mélodies de Vivaldi et F.M. SARDELLI est le chef d'orchestre qui les a redécouvertes. Voir www.musebaroque.fr/une-corbeille-de-primeurs-f-m-sardelli/
Vivaldi en el siglo XXI . Soberbio !!
Sardelli è un pazzo lucido
Ecco un'ottima definizione.
marco lucca .... o è un genio folle di lucida visione ....
perfetto
amazing :)
Al final va resultar que me gusta la música contemporánea más que pensaba.
À la fin il me semble que j'aime la musique contemporaine beuacoup plus que je ne le pensais
Jeg sidder her oppe og holder øje med jer, så bare pas på.......
Sauf qu'à force de faire de la fausse musique baroqueen plein XX - XXI ieme siècle, ça ressemble quand même trop à Vivaldi - bonne copie - mais copie ....
Commentaire idiot et superficiel écrit par ceux qui ne comprennent rien à la composition.
But this is actually very near to mere copying.. Yes, it’s nicely done, but it tooks not just scheme and time signatures, but sometimes even parts of themes from Vivaldi.
It was and is commonplace for composers to borrow ideas from each other. It was a means to show appreciation and respect towards the work of another master. I don’t agree it should be considered plagiarism. I think Sardelli is just very well versed in 18th century musical forms and schema.
Markus Boyd yes I know that of course. But these times are long gone..
Legolasicek well, that’s your viewpoint. I personally adore music from this period and admire those who dedicate their life to understand it. Questions as to whether it should or not be considered a serious pursuit are a waste of time.
@@markusboyd4834 agreed! ^
I agree with what Markus said, but at the same time, this is uncanny. I dont want to listen to a composer that sounds exactly like another composer... there are many little-known composers on youtube today composing baroque music, and none of it sounds this uncannily similar to any specific baroque composer. This just makes me feel uneasy tbh!