Excellent interview. Lots of great references to follow up on: music, etudes, recordings, players. Only one small note: the breathing is heavy on your side of the mic.sounds like an air-handling system.
1st comment and view! I occasionally play with David's brother here in Michigan. Thanks for the great content Mark. It provides great entertainment to me while I deliver the mail here in Livonia, MI.
There was a comment I the conversation where David mentions how Johnny Ware counseled him, and you said that John Ware's approach to playing would be more in step with today's orchestras. Mark, could you unpack this? How was John Ware's approach different from his contemporaries. And why would he be a better fit for today's orchestras? Thank you!
![POLYCAT - ข้อความรูปยิ้ม [Music Video]](http://i.ytimg.com/vi/lBhIgPGCgbI/mqdefault.jpg)
Excellent interview. Lots of great references to follow up on: music, etudes, recordings, players. Only one small note: the breathing is heavy on your side of the mic.sounds like an air-handling system.
1st comment and view! I occasionally play with David's brother here in Michigan. Thanks for the great content Mark. It provides great entertainment to me while I deliver the mail here in Livonia, MI.
Thanks for watching abs delivering the mail! Sounds like his brother is a fine player too!
I never got past the 1+ minute of pokey animated letters.
There was a comment I the conversation where David mentions how Johnny Ware counseled him, and you said that John Ware's approach to playing would be more in step with today's orchestras. Mark, could you unpack this? How was John Ware's approach different from his contemporaries. And why would he be a better fit for today's orchestras? Thank you!