Dr Charulatha salute you madam.You are extraordinary in knowledge, singing , demonstration and more than anything humility. The way you recognized the presence of Mahavidwan Prof TRS speaks volumes about the culture you have imbibed...That doubles the respect you get from others
I have been an ardent admirer of your "Isai payanam" since just a year! Varthaikal illave illai ungal thiramaiye parattaruthukku. God bless you dear! how well you describe and explain each and every raaga!
Charulathaji your explanation for Nalinakanthi and the rendition of. the Carnatic song is extraordinary.God bless you my sister. Advocate R.Srinivasan,Ambur, Vellore district.
What a singer enna depth of knowledge very un assuming personality God bless her long life and more contribution from her to the music field. Good work keep it up Charu
Raga Nalinakanthi Enthan nenjil neengatha by maestro Ilayaraja explained by beautifully rendered by Raga Devathai Charu latha mani is heart throbbing.Hats off to you.God blesses you. Advocate R.Srinivasan Ambur Vellore District
Sweet voice, terrible knowledge in classical music, wonderful explanation, timing, amicable to audience, beautiful picture to see n happyly enjoyable, God appears in this type of musical experience
God bless you madam. With such a fine voice and range, extraordinarily espousing the genius of Raja Sir and that brings me tears. The opening instrumental in the song and the way it was picturised reflect your delineation of the raga. Kudos
What happened to Manavyalakin which is the only Nalinakanthi I know which I like very much. Incidentally S Aishwarya (great grand daughter of M.S.) sings this song so beautifully.
So well done and executed and good explanation,so knowledgeable and well explained & comparisons.You have taken you tube video to an extra high level! So proud and thanks for sharing!It is never enough to watch you and your singing ! Please keep it going so younger generations can learn more in a better way!
charulatha mani is the SAGARAM in carnatic classical world.she is the greatest person.emichepppina ,emicheppina TAKKUVE.SHE is the RAGA, LAYA, and tala, bhava.K.MOHANACHARI. M.sc.M.ed .9618409759
Better to know the history of Music! Tamil Pan or Isai or music ( Iyal, Isai and nadagam) is the recorded earliest music in India. Silapathigaram ( also 2000years back in Tholkappium, Natrinai, kurunthogai and others) authored by Ilango Adigal around 500CE (1500 years ago) gives a perfect description about Classical Music. Is it not amazing that somebody in the Tamizh land defined all these as early as the 5th century? In just one verse, he gives the names of the seven swaras as per Tamizh PaN. குரலே, துத்தம், கைக்கிளை, உழையே இளியே, விளரி, தாரம் என்றிவை எழுவகை இசைக்கும் (Swaptha Swaram) எய்தும் பெயரே சவ்வும் (Sa) ரிவ்வும் (Ri) கவ்வும் (Ka) மவ்வும் (Ma) பவ்வும் (Pa) தவ்வும் (Tha) நிவ்வும் (Ni) என்றிவை ஏழும் அவற்றின் எழுத்தே ஆகும் Sa-Kural; Ri-Thuththam;Ga-KaikkiLai;Ma-Uzhai;Pa-ILi;Dha-ViLari;Ni- Tharam. In another verse, he says PaNs(Ragams) are obtained by arranging the 12 Kovais(swaras) in a specified structure in the ascending and descending scale. Sa-Kural; Ri-Thuththam;Ga-KaikkiLai;Ma-Uzhai;Pa-ILi;Dha-ViLari;Ni- Tharam. Purantharadasa (1500 CE, 500yrs back) a devotee of Vishnu, contributed enormously to further perfect the Tamil Pan as carnatic music and all others iincluding Mumoorthys are followers of Tamil Pan transformed ( name changed) to Carnatic music and further added their kirthana.
Dr Charulatha salute you madam.You are extraordinary in knowledge, singing , demonstration and more than anything humility. The way you recognized the presence of Mahavidwan Prof TRS speaks volumes about the culture you have imbibed...That doubles the respect you get from others
Simply superb ! deserves more recognition and accolades !
Wonderful Charulata. I love this raga.
She is knowledgable in Music. She is very good
My heart is melting
I have been an ardent admirer of your "Isai payanam" since just a year! Varthaikal illave illai ungal thiramaiye parattaruthukku. God bless you dear! how well you describe and explain each and every raaga!
Very soothing to hear . Came to know about famous flim songs in this raga . Thank u madam .
Excellent ! learned a lot about Nalinakanthi raaga ....Thank you so much.
Excellent. Nalinakanththi brought out in melodious and sublime form. Really enjoyed. Thank you sooo much for this Raga journey. God bless you.
Love your explanation of ragas. Very educative .. looking forward to new posts
More on Raga Nalinakanthi - charulathamani.blogspot.com/2012/09/a-ragas-journey-two-for-joy.html
ఓం 🔱 నమఃశివాయ 🔱
Excellent 👌 Informative
Melodious.....
Fabulous
Charulathaji your explanation for Nalinakanthi and the rendition of. the Carnatic song is extraordinary.God bless you my sister. Advocate R.Srinivasan,Ambur, Vellore district.
What a singer enna depth of knowledge very un assuming personality
God bless her long life and more contribution from her to the music field. Good work keep it up Charu
Thank you very much!
Raga Nalinakanthi Enthan nenjil neengatha by maestro Ilayaraja explained by beautifully rendered by Raga Devathai Charu latha mani is heart throbbing.Hats off to you.God blesses you. Advocate R.Srinivasan Ambur Vellore District
Charus exposition on rag a is superb.Thanks.
Thank you for your nalinakanthi raga session, very nice, one of my favorite...
எவ்வளவு இசை திறமை உங்களுக்கு அருமை
Thank you Madam, for Sharing.. really interesting & useful... May God Bless you to live long healthy & Prosperous...
Beautiful Madam!!! What a rendition!! Awesome
Sweet voice, terrible knowledge in classical music, wonderful explanation, timing, amicable to audience, beautiful picture to see n happyly enjoyable, God appears in this type of musical experience
God bless you madam. With such a fine voice and range, extraordinarily espousing the genius of Raja Sir and that brings me tears. The opening instrumental in the song and the way it was picturised reflect your delineation of the raga. Kudos
Enaku epadi solvadendre theriya villai. Migavum arpudamaana padhivu. Nandrigal pala🙏👏👏👏🙌🙌🙌
Excellent presentation: keep it up.
hats off to you for such a beautiful session on nalinakanthi raga,one of my favorite...
+Suresh AK thanks much! share the joy!
my daughter's favorite raga is nalinakanthi ...really fabulous demo
God bless you good health and happiness.That will give all the strength to explore more.....Rajkumar tiruppur
Super teacher for creativity of raaga.
Amazing charulatha.. Super!
Raga's beauty is in high octane ❤ 4:22
Super💐💐
aha bale balea balea nice to hear and watch.... want to listen more more more variations of both carnatic and film songs
Thanks!
Wow....super🙏👏👏
one Tamil song in Nalinakant ENTHANNENJIL NEETHANA By Ilaya Raja,
Your knowledge and passion is so addictive to music!
Excellent rendition by prince Ramavarma in this raga
Wonderful.
Arumai Amma vazthugal
What happened to Manavyalakin which is the only Nalinakanthi I know which I like very much. Incidentally S Aishwarya (great grand daughter of M.S.) sings this song so beautifully.
true
She started with manavyala mentioned first
🙏👌💐
very beautiful rag.
good
Chittaaattin kaavil...
Malayalam movie Nivedyam...
By M.Jayacjandran. singer Shankaran Nambootiri.
And
Ennum ninne poojikkyaam... -Aniyathipraavu
Kannil ummavachu paadaam... -Alice in wonderland
vishnu sivadas
vishnu sivadas
Amma, Nee Saraswathi - Kadaksham Pettaval Nalinakanthi Ragathe Mikavum Nan take prasant panniyath k Nan ri.....
So well done and executed and good explanation,so knowledgeable and well explained & comparisons.You have taken you tube video to an extra high level! So proud and thanks for sharing!It is never enough to watch you and your singing ! Please keep it going so younger generations can learn more in a better way!
have you been to Kerala? mam
charulatha mani is the SAGARAM in carnatic classical world.she is the greatest person.emichepppina ,emicheppina TAKKUVE.SHE is the RAGA, LAYA, and tala, bhava.K.MOHANACHARI. M.sc.M.ed .9618409759
Being a brilliant raga, it has a prefix 'Nalina,,' .
வணக்கம் சூப்பர்
I just discovered you Charulatha! Awesome! Keep up the good work!
en kadaul neengal
🙏🙏🙏🙏
mam nalina ganthi raga rasa bhaavam enna...ippo pantuvarali garunya rasam appdina ithku enna mam
Lovely! enjoyed it
She is a very good PR, Probbaly a ESJF
Film song ku carnatic suram padalam videos vidalam madem please regust me
manam virumbudhe unnai song also kind of the same raaga
In Harinis voice
Better to know the history of Music!
Tamil Pan or Isai or music ( Iyal, Isai and nadagam) is the recorded earliest music in India. Silapathigaram ( also 2000years back in Tholkappium, Natrinai, kurunthogai and others) authored by Ilango Adigal around 500CE (1500 years ago) gives a perfect description about Classical Music. Is it not amazing that somebody in the Tamizh land defined all these as early as the 5th century? In just one verse, he gives the names of the seven swaras as per Tamizh PaN. குரலே, துத்தம், கைக்கிளை, உழையே இளியே, விளரி, தாரம் என்றிவை எழுவகை இசைக்கும் (Swaptha Swaram) எய்தும் பெயரே சவ்வும் (Sa) ரிவ்வும் (Ri) கவ்வும் (Ka) மவ்வும் (Ma) பவ்வும் (Pa) தவ்வும் (Tha) நிவ்வும் (Ni) என்றிவை ஏழும் அவற்றின் எழுத்தே ஆகும்
Sa-Kural; Ri-Thuththam;Ga-KaikkiLai;Ma-Uzhai;Pa-ILi;Dha-ViLari;Ni-
Tharam. In another verse, he says PaNs(Ragams) are obtained by arranging the 12 Kovais(swaras) in a specified structure in the ascending and descending scale. Sa-Kural; Ri-Thuththam;Ga-KaikkiLai;Ma-Uzhai;Pa-ILi;Dha-ViLari;Ni-
Tharam.
Purantharadasa (1500 CE, 500yrs back) a devotee of Vishnu, contributed enormously to further perfect the Tamil Pan as carnatic music and all others iincluding Mumoorthys are followers of Tamil Pan transformed ( name changed) to Carnatic music and further added their kirthana.
Great information, Sir. 🙏🙏
Vidhwan Charulatha Mani
😍😍😍😍😍
👍👍👍👍👍👍👍👍👍👍
Is nalinakanti the janyam of sarasangi or shankarabharanam ?
I often get confused with Kadanakathutalam. Are they similar?
no its entirely different,
No..Kathanakuthookalam is look like as similar...but totally different
What
Brahmin girls are beauties
Beauties are everywhere sir
Eppa violin niruthu pa disturb avanga paadratha